Space X Pottery

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Ceramic art that meets the criteria of an out of this world unique experience.
Κεραμική τέχνη που συναντά τα κριτήρια για μια, από άλλο κόσμο, μοναδική εμπειρία.

17/03/2026

Random ceramics 🧱

14/03/2026

Vase No.3

The third vase of my new series came out better than I expected. When I experiment, I rarely test ideas on pieces I don’t care about first, I usually go straight to the vessel that actually matters to me. It has definitely led to many failures over the years, but it’s also the way I like to work. There’s something about that risk, that edge, that excitement of not knowing exactly what will happen.

Spraying glaze adds even more unpredictability. The surface develops through movement, gravity, and heat, and chance becomes a real part of the process. Sometimes the kiln decides things for you.

This series is really about that dialogue between control and surrender. The wheel-thrown forms become small landscapes where minerals and porcelain fragments gather and transform. I’m trying to let the material behave more like something natural, like erosion, sediment, or growth, rather than something completely controlled by the hand.

Happy with the result!
What do you think?

11/03/2026

Fresh out of the kiln, revisiting an old series of handmade pink and white mugs, wax melters and small vases, with speckled clay.

Available in store!

17/02/2026

Formed on the wheel and slowly transformed through layering. Porcelain fragments were carefully attached to build a rough, shifting surface, something closer to a natural landscape than a controlled object.

I wanted the piece to feel shaped by erosion and time, where growth happens unevenly and beauty emerges through texture. A combination of glazes with wood ash, silica, and nepheline syenite creates contrasts between glossy flows and raw, mineral areas, allowing the fire to leave its own marks.

A vessel that holds both softness and strength, familiar yet wild, like a fragment of terrain shaped by unseen forces.

16/02/2026

Ceramic figures, thrown and altered.

Wheelthrown bodies, shaped by movement, altered by pressure, and left intentionally imperfect. Each figure begins the same way, centered, spinning, yet slowly shifts into its own posture, its own memory of time.

These forms speak about walking parallel paths: together yet individual, familiar yet changing. The distortions are not flaws but traces of transformation, marks of passing moments, small resistances and quiet evolutions.

I’m interested in what happens when control softens and the clay responds back, when repetition creates difference rather than sameness. Seen as a group, they feel like a shared journey: many presences moving forward, carrying their own weight, leaning, adapting, continuing.

Handmade on the wheel, altered by hand, and glazed to emphasize movement and flow.

Which one feels closest to you right now?

06/02/2026

Face Mugs Revisited

A new series of a collection that I love, where the face becomes surface, gesture, and question.

Each piece begins on the wheel and continues through carving and painting, allowing figures to emerge through smears, scratches, and marks that refuse perfection. These faces exist somewhere between attraction and discomfort, exploring the fragile boundary where beauty meets distortion.

Inspired partly by the unsettling elegance of Genieve Figgis, especially the tension between presence and dissolution, the mugs reflect on self-image as something unstable. The mirror does not simply reflect. It alters, exaggerates, and sometimes erases. Identity becomes fluid, layered like makeup, applied, shifted, removed, leaving traces behind.

Here, the face is not fixed but in motion. Features melt, gestures blur, and expression becomes a record of transformation rather than a final state. What is considered “beautiful” or “ugly” dissolves into a more complex territory where vulnerability, imperfection, and change hold their own aesthetic power.

These mugs invite an intimate encounter: to hold a face, to look back at it, and perhaps to recognize something of ourselves in the act of becoming.

26/01/2026

Wheel-thrown vase with stoneware clay , its body carries the familiarity of a functional vessel, while the surface shifts into a rough, almost geological terrain. Fragments of porcelain interrupt form, forming a rocky skin that feels grown rather than constructed.

Ash, minerals, and soft white surfaces gather and settle across the vessel as if shaped by weather, heat, and time rather than intention alone. The surface reads as a natural occurrence, echoing landscapes shaped slowly through elemental forces. Fire becomes a collaborator, allowing unpredictability and transformation to remain visible rather than concealed.

Nature is a constant point of return in this work. Clay, drawn from the soil, carries a primal memory of human making and the need to connect to something older than ourselves. This vase reflects that impulse: a quiet attempt to trace the origins of form, matter, and touch, and to allow the material to speak through processes that mirror growth, decay, and renewal.

24/01/2026

“Motherhood” 2025

Stoneware clay, porcelain slip, underglaze & crystalline glaze

Motherhood is a wheel-thrown vessel encircled by sixty-five sculpted infant heads,grotesque, strained, vulnerable, descending in size across its surface. The repetition marks time, labor, and exhaustion, turning the body of the vessel into a field of production, a reflection of social, historical, and economic systems that demand reproduction.

The surface of the vessel is covered in a white crystalline glaze, which evokes the ideals of purity and innocence often imposed on motherhood and childhood—but this surface masks the labor, sacrifice, and endurance beneath.

On its lid, a small, anti-idealized pregnant figure in red and purple stands barefoot on rocky ground: a symbol of exposure, burden, and resilience, rejecting conventional notions of beauty to assert the realities of maternal labor.

Motherhood does not sentimentalize birth. It confronts the complexities, the pressures, and the unseen costs of reproduction, asking us to witness how bodies—maternal and newborn alike—are shaped, used, and marked by the forces around them.

09/01/2026

Another turn around the sun.

A quiet shift, almost unnoticeable, except in the hands.

These pieces don’t belong to a single series or moment. They carry time differently.

Hours of waiting, layers built and erased, decisions made and unmade. Clay remembers every touch. Glaze holds the trace of doubt, patience, and chance. Nothing here is fixed; everything is the result of listening.

Time moves forward, but it also folds back on itself. What we make today carries echoes of what we were, and hints of what we are becoming. As humans, we are fragile, temporary vessels trying to leave a mark that is soft enough to disappear, yet strong enough to stay.

Creation is my way of staying present inside this movement. Not to control it, but to participate. To accept that change is constant, and growth happens quietly, between repetition and risk. Each firing is a small act of faith. Each object, a pause.

As 2026 begins, I’m grateful for the slow rhythm of making,
for the chance to shape, to let go, and to keep evolving.

09/12/2025

I’m deeply grateful for everyone who came, supported my work, spoke with me, touched the pieces, shared thoughts, and chose to take something handmade into their life.

Supporting a maker today means so much — especially in a world where global consumption and economic monopolies try to flatten not only the arts, but also human connection, the meeting of people, and the exchange of ideas.

Every conversation, every purchase, every kind word is an act of resistance and care. It reminds me why I choose to work with my hands, to stay present, to keep creating. It truly gives me hope and the strength to keep evolving as an artist.

Thank you for showing up, for being curious, for valuing the handmade.

A big thank you to for the beautiful organization and the space they create for ceramics to exist and be celebrated.

For those who missed the fair, I’ll be hosting a bazar next weekend — I’ll share all the details in a separate post very soon.
On to the next one. 🤍

⸻

Ένα μεγάλο ευχαριστώ σε όλους και όλες που ήρθατε, στηρίξατε τη δουλειά μου, μιλήσαμε, αγγίξατε τα έργα, ανταλλάξαμε σκέψεις και επιλέξατε να πάρετε κάτι χειροποίητο στη ζωή σας.

Η στήριξη ενός δημιουργού σήμερα σημαίνει πολλά — ειδικά σε μια εποχή όπου η παγκόσμια κατανάλωση και τα οικονομικά μονοπώλια προσπαθούν να ισοπεδώσουν όχι μόνο την τέχνη, αλλά και τη συνάθροιση των ανθρώπων, την ανταλλαγή ιδεών και την επικοινωνία.

Κάθε κουβέντα, κάθε αγορά, κάθε βλέμμα είναι δύναμη και φροντίδα. Μου θυμίζει γιατί επιλέγω να δουλεύω με τα χέρια μου και μου δίνει ελπίδα να συνεχίσω να εξελίσσομαι και να δημιουργώ.

Ένα μεγάλο ευχαριστώ στο για την υπέροχη διοργάνωση.

Για όσους / όσες δεν κατάφεραν να έρθουν στη διοργάνωση, το επόμενο Σαββατοκύριακο θα φιλοξενήσω ένα bazar — θα ανακοινώσω όλες τις λεπτομέρειες σε ξεχωριστή ανάρτηση πολύ σύντομα.
Συνεχίζουμε. 🤍

04/12/2025

This weekend I’ll be at the 7th Ceramic Fair , and I would love to see you there.
I’m bringing my newest work — fresh experiments with glazes and color, moving between stoneware and porcelain, chasing surfaces I’ve never explored before. This collection feels playful, risky, and very alive, and I’m excited to finally share it with you just in time for Christmas.

If you’re looking for a handmade piece with soul — something to live with, to gift, to keep close — come by, say hello, touch the work, and choose the object that speaks to you.

📍 Kypseli Municipal Market
🕚 11:00 – 21:00
🎄 7th Fired Up Ceramic Fair

See you there — with muddy hands and a full heart.

⸻

🇬🇷

Αυτό το Σαββατοκύριακο θα βρίσκομαι στο 7ο Fired Up Ceramic Fair και θα χαρώ πολύ να σε δω από κοντά.
Θα φέρω τη νεότερη δουλειά μου — νέους πειραματισμούς με υαλώματα και χρώματα, ανάμεσα σε stoneware και πορσελάνη, με πολλή έρευνα και παιχνίδι με την υλικό. Είναι μια συλλογή ζωντανή, τολμηρή και ιδανική για δώρα Χριστουγέννων με χαρακτήρα.

Αν ψάχνεις ένα χειροποίητο αντικείμενο με ψυχή, για εσένα ή για δώρο, έλα να τα δεις από κοντά, να τα αγγίξεις και να διαλέξεις αυτό που θα σου μιλήσει.

📍 Δημοτική Αγορά Κυψέλης
🕚 11:00 – 21:00
🎄 7ο Fired Up Ceramic Fair

Σε περιμένω.

Address

Παπαδιαμαντοπουλου 44
Athens
15771

Website

https://www.spacexpottery.com/

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