Pepel

Pepel Handmade ceramics by Martina Franic, using wheelthrow, coiling and kurinuki technique. Some pieces are woodfired, some are fired in el.kiln.

~~~ ~Dreamy opacity
07/01/2026

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Dreamy opacity

~~~ ~Granite gathered from the ground, blended with grogged clay and sealed in a white stoney glaze. Fired to 1310°C in ...
07/01/2026

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Granite gathered from the ground, blended with grogged clay and sealed in a white stoney glaze. Fired to 1310°C in oxidation — the surface forms itself, raw and quietly alive.




📷 thank you 🕊️

~~~ ~   📷   🌲🙏
31/12/2025

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📷 🌲🙏

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30/12/2025

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📷

🌘 M o o n J a rA hand-built vessel with a lunar silhouette, created from a composite of clay, sand, granite and cobalt o...
27/12/2025

🌘
M o o n J a r

A hand-built vessel with a lunar silhouette, created from a composite of clay, sand, granite and cobalt oxide. The high-fire glaze at 1310°C reveals a subtle, diamond-like sheen across the textured surface, echoing the quiet luminosity of the moon.

📷 lousy lens and me in a hurry ;))

Happy festivities 🌲 ❄️ 🦌 🌊
. and love to the Moon and back, dear Earthlings..

Deer Dreams❄️ 🦌   📷 hvala hvala
25/12/2025

Deer Dreams
❄️ 🦌



📷 hvala hvala

The meandering rims and forms as a language of touch — slow, uncertain, profoundly human, tracing the quiet negotiation ...
27/10/2025

The meandering rims and forms as a language of touch — slow, uncertain, profoundly human, tracing the quiet negotiation between control and release.







Photo interijer hotel villa dubrovnik
🙏📷

16/09/2025
~~ ~Soft linesSea shinesBarefoot divinesPepel >> > Dbv📷   🙏
06/09/2025

~~ ~
Soft lines
Sea shines
Barefoot divines

Pepel >> > Dbv

📷 🙏

~~ ~Soft linesSea shinesBarefoot divinesPepel >> >Dbv📷  🙏
06/09/2025

~~ ~
Soft lines
Sea shines
Barefoot divines

Pepel >> >Dbv

📷 🙏

Sinuous Strength ~~ ~
03/09/2025

Sinuous Strength ~~ ~

22/07/2025

Address

Trg Petra Petretića 1
Zagreb
10000

Opening Hours

10:00 - 14:00

Telephone

+385995977812

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Our Substance

PEPEL is a shop in which hand-made objects are collected and presented for purchase. It aspires towards openness in its purpose and its atmosphere as to support the potential for conversation between the objects themselves. These are household items - stacks of tactile ceramics, fine cotton and linen in varying density to drape the body while it rests, soft and shaped wool to warm and protect the body - items whose purpose is varied, as days are varied. All of these objects, however poetic, are interested in being used and inspire both a humble and a sensory engagement.

'Pepel', which translates as 'Ash', is the quieting remnant of a fire; one that eventually overcomes the force of its own cause. It's potential for 'finishing' has been harnessed by ceramics since their traceable beginning as a coating or glaze: we discover in ash an unbelievable spectrum of colour. - We can imagine ash in the kiln, falling like a snow that stains the surface of its contents. Fire makes its alterations as quickly and voraciously as perspective. Ash remembers this event, as impermanent and neutral a substance it may seem. But ash is fundamentally indifferent to the activity of the fire, what the transformation itself may have been; it expresses only that a transformation has indeed occurred. Pepel reminds us of the nuanced and distilled energetics of the remnant. It celebrates supreme eventfulness and the great reduction of a fire, crucible, or of change.

Pepel is interested in nurturing and presenting communities of makers gathered by a shared awareness of sustainability, the value of natural material, and the value of craft: the collapse, in a single gesture, of creative and manual labour. Thus Pepel collects and displays various hand made objects informed by, and that will inform, the activity of daily life so that they may be discovered and purposed.