LamcatStudio 林丞糖廠

LamcatStudio 林丞糖廠 白糖與黃糖喵日常
創作宗旨 Vision:
「苦中給您一點甜!Give Life a little SWEETNESS」
Active on Instagram .studio

AFTER SH AIRSome notes on an evolving relationship between time,art and self. It’s quite interesting how my questions ha...
13/07/2026

AFTER SH AIR
Some notes on an evolving relationship between time,art and self. It’s quite interesting how my questions have shifted over the past two months LOL. Less messy now :)

Finding1: The present self is not separate from the past self. It is its continuation. The past is consumed in the present and the present is living only because it brings forth the future.

Finding2: Every artwork begins in the present but belongs to the past.

Finding3: Art does not seek a way to stop time. It seeks a way to exist ____ time. Still searching…

Finding4: In every work of art, the artist himself is present.

Along the Dianpu River in Shanghai | 2026Some Close-up.Following the Dianpu River from Zhujiajiao to the Huangpu River, ...
12/07/2026

Along the Dianpu River in Shanghai | 2026
Some Close-up.

Following the Dianpu River from Zhujiajiao to the Huangpu River, this work traces my journey through Shanghai during artist residency, while recording the experience of living alongside fellow resident artists.

The work is structured around a synodic lunar cycle, allowing the changing phases of the moon to unfold alongside the flow of the river. As we moved through the city, we walked, talked, worked, and gradually came to know one another. Like moonlight reflected on water, those relationships were constantly shifting, never remaining quite the same.

For years, I have drawn maps to preserve the memories of places. This is the first time I have tried to map my own experience instead. Every path and every location appears here not because it is historically significant, but because it once crossed paths with my life. A shared meal, a conversation, a riverside walk, or an ordinary evening slowly became the true coordinates of this map.

As our time together gradually became memory, I realised that a map cannot hold time still, nor can it prevent relationships from changing. What it preserves is not a complete ending, but the simple evidence that these moments once existed.

Perhaps a memory map is not an attempt to resist forgetting, but a way of allowing seemingly ordinary encounters to remain somewhere we can return to, even after time has carried us elsewhere.

(Rewriting the description would be very difficult, so just continue using this one I left on the last day of April. Anyway. )

Along the Dianpu River in Shanghai | Close-upFollowing the Dianpu River from Zhujiajiao to the Huangpu River, this work ...
12/07/2026

Along the Dianpu River in Shanghai | Close-up
Following the Dianpu River from Zhujiajiao to the Huangpu River, this work traces my journey through Shanghai during artist residency, while recording the experience of living alongside fellow resident artists.

The work is structured around a synodic lunar cycle, allowing the changing phases of the moon to unfold alongside the flow of the river. As we moved through the city, we walked, talked, worked, and gradually came to know one another. Like moonlight reflected on water, those relationships were constantly shifting, never remaining quite the same.

For years, I have drawn maps to preserve the memories of places. This is the first time I have tried to map my own experience instead. Every path and every location appears here not because it is historically significant, but because it once crossed paths with my life. A shared meal, a conversation, a riverside walk, or an ordinary evening slowly became the true coordinates of this map.

As our time together gradually became memory, I realised that a map cannot hold time still, nor can it prevent relationships from changing. What it preserves is not a complete ending, but the simple evidence that these moments once existed.

Perhaps a memory map is not an attempt to resist forgetting, but a way of allowing seemingly ordinary encounters to remain somewhere we can return to, even after time has carried us elsewhere.

(Rewriting the description would be very difficult, so just continue using this one I left in the last day of April. Anyway. )

Following the Dianpu River from Zhujiajiao to the Huangpu River, this work traces my journey through Shanghai during art...
12/07/2026

Following the Dianpu River from Zhujiajiao to the Huangpu River, this work traces my journey through Shanghai during artist residency, while recording the experience of living alongside fellow resident artists.

The work is structured around a synodic lunar cycle, allowing the changing phases of the moon to unfold alongside the flow of the river. As we moved through the city, we walked, talked, worked, and gradually came to know one another. Like moonlight reflected on water, those relationships were constantly shifting, never remaining quite the same.

For years, I have drawn maps to preserve the memories of places. This is the first time I have tried to map my own experience instead. Every path and every location appears here not because it is historically significant, but because it once crossed paths with my life. A shared meal, a conversation, a riverside walk, or an ordinary evening slowly became the true coordinates of this map.

As our time together gradually became memory, I realised that a map cannot hold time still, nor can it prevent relationships from changing. What it preserves is not a complete ending, but the simple evidence that these moments once existed.

Perhaps a memory map is not an attempt to resist forgetting, but a way of allowing seemingly ordinary encounters to remain somewhere we can return to, even after time has carried us elsewhere.

Along the DianPu River in Shanghai | 2026Pencil on paper.300cm x 40cm
12/07/2026

Along the DianPu River in Shanghai | 2026
Pencil on paper.
300cm x 40cm

Along the Dianpu River in Shanghai2026Pencil on paper
12/07/2026

Along the Dianpu River in Shanghai
2026
Pencil on paper

ABOUT ME 丨ᯓ★Before you understand my art, meet the strange little creature behind it.Here’s some notes of my original ch...
15/06/2026

ABOUT ME 丨ᯓ★
Before you understand my art,
meet the strange little creature behind it.
Here’s some notes of my original character, Lamcat.
And perhaps, the closest thing to a self-portrait…

(I spent years trying to name it. Eventually, I realized it already had one…)

#可悲貓

Sunbeam Theatre | 5-char Quatrain 2026鳳舞音初起,龍騰霧已霏。相惜風卻冽,何處復雙飛?(Only in time…)
31/05/2026

Sunbeam Theatre | 5-char Quatrain 2026
鳳舞音初起,龍騰霧已霏。
相惜風卻冽,何處復雙飛?

(Only in time…)

Some close-up and ideas.This artwork began with a memory of the Sunbeam Theatre. Before it closed, I spent time there ta...
30/05/2026

Some close-up and ideas.

This artwork began with a memory of the Sunbeam Theatre. Before it closed, I spent time there taking photos in the open day and watched my first Cantonese opera, “Who Should Be the Commander-in-Chief?”. What stayed with me was not only the performance itself, but the feeling of standing inside a place that seemed to hold so many years of collective memory.

The dragon and phoenix that appeared both in the opera(as the main leads) and in the theatre lobby(as an entrance’s decoration) became the starting point of this artwork. I imagine the phoenix as Cantonese opera itself: Once flourishing on the Sunbeam stage. And the dragon as the prosperity and transformation of Hong Kong beyond its walls. One belongs to the theatre, the other to the city. Though they exist side by side, they seem to move through time differently.

The wind-like texture currents surrounding the building are not signs of conflict, but of time. Quiet, invisible, and impossible to stop. What changes us is often not struggle, but the passing of time itself.

I keep thinking about how often we only turn back when something is about to disappear. Crowds gather when demolition begins… Memories only become precious when they are already slipping away. Yet once they are gone, they can fade surprisingly quickly, becoming fragments rather than something we truly hold…

In the opera, the dragon and the phoenix eventually reunite. But how many real-life scenarios actually have such an outcome?

#龍鳳爭掛帥

Sunbeam Theatre 2025
30/05/2026

Sunbeam Theatre 2025

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Tsim Sha Tsui

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