04/07/2024
【掀起尼采的紗幕】《悲劇的誕生》先導預告
Lifting Nietzsche's Veil - The Birth of Tragedy
「我退後一百步，試圖解構尼采與華格納，那是哲學和藝術在戀愛吧。他曾經崇拜他，然後厭惡他，崇拜與厭惡就如飯前和飯後。他仍試圖在多重噪音裡找到自己的聲音，然後才見證決絕，然後戲劇性淡出彷彿就是宣布眾人神話之終結，也是另一段關於他個人神話的開始。北方之上帝已死。我們同步閱讀南方文字與音樂，也容許統戰部解讀創作之論述，好像都是曾經的事。當閱讀成為姿勢，我們墮入一個深淵。深淵裡沒有時間與邊緣、沒有話語與空間，沒有祟拜或厭惡。也沒有未來、因此沒有過去。」——榮念曾創作筆記
“I step back a hundred steps, attempting to deconstruct Nietzsche and Wagner, that fusion of philosophy and art. He once adored him, then despised him, as if it were idle chatter before and after meals. He still strived to find his own voice amidst multiple noises, and only witnessed the decision and then dramatic fade-out, which seemed to declare the end of the public’s myth and the start of another personal mythology. The God above the North is dead. We walk hand in hand, reading the literature and music of the South, and also allow the United Front Department to interpret the discourse of creation, as if they were all things of the past. When reading becomes a posture, we fall into an abyss. In this abyss, there is no time or boundary, no language or space, no worship or loathing. There is also no future, and thus no past." - Director's notes by Danny Yung
🗓️ 7/19-20 8:15pm
📍 香港文化中心大劇院 Grand Theatre, Hong Kong Cultural Centre
🎟️ https://zuniseason.org.hk/programme/the-birth-of-tragedy/
#進念二十面體 #進念2024 #戲藝科曲 #榮念曾 #悲劇的誕生 #實驗劇場 #香港劇場 #尼采 #華格納 #一桌兩椅 #噪音音樂
