Ostomachion Sessions

Ostomachion Sessions 𝐀𝐧 𝐞𝐱𝐩𝐥𝐨𝐫𝐚𝐭𝐢𝐨𝐧 𝐨𝐟 𝐭𝐡𝐞 𝐢𝐧𝐭𝐞𝐫𝐩𝐥𝐚𝐲 𝐛𝐞𝐭𝐰𝐞𝐞𝐧 𝐚𝐜𝐨𝐮𝐬𝐭𝐢𝐜 𝐚𝐧𝐝 𝐝𝐢𝐠𝐢𝐭𝐚𝐥 𝐢𝐧𝐬𝐭𝐫𝐮𝐦𝐞𝐧𝐭𝐬 ⟡▦

The series of concerts reflect the idea of forming shapes using the Ostomachion puzzle concept. The Ostomachion puzzle is an ancient Greek puzzle that involves forming different shapes using various pieces. Similarly, live processing of acoustic instruments involves taking sound fragments and forming them into new shapes. This technique involves the use of digital signal processing tools to manipu

late the sound of acoustic instruments as they are being played, creating new and unique sounds in real-time. This could include techniques like looping, sampling, granular synthesis, spectral processing etc. The idea is to take the sound produced by the instruments, manipulate it using various techniques. The processed sound is then fed back to the musicians, who can use it to create a new interaction with their instruments. This creates a feedback loop that enhances the improvisational nature of the performance which is different every time it is played. In terms of the actual concerts, Ostomachion Sessions will present two improvisers who will interact with an electronic musician. The goal would be to explore in live performance the sonic possibilities of the acoustic instruments through extended/idiomatic techniques and to interact with live sound processing in order to create new sonic territories that blur the line between acoustic and electronic music.

Συνέντευξη του David Jackson στον Χάρη Συμβουλίδη για το  Αθηνόραμα, με  αφορμή τη συναυλία της Παρασκευής στο Underflow...
02/05/2026

Συνέντευξη του David Jackson στον Χάρη Συμβουλίδη για το Αθηνόραμα, με αφορμή τη συναυλία της Παρασκευής στο Underflow Record Store & Art Gallery

David Jackson talks to Athinorama ahead of Friday's concert at Underflow Record Store & Art Gallery

𝐃𝐚𝐯𝐢𝐝 𝐉𝐚𝐜𝐤𝐬𝐨𝐧 | 𝐒𝐭𝐞𝐥𝐢𝐨𝐬 𝐑𝐨𝐦𝐚𝐥𝐢𝐚𝐝𝐢𝐬 | 𝐆𝐢𝐨𝐫𝐠𝐨𝐬 𝐕𝐚𝐫𝐨𝐮𝐭𝐚𝐬 ▽

https://www.athinorama.gr/music/3070299/david-jackson-me-tous-van-der-graaf-generator-pernousame-uperoxa/

𝐃𝐀𝐕𝐈𝐃 𝐉𝐀𝐂𝐊𝐒𝐎𝐍Dᴀᴠɪᴅ Jᴀᴄᴋsᴏɴ, sᴏᴍᴇᴛɪᴍᴇs ᴄᴀʟʟᴇᴅ Jᴀxᴏɴ, ɪs ᴘᴇʀʜᴀᴘs ʙᴇsᴛ ᴋɴᴏᴡɴ ᴀs ᴀ ᴍᴇᴍʙᴇʀ ᴏꜰ ʟᴇɢᴇɴᴅᴀʀʏ 1970s ᴘʀᴏɢʀᴇssɪᴠᴇ ʀᴏᴄ...
23/04/2026

𝐃𝐀𝐕𝐈𝐃 𝐉𝐀𝐂𝐊𝐒𝐎𝐍
Dᴀᴠɪᴅ Jᴀᴄᴋsᴏɴ, sᴏᴍᴇᴛɪᴍᴇs ᴄᴀʟʟᴇᴅ Jᴀxᴏɴ, ɪs ᴘᴇʀʜᴀᴘs ʙᴇsᴛ ᴋɴᴏᴡɴ ᴀs ᴀ ᴍᴇᴍʙᴇʀ ᴏꜰ ʟᴇɢᴇɴᴅᴀʀʏ 1970s ᴘʀᴏɢʀᴇssɪᴠᴇ ʀᴏᴄᴋ ɢʀᴏᴜᴘ Vᴀɴ ᴅᴇʀ Gʀᴀᴀꜰ Gᴇɴᴇʀᴀᴛᴏʀ. Bᴜᴛ ʜᴇ ʜᴀs ᴡᴏʀᴋᴇᴅ ʀɪɢʜᴛ ᴀᴄʀᴏss ᴛʜᴇ ᴍᴜsɪᴄᴀʟ sᴘᴇᴄᴛʀᴜᴍ ᴡɪᴛʜ ᴀʀᴛɪsᴛs ɪɴᴄʟᴜᴅɪɴɢ Pᴇᴛᴇʀ Gᴀʙʀɪᴇʟ, Kᴇɪᴛʜ Tɪᴘᴘᴇᴛ, Osᴀɴɴᴀ ᴀɴᴅ ᴍᴀɴʏ ᴏᴛʜᴇʀs. Hᴇ ᴅᴇᴠᴇʟᴏᴘᴇᴅ ʜɪs ᴏᴡɴ ᴠᴇʀʏ ɪɴᴅɪᴠɪᴅᴜᴀʟ ᴀɴᴅ ʀᴇᴄᴏɢɴɪsᴀʙʟᴇ ᴇʟᴇᴄᴛʀᴏɴɪᴄ sᴀxᴏᴘʜᴏɴᴇ sᴛʏʟᴇ, ᴏꜰᴛᴇɴ ᴘʟᴀʏɪɴɢ ᴛᴡᴏ ᴀᴛ ᴏɴᴄᴇ.

Hᴇ ᴡᴀs ʙᴏʀɴ ɪɴ Sᴛᴀᴍꜰᴏʀᴅ, Lɪɴᴄᴏʟɴsʜɪʀᴇ, ɪɴ 1947 ᴀɴᴅ ɪs ᴍᴀʀʀɪᴇᴅ ᴡɪᴛʜ ᴛᴡᴏ ᴄʜɪʟᴅʀᴇɴ ᴀɴᴅ ᴀ ɢʀᴀɴᴅsᴏɴ. A ᴍᴜsɪᴄɪᴀɴ ꜰʀᴏᴍ ᴀɴ ᴇᴀʀʟʏ ᴀɢᴇ, ʜᴇ ᴡᴀs ᴇᴅᴜᴄᴀᴛᴇᴅ ᴀᴛ Sᴛᴀᴍꜰᴏʀᴅ Sᴄʜᴏᴏʟ ᴡʜᴇʀᴇ ʜᴇ ᴡᴀs ʙᴏᴛʜ ᴀ ᴄʜᴏʀɪsᴛᴇʀ ᴀɴᴅ ᴀ ꜰʟᴀᴜᴛɪsᴛ. Hᴇ ᴡᴇɴᴛ ᴛᴏ ᴜɴɪᴠᴇʀsɪᴛʏ ᴀᴛ Sᴛ. Aɴᴅʀᴇᴡs, ᴡʜᴇʀᴇ ʜᴇ ɢᴏᴛ ᴀɴ MA ɪɴ Psʏᴄʜᴏʟᴏɢʏ ᴀɴᴅ Eᴄᴏɴᴏᴍɪᴄs ᴡʜɪʟᴇ ᴘʟᴀʏɪɴɢ ɪɴ sᴇᴠᴇʀᴀʟ Sᴄᴏᴛᴛɪsʜ ʙᴀɴᴅs. Hᴇ ᴍᴇᴛ ᴛʜᴇ ᴍᴜsɪᴄɪᴀɴ ᴀɴᴅ ᴀʀᴄʜɪᴛᴇᴄᴛ Mᴀx Hᴜᴛᴄʜɪɴsᴏɴ ᴀɴᴅ ᴛʜᴇʏ ᴘʟᴀʏᴇᴅ ᴛᴏɢᴇᴛʜᴇʀ ᴀ ʟᴏᴛ. Aꜰᴛᴇʀ ᴜɴɪᴠᴇʀsɪᴛʏ ʜᴇ ɢᴏᴛ ᴀ ᴊᴏʙ ɪɴ Lᴏɴᴅᴏɴ ᴀɴᴅ ᴘʟᴀʏᴇᴅ ᴡɪᴛʜ ᴛʜᴇ ᴊᴀᴢᴢ-ʙʟᴜᴇs-ᴘᴏᴘ-ɢʀᴏᴜᴘ Bᴇʀɴᴀʀᴅ Rᴇɪᴄʜ ɪɴ Oxꜰᴏʀᴅ.

Mᴀx ɪɴᴛʀᴏᴅᴜᴄᴇᴅ ʜɪᴍ ᴛᴏ Jᴜᴅɢᴇ Sᴍɪᴛʜ, ᴏɴᴇ ᴏꜰ ᴛʜᴇ ᴏʀɪɢɪɴᴀʟ ꜰᴏᴜɴᴅᴇʀs ᴏꜰ VᴅGG, ᴀɴᴅ ᴛᴏɢᴇᴛʜᴇʀ ᴛʜᴇʏ ꜰᴏʀᴍᴇᴅ ᴛʜᴇ ᴊᴀᴢᴢ-ʀᴏᴄᴋ ʙᴀɴᴅ Hᴇᴇʙᴀʟᴏʙ. Wʜᴇɴ ᴀ ʀᴇᴄᴏʀᴅ ᴅᴇᴀʟ ꜰᴇʟʟ ᴛʜʀᴏᴜɢʜ, Hᴇᴇʙᴀʟᴏʙ sᴘʟɪᴛ ᴀɴᴅ Pᴇᴛᴇʀ Hᴀᴍᴍɪʟʟ ᴀsᴋᴇᴅ Dᴀᴠɪᴅ ɪꜰ ʜᴇ ᴡᴀɴᴛᴇᴅ ᴛᴏ ᴊᴏɪɴ Vᴀɴ ᴅᴇʀ Gʀᴀᴀꜰ Gᴇɴᴇʀᴀᴛᴏʀ, ᴡʜɪᴄʜ ʜᴇ ᴡᴀs ᴛʀʏɪɴɢ ᴛᴏ ʀᴇꜰᴏʀᴍ. Aʟᴛʜᴏᴜɢʜ ᴛʜɪs ʙᴀɴᴅ ᴡᴀs ᴀ sᴜᴄᴄᴇss, ᴇsᴘᴇᴄɪᴀʟʟʏ ɪɴ Iᴛᴀʟʏ, ᴍᴏɴᴇʏ ᴡᴀs sᴛɪʟʟ sʜᴏʀᴛ ᴀɴᴅ ꜰᴏʀ sᴇᴠᴇʀᴀʟ ʏᴇᴀʀs ɪɴ ᴛʜᴇ 70s Dᴀᴠɪᴅ sᴜᴘᴘʟᴇᴍᴇɴᴛᴇᴅ ʜɪs ɪɴᴄᴏᴍᴇ ᴡᴏʀᴋɪɴɢ ᴀs ᴀ ᴛʀᴜᴄᴋ ᴅʀɪᴠᴇʀ (4 ʏᴇᴀʀs) ᴀɴᴅ ᴀ ꜰᴏʀᴇsᴛʀʏ ᴄʀᴀɴᴇ ᴏᴘᴇʀᴀᴛᴏʀ (2 ʏᴇᴀʀs).

Vᴀɴ ᴅᴇ Gʀᴀᴀꜰ Gᴇɴᴇʀᴀᴛᴏʀ sᴘʟɪᴛ ᴛᴡɪᴄᴇ: ɪɴ 1972 ᴀꜰᴛᴇʀ ᴀ ʜᴇᴄᴛɪᴄ ᴛᴏᴜʀ sᴄʜᴇᴅᴜʟᴇ ᴀɴᴅ, ᴀꜰᴛᴇʀ ʀᴇꜰᴏʀᴍɪɴɢ ɪɴ 1975, ᴀɢᴀɪɴ ɪɴ 1978. Mᴇᴀɴᴡʜɪʟᴇ, Dᴀᴠɪᴅ ᴄᴏʟʟᴀʙᴏʀᴀᴛᴇᴅ ᴏɴ ᴀ ɴᴜᴍʙᴇʀ ᴏꜰ ᴏᴛʜᴇʀ ᴘʀᴏᴊᴇᴄᴛs ᴀɴᴅ ᴛᴏᴜʀᴇᴅ ɪɴ Pᴇᴛᴇʀ Gᴀʙʀɪᴇʟ’s ʙᴀɴᴅ ɪɴ 1978-79.

Iɴ ᴛʜᴇ 1980s, Dᴀᴠɪᴅ ꜰᴇʟᴛ ᴛʜᴇ ɴᴇᴇᴅ ꜰᴏʀ ᴀ ɴᴇᴡ ᴅɪʀᴇᴄᴛɪᴏɴ. Hᴇ sᴛᴜᴅɪᴇᴅ ᴛᴇᴀᴄʜɪɴɢ ᴀᴛ ᴛʜᴇ Uɴɪᴠᴇʀsɪᴛʏ ᴏꜰ Sᴜʀʀᴇʏ ᴀɴᴅ sᴜʙsᴇǫᴜᴇɴᴛʟʏ ᴡᴏʀᴋᴇᴅ ꜰᴏʀ ᴀ ɴᴜᴍʙᴇʀ ᴏꜰ ʏᴇᴀʀs ᴀs ᴀ Sᴘᴇᴄɪᴀʟ Nᴇᴇᴅs Mᴀᴛʜs Cᴏɴsᴜʟᴛᴀɴᴛ ᴀᴛ Bᴜʟᴍᴇʀsʜᴇ Cᴏᴍᴘʀᴇʜᴇɴsɪᴠᴇ Sᴄʜᴏᴏʟ Rᴇᴀᴅɪɴɢ, ᴀs ᴀ Jᴜɴɪᴏʀ Yᴇᴀʀ Lᴇᴀᴅᴇʀ ᴀɴᴅ Mᴀᴛʜs Sᴘᴇᴄɪᴀʟɪsᴛ ᴀᴛ Sᴛ Pᴀᴜʟ’s Sᴄʜᴏᴏʟ, Wᴏᴋɪɴɢʜᴀᴍ ᴀɴᴅ ᴀs ᴀ Mᴜsɪᴄ Tᴇᴀᴄʜᴇʀ ᴀᴛ Wɪʟᴅʀɪᴅɪɴɢs Pʀɪᴍᴀʀʏ Sᴄʜᴏᴏʟ, Bʀᴀᴄᴋɴᴇʟʟ.

Hɪs ᴄᴀʀᴇᴇʀ ᴛᴜʀɴᴇᴅ ʙᴀᴄᴋ ᴛᴏᴡᴀʀᴅs ᴍᴜsɪᴄ ɪɴ 1990 ᴡʜᴇɴ ʜᴇ ᴡᴇɴᴛ ᴏɴ ᴛᴏᴜʀ ᴡɪᴛʜ Iᴛᴀʟɪᴀɴ sɪɴɢᴇʀ Aʟɪᴄᴇ ᴀɴᴅ ᴡʀᴏᴛᴇ ᴛʜᴇ ᴍᴜsɪᴄ ꜰᴏʀ ᴛᴡᴏ ᴘʟᴀʏs: Sᴀᴠᴀɢᴇs (1990) ᴀɴᴅ Tʜᴇ Dᴇᴀᴛʜ Oꜰ Aɴ Aɴᴅᴀʟᴜsɪᴀɴ Pᴏᴇᴛ, ᴀʙᴏᴜᴛ Fᴇᴅᴇʀɪᴄᴏ Gᴀʀᴄɪᴀ Lᴏʀᴄᴀ, ᴅɪʀᴇᴄᴛᴇᴅ ʙʏ Jᴏᴇʟ Rᴏsᴢʏᴋɪᴇᴡɪᴄᴢ (1990/91).

Wʜɪʟsᴛ ᴡᴏʀᴋɪɴɢ ᴀᴛ Tʜᴇ Aʀᴋ, Sᴏᴜᴛʜɪʟʟ Pᴀʀᴋ ɪɴ 1990, Jᴀxᴏɴ ʜᴀᴅ ᴅɪsᴄᴏᴠᴇʀᴇᴅ ᴛʜᴇ ᴀᴍᴀᴢɪɴɢ ᴡᴏʀʟᴅ ᴏꜰ ᴛʜᴇ Sᴏᴜɴᴅʙᴇᴀᴍ sʏsᴛᴇᴍ. Tʜᴇʏ ᴀʀᴇ ᴄᴏɴᴇ-sʜᴀᴘᴇᴅ ʙᴇᴀᴍs ᴛʜᴀᴛ ᴘʀᴏᴅᴜᴄᴇ sᴏᴜɴᴅs ᴅᴇᴘᴇɴᴅɪɴɢ ᴏɴ ʜᴏᴡ ᴀɴᴅ ᴡʜᴇʀᴇ ᴛʜᴇ ʙᴇᴀᴍs ᴀʀᴇ ᴄᴜᴛ. Hᴇ ꜰᴏᴜɴᴅ ᴛʜᴇʏ ᴡᴇʀᴇ ɪᴅᴇᴀʟ ᴛᴏ ᴇɴᴀʙʟᴇ ᴅɪsᴀʙʟᴇᴅ ᴘᴇᴏᴘʟᴇ ᴛᴏ ᴘʀᴏᴅᴜᴄᴇ ᴍᴜsɪᴄ ᴀɴᴅ ʙᴇᴄᴀᴍᴇ ᴀ ᴍᴜsɪᴄ ᴀɴᴅ ᴅɪsᴀʙɪʟɪᴛʏ ᴘʀᴀᴄᴛɪᴛɪᴏɴᴇʀ ɪɴᴠᴏʟᴠᴇᴅ ɪɴ ᴘʀᴏᴊᴇᴄᴛs ᴀᴄᴛɪᴠᴀᴛɪɴɢ ᴅɪsᴀʙʟᴇᴅ ᴄʜɪʟᴅʀᴇɴ, ᴀ ᴄᴀʀᴇᴇʀ ᴛʜᴀᴛ sᴛɪʟʟ ᴋᴇᴇᴘs ᴏɴ ɢɪᴠɪɴɢ.

Aᴛ ᴛʜᴇ sᴀᴍᴇ ᴛɪᴍᴇ ʜᴇ ᴡᴀs ᴄᴏᴍᴘᴏsɪɴɢ ᴀɴᴅ ᴘᴇʀꜰᴏʀᴍɪɴɢ. Hᴇ ᴡᴀs ᴘᴀʀᴛ ᴏꜰ ᴛʜᴇ Vᴀɴ ᴅᴇʀ Gʀᴀᴀꜰ Gᴇɴᴇʀᴀᴛᴏʀ ʀᴇᴜɴɪᴏɴ ᴛᴏᴜʀ ɪɴ 2005, ᴀɴᴅ ᴄᴏʟʟᴀʙᴏʀᴀᴛᴇᴅ ᴡɪᴛʜ ᴠᴀʀɪᴏᴜs ɢʀᴏᴜᴘs ᴀɴᴅ ᴍᴜsɪᴄɪᴀɴs, ɪɴᴄʟᴜᴅɪɴɢ Jᴜᴅɢᴇ Sᴍɪᴛʜ, ᴛʜᴇ Mᴀɢɪᴄ Mᴜsʜʀᴏᴏᴍ Bᴀɴᴅ, Iᴛᴀʟɪᴀɴ ᴘʀᴏɢʀᴇssɪᴠᴇ ʀᴏᴄᴋ ʙᴀɴᴅ Osᴀɴɴᴀ, ᴛʜᴇ Dᴜᴛᴄʜ ᴘᴇʀᴄᴜssɪᴏɴɪsᴛ Rᴇɴᴇ́ ᴠᴀɴ Cᴏᴍᴍᴇɴᴇ́ᴇ ᴀɴᴅ ᴍᴀɴʏ ᴏᴛʜᴇʀs.

Tᴏᴅᴀʏ ʜᴇ ᴘʟᴀʏs ᴡɪᴛʜ Lᴏɴᴅᴏɴ-ʙᴀsᴇᴅ Kᴀᴘʀᴇᴋᴀʀ’s Cᴏɴsᴛᴀɴᴛ ᴀɴᴅ Nᴀᴘʟᴇs ʙᴀɴᴅ Osᴀɴɴᴀ ᴡʜɪʟᴇ ᴄᴏɴᴛɪɴᴜɪɴɢ ᴛᴏ ᴡʀɪᴛᴇ ᴍᴜsɪᴄ ꜰᴏʀ ᴀɴᴅ ᴘᴇʀꜰᴏʀᴍ ᴡɪᴛʜ ᴀ ᴡɪᴅᴇ sᴇʟᴇᴄᴛɪᴏɴ ᴏꜰ ᴏᴛʜᴇʀ ᴍᴜsɪᴄɪᴀɴs.

𝐃𝐚𝐯𝐢𝐝 𝐉𝐚𝐜𝐤𝐬𝐨𝐧 | 𝐒𝐭𝐞𝐥𝐢𝐨𝐬 𝐑𝐨𝐦𝐚𝐥𝐢𝐚𝐝𝐢𝐬 | 𝐆𝐢𝐨𝐫𝐠𝐨𝐬 𝐕𝐚𝐫𝐨𝐮𝐭𝐚𝐬 ▽

Thank you British Council Greece !𝐃𝐚𝐯𝐢𝐝 𝐉𝐚𝐜𝐤𝐬𝐨𝐧 | 𝐒𝐭𝐞𝐥𝐢𝐨𝐬 𝐑𝐨𝐦𝐚𝐥𝐢𝐚𝐝𝐢𝐬 | 𝐆𝐢𝐨𝐫𝐠𝐨𝐬 𝐕𝐚𝐫𝐨𝐮𝐭𝐚𝐬 ▽
23/04/2026

Thank you British Council Greece !

𝐃𝐚𝐯𝐢𝐝 𝐉𝐚𝐜𝐤𝐬𝐨𝐧 | 𝐒𝐭𝐞𝐥𝐢𝐨𝐬 𝐑𝐨𝐦𝐚𝐥𝐢𝐚𝐝𝐢𝐬 | 𝐆𝐢𝐨𝐫𝐠𝐨𝐬 𝐕𝐚𝐫𝐨𝐮𝐭𝐚𝐬 ▽

𝐒𝐓𝐄𝐋𝐈𝐎𝐒 𝐑𝐎𝐌𝐀𝐋𝐈𝐀𝐃𝐈𝐒Sᴛᴇʟɪᴏs Rᴏᴍᴀʟɪᴀᴅɪs sᴛᴜᴅɪᴇᴅ ꜰʟᴜᴛᴇ ᴘʀɪᴍᴀʀɪʟʏ ᴡɪᴛʜ Sᴏꜰɪᴀ Mᴀᴠʀᴏɢᴇɴɪᴅᴏᴜ ᴀɴᴅ ᴄᴏᴍᴘᴏsɪᴛɪᴏɴ ᴡɪᴛʜ ᴄᴏᴍᴘᴏsᴇʀ Nɪᴋᴏs...
19/04/2026

𝐒𝐓𝐄𝐋𝐈𝐎𝐒 𝐑𝐎𝐌𝐀𝐋𝐈𝐀𝐃𝐈𝐒

Sᴛᴇʟɪᴏs Rᴏᴍᴀʟɪᴀᴅɪs sᴛᴜᴅɪᴇᴅ ꜰʟᴜᴛᴇ ᴘʀɪᴍᴀʀɪʟʏ ᴡɪᴛʜ Sᴏꜰɪᴀ Mᴀᴠʀᴏɢᴇɴɪᴅᴏᴜ ᴀɴᴅ ᴄᴏᴍᴘᴏsɪᴛɪᴏɴ ᴡɪᴛʜ ᴄᴏᴍᴘᴏsᴇʀ Nɪᴋᴏs Pᴀɴᴀɢɪᴏᴛᴀᴋɪs. Hᴇ ʜᴀs ᴀᴛᴛᴇɴᴅᴇᴅ ᴄᴏᴍᴘᴏsɪᴛɪᴏɴ sᴇᴍɪɴᴀʀs ᴡɪᴛʜ ᴄᴏᴍᴘᴏsᴇʀs Tʜᴇᴏᴅᴏʀᴏs Aɴᴛᴏɴɪᴏᴜ, Aɴᴀsᴛᴀsɪs Fɪʟʟɪᴘᴀᴋᴏᴘᴏᴜʟᴏs, ᴀɴᴅ Aɴᴛᴏɴɪs Aɴᴛᴏɴᴏᴘᴏᴜʟᴏs, ᴀs ᴡᴇʟʟ ᴀs ᴀ ꜰʀᴇᴇ ɪᴍᴘʀᴏᴠɪsᴀᴛɪᴏɴ sᴇᴍɪɴᴀʀ ᴡɪᴛʜ ɪᴍᴘʀᴏᴠɪsᴇʀ-ᴄᴏᴍᴘᴏsᴇʀ Aʟᴇxɪs Pᴏʀꜰʏʀɪᴀᴅɪs. Hᴇ ʜᴀs ᴀʟsᴏ ᴘᴀʀᴛɪᴄɪᴘᴀᴛᴇᴅ ɪɴ ᴀɴ ᴏɴʟɪɴᴇ ᴡᴏʀᴋsʜᴏᴘ ᴡɪᴛʜ ᴄᴏᴍᴘᴏsᴇʀ Jᴀᴄᴏʙ Aᴅʟᴇʀ, ꜰᴏᴄᴜsɪɴɢ ᴏɴ ᴛʜᴇ Jᴜsᴛ Iɴᴛᴏɴᴀᴛɪᴏɴ ᴛᴜɴɪɴɢ sʏsᴛᴇᴍ ᴀɴᴅ ᴛʜᴇ ᴘᴏʟʏʀʜʏᴛʜᴍs ᴏꜰ Iɴᴅɪᴀɴ Cᴀʀɴᴀᴛɪᴄ ᴍᴜsɪᴄ.

Tʜʀᴏᴜɢʜ ʜɪs ᴘᴇʀsᴏɴᴀʟ ᴘʀᴏᴊᴇᴄᴛ Lᴜ̈ᴜ̈ᴘ, ʜᴇ ʜᴀs ʀᴇʟᴇᴀsᴇᴅ ᴛʜᴇ ᴀʟʙᴜᴍs Dɪsᴛʀᴇss Sɪɢɴᴀʟ Cᴏᴅᴇ (2008, Fʀᴇɴᴄʜ ʟᴀʙᴇʟ Mᴜsᴇᴀ), Mᴇᴀᴅᴏᴡ Rɪᴛᴜᴀʟs (2011, Aᴍᴇʀɪᴄᴀɴ ʟᴀʙᴇʟ Exᴘᴇʀɪᴍᴇᴅɪᴀ), ᴀɴᴅ Cᴀɴᴛɪᴄʟᴇs ᴏꜰ ᴛʜᴇ Hᴏʟʏ Sᴄʏᴛʜᴇ (2017, Iᴛᴀʟɪᴀɴ ʟᴀʙᴇʟ I, Vᴏɪᴅʜᴀɴɢᴇʀ). Tʜᴇsᴇ ᴡᴏʀᴋs ꜰᴇᴀᴛᴜʀᴇ ᴄᴏʟʟᴀʙᴏʀᴀᴛɪᴏɴs ᴡɪᴛʜ ᴀʀᴛɪsᴛs sᴜᴄʜ ᴀs Dᴀᴠɪᴅ Jᴀᴄᴋsᴏɴ (Vᴀɴ Dᴇʀ Gʀᴀᴀꜰ Gᴇɴᴇʀᴀᴛᴏʀ), Lɪsᴀ Isᴀᴋssᴏɴ, Aᴛᴛɪʟᴀ Csɪʜᴀʀ (Mᴀʏʜᴇᴍ), Sᴀᴋɪs Tᴏʟɪs (Rᴏᴛᴛɪɴɢ Cʜʀɪsᴛ), Aʟᴅʀᴀʜɴ (Døᴅʜᴇɪᴍsɢᴀʀᴅ), Aɴᴅʀɪᴀ Dᴇɢᴇɴs (Pᴀɴᴛᴀʟᴇɪᴍᴏɴ / Cᴜʀʀᴇɴᴛ 93), Aɴɴᴀ Lɪɴᴀʀᴅᴏᴜ, Sᴏꜰɪᴀ Sᴀʀʀɪ, ᴀɴᴅ Lᴇꜰᴛᴇʀɪs Mᴏᴜᴍᴛᴢɪs (Fʀᴇᴇᴅᴏᴍ Cᴀɴᴅʟᴇᴍᴀᴋᴇʀ), ᴀᴍᴏɴɢ ᴏᴛʜᴇʀs.

Hᴇ ɪs ᴀ ᴍᴇᴍʙᴇʀ ᴏꜰ ᴛʜᴇ ʙᴀɴᴅ Vᴀᴜʟᴛ ᴏꜰ Bʟᴏssᴏᴍᴇᴅ Rᴏᴘᴇs, ᴡʜᴏ ʜᴀᴠᴇ ʀᴇʟᴇᴀsᴇᴅ ᴛᴡᴏ ᴀʟʙᴜᴍs—ᴛʜᴇɪʀ ᴍᴏsᴛ ʀᴇᴄᴇɴᴛ, Eᴛɪᴅᴏʀʜᴘᴀ, ᴀs ᴡᴇʟʟ ᴀs ᴛʜᴇɪʀ sᴇʟꜰ-ᴛɪᴛʟᴇᴅ ᴅᴇʙᴜᴛ ᴀʟʙᴜᴍ ꜰᴇᴀᴛᴜʀɪɴɢ Sᴛᴇᴠᴇ Jᴀɴsᴇɴ. Iɴ 2024, Vᴀᴜʟᴛ ᴏꜰ Bʟᴏssᴏᴍᴇᴅ Rᴏᴘᴇs ᴘᴇʀꜰᴏʀᴍᴇᴅ ᴡɪᴛʜ ᴘᴇʀᴄᴜssɪᴏɴɪsᴛ Cʜʀɪs Cᴜᴛʟᴇʀ ɪɴ ᴀɴ ɪᴍᴘʀᴏᴠɪsᴇᴅ sᴇᴛ ᴀᴛ Uɴᴅᴇʀꜰʟᴏᴡ.

Iɴ 2016, ʜᴇ ᴡᴀs ᴏɴᴇ ᴏꜰ 15 ᴍᴜsɪᴄɪᴀɴs ᴘᴀʀᴛɪᴄɪᴘᴀᴛɪɴɢ ɪɴ ᴛʜᴇ ɪᴍᴘʀᴏᴠɪsᴀᴛɪᴏɴᴀʟ ᴄᴏɴᴄᴇʀᴛ “634 Mɪɴᴜᴛᴇs Iɴsɪᴅᴇ ᴛʜᴇ Vᴏʟᴄᴀɴᴏ” ʜᴇʟᴅ ᴡɪᴛʜɪɴ ᴛʜᴇ ᴠᴏʟᴄᴀɴᴏ ᴏꜰ Nɪsʏʀᴏs.

Hᴇ ɪs ᴀʟsᴏ ᴀ ᴍᴇᴍʙᴇʀ ᴏꜰ ᴛʜᴇ WHI ᴇɴsᴇᴍʙʟᴇ, ᴡʜɪᴄʜ sᴘᴇᴄɪᴀʟɪᴢᴇs ɪɴ ᴛʜᴇ ᴘᴇʀꜰᴏʀᴍᴀɴᴄᴇ ᴏꜰ ᴇxᴘᴇʀɪᴍᴇɴᴛᴀʟ ᴍᴜsɪᴄ sᴄᴏʀᴇs ᴜsɪɴɢ ᴠᴇʀʙᴀʟ ᴀɴᴅ ɢʀᴀᴘʜɪᴄ ɴᴏᴛᴀᴛɪᴏɴ, ᴀs ᴡᴇʟʟ ᴀs ꜰʀᴇᴇ ɪᴍᴘʀᴏᴠɪsᴀᴛɪᴏɴ.

ʜᴛᴛᴘs://ʟᴜᴜᴘʙᴀɴᴅ.ᴡɪxsɪᴛᴇ.ᴄᴏᴍ/ʟᴜᴜᴘ

𝐃𝐚𝐯𝐢𝐝 𝐉𝐚𝐜𝐤𝐬𝐨𝐧 | 𝐒𝐭𝐞𝐥𝐢𝐨𝐬 𝐑𝐨𝐦𝐚𝐥𝐢𝐚𝐝𝐢𝐬 | 𝐆𝐢𝐨𝐫𝐠𝐨𝐬 𝐕𝐚𝐫𝐨𝐮𝐭𝐚𝐬 ▽

𝐎𝐬𝐭𝐨𝐦𝐚𝐜𝐡𝐢𝐨𝐧 𝐒𝐞𝐬𝐬𝐢𝐨𝐧𝐬 𝐗𝐕𝐈_extending notions of woodwinds𝐃𝐚𝐯𝐢𝐝 𝐉𝐚𝐜𝐤𝐬𝐨𝐧: Soprano, Alto & Tenor Saxophones, Flute𝐒𝐭𝐞𝐥𝐢𝐨𝐬 𝐑𝐨𝐦...
18/04/2026

𝐎𝐬𝐭𝐨𝐦𝐚𝐜𝐡𝐢𝐨𝐧 𝐒𝐞𝐬𝐬𝐢𝐨𝐧𝐬 𝐗𝐕𝐈_extending notions of woodwinds

𝐃𝐚𝐯𝐢𝐝 𝐉𝐚𝐜𝐤𝐬𝐨𝐧: Soprano, Alto & Tenor Saxophones, Flute
𝐒𝐭𝐞𝐥𝐢𝐨𝐬 𝐑𝐨𝐦𝐚𝐥𝐢𝐚𝐝𝐢𝐬: Flute
𝐆𝐢𝐨𝐫𝐠𝐨𝐬 𝐕𝐚𝐫𝐨𝐮𝐭𝐚𝐬: Live Sound Processing

📅 24.04.2026
🕘 21:00
📍 Underflow Record Store & Art Gallery
Kallirois 39, Athens, Greece
🎟️ Ticket: 15 €

Organized by Tadoma

𝐃𝐈𝐌𝐈𝐓𝐑𝐈𝐒 𝐂𝐇𝐈𝐎𝐓𝐈𝐒Dɪᴍɪᴛʀɪs Cʜɪᴏᴛɪs ᴡᴀs ʙᴏʀɴ ɪɴ Aᴛʜᴇɴs ᴀɴᴅ ʜᴀs sᴛᴜᴅɪᴇᴅ ᴀ ʀᴀɴɢᴇ ᴏꜰ Mɪᴅᴅʟᴇ Eᴀsᴛᴇʀɴ ɪɴsᴛʀᴜᴍᴇɴᴛs, ɪɴᴄʟᴜᴅɪɴɢ ᴛʜᴇ...
24/03/2026

𝐃𝐈𝐌𝐈𝐓𝐑𝐈𝐒 𝐂𝐇𝐈𝐎𝐓𝐈𝐒

Dɪᴍɪᴛʀɪs Cʜɪᴏᴛɪs ᴡᴀs ʙᴏʀɴ ɪɴ Aᴛʜᴇɴs ᴀɴᴅ ʜᴀs sᴛᴜᴅɪᴇᴅ ᴀ ʀᴀɴɢᴇ ᴏꜰ Mɪᴅᴅʟᴇ Eᴀsᴛᴇʀɴ ɪɴsᴛʀᴜᴍᴇɴᴛs, ɪɴᴄʟᴜᴅɪɴɢ ᴛʜᴇ Aʀᴀʙɪᴄ ᴏᴜᴅ, ᴛʜᴇ Aꜰɢʜᴀɴ ʀᴜʙᴀʙ, ᴀɴᴅ ᴛʜᴇ Pᴇʀsɪᴀɴ ᴋᴀᴍᴀɴᴄʜᴇʜ. Hɪs ᴘʀɪᴍᴀʀʏ ꜰᴏᴄᴜs, ʜᴏᴡᴇᴠᴇʀ, ʜᴀs ʙᴇᴇɴ ᴛʜᴇ Cʀᴇᴛᴀɴ ʟʏʀᴀ, ᴡʜɪᴄʜ ʜᴇ ʜᴀs ᴇxᴘʟᴏʀᴇᴅ ɪɴ ᴅᴇᴘᴛʜ ᴏᴠᴇʀ ᴍᴀɴʏ ʏᴇᴀʀs.
Iɴ ʀᴇᴄᴇɴᴛ ʏᴇᴀʀs, ʜᴇ ʜᴀs ᴅᴇᴠᴇʟᴏᴘᴇᴅ ᴀɴ ᴇʟᴇᴄᴛʀɪᴄ ᴠᴇʀsɪᴏɴ ᴏꜰ ᴛʜᴇ ɪɴsᴛʀᴜᴍᴇɴᴛ, ᴇxᴘᴀɴᴅɪɴɢ ɪᴛs sᴏɴɪᴄ ᴘᴏssɪʙɪʟɪᴛɪᴇs ᴀɴᴅ ᴏᴘᴇɴɪɴɢ ɴᴇᴡ ᴄʀᴇᴀᴛɪᴠᴇ ᴅɪʀᴇᴄᴛɪᴏɴs. Hɪs ᴅᴇʙᴜᴛ sᴏʟᴏ ᴀʟʙᴜᴍ ᴏꜰ ᴏʀɪɢɪɴᴀʟ ᴄᴏᴍᴘᴏsɪᴛɪᴏɴs, Aʟᴀᴛɪ (Aʟᴇssᴀ Rᴇᴄᴏʀᴅs, 2021), ꜰᴇᴀᴛᴜʀᴇs ᴄᴏʟʟᴀʙᴏʀᴀᴛɪᴏɴs ʙᴇᴛᴡᴇᴇɴ Gʀᴇᴇᴋ ᴀɴᴅ Iʀᴀɴɪᴀɴ ᴍᴜsɪᴄɪᴀɴs.
Hᴇ ʜᴏʟᴅs ᴀ Mᴀsᴛᴇʀ’s ᴅᴇɢʀᴇᴇ ɪɴ Eᴛʜɴᴏᴍᴜsɪᴄᴏʟᴏɢʏ.

Aghniadis | Dimitris Chiotis | Giorgos Varoutas_Ostomachion Session XV

𝐌𝐀𝐘𝐀 𝐀𝐆𝐇𝐍𝐈𝐀𝐃𝐈𝐒Mᴀʏᴀ Aɢʜɴɪᴀᴅɪs, ᴋɴᴏᴡɴ ᴀs Fʟᴜɢᴇɴ, ɪs ᴀ Lᴇʙᴀɴᴇsᴇ ᴍᴜsɪᴄɪᴀɴ, ᴄᴏᴍᴘᴏsᴇʀ, ᴀɴᴅ sᴏᴜɴᴅ ᴇxᴘʟᴏʀᴇʀ ʙʟᴇɴᴅɪɴɢ ᴇʟᴇᴄᴛʀᴏɴɪᴄ ...
21/03/2026

𝐌𝐀𝐘𝐀 𝐀𝐆𝐇𝐍𝐈𝐀𝐃𝐈𝐒

Mᴀʏᴀ Aɢʜɴɪᴀᴅɪs, ᴋɴᴏᴡɴ ᴀs Fʟᴜɢᴇɴ, ɪs ᴀ Lᴇʙᴀɴᴇsᴇ ᴍᴜsɪᴄɪᴀɴ, ᴄᴏᴍᴘᴏsᴇʀ, ᴀɴᴅ sᴏᴜɴᴅ ᴇxᴘʟᴏʀᴇʀ ʙʟᴇɴᴅɪɴɢ ᴇʟᴇᴄᴛʀᴏɴɪᴄ ᴛᴇxᴛᴜʀᴇs ᴡɪᴛʜ ᴏʀɢᴀɴɪᴄ sᴏᴜɴᴅs. Rᴏᴏᴛᴇᴅ ɪɴ ᴅʀᴜᴍᴍɪɴɢ ꜰʀᴏᴍ ᴀɴ ᴇᴀʀʟʏ ᴀɢᴇ, ʜᴇʀ ᴍᴜsɪᴄᴀʟ ᴘᴀᴛʜ ɢʀᴇᴡ ᴛᴏ ɪɴᴄʟᴜᴅᴇ ᴘɪᴀɴᴏ, ɢᴜɪᴛᴀʀ, ᴀɴᴅ ʟᴀᴛᴇʀ, ᴀ ᴅᴇᴇᴘ ɪɴᴛᴇʀᴇsᴛ ɪɴ ꜰɪʟᴍ sᴄᴏʀɪɴɢ ᴀɴᴅ sᴏɴɪᴄ sᴛᴏʀʏᴛᴇʟʟɪɴɢ. Iɴsᴘɪʀᴇᴅ ʙʏ ᴛʀᴀᴠᴇʟs ᴀɴᴅ ʟɪꜰᴇ ʙᴇᴛᴡᴇᴇɴ Bᴇɪʀᴜᴛ ᴀɴᴅ Aᴛʜᴇɴs, ʜᴇʀ ᴍᴜsɪᴄ ᴄᴀʀʀɪᴇs ᴀ sᴇɴsᴇ ᴏꜰ ᴍᴏᴠᴇᴍᴇɴᴛ, ᴍᴇᴍᴏʀʏ, ᴀɴᴅ ᴄᴜʟᴛᴜʀᴀʟ ꜰᴜsɪᴏɴ. Uɴᴅᴇʀ ᴛʜᴇ ɴᴀᴍᴇ Fʟᴜɢᴇɴ, sʜᴇ ᴄʀᴇᴀᴛᴇs ᴀᴛᴍᴏsᴘʜᴇʀɪᴄ ᴄᴏᴍᴘᴏsɪᴛɪᴏɴs ᴛʜᴀᴛ ᴅʀɪꜰᴛ ʙᴇᴛᴡᴇᴇɴ ᴀᴍʙɪᴇɴᴛ, ᴊᴀᴢᴢ, ᴀɴᴅ ᴇxᴘᴇʀɪᴍᴇɴᴛᴀʟ ɢᴇɴʀᴇs, ᴏꜰᴛᴇɴ sʜᴀᴘᴇᴅ ʙʏ ꜰɪᴇʟᴅ ʀᴇᴄᴏʀᴅɪɴɢs ᴀɴᴅ ᴇʟᴇᴄᴛʀᴏ-ᴀᴄᴏᴜsᴛɪᴄ ɪɴsᴛʀᴜᴍᴇɴᴛs. Hᴇʀ ʟᴀᴛᴇsᴛ ʀᴇʟᴇᴀsᴇ Pᴇɴᴛᴇ́ ʀᴇꜰʟᴇᴄᴛs ᴀɴ ɪɴᴛʀᴏsᴘᴇᴄᴛɪᴠᴇ sᴘɪʀɪᴛ, ᴡᴇᴀᴠɪɴɢ ᴍᴜsɪᴄᴀʟ sᴛᴏʀɪᴇs ᴡɪᴛʜ ᴏɴʟʏ ᴀ ꜰᴇᴡ ᴡᴏʀᴅs.

www.flugenmusic.com

Maya Aghniadis | Dimitris Chiotis | Giorgos Varoutas_Ostomachion Session XV

Thank you British Council Greece 🙏
08/01/2026

Thank you British Council Greece 🙏

✨ 𝗢𝘀𝘁𝗼𝗺𝗮𝗰𝗵𝗶𝗼𝗻 𝗦𝗲𝘀𝘀𝗶𝗼𝗻 𝗫𝗜𝗩 ✨
𝗥𝗵𝗼𝗱𝗿𝗶 𝗗𝗮𝘃𝗶𝗲𝘀 | 𝗦𝗮𝘃𝗶𝗻𝗮 𝗬𝗮𝗻𝗻𝗮𝘁𝗼𝘂 | 𝗚𝗶𝗼𝗿𝗴𝗼𝘀 𝗩𝗮𝗿𝗼𝘂𝘁𝗮𝘀

On Thursday 22 January at 21.00, don’t miss a special evening of adventurous sound at the Underflow Record Store & Art Gallery.

Τhe internationally acclaimed Welsh harpist and improviser Rhodri Davies, who transforms the harp into a source of sonic experimentation and texture, joins forces with the voice of the internationally recognised Σαβίνα Γιαννάτου - Savina Yannatou, one of the leading voices of the contemporary world–folk and improvisation scene, and the live sound processing of 𝗚𝗶𝗼𝗿𝗴𝗼𝘀 𝗩𝗮𝗿𝗼𝘂𝘁𝗮𝘀, who manipulates acoustic sounds in real time, restructuring textures and creating evolving sonic interactions within the ensemble, as part of the Ostomachion Sessions.

Unmissable Ostomachion Sessions for curious ears and open minds.

🗓 Thursday 22 January 2026
📍 Underflow Record Store & Art Gallery, 39 Kallirois Avenue, Athens (near Syngrou-Fix Metro Station)
🕘 Starts at 21.00
🎟 Tickets: €15 👉 https://ow.ly/B1On50XSWjH

𝐄𝐕𝐆𝐄𝐍𝐈𝐎𝐒 𝐕𝐎𝐔𝐋𝐆𝐀𝐑𝐈𝐒Hɪs ɪɴᴛᴇʀᴇsᴛ ɪɴ ᴛʀᴀᴅɪᴛɪᴏɴᴀʟ ᴍᴜsɪᴄ ʙᴇɢᴀɴ ɪɴ 1992, ᴛʜᴇ ʏᴇᴀʀ ʜᴇ ᴀʟsᴏ ᴄᴏᴍᴘʟᴇᴛᴇᴅ ʜɪs sᴛᴜᴅɪᴇs ɪɴ Bʏᴢᴀɴᴛɪɴᴇ ᴍ...
18/11/2025

𝐄𝐕𝐆𝐄𝐍𝐈𝐎𝐒 𝐕𝐎𝐔𝐋𝐆𝐀𝐑𝐈𝐒
Hɪs ɪɴᴛᴇʀᴇsᴛ ɪɴ ᴛʀᴀᴅɪᴛɪᴏɴᴀʟ ᴍᴜsɪᴄ ʙᴇɢᴀɴ ɪɴ 1992, ᴛʜᴇ ʏᴇᴀʀ ʜᴇ ᴀʟsᴏ ᴄᴏᴍᴘʟᴇᴛᴇᴅ ʜɪs sᴛᴜᴅɪᴇs ɪɴ Bʏᴢᴀɴᴛɪɴᴇ ᴍᴜsɪᴄ. As ᴀ ᴍᴜʟᴛɪ-ɪɴsᴛʀᴜᴍᴇɴᴛᴀʟɪsᴛ, ʜᴇ ʜᴀs ʀᴇᴘᴇᴀᴛᴇᴅʟʏ ᴄᴏʟʟᴀʙᴏʀᴀᴛᴇᴅ ᴡɪᴛʜ ᴘʀᴏᴍɪɴᴇɴᴛ ᴍᴜsɪᴄɪᴀɴs ᴀɴᴅ ᴄᴏᴍᴘᴏsᴇʀs ɪɴ ᴄᴏɴᴄᴇʀᴛs, ʀᴇᴄᴏʀᴅɪɴɢs, ᴀɴᴅ ᴛᴇʟᴇᴠɪsɪᴏɴ ᴘʀᴏᴅᴜᴄᴛɪᴏɴs ɪɴ Gʀᴇᴇᴄᴇ ᴀɴᴅ ᴀʙʀᴏᴀᴅ. Fʀᴏᴍ 1995 ᴏɴᴡᴀʀᴅ, ʜᴇ sᴇʀᴠᴇᴅ ᴀs ᴛʜᴇ ᴘʀɪɴᴄɪᴘᴀʟ ᴍᴀɴᴅᴏʟɪɴɪsᴛ ᴏꜰ ᴛʜᴇ Oʀᴄʜᴇsᴛʀᴀ ᴏꜰ Cᴏʟᴏʀs.

Tᴇᴀᴄʜɪɴɢ ʜᴏʟᴅs ᴀ sᴘᴇᴄɪᴀʟ ᴘʟᴀᴄᴇ ɪɴ ʜɪs ᴄᴀʀᴇᴇʀ. Hᴇ ᴛᴇᴀᴄʜᴇs ᴀᴛ ᴛʜᴇ Mᴜɴɪᴄɪᴘᴀʟ Cᴏɴsᴇʀᴠᴀᴛᴏʀʏ ᴏꜰ Pᴀᴛʀᴀs, ᴡʜᴇʀᴇ ʜᴇ ᴅɪʀᴇᴄᴛs ᴛʜᴇ Dᴇᴘᴀʀᴛᴍᴇɴᴛ ᴏꜰ Tʀᴀᴅɪᴛɪᴏɴᴀʟ Iɴsᴛʀᴜᴍᴇɴᴛs, ᴀs ᴡᴇʟʟ ᴀs ᴛʜᴇ ᴄᴏʀʀᴇsᴘᴏɴᴅɪɴɢ Dᴇᴘᴀʀᴛᴍᴇɴᴛ ᴏꜰ Bʏᴢᴀɴᴛɪɴᴇ Mᴜsɪᴄ ᴀɴᴅ Tʀᴀᴅɪᴛɪᴏɴᴀʟ Iɴsᴛʀᴜᴍᴇɴᴛs ᴏꜰ ᴛʜᴇ Hᴏʟʏ Mᴇᴛʀᴏᴘᴏʟɪs ᴏꜰ Iʟɪᴀ. Hᴇ ʜᴀs ᴀʟsᴏ ᴛᴀᴜɢʜᴛ ᴏᴜᴅ, ʏᴀʏʟı ᴛᴀɴʙᴜʀ, ᴏʀɢᴀɴᴏʟᴏɢʏ, ᴀɴᴅ ᴛʜᴇ ᴛʜᴇᴏʀʏ ᴏꜰ ʟᴀɪᴋᴏɪ́ ᴅʀᴏ́ᴍᴏɪ (ᴍᴏᴅᴀʟ ᴘʀᴀᴄᴛɪᴄᴇ ᴏꜰ Gʀᴇᴇᴋ ᴜʀʙᴀɴ ꜰᴏʟᴋ ᴍᴜsɪᴄ) ᴀᴛ ᴛʜᴇ Dᴇᴘᴀʀᴛᴍᴇɴᴛ ᴏꜰ Fᴏʟᴋ ᴀɴᴅ Tʀᴀᴅɪᴛɪᴏɴᴀʟ Mᴜsɪᴄ (Eᴘɪʀᴜs Iɴsᴛɪᴛᴜᴛᴇ ᴏꜰ Tᴇᴄʜɴᴏʟᴏɢʏ). Sɪɴᴄᴇ 2006, ʜᴇ ʜᴀs ᴀᴅᴅɪᴛɪᴏɴᴀʟʟʏ ᴛᴀᴜɢʜᴛ ᴀᴛ ᴛʜᴇ sᴇᴍɪɴᴀʀs ᴏꜰ ᴛʜᴇ “Lᴀʙʏʀɪɴᴛʜ” Mᴜsɪᴄᴀʟ Wᴏʀᴋsʜᴏᴘ ɪɴ Cʀᴇᴛᴇ, ᴀᴛ ᴛʜᴇ “Mᴜsɪᴄ Vɪʟʟᴀɢᴇ” ɪɴ Pᴇʟɪᴏɴ, ᴀɴᴅ ᴀᴛ ᴛʜᴇ Mᴜsɪᴄ Cᴏᴜʀᴛʏᴀʀᴅs ᴏꜰ Iᴋᴀʀɪᴀ, ᴡʜɪʟᴇ ʜᴇ ɪs ꜰʀᴇǫᴜᴇɴᴛʟʏ ɪɴᴠɪᴛᴇᴅ ᴛᴏ ɢɪᴠᴇ sᴇᴍɪɴᴀʀs ɪɴ ᴏᴛʜᴇʀ ᴘᴀʀᴛs ᴏꜰ Gʀᴇᴇᴄᴇ ᴀɴᴅ ᴀʙʀᴏᴀᴅ.

Iɴ 2004 ʜᴇ ʀᴇʟᴇᴀsᴇᴅ ʜɪs ꜰɪʀsᴛ ᴘᴇʀsᴏɴᴀʟ ᴀʟʙᴜᴍ, Tᴀxɪᴅɪᴀ (“Jᴏᴜʀɴᴇʏs”), ɪɴ ᴄᴏʟʟᴀʙᴏʀᴀᴛɪᴏɴ ᴡɪᴛʜ Dᴏʀᴀ Pᴇᴛʀɪᴅɪ. Tʜɪs ᴡᴀs ꜰᴏʟʟᴏᴡᴇᴅ ʙʏ Tᴏ Mɪɴʏᴍᴀ ᴛᴏᴜ Pʀɪɴᴋɪᴘᴀ (“Tʜᴇ Pʀɪɴᴄᴇ’s Mᴇssᴀɢᴇ”) ᴡɪᴛʜ Cʜʀɪsᴛᴏs Gᴀʟᴀɴᴏᴘᴏᴜʟᴏs. Hᴇ ʜᴀs ᴀʟsᴏ ᴄᴏᴍᴘᴏsᴇᴅ ᴍᴜsɪᴄ ꜰᴏʀ ᴛʜᴇ ᴛʜᴇᴀᴛʀᴇ. Hɪs ɪɴᴠᴏʟᴠᴇᴍᴇɴᴛ ᴡɪᴛʜ ʀᴇʙᴇᴛɪᴋᴏ ʟᴇᴅ ᴛᴏ ᴛʜᴇ ᴘᴜʙʟɪᴄᴀᴛɪᴏɴ ᴏꜰ ᴛʜᴇ ʙᴏᴏᴋ Uʀʙᴀɴ Fᴏʟᴋ Sᴏɴɢ ɪɴ Iɴᴛᴇʀᴡᴀʀ Gʀᴇᴇᴄᴇ (Fᴀɢᴏᴛᴛᴏ Eᴅɪᴛɪᴏɴs, ᴄᴏ-ᴀᴜᴛʜᴏʀᴇᴅ ᴡɪᴛʜ V. Vᴀɴᴛᴀʀᴀᴋɪs), ᴀs ᴡᴇʟʟ ᴀs ᴛᴡᴏ ᴀʟʙᴜᴍs: Aᴘsɪʟɪᴇs ᴡɪᴛʜ D. Mʏsᴛᴀᴋɪᴅɪs, A. Tsᴀʀᴅᴀᴋᴀs, ᴀɴᴅ Tʜ. Aᴛʜᴀɴᴀsɪᴏᴜ, ᴀɴᴅ Wʜɪsᴘᴇʀɪɴɢ Rᴇʙᴇᴛɪᴋᴏ ᴡɪᴛʜ D. Mʏsᴛᴀᴋɪᴅɪs. A ɴᴇᴡ ᴘʀᴏᴊᴇᴄᴛ ɪɴ ᴄᴏʟʟᴀʙᴏʀᴀᴛɪᴏɴ ᴡɪᴛʜ Oᴜʀᴀɴɪᴀ Lᴀᴍᴘʀᴏᴘᴏᴜʟᴏᴜ, ᴛɪᴛʟᴇᴅ Lᴏᴠᴇ Sᴛᴏʀɪᴇs ɪɴ Pʀᴇ-Wᴀʀ Rᴇʙᴇᴛɪᴋᴏ, ɪs ᴇxᴘᴇᴄᴛᴇᴅ ᴛᴏ ʙᴇ ʀᴇʟᴇᴀsᴇᴅ sᴏᴏɴ.

Iɴ 2021, 2022, ᴀɴᴅ 2024, ᴀs ᴘᴀʀᴛ ᴏꜰ ᴛʜᴇ ɴᴀᴛɪᴏɴᴀʟ ᴄᴜʟᴛᴜʀᴀʟ ɪɴɪᴛɪᴀᴛɪᴠᴇ “Aʟʟ ᴏꜰ Gʀᴇᴇᴄᴇ ɪs Cᴜʟᴛᴜʀᴇ,” ʜᴇ ᴄᴏᴍᴘᴏsᴇᴅ ᴛʜᴇ ᴍᴜsɪᴄ ꜰᴏʀ ᴛʜʀᴇᴇ ᴘʀᴏᴅᴜᴄᴛɪᴏɴs: Dᴏs ᴍᴏɪ ᴛᴏᴜᴛᴏɴ ᴛᴏɴ xᴇɴᴏɴ, Tʜᴇ Rɪᴛᴜᴀʟ ᴏꜰ ᴛʜᴇ Aᴍᴀɴᴇs, ᴀɴᴅ Mᴏʀᴛɪssᴀ ᴋɪ Aʟᴀɴɪs.

LAMBRAKIS | VOULGARIS | VAROUTAS 🜋 OSTOMACHION XIII

𝐇𝐀𝐑𝐑𝐈𝐒 𝐋𝐀𝐌𝐁𝐑𝐀𝐊𝐈𝐒Hᴇ ᴡᴀs ʙᴏʀɴ ᴀɴᴅ ʀᴀɪsᴇᴅ ɪɴ Aᴛʜᴇɴs ᴀɴᴅ sᴛᴀʀᴛᴇᴅ ᴘʟᴀʏɪɴɢ ᴍᴜsɪᴄ ᴀᴛ ᴀ ʏᴏᴜɴɢ ᴀɢᴇ, ʜᴀᴠɪɴɢ ᴍᴀɴʏ ɢᴏᴏᴅ ᴛᴇᴀᴄʜᴇʀs. Hᴇ...
17/11/2025

𝐇𝐀𝐑𝐑𝐈𝐒 𝐋𝐀𝐌𝐁𝐑𝐀𝐊𝐈𝐒
Hᴇ ᴡᴀs ʙᴏʀɴ ᴀɴᴅ ʀᴀɪsᴇᴅ ɪɴ Aᴛʜᴇɴs ᴀɴᴅ sᴛᴀʀᴛᴇᴅ ᴘʟᴀʏɪɴɢ ᴍᴜsɪᴄ ᴀᴛ ᴀ ʏᴏᴜɴɢ ᴀɢᴇ, ʜᴀᴠɪɴɢ ᴍᴀɴʏ ɢᴏᴏᴅ ᴛᴇᴀᴄʜᴇʀs. Hᴇ ɢʀᴀᴅᴜᴀᴛᴇᴅ ꜰʀᴏᴍ ᴛʜᴇ Mᴜsɪᴄ Hɪɢʜ Sᴄʜᴏᴏʟ ᴏꜰ Pᴀʟʟɪɴɪ ᴀɴᴅ ᴛʜᴇ Dᴇᴘᴀʀᴛᴍᴇɴᴛ ᴏꜰ Mᴜsɪᴄ Sᴛᴜᴅɪᴇs ᴏꜰ ᴛʜᴇ Uɴɪᴠᴇʀsɪᴛʏ ᴏꜰ Aᴛʜᴇɴs ᴡɪᴛʜ ᴀ ᴍᴀᴊᴏʀ ɪɴ ᴇᴛʜɴᴏᴍᴜsɪᴄᴏʟᴏɢʏ. Hᴇ ᴡᴀs ʟᴜᴄᴋʏ ᴇɴᴏᴜɢʜ ᴛᴏ ᴡᴏʀᴋ ᴡɪᴛʜ ɪᴍᴘᴏʀᴛᴀɴᴛ ᴍᴜsɪᴄɪᴀɴs ɪɴ Gʀᴇᴇᴄᴇ ᴀɴᴅ ᴀʙʀᴏᴀᴅ. Fᴏʀ ᴀʟᴍᴏsᴛ 30 ʏᴇᴀʀs ʜᴇ ʜᴀs ʙᴇᴇɴ ᴘᴀʀᴛɪᴄɪᴘᴀᴛɪɴɢ ɪɴ ʀᴇᴄᴏʀᴅɪɴɢs ᴀɴᴅ ᴄᴏɴᴄᴇʀᴛs ᴀʀᴏᴜɴᴅ ᴛʜᴇ ᴡᴏʀʟᴅ, ᴡʜɪʟᴇ ᴀᴛ ᴛʜᴇ sᴀᴍᴇ ᴛɪᴍᴇ ᴛᴇᴀᴄʜɪɴɢ ɴᴇʏ ʙʏ ɢɪᴠɪɴɢ sᴇᴍɪɴᴀʀs ᴀɴᴅ ᴍᴀsᴛᴇʀᴄʟᴀssᴇs. Wɪᴛʜ ᴛʜᴇ ɢʀᴏᴜᴘ Hᴀʀʀɪs Lᴀᴍʙʀᴀᴋɪs Qᴜᴀʀᴛᴇᴛ ᴛʜᴇʏ ʜᴀᴠᴇ ʀᴇᴄᴏʀᴅᴇᴅ 3 ᴀʟʙᴜᴍs (Tʜᴇᴀ, Mᴇᴛᴇᴏʀᴀ, Lᴀꜰɪɴᴀ) ᴡʜɪʟᴇ ᴛʜᴇ ꜰᴏᴜʀᴛʜ ɪs ᴄᴜʀʀᴇɴᴛʟʏ ʙᴇɪɴɢ ʀᴇʟᴇᴀsᴇᴅ. Hᴇ ɪs ɪɴ ᴄʜᴀʀɢᴇ ᴏꜰ ᴛʜᴇ Iɴᴛᴇʀᴄᴜʟᴛᴜʀᴀʟ Oʀᴄʜᴇsᴛʀᴀ ᴏꜰ GNO.

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