Double Q Gallery

Double Q Gallery Double Q is a contemporary art gallery that represents established and emerging artists and estates

Moments from last week’s opening reception for 𝘜𝘍𝘖: 𝘜𝘯𝘪𝘷𝘦𝘳𝘴𝘢𝘭 𝘍𝘶𝘵𝘶𝘳𝘰𝘭𝘰𝘨𝘪𝘤𝘢𝘭 𝘖𝘳𝘨𝘢𝘯𝘪𝘴𝘢𝘵𝘪𝘰𝘯 🛸Grateful to everyone who came ...
17/09/2026

Moments from last week’s opening reception for 𝘜𝘍𝘖: 𝘜𝘯𝘪𝘷𝘦𝘳𝘴𝘢𝘭 𝘍𝘶𝘵𝘶𝘳𝘰𝘭𝘰𝘨𝘪𝘤𝘢𝘭 𝘖𝘳𝘨𝘢𝘯𝘪𝘴𝘢𝘵𝘪𝘰𝘯 🛸

Grateful to everyone who came by to celebrate the new group show with us, with a special thanks to the HK artist community!

The structures we inhabit also have a peculiar way of inhabiting us. They inaugurate us as subjects, place us within soc...
14/09/2026

The structures we inhabit also have a peculiar way of inhabiting us. They inaugurate us as subjects, place us within society, offering specific understandings of morality, ethics, and justice. In other words, they often aid in placing us as social beings, and thus giving way for the expressions that make us most human to emerge. But what is it that happens when these structures are totalising? What does one do in response to the rigid dogmas of the powers at large?

Working across sculpture, drawing, and painting, the artists in 𝘜𝘍𝘖: 𝘜𝘯𝘪𝘷𝘦𝘳𝘴𝘢𝘭 𝘍𝘶𝘵𝘶𝘳𝘰𝘭𝘰𝘨𝘪𝘤𝘢𝘭 𝘖𝘳𝘨𝘢𝘯𝘪𝘴𝘢𝘵𝘪𝘰𝘯 pull focus (in resonance with Július Koller) on the small gestures that widen our imagination of the future.

Exhibition text by Aaditya Sathish Aaditya Sathish

OPENING TOMORROW It’s a special one for us because it’s our first time showing HK artists. The show includes three young...
11/09/2026

OPENING TOMORROW

It’s a special one for us because it’s our first time showing HK artists. The show includes three young artists from HK in dialogue with established and emerging artists from Central & Eastern Europe.

Join us from 3-6 PM (12 Sept) for the opening reception!

Biggest thank you to everyone who stopped by our booth at Frieze Seoul!!The level of curiosity in Seoul is unlike anythi...
08/09/2026

Biggest thank you to everyone who stopped by our booth at Frieze Seoul!!

The level of curiosity in Seoul is unlike anything we’ve experienced. We’ve never handed out so many exhibition sheets—we literally had to print fresh stacks every day just to keep up. It really made the week so engaging and fun for our team 🤍🩶🖤

Ivačković’s 1960s paintings are defined by monochromatic works on paper that reflect a highly expressive, rhythmic and i...
04/09/2026

Ivačković’s 1960s paintings are defined by monochromatic works on paper that reflect a highly expressive, rhythmic and improvisational process. He placed large sheets of paper on the studio floor and moved across them, so that the physical traces of his body, including shoe imprints (see image 3), became part of the composition itself.
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“13 IV 69”(1969)
Oil on paper mounted on canvas
170 x 160 cm

NOW ON VIEW: Djordje Ivačković at Frieze Seoul A vital figure associated with French Lyrical Abstraction, Ivačković’s hi...
02/09/2026

NOW ON VIEW: Djordje Ivačković at Frieze Seoul

A vital figure associated with French Lyrical Abstraction, Ivačković’s historical significance is underscored by five works held in the permanent collection of the Centre Pompidou in Paris.

With the recent opening of the Centre Pompidou Hanwha in Seoul, this presentation offers a timely overview of the milestone years that solidified Ivačković’s position within the canon of twentieth-century European abstraction

Behind the scenes at our installation day for Frieze Seoul. This is our very first art fair outside of Hong Kong! If you...
01/09/2026

Behind the scenes at our installation day for Frieze Seoul. This is our very first art fair outside of Hong Kong! If you’re in Seoul, stop by to say hi 👋

For Frieze Seoul 2026 (Frieze), Double Q is proud to present a solo booth of the late Djordje Ivačković, featuring a sel...
28/08/2026

For Frieze Seoul 2026 (Frieze), Double Q is proud to present a solo booth of the late Djordje Ivačković, featuring a selection of works spanning three decades of his career.

An avant-garde jazz pianist before becoming an artist, Ivačković always painted while listening to jazz. French art critic Jean-Jacques Lévêque compared his brushstrokes to jazz legend Thelonious Monk playing the piano. In “4 III 77,” you can see this in the dark marks along the bottom, which line up like keys struck quickly across a keyboard 🎹

Find us next week in the Spotlight section (Booth S2) from 2 to 5 September!
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“4 III 77” (1977)
Oil on canvas
120 x 120 cm

Born in Serbia, Djordje Ivačković graduated from the Faculty of Architecture in Belgrade in 1955 while actively performi...
24/08/2026

Born in Serbia, Djordje Ivačković graduated from the Faculty of Architecture in Belgrade in 1955 while actively performing as an avant-garde jazz musician. Combining the rational approach of an architect with the restless mind of a jazz artist, Ivačković created a unique symbiosis of analytical yet expressive abstraction.

After moving to Paris in 1962, Ivačković became one of the most internationally recognized abstract painters working in France during the 1970s. French art historian Jean-Luc Chalumeau placed him alongside Joan Mitchell and Simon Hantaï as one of only three non-French artists who made a fundamental contribution to post-war abstract painting in France.

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Shop 1-2, G/F, 68 Lok Ku Road
Hong Kong

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+85254433085

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