DOMINIE N ART

DOMINIE N ART The original works offered on this page can be purchased by via email.

Here is a collection of work by our artist Dominie CHAN
For INQUIRES please Wtsapp: +852 9125 2123 (Don Lam)
Or E-Mail to ( [email protected] )

๐—™๐—ถ๐—ฟ๐˜€๐˜ ๐—ฃ๐—ฟ๐—ถ๐˜‡๐—ฒ, ๐—”๐—ฟ๐˜ ๐—š๐—ฎ๐—น๐—น๐—ฒ๐—ฟ๐˜† ๐—”๐˜„๐—ฎ๐—ฟ๐—ฑ, ๐—ฅ๐—ผ๐—ฏ๐—ผ๐˜€๐—ผ๐—ณ๐˜ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐ŸฒIEEEHKUST Division of Integrative Systems & Design๐™๐™๐™š ๐˜ฝ๐™ง๐™š๐™–๐™ฉ๐™ ๐™ค๐™› ๐™– ๐™‚๐™ง๐™–๐™˜๐™š ๐—ฏ๐˜† ...
27/04/2026

๐—™๐—ถ๐—ฟ๐˜€๐˜ ๐—ฃ๐—ฟ๐—ถ๐˜‡๐—ฒ, ๐—”๐—ฟ๐˜ ๐—š๐—ฎ๐—น๐—น๐—ฒ๐—ฟ๐˜† ๐—”๐˜„๐—ฎ๐—ฟ๐—ฑ, ๐—ฅ๐—ผ๐—ฏ๐—ผ๐˜€๐—ผ๐—ณ๐˜ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ
IEEE

HKUST Division of Integrative Systems & Design

๐™๐™๐™š ๐˜ฝ๐™ง๐™š๐™–๐™ฉ๐™ ๐™ค๐™› ๐™– ๐™‚๐™ง๐™–๐™˜๐™š
๐—ฏ๐˜† ๐—ฆ.๐—š ๐˜ƒ๐—ฎ๐—ป ๐——๐—ถ๐—ฝ๐˜๐—ฒ๐—ป, ๐—•.๐—Ÿ๐—ฎ๐˜‚, ๐— .๐—–. ๐—–๐—ต๐—ฎ๐—ป, ๐——. ๐—–๐—ต๐—ฎ๐—ป, ๐—˜.๐—Ÿ. ๐——๐—ผ๐˜‚๐—ฏ๐˜๐—ถ๐˜ƒ๐˜€๐—ธ๐—ถ ๐—ฎ๐—ป๐—ฑ ๐—ฅ.๐—•.๐—ก. ๐—ฆ๐—ต๐—ฎ๐—ฟ๐—ณ๐—ณ

โ€”โ€”-

Year: 2026
Medium: Multi-material PolyJet 3D prints, pneumatic actuation, interactive sensors,
microcontroller-based control system

THE BREATH OF A GRACE explores the tension between human presence and natural fragility through a constellation of soft robotic sculptures inspired by alveoli and blossoming flowers. Each โ€œGraceโ€ subtly breathes, contracts, or expands in response to local stimuliโ€”sound, motion, and proximityโ€”translating environmental agitation into movement. This dynamic behavior mirrors how human activity perturbs equilibrium within natural systems.

The sculptures are based on the GRACE geometry (De Pascali et al., 2022), a pleated membrane actuator capable
of reversible deformation driven purely by geometry. By reinterpreting and parametrizing this design in Grasshopper, we explore form and behavior as continuous variables,
blending mathematical precision with organic vitality.

The installation ultimately invites reflection on โ€œsoftnessโ€ not as weakness, but as an adaptive, mediating force between technology, humanity, and nature.

โ€”โ€”-
arttech

๐—ถ๐—™ ๐——๐—˜๐—ฆ๐—œ๐—š๐—ก ๐—”๐—ช๐—”๐—ฅ๐—— ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—ถ๐—ป ๐—œ๐—ป๐˜๐—ฒ๐—ฟ๐—ถ๐—ผ๐—ฟ ๐—”๐—ฟ๐—ฐ๐—ต๐—ถ๐˜๐—ฒ๐—ฐ๐˜๐˜‚๐—ฟ๐—ฒ/ ๐—”๐—ฟ๐˜ & ๐—–๐˜‚๐—น๐˜๐˜‚๐—ฟ๐—ฎ๐—น ๐—˜๐˜…๐—ต๐—ถ๐—ฏ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐˜€/ ๐—œ๐—ป๐˜€๐˜๐—ฎ๐—น๐—น๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐˜€ ๐—–๐—ฎ๐˜๐—ฒ๐—ด๐—ผ๐—ฟ๐˜†  (๐†๐ž๐ซ๐ฆ๐š๐ง๐ฒ) ๐—ง๐—ต๐—ฟ๐—ผ๐˜‚๐—ด๐—ต ๐—ง๐—ต๐—ฒ...
15/03/2026

๐—ถ๐—™ ๐——๐—˜๐—ฆ๐—œ๐—š๐—ก ๐—”๐—ช๐—”๐—ฅ๐—— ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—ถ๐—ป ๐—œ๐—ป๐˜๐—ฒ๐—ฟ๐—ถ๐—ผ๐—ฟ ๐—”๐—ฟ๐—ฐ๐—ต๐—ถ๐˜๐—ฒ๐—ฐ๐˜๐˜‚๐—ฟ๐—ฒ/ ๐—”๐—ฟ๐˜ & ๐—–๐˜‚๐—น๐˜๐˜‚๐—ฟ๐—ฎ๐—น ๐—˜๐˜…๐—ต๐—ถ๐—ฏ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐˜€/ ๐—œ๐—ป๐˜€๐˜๐—ฎ๐—น๐—น๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐˜€ ๐—–๐—ฎ๐˜๐—ฒ๐—ด๐—ผ๐—ฟ๐˜† (๐†๐ž๐ซ๐ฆ๐š๐ง๐ฒ)


๐—ง๐—ต๐—ฟ๐—ผ๐˜‚๐—ด๐—ต ๐—ง๐—ต๐—ฒ ๐—ฌ๐—ฒ๐—ฎ๐—ฟ๐˜€, ๐—ง๐—ผ ๐—ง๐—ผ๐˜‚๐—ฐ๐—ต ๐—ฌ๐—ผ๐˜‚, โ€ข ๆต็ฉฟ่ถŠ

#้นฝ็”ฐๆข“

็”Ÿๆ—ฅๅ‰ๅค•๏ผŒไปฅๅ‘ณ่ฆบไฝœ็ญ†๏ผŒไปฅๅ…‰ๅฝฑไฝœๅขจ๏ผŒๅฐ‡็‰‡ๅˆป้œๅฅฝๆ”ถ้€ฒๆ˜Žๆ—ฅ็š„ๅนดๆญฒa quiet moment to carry into the year ahead๐ŸŽ‚๐Ÿด๐Ÿฅ‚๐ŸŽ‰โœจ๐Ÿ’›
25/02/2026

็”Ÿๆ—ฅๅ‰ๅค•๏ผŒไปฅๅ‘ณ่ฆบไฝœ็ญ†๏ผŒไปฅๅ…‰ๅฝฑไฝœๅขจ๏ผŒ
ๅฐ‡็‰‡ๅˆป้œๅฅฝๆ”ถ้€ฒๆ˜Žๆ—ฅ็š„ๅนดๆญฒ
a quiet moment to carry into the year ahead
๐ŸŽ‚๐Ÿด๐Ÿฅ‚๐ŸŽ‰โœจ๐Ÿ’›

09/02/2026

ๅœจๅ‰ช่ผฏ้€™ๆฎตๅฝฑ็‰‡็š„็‰‡ๅฐพๅญ—ๅน•ๆ™‚๏ผŒๅ›ž้ฆ–้€™ๅ…ฉๅนดๅคšไพ†็ดฏ็ฉ็š„ไฝœๅ“๏ผŒไธ็ฆ่ฎ“ๆˆ‘ๅ€‘ๆ„Ÿ่งธ่‰ฏๅคšใ€‚
ๆˆ‘ๅ€‘ๆทฑๅˆ‡ๆ„Ÿๅ—ๅˆฐ๏ผŒๅœจ็Ÿญๆ™‚้–“ๅ…งๆˆ‘ๅ€‘ๅทฒ่ทจ่ถŠไบ†ๆผซ้•ท็š„ๆญท็จ‹ใ€‚ๅพžๆŠ€่ก“็š„ไธๆ–ท้ฉๆ–ฐ๏ผŒๅˆฐ็„กๆ•ธๆฌกๆŽจๅ‹•่—่ก“้‚Š็•Œ็š„ๆ„ๅค–ๅฅ‘ๆฉŸ๏ผŒๆฏไธ€้ …ๆŒ‘ๆˆฐ้ƒฝ่€ƒ้ฉ—่‘—ๅœ˜้šŠ็š„ๅˆ่กท๏ผŒๅณ้€้Ž่—่ก“่ˆ‡็ง‘ๆŠ€้€ฃ็ตไบบ้กž่ˆ‡่‡ช็„ถใ€‚

ๆ„Ÿ่ฌไธ€่ทฏไธŠๆœ‰ไฝ ๅŒ่กŒใ€‚ๆ‚จ็š„้™ชไผดใ€ๆƒ…่ชผ่ˆ‡ๆŒ็บŒ็š„้ผ“ๅ‹ต๏ผŒ่ฎ“้€™ๆฎตๆ—…็จ‹่ฎŠๅพ—ๆ„็พฉ้žๅ‡กใ€‚

While editing the end credits to this video, it gave us pause as we reflected on the number of works we have done in the past two years and a bit. And we cannot help but feel we have come a long way in a short time. New developments in our technology, often unexpected opportunities to push our artistic boundaries, each a test of the teamโ€™s commitment to connect Man and Nature through Art and Technology. Thank you for walking with us on our journey. Your companionship, camaraderie, and continued encouragement make this journey a worthwhile one.

โ€”โ€”โ€”

ๆˆ‘ๅ€‘็š„่—่ก“็ง‘ๆŠ€็‚บ่—่ก“่กจ้”่ˆ‡่ง€็œพ้ซ”้ฉ—้–‹ๅ•Ÿไบ†ๅ…จๆ–ฐ็š„ๅฏ่ƒฝๆ€งใ€‚ๅœจๆœ€ๆ–ฐไฝœๅ“ใ€ŠEQUUSใ€‹ไธญ๏ผŒๆˆ‘ๅ€‘้‹็”จ ARt ็ณป็ตฑ๏ผŒไปฅๆ•ธไฝๅŒ–ไธ”ๅฏŒๆ–ผ้šฑๅ–ป็š„ๆ–นๅผ๏ผŒๆญ็คบๆง‹ๆˆๆ„่ญ˜็š„ๆ€็ถญ่„ˆ็ตก่ˆ‡่ƒฝ้‡ๆตๅ‹•๏ผŒไธฆๅ‘ˆ็พๅฎƒๅ€‘ๅฆ‚ไฝ•่ˆ‡่‡ช็„ถ็•Œ็š„ใ€ŒๅŠ›ๅ ดใ€่ˆ‡ใ€Œ็‰ฉ่ณชๆตๅ‹•ใ€็›ธไบ’้€ฃ็ตใ€‚่ฉฒ็ณป็ตฑๆ‡ธๆตฎๆ–ผ็ซนๆง‹่ฃ...
02/02/2026

ๆˆ‘ๅ€‘็š„่—่ก“็ง‘ๆŠ€็‚บ่—่ก“่กจ้”่ˆ‡่ง€็œพ้ซ”้ฉ—้–‹ๅ•Ÿไบ†ๅ…จๆ–ฐ็š„ๅฏ่ƒฝๆ€งใ€‚ๅœจๆœ€ๆ–ฐไฝœๅ“ใ€ŠEQUUSใ€‹ไธญ๏ผŒๆˆ‘ๅ€‘้‹็”จ ARt ็ณป็ตฑ๏ผŒไปฅๆ•ธไฝๅŒ–ไธ”ๅฏŒๆ–ผ้šฑๅ–ป็š„ๆ–นๅผ๏ผŒๆญ็คบๆง‹ๆˆๆ„่ญ˜็š„ๆ€็ถญ่„ˆ็ตก่ˆ‡่ƒฝ้‡ๆตๅ‹•๏ผŒไธฆๅ‘ˆ็พๅฎƒๅ€‘ๅฆ‚ไฝ•่ˆ‡่‡ช็„ถ็•Œ็š„ใ€ŒๅŠ›ๅ ดใ€่ˆ‡ใ€Œ็‰ฉ่ณชๆตๅ‹•ใ€็›ธไบ’้€ฃ็ตใ€‚

่ฉฒ็ณป็ตฑๆ‡ธๆตฎๆ–ผ็ซนๆง‹่ฃ็ฝฎใ€ŠSunyataใ€‹ไน‹ไธŠ๏ผŒๅฐ‡ๅฟƒ้ˆ็š„ไธ–็•Œ่ˆ‡่บซ้ซ”็š„ไธ–็•Œไบค็น”็›ธๆ‰ฃ๏ผŒๅปบ็ซ‹่ตทไธ€็จฎๆทฑๅฑค็š„ๆ„Ÿ็Ÿฅ่ฏ็นซใ€‚

Our art-tech opens up new avenues of artistic expression and experience. Here the ARt system is used in our most recent piece EQUUS, to digitally and metaphorically reveal the lines of thought and energy that form our consciousness, and how these are connected to the โ€˜fields of forceโ€™ and โ€˜flow of materialsโ€™ of Nature. Floating above the bamboo installation,โ€™Sunyataโ€™, it ties the world of the mind with the world of the body.

๐˜ผ๐™ ๐˜ผ๐™๐™ฉ
๐—ฏ๐˜† ๐—ฏ๐—Ÿ๐—ฌ๐—›๐—ป, ๐—›๐—ฒ๐—ป๐—ฟ๐˜† ๐—›๐—ผ

๐™Ž๐™ช๐™ฃ๐™ฎ๐™–๐™ฉ๐™– ๐Ÿฎ.๐Ÿฌ
3.75m x 5m
Bamboo installation
๐—ฏ๐˜† ๐——๐—ผ๐—บ๐—ถ๐—ป๐—ถ๐—ฒ

*Technologies developed at the XRIM Lab@ISD, Hong Kong University of Science and Technology by ARtrio

โ€”โ€”โ€”

๐—˜๐—ค๐—จ๐—จ๐—ฆ: ๐—™๐—ข๐—ฅ๐—  + ๐—ฉ๐—ข๐—œ๐—— ๐Ÿฎ.๐Ÿฌ
ๆ„้ฆฌ๏ผš ่ฆบ็Ÿฅ่‰ฒ็ฉบ
๐—ฏ๐˜† ๐—”๐—ฅ๐˜๐—ฟ๐—ถ๐—ผ
๐˜„๐—ถ๐˜๐—ต ๐—ด๐˜‚๐—ฒ๐˜€๐˜ ๐—ฎ๐—ฟ๐˜๐—ถ๐˜€๐˜ ๐™ƒ๐™š๐™ฃ๐™ง๐™ฎ ๐™ƒ๐™ค

Running Out Of Space Gallery
โ€”โ€”โ€”

ๆˆ‘ๅ€‘็œŸ็š„ๆ„็Œถๆœช็›กใ€‚ๆˆ‘ๅ€‘ๅฟ…้ ˆๅ†ๆฌก่ˆ‡ไฝ ๅ€‘ๅˆ†ไบซๆˆ‘ๅ€‘็š„ๅฟƒๅพ—่ˆ‡ๅ›žๆ†ถใ€‚ๆˆ‘ๅ€‘ๆ›พๅฆ‚ๆญคๅŠชๅŠ›๏ผŒไนŸๅฅฎ้ฌฅไบ†่จฑไน…ใ€‚ๅคš่™งไบ†ๅคงๅฎถ๏ผŒ่ฎ“ใ€ŠEQUUSใ€‹็ฒๅพ—ไบ†้€™้บผๅคš็š„่ฉ•่ซ–่ˆ‡่ฎš่ณžใ€‚ๆˆ‘ๅธŒๆœ›ๆˆ‘ๅ€‘ๅธถ็ตฆไฝ ๅ€‘็š„ๅ•Ÿ็™ผ๏ผŒๅฐฑๅฆ‚ๅŒไฝ ๅ€‘ๆฟ€ๅ‹ตๆˆ‘ๅ€‘้‚ฃๆจฃๆทฑๅˆ‡ใ€‚ๆˆ‘ๅ€‘ๅพˆๅฟซๅฐ‡ๅฑ•้–‹ๆ–ฐ็š„ๅ†’้šช๏ผŒ่€Œไฝ ๅ€‘็ต•ๅฐๆœƒๆ˜ฏๆˆ‘ๅ€‘่—...
27/01/2026

ๆˆ‘ๅ€‘็œŸ็š„ๆ„็Œถๆœช็›กใ€‚ๆˆ‘ๅ€‘ๅฟ…้ ˆๅ†ๆฌก่ˆ‡ไฝ ๅ€‘ๅˆ†ไบซๆˆ‘ๅ€‘็š„ๅฟƒๅพ—่ˆ‡ๅ›žๆ†ถใ€‚ๆˆ‘ๅ€‘ๆ›พๅฆ‚ๆญคๅŠชๅŠ›๏ผŒไนŸๅฅฎ้ฌฅไบ†่จฑไน…ใ€‚ๅคš่™งไบ†ๅคงๅฎถ๏ผŒ่ฎ“ใ€ŠEQUUSใ€‹็ฒๅพ—ไบ†้€™้บผๅคš็š„่ฉ•่ซ–่ˆ‡่ฎš่ณžใ€‚ๆˆ‘ๅธŒๆœ›ๆˆ‘ๅ€‘ๅธถ็ตฆไฝ ๅ€‘็š„ๅ•Ÿ็™ผ๏ผŒๅฐฑๅฆ‚ๅŒไฝ ๅ€‘ๆฟ€ๅ‹ตๆˆ‘ๅ€‘้‚ฃๆจฃๆทฑๅˆ‡ใ€‚ๆˆ‘ๅ€‘ๅพˆๅฟซๅฐ‡ๅฑ•้–‹ๆ–ฐ็š„ๅ†’้šช๏ผŒ่€Œไฝ ๅ€‘็ต•ๅฐๆœƒๆ˜ฏๆˆ‘ๅ€‘่—่ก“ๅ‰ตไฝœ็š„ไธ€ๅˆ†ๅญใ€‚

We just canโ€™t get enough. We just had to share with you our thoughts and recollections again. We had worked so hard, we had worked so long, and thanks to you all, we had so many comments and compliments for EQUUS. I hope we have inspired you as much as you have inspired us. We will be going on new adventures soon and you will definitely be a part of our art.

โ€”โ€”โ€”
๐—˜๐—ค๐—จ๐—จ๐—ฆ: ๐—™๐—ข๐—ฅ๐—  + ๐—ฉ๐—ข๐—œ๐——
ๆ„้ฆฌ๏ผš ่ฆบ็Ÿฅ่‰ฒ็ฉบ ใ€่—็ฉ—็ฏ€26ใ€‘
๐—ฏ๐˜† ๐—”๐—ฅ๐˜๐—ฟ๐—ถ๐—ผ
๐˜„๐—ถ๐˜๐—ต ๐—ด๐˜‚๐—ฒ๐˜€๐˜ ๐—ฎ๐—ฟ๐˜๐—ถ๐˜€๐˜ ๐™ƒ๐™š๐™ฃ๐™ง๐™ฎ ๐™ƒ๐™ค
โ€”โ€”โ€”
Photo by

ๅฎ‰ๆญ‡ๅ‰็š„็œๆ€ใ€‚ๅœจ 2026 ๅนด 1 ๆœˆ 9 ๆ—ฅๅŠ 10 ๆ—ฅๆ–ผ่—็ฉ—ๆœƒๅœฐไธ‹ๅЇๅ ดๅฎŒๆˆๅฑ•ๆผ”๏ผŒ้šจๅพŒ็ทŠๆŽฅๆ–ผ 1 ๆœˆ 13 ๆ—ฅ่‡ณ 18 ๆ—ฅๅœจ ROOS ่ˆ‰่พฆๅฑ•่ฆฝๅพŒ๏ผŒๆˆ‘ๅ€‘ๅนพไนŽๆฒ’ๆœ‰ๆ™‚้–“ไผ‘ๆฏ๏ผŒ็”š่‡ณๅœจๅฟƒๅขƒๅฐšๆœชๅนณๅพฉใ€้ˆ้ญ‚ๅฐšๆœชๅฎ‰ๅฎšใ€้กซๅ‹•ๅฐšๆœชๆญขๆฏไน‹ๅ‰๏ผŒๆˆ‘ๅ€‘็š„่…ฆๆตทๅทฒๆ€ฅไธ...
24/01/2026

ๅฎ‰ๆญ‡ๅ‰็š„็œๆ€ใ€‚
ๅœจ 2026 ๅนด 1 ๆœˆ 9 ๆ—ฅๅŠ 10 ๆ—ฅๆ–ผ่—็ฉ—ๆœƒๅœฐไธ‹ๅЇๅ ดๅฎŒๆˆๅฑ•ๆผ”๏ผŒ้šจๅพŒ็ทŠๆŽฅๆ–ผ 1 ๆœˆ 13 ๆ—ฅ่‡ณ 18 ๆ—ฅๅœจ ROOS ่ˆ‰่พฆๅฑ•่ฆฝๅพŒ๏ผŒๆˆ‘ๅ€‘ๅนพไนŽๆฒ’ๆœ‰ๆ™‚้–“ไผ‘ๆฏ๏ผŒ็”š่‡ณๅœจๅฟƒๅขƒๅฐšๆœชๅนณๅพฉใ€้ˆ้ญ‚ๅฐšๆœชๅฎ‰ๅฎšใ€้กซๅ‹•ๅฐšๆœชๆญขๆฏไน‹ๅ‰๏ผŒๆˆ‘ๅ€‘็š„่…ฆๆตทๅทฒๆ€ฅไธๅฏๅพ…ๅœฐ่ฆๆฑ‚ๅฐ้€™ๅ ดใ€Œ็››ไบ‹ใ€ๅ‰็š„็จฎ็จฎๆญท็จ‹้€ฒ่กŒๅ›ž้กงใ€่ฟฝๆ†ถ่ˆ‡ๅๆ€ใ€‚

ไปฅไธŠๆ˜ฏ ARtrio่ˆ‡ๅฎขๅธญ่—่ก“ๅฎถไฝ•ๅฎถๅผท่€ๅธซ๏ผŒไปฅๅŠ ้ฆ™ๆธฏ็ง‘ๆŠ€ๅคงๅญธ ISD ๅญธ็”Ÿ่ˆ‡ๆ กๅ‹ๅ€‘๏ผŒ็‚บไบ†็ฑŒๅ‚™ใ€ŠEquus: Form + Voidใ€‹่€Œๅ่ฆ†็ฏฉ้ธๅŠๆŽจๆ•ฒ๏ผŒๅฐ‡ไธ€ๅˆ‡ๅฝขๅก‘ไธฆ็†ๅ‡บ้ ญ็ท’็š„ๅ‰ชๅฝฑใ€‚

Reflection before rest. Having had little time to rest after our performance on Jan 9 and 10, 2026 at the Fringe Club Underground Theatre, and our subsequent exhibition from Jan 13-18 at ROOS, even before our hearts have quietened and our spirits stilled, even before breaths abated and tremors tamed, our minds already demand a review, a remembrance, a reflection of the events leading up to The Event.

Here are some images of ARtrio (formerly X-ARt), and our guest artist Master Henry Ho, and HKUST - ISD students and alumni, sifting, shifting, shoving things into shape and sequence, in preparation for Equus: Form + Void.

โ€”โ€”โ€”
๐—˜๐—ค๐—จ๐—จ๐—ฆ: ๐—™๐—ข๐—ฅ๐—  + ๐—ฉ๐—ข๐—œ๐——
ๆ„้ฆฌ๏ผš ่ฆบ็Ÿฅ่‰ฒ็ฉบ ใ€่—็ฉ—็ฏ€26ใ€‘
๐—ฏ๐˜† ๐—”๐—ฅ๐˜๐—ฟ๐—ถ๐—ผ
๐˜„๐—ถ๐˜๐—ต ๐—ด๐˜‚๐—ฒ๐˜€๐˜ ๐—ฎ๐—ฟ๐˜๐—ถ๐˜€๐˜ ๐™ƒ๐™š๐™ฃ๐™ง๐™ฎ ๐™ƒ๐™ค
โ€”โ€”โ€”

ไฝœๅ“ๆŽก็”จๅ››้ข้ซ”็ตๆง‹๏ผŒๅฏ“ๆ„ใ€Œๅคงๅœฐใ€ไน‹ๆ‰ฟ่ผ‰่ˆ‡็ฉฉๅฎš๏ผ›่€Œ้ซ˜ไฝŽ้Œฏ่ฝ็š„ๆก†ๆžถ๏ผŒๅ‰‡ๅฆ‚ๅŸŽๅธ‚ไธญ็š„ๆฃฎๆž—ๆ™ฏ่ง€๏ผŒๅœจ็งฉๅบไน‹ไธญไฟๆŒๆตๅ‹•๏ผŒๅœจ่ฎŠๅŒ–ไน‹ไธญๅ‘ˆ็พ็”Ÿๆˆใ€‚่—‰็”ฑ็ซน็š„้ŸŒๆ€ง่ˆ‡็ฏ€็†๏ผŒๆˆ‘ๅ˜—่ฉฆ่จ˜้Œ„ไธ€ๅบงไธๆ–ทๆผ”่ฎŠ็š„ๅ ดๅŸŸ๏ผŒไธฆๅ›žๆ‡‰่‡ช็„ถ่ˆ‡ไบบ้€ ไน‹้–“็š„ๅ…ฑ็”Ÿ้—œไฟ‚ใ€‚Bamboo is my cho...
17/01/2026

ไฝœๅ“ๆŽก็”จๅ››้ข้ซ”็ตๆง‹๏ผŒๅฏ“ๆ„ใ€Œๅคงๅœฐใ€ไน‹ๆ‰ฟ่ผ‰่ˆ‡็ฉฉๅฎš๏ผ›่€Œ้ซ˜ไฝŽ้Œฏ่ฝ็š„ๆก†ๆžถ๏ผŒๅ‰‡ๅฆ‚ๅŸŽๅธ‚ไธญ็š„ๆฃฎๆž—ๆ™ฏ่ง€๏ผŒๅœจ็งฉๅบไน‹ไธญไฟๆŒๆตๅ‹•๏ผŒๅœจ่ฎŠๅŒ–ไน‹ไธญๅ‘ˆ็พ็”Ÿๆˆใ€‚่—‰็”ฑ็ซน็š„้ŸŒๆ€ง่ˆ‡็ฏ€็†๏ผŒๆˆ‘ๅ˜—่ฉฆ่จ˜้Œ„ไธ€ๅบงไธๆ–ทๆผ”่ฎŠ็š„ๅ ดๅŸŸ๏ผŒไธฆๅ›žๆ‡‰่‡ช็„ถ่ˆ‡ไบบ้€ ไน‹้–“็š„ๅ…ฑ็”Ÿ้—œไฟ‚ใ€‚

Bamboo is my chosen material. The bamboo is cut into fractalian pieces and arranged in a city-like installation. The arrangement is not random; these lengths of bamboo have been placed in a manner as Nature would, as bamboo would grow in a bamboo grove.

๐™Ž๐™ช๐™ฃ๐™ฎ๐™–๐™ฉ๐™– 2.0
3.75m x 5m
Bamboo installation

โ€”โ€”โ€”

๐—˜๐—ค๐—จ๐—จ๐—ฆ: ๐—™๐—ข๐—ฅ๐—  + ๐—ฉ๐—ข๐—œ๐—— 2.0
ๆ„้ฆฌ๏ผš ่ฆบ็Ÿฅ่‰ฒ็ฉบ
๐—ฏ๐˜† ๐—”๐—ฅ๐˜๐—ฟ๐—ถ๐—ผ
๐˜„๐—ถ๐˜๐—ต ๐—ด๐˜‚๐—ฒ๐˜€๐˜ ๐—ฎ๐—ฟ๐˜๐—ถ๐˜€๐˜ ๐™ƒ๐™š๐™ฃ๐™ง๐™ฎ ๐™ƒ๐™ค

Running Out Of Space
UNIT 11, Remex Centre, 42, 12/F Wong Chuk Hang Rd, Wong Chuk Hang

โ€”โ€”โ€”

ไฝœๅ“ๆŽก็”จๅ››้ข้ซ”็ตๆง‹๏ผŒๅฏ“ๆ„ใ€Œๅคงๅœฐใ€ไน‹ๆ‰ฟ่ผ‰่ˆ‡็ฉฉๅฎš๏ผ›่€Œ้ซ˜ไฝŽ้Œฏ่ฝ็š„ๆก†ๆžถ๏ผŒๅ‰‡ๅฆ‚ๅŸŽๅธ‚ไธญ็š„ๆฃฎๆž—ๆ™ฏ่ง€๏ผŒๅœจ็งฉๅบไน‹ไธญไฟๆŒๆตๅ‹•๏ผŒๅœจ่ฎŠๅŒ–ไน‹ไธญๅ‘ˆ็พ็”Ÿๆˆใ€‚่—‰็”ฑ็ซน็š„้ŸŒๆ€ง่ˆ‡็ฏ€็†๏ผŒๆˆ‘ๅ˜—่ฉฆ่จ˜้Œ„ไธ€ๅบงไธๆ–ทๆผ”่ฎŠ็š„ๅ ดๅŸŸ๏ผŒไธฆๅ›žๆ‡‰่‡ช็„ถ่ˆ‡ไบบ้€ ไน‹้–“็š„ๅ…ฑ็”Ÿ้—œไฟ‚ใ€‚Bamboo is my cho...
17/01/2026

ไฝœๅ“ๆŽก็”จๅ››้ข้ซ”็ตๆง‹๏ผŒๅฏ“ๆ„ใ€Œๅคงๅœฐใ€ไน‹ๆ‰ฟ่ผ‰่ˆ‡็ฉฉๅฎš๏ผ›่€Œ้ซ˜ไฝŽ้Œฏ่ฝ็š„ๆก†ๆžถ๏ผŒๅ‰‡ๅฆ‚ๅŸŽๅธ‚ไธญ็š„ๆฃฎๆž—ๆ™ฏ่ง€๏ผŒๅœจ็งฉๅบไน‹ไธญไฟๆŒๆตๅ‹•๏ผŒๅœจ่ฎŠๅŒ–ไน‹ไธญๅ‘ˆ็พ็”Ÿๆˆใ€‚่—‰็”ฑ็ซน็š„้ŸŒๆ€ง่ˆ‡็ฏ€็†๏ผŒๆˆ‘ๅ˜—่ฉฆ่จ˜้Œ„ไธ€ๅบงไธๆ–ทๆผ”่ฎŠ็š„ๅ ดๅŸŸ๏ผŒไธฆๅ›žๆ‡‰่‡ช็„ถ่ˆ‡ไบบ้€ ไน‹้–“็š„ๅ…ฑ็”Ÿ้—œไฟ‚ใ€‚

Bamboo is my chosen material. The bamboo is cut into fractalian pieces and arranged in a city-like installation. The arrangement is not random; these lengths of bamboo have been placed in a manner as Nature would, as bamboo would grow in a bamboo grove.

๐™Ž๐™ช๐™ฃ๐™ฎ๐™–๐™ฉ๐™– 2.0
3.75m x 5m
Bamboo installation

โ€”โ€”โ€”

๐—˜๐—ค๐—จ๐—จ๐—ฆ: ๐—™๐—ข๐—ฅ๐—  + ๐—ฉ๐—ข๐—œ๐—— 2.0
ๆ„้ฆฌ๏ผš ่ฆบ็Ÿฅ่‰ฒ็ฉบ
๐—ฏ๐˜† ๐—”๐—ฅ๐˜๐—ฟ๐—ถ๐—ผ
๐˜„๐—ถ๐˜๐—ต ๐—ด๐˜‚๐—ฒ๐˜€๐˜ ๐—ฎ๐—ฟ๐˜๐—ถ๐˜€๐˜ ๐™ƒ๐™š๐™ฃ๐™ง๐™ฎ ๐™ƒ๐™ค

Running Out Of Space
UNIT 11, Remex Centre, 42, 12/F Wong Chuk Hang Rd, Wong Chuk Hang

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Address

Hong Kong

Opening Hours

Monday 10:00 - 06:00
Friday 10:00 - 06:00
Saturday 11:00 - 15:00

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