Tang Contemporary Art

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Tang Contemporary Art Critically-driven exhibition platform for Contemporary Chinese Art, now with locations: http://tab.fo/tangcontemporarylocations

Tang Contemporary Art was established in 1997 in Bangkok, later establishing galleries in Beijing, Hong Kong, and most recently in South Korea. The gallery is fully committed to producing critical projects and exhibitions to promote Chinese contemporary art regionally and worldwide, and encourage a dynamic exchange between Chinese artists and those abroad. Acting as one of the most progressive and critically driven exhibition spaces in China, the gallery strives to initiate dialogue between artists, curators, collectors, and institutions working both locally and internationally. A roster of groundbreaking exhibitions has earned them international recognition, establishing their status as a pioneer of the contemporary art scene in Asia. Tang Contemporary Art represents leading figures in Chinese art including Ai Weiwei, Yue Minjun, Huang Yongping, Yin Zhaoyang, Shen Yuan, Wang Du, Liu Xiaodong, Yang Jiechang, Xia Xiaowan, Sun Yuan & Peng Yu, Yan Lei, Wang Yin, Wang Yuping, Yangjiang Group, Guo Wei, Zheng Guogu, Lin Yilin, He An, Zhao Zhao, Wang Yuyang, Weng Fen, Yang Yong, Xu Qu, Xu Xiaoguo, Ji Zhou, Cai Lei, Ling Jian, Liu Yujia, Zhu Jinshi, Qin Qi, Chen Yujun, Chen Yufan, and Chen Wenbo, additionally collaborating with international artists such as H.H.Lim, Rirkrit Tiravanija, Sakarin Krue-On, Michelangelo Pistoletto, Adel Abdessemed, Dinh Q.Le, Michael Zelehoski,
Jennifer Wen Ma, Rodel Tapaya, Natee Utarit, and Heri Dono.

CURRENT at Tang Contemporary Art Singapore Space - Yang MaoYuan’s Solo Exhibition - “Unforeseen Encounters” YangMaoyuan ...
22/08/2026

CURRENT at Tang Contemporary Art Singapore Space - Yang MaoYuan’s Solo Exhibition - “Unforeseen Encounters” YangMaoyuan

Featuring a new body of paintings and sculptures, this exhibition brings together works from the Pot People, Balloon People, and Faces series, introducing Singapore audiences to one of the most influential figures in post-1989 Chinese contemporary art.

“Art is not the most important thing. Using art to understand people may be much more interesting. I don’t really think in terms of the logic of art history; I think in terms of human logic—my own logic.”

Yang’s ‘Unforeseen Encounters’, takes its title from an ancient Chinese phrase. As Guliang Zhuan observes, “An encounter is a meeting without prior arrangement.” For Yang, encounters are the starting point of his artistic practice. Experiences gathered over many years, from archaeological sites and historic architecture to regional landscapes and everyday objects, become the foundation for works that are shaped through the process of making rather than a fixed narrative. Yang Maoyuan’s: Unforeseen Encounters marks an important presentation of the artist’s work in Singapore and offers audiences the opportunity to engage with a practice that has had a lasting impact on contemporary Chinese art.

Plan your visit now.

🗓️ 14 August - 29 September, 2026
📍402 Orchard Road, Delfi Orchard, #06-01/02 Singapore

©The artist and Tang Contemporary Art.⁣
當代唐人藝術中心 Tang Contemporary Art
YangMaoyuan

CURRENT at Tang Contemporary Bangkok Space - Group Exhibition - “ Turbulent Boundary”When a ship reaches the mouth of a ...
20/08/2026

CURRENT at Tang Contemporary Bangkok Space - Group Exhibition - “ Turbulent Boundary”

When a ship reaches the mouth of a river, no sign tells you that you have arrived at sea. The yellow river water and the blue seawater twist into patterns, then shatter upon impact into countless eddies, slipping from order into chaos. As Donna Haraway has suggested, the “wet boundary” is never a hard wall built to separate and defend; it is semi-permeable, folded. There is no territory belonging absolutely to the river, nor any frontier belonging absolutely to the sea — all beings adhere and grow together in a soft, saturated state. The most vital places have never lain at the center of pure order, but in transitional zones filled with vortices: neither fully inside nor fully outside, where suspended encounters release emergent energies, and new forms arise from non-teleological meetings.
The artists in this exhibition anchor their practices precisely within this soft, turbulent band: heterogeneous experiences are transduced and intermingled inside the vortex. No one conquers, no one replaces; new perceptions slowly take shape, slowly nourishing a vivid reality — salted with the damp sea wind — that could never grow out of order itself.

Plan your visit now.

🗓️ 8 August – 6 September 2026
📍 Room. 201 - 206, River City Bangkok, 23 Soi Charoenkrung 24, Talad noi, Sampantawong, Bangkok,10100, Thailand

© The artist and Tang Contemporary Art.⁣
當代唐人藝術中心 Tang Contemporary Art





19/08/2026

OPENING SOON at Tang Contemporary Art Hong Kong Central Space - Group Exhibition - “We Paint What You Might See”

Three artists, three ways of bending what the eye expects.

Ben Ashton reworks classical portraiture until faces stretch, fold and fracture.

Jochen Mühlenbrink turns simple icons into liquid, reflective surfaces that drip and dissolve.

Ivan Pokidyshev bathes figures in an otherworldly glow, as if light itself has become the subject.

Different languages, same question: what happens when painting stops showing the world as it is, and starts showing the world as it might be.

Join us at the opening this Saturday 5-7 pm.

Plan your visit now.

We Paint What You Might See
Curated by Zoe Tsang & Willa Yip
🗓️ 22 August – 10 October 2026
📍10/F, H Queen’s, 80 Queen’s Road Central, Hong Kong

© The artist and Tang Contemporary Art





CURRENT at Tang Contemporary Beijing Headquarters Space - Group Exhibition - “The Landscape of Infiltration” opal mae on...
18/08/2026

CURRENT at Tang Contemporary Beijing Headquarters Space - Group Exhibition - “The Landscape of Infiltration” opal mae ong Lee Jeongwoong 이정웅 Sunkyung Baek 백선경 Yichen Li 李依宸 Huang Tianyu Jesse Jinghan Liu

The world we inhabit is not composed of discrete, independent entities; rather, it is continually forged through contact, response, and exchange. Boundaries do not always dissolve through rupture—more often, they gradually loosen through the movement of time, matter, and perception. Light filters through a room; water reshapes the form of space; the body, too, engages in constant exchange with its surroundings through breath, touch, and environmental interaction. The once-fixed divisions between subject and object, nature and humanity, interior and exterior, are continuously reorganized through processes of permeation. Landscape, therefore, is no longer an object awaiting our gaze, but an ever-emerging relational mode of perception. It takes shape at the intersection of body, memory, and environment, and continually transforms itself as different experiences enter into it. Every act of looking carries the trace of the viewer, and every landscape reflects which experiences are permitted entry into the visible. It is simultaneously an organization of visibility—what is allowed into view and what is easily overlooked is never a neutral occurrence. Painting is not a representation of reality, but a means, through the interplay of material, body, and time, of preserving those experiences not yet fully fixed by language.

Plan your visit now.

🗓️17 July – 5 September 2026
📍 B5, Yard No.3, Jinhang E. Road, Shunyi District, Beijing, China

© The artist and Tang Contemporary Art
當代唐人藝術中心 Tang Contemporary Art
opal mae ong
Lee Jeongwoong 이정웅
Sunkyung Baek 백선경
Yichen Li 李依宸
Huang Tianyu
Jesse Jinghan Liu

CURRENT at  Aurora Museum - Zhao Zhao Solo Exhibition - “CO-SAVOR” 赵赵zhaozhaoOrganised by Aurora Museum, the exhibition ...
14/08/2026

CURRENT at Aurora Museum - Zhao Zhao Solo Exhibition - “CO-SAVOR” 赵赵zhaozhao

Organised by Aurora Museum, the exhibition brings together Zhao’s intellectually driven, experimental practice with works from his personal collection, thoughtfully integrated into the museum’s galleries. Through this creative dialogue, visitors are invited to engage in a cross-temporal encounter that explores the enduring continuities and evolving transformations embedded within the rich lineage of Chinese civilization.

Plan your visit now.

🗓️ 28 July – 6 December 2026
📍Aurora Museum, No. 99, Fucheng Road, Pudong New District, Shanghai, China

© The artist and Tang Contemporary Art
當代唐人藝術中心 Tang Contemporary Art
赵赵zhaozhao

OPENING SOON at  Tang Contemporary Art Hong Kong Central Space - Group Exhibition - “We Paint What You Might See” Ben As...
13/08/2026

OPENING SOON at Tang Contemporary Art Hong Kong Central Space - Group Exhibition - “We Paint What You Might See” Ben Ashton IVAN POKIDYSHEV Jochen Mühlenbrink

This disruption of visual certainty finds a different expression in the work of Jochen Mühlenbrink. Working in the tradition of trompe l’œil, he turns fogged glass, condensation, residual marks and the reflective plane of the mirror into sites of hyperreal illusion. Through varnish, resin and acrylic on mirror glass, he constructs surfaces so convincing that the eye momentarily accepts them as physical rather than painted. Reality and representation collapse into one another. Here the physical surface becomes a psychological trap. We are left uncertain whether we are looking at an intervention on glass or a painting of one, and by extension whether any surface can be fully trusted.

Plan your visit now.

“We Paint What You Might See”
Curated by Zoe Tsang & Willa Yip Zoe willa
🗓️ 22 August – 10 October 2026
📍10/F, H Queen’s, 80 Queen’s Road Central, Hong Kong

© The artist and Tang Contemporary Art
當代唐人藝術中心 Tang Contemporary Art
Ben Ashton
IVAN POKIDYSHEV
Jochen Mühlenbrink



Jochen Mühlenbrink, Angel, Acrylics and resin on mirror glass, 44 x 34 cm, 2026

OPENING SOON at Tang Contemporary Art Hong Kong Central Space - Group Exhibition - “We Paint What You Might See” Ben Ashton IVAN POKIDYSHEV Jochen Mühlenbrink

This disruption of visual certainty finds a different expression in the work of Jochen Mühlenbrink. Working in the tradition of trompe l’œil, he turns fogged glass, condensation, residual marks and the reflective plane of the mirror into sites of hyperreal illusion. Through varnish, resin and acrylic on mirror glass, he constructs surfaces so convincing that the eye momentarily accepts them as physical rather than painted. Reality and representation collapse into one another. Here the physical surface becomes a psychological trap. We are left uncertain whether we are looking at an intervention on glass or a painting of one, and by extension whether any surface can be fully trusted.

Plan your visit no

OPENING SOON at Tang Contemporary Art Singapore Space - Yang MaoYuan’s Solo Exhibition - “Unforeseen Encounters” YangMao...
13/08/2026

OPENING SOON at Tang Contemporary Art Singapore Space - Yang MaoYuan’s Solo Exhibition - “Unforeseen Encounters” YangMaoyuan

Tang Contemporary Art Singapore Space is proud to present Yang Maoyuan: Unforeseen Encounters, the artist’s first major solo exhibition in Singapore. Featuring a new body of paintings and sculptures, this exhibition brings together works from the Pot People, Balloon People, and Faces series, introducing Singapore audiences to one of the most influential figures in post-1989 Chinese contemporary art.

“Art is not the most important thing. Using art to understand people may be much more interesting. I don’t really think in terms of the logic of art history; I think in terms of human logic—my own logic.”

Yang’s ‘Unforeseen Encounters’, takes its title from an ancient Chinese phrase. As Guliang Zhuan observes, “An encounter is a meeting without prior arrangement.” For Yang, encounters are the starting point of his artistic practice. Experiences gathered over many years, from archaeological sites and historic architecture to regional landscapes and everyday objects, become the foundation for works that are shaped through the process of making rather than a fixed narrative. Yang Maoyuan’s: Unforeseen Encounters marks an important presentation of the artist’s work in Singapore and offers audiences the opportunity to engage with a practice that has had a lasting impact on contemporary Chinese art.
Plan your visit now.

🗓️ 14 August - 29 September, 2026
📍402 Orchard Road, Delfi Orchard, #06-01/02 Singapore
©The artist and Tang Contemporary Art.⁣
當代唐人藝術中心 Tang Contemporary Art
YangMaoyuan

OPENING SOON at Tang Contemporary Art Hong Kong Central Space - Group Exhibition - “We Paint What You Might See” Ben Ash...
12/08/2026

OPENING SOON at Tang Contemporary Art Hong Kong Central Space - Group Exhibition - “We Paint What You Might See” Ben Ashton IVAN POKIDYSHEV Jochen Mühlenbrink

Pokidyshev’s artistic language is rooted in infrared thermography (IRT), a technique that captures images using infrared rays detectable by thermal cameras. Any object above absolute zero emits infrared light, with warmer objects appearing brighter on thermograms, as if they are shining from within. This unique approach allows him to craft artworks that resonate deeply with viewers, illuminating the world with a radiant glow of warmth and light, and fostering a profound sense of connection and understanding.

Plan your visit now.

“We Paint What You Might See”
Curated by Zoe Tsang & Willa Yip Zoe willa
🗓️ 22 August – 10 October 2026
📍10/F, H Queen’s, 80 Queen’s Road Central, Hong Kong

© The artist and Tang Contemporary Art
當代唐人藝術中心 Tang Contemporary Art
Ben Ashton
IVAN POKIDYSHEV
Jochen Mühlenbrink



Ivan Pokidyshev, Carefree strolls at the edge of the night, Tempera on canvas, 85 x 190 cm, 2026

OPENING SOON at Tang Contemporary Art Hong Kong Central Space - Group Exhibition - “We Paint What You Might See” Ben Ashton IVAN POKIDYSHEV Jochen Mühlenbrink

Pokidyshev’s artistic language is rooted in infrared thermography (IRT), a technique that captures images using infrared rays detectable by thermal cameras. Any object above absolute zero emits infrared light, with warmer objects appearing brighter on thermograms, as if they are shining from within. This unique approach allows him to craft artworks that resonate deeply with viewers, illuminating the world with a radiant glow of warmth and light, and fostering a profound sense of connection and understanding.

Plan your visit now.

“We Paint What You Might See”
Curated by Zoe Tsang & Willa Yip Zoe willa
🗓️ 22 August – 10 October 2026
📍10/F, H Queen’s, 80 Queen’s Road Central, Hong Kong

© The artist and Tang Contemporary Art
當代唐人藝術中心 Tang Contemporary Art
Ben Ashton
IVAN POKIDYSHEV
Jochen Mühlenbrink

Tang Contemporary Art August Highlights.UPCOMING EXHIBITIONS📍SingaporeYang Maoyuan: Unforeseen Encounters | 8.14 - 9.29📍...
12/08/2026

Tang Contemporary Art August Highlights.

UPCOMING EXHIBITIONS
📍Singapore
Yang Maoyuan: Unforeseen Encounters | 8.14 - 9.29
📍Hong Kong Central
Group Exhibition - We Paint What You Might See | 8.22 - 10.10

CURRENT EXHIBITIONS
📍Beijing 1st Space
Wu Wei - The Body to Be Shaped | 7.4 - 8.20
📍Beijing Headquarters
Group Exhibition - The Landscape of Infiltration | 7.17 - 9.5
📍Beijing 2nd Space
Fu Yao Solo Exhibition - Interplaying | 7.18 - 8.30
📍Bangkok
Turbulent Boundary | 8.8 - 9.6

OTHER PROGRAMME
🏛Shanghai Aurora Museum
Zhao Zhao Solo Exhibition - CO-SAVOR | 7.28 - 12.6

OPENING SOON at  Tang Contemporary Art Hong Kong Central Space - Group Exhibition - “We Paint What You Might See” Ben As...
11/08/2026

OPENING SOON at Tang Contemporary Art Hong Kong Central Space - Group Exhibition - “We Paint What You Might See” Ben Ashton IVAN POKIDYSHEV Jochen Mühlenbrink

The title We Paint What You Might See reflects a shared impulse among Ben Ashton, Jochen Mühlenbrink and Ivan Pokidyshev: to treat painting not as a transparent record of the visible world, but as a deliberate reshaping of its surface. Each artist works from a position of technical mastery, yet none allows that mastery to settle into simple representation. Instead, they place both the physical act of seeing and the psychological process of perception under quiet pressure, opening a space where what appears is never exactly what is there.

Ben Ashton draws on the authoritative language of classical portraiture, its confident postures, refined surfaces and historical weight, only to fracture it. Having long studied the Old Masters, he introduces digital style glitches and formal ruptures that unsettle the very qualities of power, self assurance and historical certainty those images once sought to fix. The figures remain recognisable, yet the authority they project is compromised. Physically, the surface of the painting is disrupted. Psychologically, our confidence in the image begins to slip. What we thought we knew becomes provisional.

Plan your visit now.

“We Paint What You Might See”
Curated by Zoe Tsang & Willa Yip Zoe willa
🗓️ 22 August – 10 October 2026
📍10/F, H Queen’s, 80 Queen’s Road Central, Hong Kong

© The artist and Tang Contemporary Art
當代唐人藝術中心 Tang Contemporary Art
Ben Ashton
IVAN POKIDYSHEV
Jochen Mühlenbrink



Ben Ashton, Exercise in Futility, Oil on panel, 105 x 78 cm, 2025

OPENING SOON at Tang Contemporary Art Hong Kong Central Space - Group Exhibition - “We Paint What You Might See” Ben Ashton IVAN POKIDYSHEV Jochen Mühlenbrink

The title We Paint What You Might See reflects a shared impulse among Ben Ashton, Jochen Mühlenbrink and Ivan Pokidyshev: to treat painting not as a transparent record of the visible world, but as a deliberate reshaping of its surface. Each artist works from a position of

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Wednesday 11:00 - 19:00
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