ATOPOS cvc

ATOPOS cvc Athens based non-profit Αtopos cvc develops innovative projects of contemporary visual culture with an emphasis on the human figure and costume.

ΑΤΟΠΟΣ, a name inspired by the ancient Greek word άτοπος denoting the strange, the unwonted, the eccentric and the unclassifiable, is a meeting point for different visual disciplines. Founded in 2003 by Stamos Fafalios and Vassilis Zidianakis, atopos cvc operates by researching projects of international interest, collaborating with designers and artists, realising new ideas in the form of exhibiti

ons, publications, performances and events. For further details regarding our programme, exhibitions and visiting hours please call Atopos' office on +302108838151 (Monday-Friday 11:00-19:00)

🌝As part of the exhibition αρχείο écho ηχώ xoxo by artist-in-residence Théo Robine-Langlois, curated by artistic directo...
29/05/2026

🌝As part of the exhibition αρχείο écho ηχώ xoxo by artist-in-residence Théo Robine-Langlois, curated by artistic director Vassilis Zidianakis, ATOPOS cvc announces new exhibition opening hours and an expanded public program.

‼️ΕΧΗΙΒΙΤΙΟΝ OPENING HOURS‼️
Visit the exhibition at ATOPOS cvc, Polydeukous 41A, 185 31, Piraeus, every Thursday
(04.06.2026, 11.06.2026, 18.06.2026, 25.06.2026, 02.07.2026), 12:00 – 20:00

💫PUBLIC PROGRAM (detailed program on the website)💫
Follow the public program at ATOPOS cvc, Polydeukous 41A, 185 31, Piraeus.
Save the dates:
🌛SATURDAY 06.06, 18:30 Dress as a Surface of Public Statement. Meti Tsoukatou in conversation with Théo Robine-Langlois and 19:30 [Un]made to Μeasure: Fabrics, Lives, Poems. Stamatina Dimakopoulou in conversation with Théo Robine-Langlois
🌜SUNDAY 07.06, 18:30 NEW NARRATIVES FOR THE NOW. Dimitra Ioannou in conversation with Théo Robine-Langlois and 19:30 Garment Soundscapes. Lydia Panagou in conversation with Théo Robine-Langlois.
🌙TUESDAY 09.06, 18:30 Adventures in Visual Poetry, Caterina Stamou in conversation with Théo Robine-Langlois and 19:30 Days 1719: The Positions of April. Thodoris Chiotis in conversation with Théo Robine-Langlois
🌔SATURDAY 20.06, 18:30 ‘Text’ or ‘Textile’? ‘Written’ Garments in the ATOPOS cvc RRRIPP!! Collection. Interactive guided tour for children and adults by Myrsini Pichou
🌘TUESDAY 23.06, 19:30 Slogans and Prints in Fashion at the Turn toward the 21st Century, Stella Lizardi
🌕FRIDAY 26.06, 19:30 Analysis and Conservation of a Japanese Paper Garment “Shifu”. Kyriaki Lentzi and Yorgos Facorellis

🌞And beyond ATOPOS cvc, FRIDAY 05.06, 19:00 CRUE by Théo Robine-Langlois at O Meteoritis: in dialogue with ATOPOS cvc Archive and the RRRIPP!! Paper Fashion Collection Vassilis Zidianakis in conversation with Théo Robine-Langlois at O Meteoritís, Fokionos Negri 68, Athens 113 61
Photo

Still echoing from the opening of αρχείο écho ηχώ xoxo 💫A few more moments from an evening shaped by poetry, sound, and ...
23/05/2026

Still echoing from the opening of αρχείο écho ηχώ xoxo 💫

A few more moments from an evening shaped by poetry, sound, and suspended memories, celebrating the new exhibition by artist-in-residence Théo Robine-Langlois (), curated by Vassilis Zidianakis, alongside a live sound performance by Théo Robine-Langlois and CERB . Through archival paper garments from the ATOPOS cvc collection, the exhibition unfolds as an ongoing dialogue between body, text and image.

Thank you to everyone who joined us and shared in the energy of the night. αρχείο écho ηχώ xoxo continues through upcoming public programs and collective experiences. More soon ✨

Photos by

💫Still echoing from the opening of αρχείο écho ηχώ xoxo 💫 A beautiful evening celebrating the new exhibition by artist-i...
21/05/2026

💫Still echoing from the opening of αρχείο écho ηχώ xoxo 💫

A beautiful evening celebrating the new exhibition by artist-in-residence Théo Robine-Langlois, curated by Vassilis Zidianakis, alongside a live sound event by Théo Robine-Langlois and CERB, weaving together voices of 20th-century poets with abstract beats from the 1990s to today.

The exhibition brings archival paper garments from the ATOPOS cvc collection back into dialogue through the artist’s ongoing research and residency development supported by . At the heart of the exhibition are one-to-one graphic translations of garments transformed into poems, suspended between visual poetry and portraiture.

αρχείο écho ηχώ xoxo will remain accessible through a series of upcoming public programs inviting embodied participation and collective experience. More details soon.

Photos by

Selected photos from αρχείο écho ηχώ xoxo, the new exhibition by artist-in-residence Théo Robine-Langlois, curated by ar...
20/05/2026

Selected photos from αρχείο écho ηχώ xoxo, the new exhibition by artist-in-residence Théo Robine-Langlois, curated by artistic director Vassilis Zidianakis at Polydefkous 41A, Piraeus.

Drawing from the ATOPOS cvc collection of paper garments, the exhibition reactivates archival pieces that return to the present through the artist’s ongoing research and residency development.

At its core are one-to-one graphic translations of garments rendered as poems, situated between visual poetry and portraiture.

Exhibition hours and upcoming public events will be announced soon. More information on our website.

Photos by Panos Kokkinias.

📍 ATOPOS cvc, Polydefkous 41A, Piraeus📅 Tuesday, May 19, 2026🕕 Opening hours: 18:00–22:00🔊 Sound event with Théo Robine-...
16/05/2026

📍 ATOPOS cvc, Polydefkous 41A, Piraeus
📅 Tuesday, May 19, 2026
🕕 Opening hours: 18:00–22:00
🔊 Sound event with Théo Robine-Langlois & CERB at 20:00

ATOPOS cvc announces the opening of αρχείο écho ηχώ xoxo, a new exhibition by artist-in-residence Théo Robine-Langlois, curated by Vassilis Zidianakis.

The exhibition foregrounds archival material from the ATOPOS cvc collection of paper garments, revisited and reactivated after a long period brings them into dialogue with the artist’s ongoing research and residency development. At its core are one-to-one graphic translations of garments rendered as poems, situated between visual poetry and portraiture.

A sound event will take place on May 19th at 20:00, where Théo Robine-Langlois and CERB will blend voices from poets of the 20th century with abstract beats spanning the 1990s to the present day.

The exhibition will be accessible during the public program encouraging embodied and forms of participation. More information will be announced soon.

Photo:Théo Robine-Langlois & ‘Pussy Cat’ poster dress by Harry Gordon, ATOPOS cvc collection

ATOPOS cvc announces the opening of αρχείο écho ηχώ xoxo, a new exhibition by artist-in-residence Théo Robine-Langlois, ...
15/05/2026

ATOPOS cvc announces the opening of αρχείο écho ηχώ xoxo, a new exhibition by artist-in-residence Théo Robine-Langlois, curated by Vassilis Zidianakis.

📍 ATOPOS cvc, Polydefkous 41A, Piraeus
📅 Tuesday, May 19, 2026
🕕 Opening hours: 18:00–22:00
🔊 Sound event with Théo Robine-Langlois & CERB at 20:00

The exhibition foregrounds archival material from the ATOPOS cvc collection of paper garments, revisited and reactivated after a long period brings them into dialogue with the artist’s ongoing research and residency development. At its core are one-to-one graphic translations of garments rendered as poems, situated between visual poetry and portraiture.

A sound event will take place on May 19th at 20:00, where Théo Robine-Langlois and CERB will blend voices from poets of the 20th century with abstract beats spanning the 1990s to the present day.

The exhibition will be accessible during the public program encouraging embodied and forms of participation. More information will be announced soon.

Théo Robine-Langlois, artist-in-residence at ATOPOS cvc, new image is a response to Bob Dylan Poster Dress by Harry Gord...
11/05/2026

Théo Robine-Langlois, artist-in-residence at ATOPOS cvc, new image is a response to Bob Dylan Poster Dress by Harry Gordon from the ATOPOS cvc collection, in preparation for his upcoming exhibition opening on May 19.
‼️Save the date — more information coming soon.

Part of a series of mod-pop advertisement paper dresses, Poster Dress reflects the experimental spirit of the late 1960s, when fashion, graphic design, and popular culture merged into wearable images. The dress originally came with the statement:
“Should you tire of it, just cut open all the seams and hang it on your wall as a mammoth poster.” Bob Dylan Poster Dress is also part of the MoMA collection.

A detail that inspired Robine-Langlois’ research is Dylan’s iconic sunglasses. Introduced into his style around 1965, the thick, tapered frames coincided with his controversial electric turn and projected a more elusive, tougher image, often paired with all-black outfits influenced by existentialism and the visual culture surrounding the Black Panthers’ impact on American intellectual life, as noted by journalist Tom Wolfe.

Supported by , Robine-Langlois reflects on the archive as a living and active space, where objects can be reinterpreted beyond their original function, connecting fashion,visual poetry and sound.

Théo Robine-Langlois, artist-in-residence at ATOPOS cvc, has developed a new image in response to Bob Dylan Poster Dress...
11/05/2026

Théo Robine-Langlois, artist-in-residence at ATOPOS cvc, has developed a new image in response to Bob Dylan Poster Dress by Harry Gordon from the ATOPOS cvc collection, in preparation for his upcoming exhibition opening on May 19.
Save the date — more information coming soon.

Part of a series of mod-pop advertisement paper dresses, Poster Dress reflects the experimental spirit of the late 1960s, when fashion, graphic design, and popular culture merged into wearable images. The dress originally came with the statement:
“Should you tire of it, just cut open all the seams and hang it on your wall as a mammoth poster.” Bob Dylan Poster Dress is also part of the MoMA collection.

A detail that inspired Robine-Langlois’ research is Dylan’s iconic sunglasses. Introduced into his style around 1965, the thick, tapered frames coincided with his controversial electric turn and projected a more elusive, tougher image, often paired with all-black outfits influenced by existentialism and the visual culture surrounding the Black Panthers’ impact on American intellectual life, as noted by journalist Tom Wolfe.

Supported by , Robine-Langlois reflects on the archive as a living and active space, where objects can be reinterpreted beyond their original function, connecting fashion,visual poetry and sound.

Théo Robine-Langlois, artist-in-residence, new image was a response to the work Poster Dress (1967) by graphic artist Ha...
09/05/2026

Théo Robine-Langlois, artist-in-residence, new image was a response to the work Poster Dress (1967) by graphic artist Harry Gordon from ATOPOS cvc collection, in preparation for his upcoming exhibition opening on May 19. Save the date — more information coming soon!

Poster Dress is part of a series of mod-pop advertisement paper dresses, reflecting the experimental spirit of the late 1960s, when fashion, graphic design and popular culture merged into wearable images. The dress was accompanied by the statement: “Should you tire of it, just cut open all the seams and hang it on your wall as a mammoth poster.”

Robine-Langlois, supported by , reflects on the archive as a living, active space where objects can be reinterpreted beyond their original function, connecting fashion and visual poetry.

Théo Robine-Langlois, artist-in-residence, developed this new image in response to the work Poster Dress (1967) by graph...
07/05/2026

Théo Robine-Langlois, artist-in-residence, developed this new image in response to the work Poster Dress (1967) by graphic artist Harry Gordon from ATOPOS cvc collection, in preparation for his upcoming exhibition opening on May 19. Save the date — more information coming soon!

Poster Dress is part of a series of mod-pop advertisement paper dresses, reflecting the experimental spirit of the late 1960s, when fashion, graphic design and popular culture merged into wearable images. The dress was accompanied by the statement: “Should you tire of it, just cut open all the seams and hang it on your wall as a mammoth poster.”

Robine-Langlois, supported by , reflects on the archive as a living, active space where objects can be reinterpreted beyond their original function, connecting fashion and visual poetry.

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