Affandi Museum

11/06/2026

THE ENGLISH VERSION

It's not people who live forever, but the traces they leave behind.

And sometimes, every ending is simply the beginning of something new. ✨

**Slide 2**
This message can be found in *"Embryo"* (1989), the final painting created by Maestro Affandi.

The word EMBRYO symbolizes the beginning of life—a new chapter waiting to unfold.

What makes this work especially meaningful is that it was painted shortly before Affandi passed away in 1990.

Through this painting, Affandi seems to remind us that while one life may come to an end, new life, new ideas, and new beginnings continue to emerge.

**Slide 3**
Although Affandi is no longer with us, his spirit continues to live on through his art.

His works still inspire artists, art lovers, and new generations to create, explore, and see the world through a different lens.

*"Embryo"* also encourages us to make the most of our time and leave behind something meaningful.

One way to do that is by learning about, appreciating, and preserving Indonesian art and culture.

**Slide 4**
Life is short. 💛

Spend your time creating, learning, and experiencing things that matter.

When was the last time you visited a museum?

Share your story in the comments below! 😊

02/06/2026

30/05/2026

Halo Sobat Affandi! 👋🎨✨

Kalau lukisan-lukisan Affandi punya soundtrack Disney, kira-kira lagu apa yang paling cocok ya? 👀🎶

Bersama Kak Achi Pradipta, yuk kita seru-seruan mencocokkan beberapa karya Affandi dengan lagu-lagu Disney yang vibes-nya paling relate! Dari yang penuh semangat, mengharukan, sampai yang bikin nostalgia—siapa tahu ada lagu favoritmu yang ternyata cocok banget dengan sebuah lukisan. 🎵💛

Tonton videonya sampai habis dan cari tahu pilihan kami!

Nah, sekarang giliran kalian!
🎤 Lagu Disney apa yang paling kalian s**a?
🎨 Dan karya Affandi mana lagi yang menurut kalian cocok dipasangkan dengan lagu Disney?

Tulis pendapat kalian di kolom komentar, ya! 👇✨

26/05/2026

Every day, we pass through Jalan Affandi…
But not everyone knows the story behind the name. 👀✨

Back then, this street was known as Gejayan Street. On May 20th, 2007, it was officially renamed Jalan Affandi as a tribute to one of Indonesia’s greatest art maestros, Affandi Koesoema.

So yes—the road many people cross every day actually carries a story too.
SWIPE to discover it →

Slide 3 :
On May 20th, 2007, Gejayan Street was officially renamed Jalan Affandi by the Sleman Regency Government. The inauguration was led by Ibnu Subiyanto, the Regent of Sleman at the time, as a tribute to Affandi’s immense contribution to Indonesian art.

Slide 4 :
Interestingly, the process had started a year earlier. On August 10th, 2006, an Affandi monument was built near Ringroad Condongcatur as a landmark honoring his influence on Indonesian fine arts, especially in Yogyakarta.

Jalan Affandi stretches from the North Ringroad area of Condongcatur to Jalan Solo near Demangan Market—an area once widely known as Gejayan Mrican Street.

Slide 5 :
What makes the street even more special is the presence of Affandi-themed murals along the road. These artworks bring his spirit into the city’s daily rhythm, making his legacy feel alive beyond museum walls. 🎨

Slide 6 :
The inauguration was celebrated through the lively “Affandi Carnival Parade” as part of Affandi’s 100th anniversary commemoration. The event featured art performances, exhibitions, bazaars, competitions, and even 100 participants wearing Affandi masks throughout the parade.

Slide 7 :
Today, Affandi’s name lives not only through his paintings, but also through a street passed by thousands of people every day in Yogyakarta.

A simple yet meaningful tribute to a maestro whose legacy continues to inspire generations. ✨

23/05/2026

Halo Sobat Affandi! 🎨✨

Setiap tanggal 23 Mei, Museum Affandi mengenang kepergian Affandi Koesoema, sang maestro yang telah meninggalkan jejak mendalam dalam perjalanan seni rupa Indonesia.

Melalui setiap sapuan warna dan goresan emosinya, Affandi bukan hanya menciptakan karya seni, tetapi juga merekam kehidupan, kemanusiaan, dan perasaannya terhadap dunia di sekitarnya. Karya-karyanya menjadi ruang untuk melihat bagaimana seni bisa berbicara begitu dekat dengan pengalaman manusia.

Hingga hari ini, semangat dan warisannya terus hidup—menginspirasi banyak generasi untuk memandang seni bukan sekadar visual, tetapi juga sebagai bahasa jiwa dan ekspresi kehidupan. 💛

Mengenang hari wafat Affandi bukan hanya tentang mengenang kepergian seorang pelukis, tetapi juga tentang menghormati pemikiran, perjuangan, dan dedikasi yang telah beliau tinggalkan bagi seni dan budaya Indonesia.

21/05/2026

Halo Sobat Affandi! 👋✨

Museum Affandi kedatangan tamu spesial dari Singapura nih! 🇸🇬🎨

Pada 13 Mei 2026, Museum Affandi menerima kunjungan dari rombongan Temasek Polytechnic - School of Design untuk menikmati langsung suasana dan karya-karya Sang Maestro, Affandi.

Mulai dari menjelajahi galeri, melihat goresan ekspresif khas Affandi, hingga mendengarkan cerita di balik karya-karyanya—kunjungan ini menjadi pengalaman seru yang penuh inspirasi. ✨

Terima kasih kepada Temasek Polytechnic - School of Design sudah berkunjung dan berbagi momen hangat bersama kami 💛

Sampai jumpa lagi di Museum Affandi! 🎨👋

18/05/2026

ENGLISH VERSION

Every gallery has its own era.
At Museum Affandi, each gallery holds stories from different moments in time.
Swipe to explore the journey →

Slide 3 : Gallery I marked the beginning of Affandi’s dream for Museum Affandi. Completed in 1962, this 314.6 m² gallery was built to showcase his paintings and became the heart of his artistic journey. Its iconic banana leaf-shaped roof was inspired by a childhood memory when Affandi recovered from chickenpox covered with banana leaves to stay cool and protected. What began as a personal memory later became the architectural identity of the museum. Gallery I was officially inaugurated in 1973 by Ida Bagus Mantra, then Director General of Culture.

Slide 4 : Inside Gallery I, visitors can explore Affandi’s artistic journey from his early career to the final years of his life. The collection includes sketches, watercolors, pastels, and oil paintings. Personal objects such as his bicycle and modified 1970 Mitsubishi Galant shaped like a shark are also displayed, along with awards from Indonesia and abroad—offering a closer look into the artist behind the paintings.

Slide 5 : In 1987, Gallery II was built with support from Soeharto and inaugurated in 1988 by Fuad Hassan. Originally functioning as both an exhibition and sales space, the gallery also displayed works by prominent Indonesian artists including S. Sudjojono, Hendra Gunawan, Barli Sasmitawinata, and Mochtar Apin. Today, Gallery II focuses more on Affandi’s artistic journey, especially during his travels across India and Europe.

Slide 6 : Gallery III began construction in 1997 and was inaugurated in 2000 by Hamengkubuwono X. Continuing Affandi’s signature curved architecture and banana leaf-inspired design, the gallery consists of three levels: exhibition space, conservation area, and collection storage. Unlike the previous galleries, Gallery III highlights works by Affandi’s family, including embroidery by Maryati and paintings by Kartika and Rukmini. Today, it mainly showcases Kartika Affandi’s works.

15/05/2026

Halo Sobat Affandi! 👋🎨

Di balik nama besar Affandi yang dikenal hingga dunia internasional, ada perjalanan panjang yang penuh perjuangan sejak masa mudanya. ✨

Dari masa kecil yang penuh keterbatasan, hidup mandiri, hingga menjalani berbagai pekerjaan demi tetap bisa melukis—semuanya menjadi bagian penting dari perjalanan Affandi menuju dunia seni.

Menariknya, kenangan sederhana tentang daun pisang di masa kecilnya bahkan kemudian menginspirasi bentuk ikonik atap Museum Affandi yang kita kenal sekarang. 🌿

Perjalanan Affandi mengingatkan kita bahwa karya besar sering kali lahir dari proses yang tidak mudah. Dari keterbatasan, justru tumbuh semangat, kreativitas, dan cara pandang yang membentuk dirinya menjadi maestro seni lukis Indonesia.

Yuk, kenali lebih dekat perjalanan muda Affandi dan temukan cerita di balik setiap karyanya langsung di Museum Affandi! 💛

12/05/2026

Halo Sobat Affandi! 👋✨

Lima hari penuh cerita, budaya, dan inspirasi! 🎨🌾

Museum Affandi merasa bangga bisa menjadi bagian dari PAMERAN ABHIRAMA RANGGAWARSITA 2026 dengan tema:
“Pangan dalam Jejak Budaya: dari Warisan Leluhur menuju Pangan Masa Depan”
yang berlangsung pada 6–10 Mei 2026 di Museum Jawa Tengah Ranggawarsita.

Melalui pameran ini, Museum Affandi ikut menjadi bagian dari perjalanan budaya yang memperlihatkan bahwa pangan bukan sekadar soal rasa, tetapi juga tentang tradisi, warisan leluhur, dan cerita yang terus hidup dari generasi ke generasi. 🌱

Terima kasih kami sampaikan kepada Restu Gunawan, Dinas Kebudayaan Kundha Kabudayan Kabupaten Sleman, Forum Komunikasi Museum Kabupaten Sleman, serta seluruh pihak yang telah mendukung dan menyukseskan kegiatan ini. 💛

Sampai jumpa di perjalanan budaya berikutnya! ✨

07/05/2026

**ENGLISH VERSION**

Not just animal paintings…
In Affandi’s hands, every animal carries a story.
There’s love, empathy, even unrest—captured directly on canvas. 🎨

Swipe to discover the stories →

Slide 3: “Died in My Hands”
This painting was inspired by a real moment after World War II, when Affandi found a small bird that had been shot and died in his hands.
The birds once accompanied him while sitting beneath a banyan tree near his home, but over time their songs disappeared. Through this work, Affandi expresses grief and anger toward the destruction of nature caused by humans.

Slide 4: “Turtle Enclosures”
In this piece, Affandi portrays turtles trapped in cramped spaces without freedom. Inspired by what he witnessed on Serangan Island, Bali, the painting reflects his empathy toward living beings confined by human actions. Through expressive brushstrokes, he reminds us of the fragile relationship between humans and nature.

Slide 5: “Bird Market in Jogja”
Unlike the previous works, this painting captures a lively atmosphere at Pasar Ngasem, Yogyakarta. Interestingly, Affandi completed it in only around 30 minutes—showing how familiar and connected he felt with the place. Bird cages, large trees, and colorful rooftops all come together to portray the vibrant rhythm of the traditional market.

Slide 6: “Crabs”
Through this work, Affandi explored a subject rarely painted. Inspired by his experiences by the sea, he was fascinated by crabs as creatures that live between two worlds. With his expressive style, the painting feels dynamic—almost as if the crabs are moving across the canvas.

Through these works, Affandi reminds us that animals are not merely objects to paint, but living beings connected to human life, emotion, and the environment.