28/10/2024
「寫生時,畫家要選取主題及構圖,和去蕪存菁。」
“Plein air painter would need to decide on the theme and composition, and be selective in what to include (or not) in the drawing.”
很幸運能在瀑布聲為背景下與自學成材的水彩畫家先生「以畫會友」。雖然您謙虛地說不能說是學習,但我的確從跟您的對話中獲益良多。得悉您在七十歲的年紀才重拾畫筆,從基本功開始的耐心的鑽研水彩,及後被畫廊發掘及邀請以梅窩第一個開畫展的畫家身份去辦了兩場展覽。整個經歷都提醒著我,無論幾歲,人生都能有新的故事線,只要您願意去寫(畫)去堅持。在跟您交流前,我一直以為寫生的目的是要像真。但是您提點了我,其實畫家的角色包括了選取主題及構圖,和去蕪存菁的部分。在眾多媒介之中,水彩必然是我覺得最難駕馭的。您說到水彩對紙質,環境,濕度有極高要求,我想是這種「畫十張有兩張可以已經很幸運」的挑戰性讓您如此鍾情水彩吧。我想,那種未知及不可控的感覺的確很訓練人的心智,也許這已經超越了單純訓練畫技的層次了。最後,我希望我不用等到退休才跟隨您的意見去好好練習素描吧。
I’m lucky to get to have met this self-taught water colour artist under this waterfall through art. Though you emphasised that it was not a kind of “learning” but mutual exchange, I did get inspired by our interaction. Knowing that you picked up your art practice at the age of 70, starting from the basics, and eventually being recognised by the gallery and being invited to set up 2 exhibitions as the first artist in Mui Wo. Your experience reminded me that, no matter what age we are at, we can always write a new storyline as long as we are willing to try and persist. Amongst all medium, watercolour is the one that I find hardest to master. You mentioned that watercolour is sensitive to the paper, weather and humidity. It could be the challenge of “I would call it a day if I get 2 good ones out of 10” that have drawn you to it. For me, that sense of unknown and uncontrollability would be the ultimate training for the mind, beyond the artistic skills. Lastly, I hope I won’t need to wait till retirement to follow your advice to practice my sketching.
//255//⏱15mins//🎨pencil
Thanks for the capture 📸