Space X Pottery

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Ceramic art that meets the criteria of an out of this world unique experience.
Κεραμική τέχνη που συναντά τα κριτήρια για μια, από άλλο κόσμο, μοναδική εμπειρία.

Thrown on the wheel before being altered by hand, this sculptural vessel brings together two familiar forms, the vessel ...
22/07/2026

Thrown on the wheel before being altered by hand, this sculptural vessel brings together two familiar forms, the vessel and the mask.

Soft curves contrast with sharp features, creating a piece that feels both ancient and imagined.

A vessel that carries not only space, but presence. Bridging ancient forms with imagined worlds.

Formed on the wheel, interrupted by reclaimed porcelain, and finished with layered glazes that move freely across the su...
21/07/2026

Formed on the wheel, interrupted by reclaimed porcelain, and finished with layered glazes that move freely across the surface.

A study in texture, color, and the quiet unpredictability of the firing process.

Borrowing their form from African ceramic traditions and their faces from digital mythology, these imagined beings blur ...
30/06/2026

Borrowing their form from African ceramic traditions and their faces from digital mythology, these imagined beings blur the line between vessel and sculpture.

Neither gods nor idols, they exist as celestial companions—becoming whatever you need them to be: a guide, a protector, a witness, or simply a reflection of yourself.

A commissioned collection of wheel-thrown tableware, created for a restaurant in Corfu.Hundreds of handmade pieces, each...
27/06/2026

A commissioned collection of wheel-thrown tableware, created for a restaurant in Corfu.

Hundreds of handmade pieces, each one shaped individually before becoming part of a larger whole.

Every role leaves a trace.Every mask reveals something as much as it conceals.We perform, adapt, and become different ve...
26/06/2026

Every role leaves a trace.
Every mask reveals something as much as it conceals.

We perform, adapt, and become different versions of ourselves depending on who’s watching.

Maybe freedom isn’t taking the mask off.
Maybe it’s choosing the weirdest one—and wearing it with no regrets.

So embrace the performance. Embrace the absurdity.

Be wonderfully, unapologetically strange.

Random ceramics 🧱
17/03/2026

Random ceramics 🧱

Vase No.3The third vase of my new series came out better than I expected. When I experiment, I rarely test ideas on piec...
14/03/2026

Vase No.3

The third vase of my new series came out better than I expected. When I experiment, I rarely test ideas on pieces I don’t care about first, I usually go straight to the vessel that actually matters to me. It has definitely led to many failures over the years, but it’s also the way I like to work. There’s something about that risk, that edge, that excitement of not knowing exactly what will happen.

Spraying glaze adds even more unpredictability. The surface develops through movement, gravity, and heat, and chance becomes a real part of the process. Sometimes the kiln decides things for you.

This series is really about that dialogue between control and surrender. The wheel-thrown forms become small landscapes where minerals and porcelain fragments gather and transform. I’m trying to let the material behave more like something natural, like erosion, sediment, or growth, rather than something completely controlled by the hand.

Happy with the result!
What do you think?

Fresh out of the kiln, revisiting an old series of handmade pink and white mugs, wax melters and small vases, with speck...
11/03/2026

Fresh out of the kiln, revisiting an old series of handmade pink and white mugs, wax melters and small vases, with speckled clay.

Available in store!

Formed on the wheel and slowly transformed through layering. Porcelain fragments were carefully attached to build a roug...
17/02/2026

Formed on the wheel and slowly transformed through layering. Porcelain fragments were carefully attached to build a rough, shifting surface, something closer to a natural landscape than a controlled object.

I wanted the piece to feel shaped by erosion and time, where growth happens unevenly and beauty emerges through texture. A combination of glazes with wood ash, silica, and nepheline syenite creates contrasts between glossy flows and raw, mineral areas, allowing the fire to leave its own marks.

A vessel that holds both softness and strength, familiar yet wild, like a fragment of terrain shaped by unseen forces.

Ceramic figures, thrown and altered. Wheelthrown bodies, shaped by movement, altered by pressure, and left intentionally...
16/02/2026

Ceramic figures, thrown and altered.

Wheelthrown bodies, shaped by movement, altered by pressure, and left intentionally imperfect. Each figure begins the same way, centered, spinning, yet slowly shifts into its own posture, its own memory of time.

These forms speak about walking parallel paths: together yet individual, familiar yet changing. The distortions are not flaws but traces of transformation, marks of passing moments, small resistances and quiet evolutions.

I’m interested in what happens when control softens and the clay responds back, when repetition creates difference rather than sameness. Seen as a group, they feel like a shared journey: many presences moving forward, carrying their own weight, leaning, adapting, continuing.

Handmade on the wheel, altered by hand, and glazed to emphasize movement and flow.

Which one feels closest to you right now?

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Παπαδιαμαντοπουλου 44
Athens
15771

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