Ostomachion Sessions

Ostomachion Sessions 𝐀𝐧 𝐞𝐱𝐩𝐥𝐨𝐫𝐚𝐭𝐢𝐨𝐧 𝐨𝐟 𝐭𝐡𝐞 𝐢𝐧𝐭𝐞𝐫𝐩𝐥𝐚𝐲 𝐛𝐞𝐭𝐰𝐞𝐞𝐧 𝐚𝐜𝐨𝐮𝐬𝐭𝐢𝐜 𝐚𝐧𝐝 𝐝𝐢𝐠𝐢𝐭𝐚𝐥 𝐢𝐧𝐬𝐭𝐫𝐮𝐦𝐞𝐧𝐭𝐬 ⟡▦

The series of concerts reflect the idea of forming shapes using the Ostomachion puzzle concept. The Ostomachion puzzle is an ancient Greek puzzle that involves forming different shapes using various pieces. Similarly, live processing of acoustic instruments involves taking sound fragments and forming them into new shapes. This technique involves the use of digital signal processing tools to manipu

late the sound of acoustic instruments as they are being played, creating new and unique sounds in real-time. This could include techniques like looping, sampling, granular synthesis, spectral processing etc. The idea is to take the sound produced by the instruments, manipulate it using various techniques. The processed sound is then fed back to the musicians, who can use it to create a new interaction with their instruments. This creates a feedback loop that enhances the improvisational nature of the performance which is different every time it is played. In terms of the actual concerts, Ostomachion Sessions will present two improvisers who will interact with an electronic musician. The goal would be to explore in live performance the sonic possibilities of the acoustic instruments through extended/idiomatic techniques and to interact with live sound processing in order to create new sonic territories that blur the line between acoustic and electronic music.

𝐃𝐀𝐕𝐈𝐃 𝐉𝐀𝐂𝐊𝐒𝐎𝐍Dᴀᴠɪᴅ Jᴀᴄᴋsᴏɴ, sᴏᴍᴇᴛɪᴍᴇs ᴄᴀʟʟᴇᴅ Jᴀxᴏɴ, ɪs ᴘᴇʀʜᴀᴘs ʙᴇsᴛ ᴋɴᴏᴡɴ ᴀs ᴀ ᴍᴇᴍʙᴇʀ ᴏꜰ ʟᴇɢᴇɴᴅᴀʀʏ 1970s ᴘʀᴏɢʀᴇssɪᴠᴇ ʀᴏᴄ...
23/04/2026

𝐃𝐀𝐕𝐈𝐃 𝐉𝐀𝐂𝐊𝐒𝐎𝐍
Dᴀᴠɪᴅ Jᴀᴄᴋsᴏɴ, sᴏᴍᴇᴛɪᴍᴇs ᴄᴀʟʟᴇᴅ Jᴀxᴏɴ, ɪs ᴘᴇʀʜᴀᴘs ʙᴇsᴛ ᴋɴᴏᴡɴ ᴀs ᴀ ᴍᴇᴍʙᴇʀ ᴏꜰ ʟᴇɢᴇɴᴅᴀʀʏ 1970s ᴘʀᴏɢʀᴇssɪᴠᴇ ʀᴏᴄᴋ ɢʀᴏᴜᴘ Vᴀɴ ᴅᴇʀ Gʀᴀᴀꜰ Gᴇɴᴇʀᴀᴛᴏʀ. Bᴜᴛ ʜᴇ ʜᴀs ᴡᴏʀᴋᴇᴅ ʀɪɢʜᴛ ᴀᴄʀᴏss ᴛʜᴇ ᴍᴜsɪᴄᴀʟ sᴘᴇᴄᴛʀᴜᴍ ᴡɪᴛʜ ᴀʀᴛɪsᴛs ɪɴᴄʟᴜᴅɪɴɢ Pᴇᴛᴇʀ Gᴀʙʀɪᴇʟ, Kᴇɪᴛʜ Tɪᴘᴘᴇᴛ, Osᴀɴɴᴀ ᴀɴᴅ ᴍᴀɴʏ ᴏᴛʜᴇʀs. Hᴇ ᴅᴇᴠᴇʟᴏᴘᴇᴅ ʜɪs ᴏᴡɴ ᴠᴇʀʏ ɪɴᴅɪᴠɪᴅᴜᴀʟ ᴀɴᴅ ʀᴇᴄᴏɢɴɪsᴀʙʟᴇ ᴇʟᴇᴄᴛʀᴏɴɪᴄ sᴀxᴏᴘʜᴏɴᴇ sᴛʏʟᴇ, ᴏꜰᴛᴇɴ ᴘʟᴀʏɪɴɢ ᴛᴡᴏ ᴀᴛ ᴏɴᴄᴇ.

Hᴇ ᴡᴀs ʙᴏʀɴ ɪɴ Sᴛᴀᴍꜰᴏʀᴅ, Lɪɴᴄᴏʟɴsʜɪʀᴇ, ɪɴ 1947 ᴀɴᴅ ɪs ᴍᴀʀʀɪᴇᴅ ᴡɪᴛʜ ᴛᴡᴏ ᴄʜɪʟᴅʀᴇɴ ᴀɴᴅ ᴀ ɢʀᴀɴᴅsᴏɴ. A ᴍᴜsɪᴄɪᴀɴ ꜰʀᴏᴍ ᴀɴ ᴇᴀʀʟʏ ᴀɢᴇ, ʜᴇ ᴡᴀs ᴇᴅᴜᴄᴀᴛᴇᴅ ᴀᴛ Sᴛᴀᴍꜰᴏʀᴅ Sᴄʜᴏᴏʟ ᴡʜᴇʀᴇ ʜᴇ ᴡᴀs ʙᴏᴛʜ ᴀ ᴄʜᴏʀɪsᴛᴇʀ ᴀɴᴅ ᴀ ꜰʟᴀᴜᴛɪsᴛ. Hᴇ ᴡᴇɴᴛ ᴛᴏ ᴜɴɪᴠᴇʀsɪᴛʏ ᴀᴛ Sᴛ. Aɴᴅʀᴇᴡs, ᴡʜᴇʀᴇ ʜᴇ ɢᴏᴛ ᴀɴ MA ɪɴ Psʏᴄʜᴏʟᴏɢʏ ᴀɴᴅ Eᴄᴏɴᴏᴍɪᴄs ᴡʜɪʟᴇ ᴘʟᴀʏɪɴɢ ɪɴ sᴇᴠᴇʀᴀʟ Sᴄᴏᴛᴛɪsʜ ʙᴀɴᴅs. Hᴇ ᴍᴇᴛ ᴛʜᴇ ᴍᴜsɪᴄɪᴀɴ ᴀɴᴅ ᴀʀᴄʜɪᴛᴇᴄᴛ Mᴀx Hᴜᴛᴄʜɪɴsᴏɴ ᴀɴᴅ ᴛʜᴇʏ ᴘʟᴀʏᴇᴅ ᴛᴏɢᴇᴛʜᴇʀ ᴀ ʟᴏᴛ. Aꜰᴛᴇʀ ᴜɴɪᴠᴇʀsɪᴛʏ ʜᴇ ɢᴏᴛ ᴀ ᴊᴏʙ ɪɴ Lᴏɴᴅᴏɴ ᴀɴᴅ ᴘʟᴀʏᴇᴅ ᴡɪᴛʜ ᴛʜᴇ ᴊᴀᴢᴢ-ʙʟᴜᴇs-ᴘᴏᴘ-ɢʀᴏᴜᴘ Bᴇʀɴᴀʀᴅ Rᴇɪᴄʜ ɪɴ Oxꜰᴏʀᴅ.

Mᴀx ɪɴᴛʀᴏᴅᴜᴄᴇᴅ ʜɪᴍ ᴛᴏ Jᴜᴅɢᴇ Sᴍɪᴛʜ, ᴏɴᴇ ᴏꜰ ᴛʜᴇ ᴏʀɪɢɪɴᴀʟ ꜰᴏᴜɴᴅᴇʀs ᴏꜰ VᴅGG, ᴀɴᴅ ᴛᴏɢᴇᴛʜᴇʀ ᴛʜᴇʏ ꜰᴏʀᴍᴇᴅ ᴛʜᴇ ᴊᴀᴢᴢ-ʀᴏᴄᴋ ʙᴀɴᴅ Hᴇᴇʙᴀʟᴏʙ. Wʜᴇɴ ᴀ ʀᴇᴄᴏʀᴅ ᴅᴇᴀʟ ꜰᴇʟʟ ᴛʜʀᴏᴜɢʜ, Hᴇᴇʙᴀʟᴏʙ sᴘʟɪᴛ ᴀɴᴅ Pᴇᴛᴇʀ Hᴀᴍᴍɪʟʟ ᴀsᴋᴇᴅ Dᴀᴠɪᴅ ɪꜰ ʜᴇ ᴡᴀɴᴛᴇᴅ ᴛᴏ ᴊᴏɪɴ Vᴀɴ ᴅᴇʀ Gʀᴀᴀꜰ Gᴇɴᴇʀᴀᴛᴏʀ, ᴡʜɪᴄʜ ʜᴇ ᴡᴀs ᴛʀʏɪɴɢ ᴛᴏ ʀᴇꜰᴏʀᴍ. Aʟᴛʜᴏᴜɢʜ ᴛʜɪs ʙᴀɴᴅ ᴡᴀs ᴀ sᴜᴄᴄᴇss, ᴇsᴘᴇᴄɪᴀʟʟʏ ɪɴ Iᴛᴀʟʏ, ᴍᴏɴᴇʏ ᴡᴀs sᴛɪʟʟ sʜᴏʀᴛ ᴀɴᴅ ꜰᴏʀ sᴇᴠᴇʀᴀʟ ʏᴇᴀʀs ɪɴ ᴛʜᴇ 70s Dᴀᴠɪᴅ sᴜᴘᴘʟᴇᴍᴇɴᴛᴇᴅ ʜɪs ɪɴᴄᴏᴍᴇ ᴡᴏʀᴋɪɴɢ ᴀs ᴀ ᴛʀᴜᴄᴋ ᴅʀɪᴠᴇʀ (4 ʏᴇᴀʀs) ᴀɴᴅ ᴀ ꜰᴏʀᴇsᴛʀʏ ᴄʀᴀɴᴇ ᴏᴘᴇʀᴀᴛᴏʀ (2 ʏᴇᴀʀs).

Vᴀɴ ᴅᴇ Gʀᴀᴀꜰ Gᴇɴᴇʀᴀᴛᴏʀ sᴘʟɪᴛ ᴛᴡɪᴄᴇ: ɪɴ 1972 ᴀꜰᴛᴇʀ ᴀ ʜᴇᴄᴛɪᴄ ᴛᴏᴜʀ sᴄʜᴇᴅᴜʟᴇ ᴀɴᴅ, ᴀꜰᴛᴇʀ ʀᴇꜰᴏʀᴍɪɴɢ ɪɴ 1975, ᴀɢᴀɪɴ ɪɴ 1978. Mᴇᴀɴᴡʜɪʟᴇ, Dᴀᴠɪᴅ ᴄᴏʟʟᴀʙᴏʀᴀᴛᴇᴅ ᴏɴ ᴀ ɴᴜᴍʙᴇʀ ᴏꜰ ᴏᴛʜᴇʀ ᴘʀᴏᴊᴇᴄᴛs ᴀɴᴅ ᴛᴏᴜʀᴇᴅ ɪɴ Pᴇᴛᴇʀ Gᴀʙʀɪᴇʟ’s ʙᴀɴᴅ ɪɴ 1978-79.

Iɴ ᴛʜᴇ 1980s, Dᴀᴠɪᴅ ꜰᴇʟᴛ ᴛʜᴇ ɴᴇᴇᴅ ꜰᴏʀ ᴀ ɴᴇᴡ ᴅɪʀᴇᴄᴛɪᴏɴ. Hᴇ sᴛᴜᴅɪᴇᴅ ᴛᴇᴀᴄʜɪɴɢ ᴀᴛ ᴛʜᴇ Uɴɪᴠᴇʀsɪᴛʏ ᴏꜰ Sᴜʀʀᴇʏ ᴀɴᴅ sᴜʙsᴇǫᴜᴇɴᴛʟʏ ᴡᴏʀᴋᴇᴅ ꜰᴏʀ ᴀ ɴᴜᴍʙᴇʀ ᴏꜰ ʏᴇᴀʀs ᴀs ᴀ Sᴘᴇᴄɪᴀʟ Nᴇᴇᴅs Mᴀᴛʜs Cᴏɴsᴜʟᴛᴀɴᴛ ᴀᴛ Bᴜʟᴍᴇʀsʜᴇ Cᴏᴍᴘʀᴇʜᴇɴsɪᴠᴇ Sᴄʜᴏᴏʟ Rᴇᴀᴅɪɴɢ, ᴀs ᴀ Jᴜɴɪᴏʀ Yᴇᴀʀ Lᴇᴀᴅᴇʀ ᴀɴᴅ Mᴀᴛʜs Sᴘᴇᴄɪᴀʟɪsᴛ ᴀᴛ Sᴛ Pᴀᴜʟ’s Sᴄʜᴏᴏʟ, Wᴏᴋɪɴɢʜᴀᴍ ᴀɴᴅ ᴀs ᴀ Mᴜsɪᴄ Tᴇᴀᴄʜᴇʀ ᴀᴛ Wɪʟᴅʀɪᴅɪɴɢs Pʀɪᴍᴀʀʏ Sᴄʜᴏᴏʟ, Bʀᴀᴄᴋɴᴇʟʟ.

Hɪs ᴄᴀʀᴇᴇʀ ᴛᴜʀɴᴇᴅ ʙᴀᴄᴋ ᴛᴏᴡᴀʀᴅs ᴍᴜsɪᴄ ɪɴ 1990 ᴡʜᴇɴ ʜᴇ ᴡᴇɴᴛ ᴏɴ ᴛᴏᴜʀ ᴡɪᴛʜ Iᴛᴀʟɪᴀɴ sɪɴɢᴇʀ Aʟɪᴄᴇ ᴀɴᴅ ᴡʀᴏᴛᴇ ᴛʜᴇ ᴍᴜsɪᴄ ꜰᴏʀ ᴛᴡᴏ ᴘʟᴀʏs: Sᴀᴠᴀɢᴇs (1990) ᴀɴᴅ Tʜᴇ Dᴇᴀᴛʜ Oꜰ Aɴ Aɴᴅᴀʟᴜsɪᴀɴ Pᴏᴇᴛ, ᴀʙᴏᴜᴛ Fᴇᴅᴇʀɪᴄᴏ Gᴀʀᴄɪᴀ Lᴏʀᴄᴀ, ᴅɪʀᴇᴄᴛᴇᴅ ʙʏ Jᴏᴇʟ Rᴏsᴢʏᴋɪᴇᴡɪᴄᴢ (1990/91).

Wʜɪʟsᴛ ᴡᴏʀᴋɪɴɢ ᴀᴛ Tʜᴇ Aʀᴋ, Sᴏᴜᴛʜɪʟʟ Pᴀʀᴋ ɪɴ 1990, Jᴀxᴏɴ ʜᴀᴅ ᴅɪsᴄᴏᴠᴇʀᴇᴅ ᴛʜᴇ ᴀᴍᴀᴢɪɴɢ ᴡᴏʀʟᴅ ᴏꜰ ᴛʜᴇ Sᴏᴜɴᴅʙᴇᴀᴍ sʏsᴛᴇᴍ. Tʜᴇʏ ᴀʀᴇ ᴄᴏɴᴇ-sʜᴀᴘᴇᴅ ʙᴇᴀᴍs ᴛʜᴀᴛ ᴘʀᴏᴅᴜᴄᴇ sᴏᴜɴᴅs ᴅᴇᴘᴇɴᴅɪɴɢ ᴏɴ ʜᴏᴡ ᴀɴᴅ ᴡʜᴇʀᴇ ᴛʜᴇ ʙᴇᴀᴍs ᴀʀᴇ ᴄᴜᴛ. Hᴇ ꜰᴏᴜɴᴅ ᴛʜᴇʏ ᴡᴇʀᴇ ɪᴅᴇᴀʟ ᴛᴏ ᴇɴᴀʙʟᴇ ᴅɪsᴀʙʟᴇᴅ ᴘᴇᴏᴘʟᴇ ᴛᴏ ᴘʀᴏᴅᴜᴄᴇ ᴍᴜsɪᴄ ᴀɴᴅ ʙᴇᴄᴀᴍᴇ ᴀ ᴍᴜsɪᴄ ᴀɴᴅ ᴅɪsᴀʙɪʟɪᴛʏ ᴘʀᴀᴄᴛɪᴛɪᴏɴᴇʀ ɪɴᴠᴏʟᴠᴇᴅ ɪɴ ᴘʀᴏᴊᴇᴄᴛs ᴀᴄᴛɪᴠᴀᴛɪɴɢ ᴅɪsᴀʙʟᴇᴅ ᴄʜɪʟᴅʀᴇɴ, ᴀ ᴄᴀʀᴇᴇʀ ᴛʜᴀᴛ sᴛɪʟʟ ᴋᴇᴇᴘs ᴏɴ ɢɪᴠɪɴɢ.

Aᴛ ᴛʜᴇ sᴀᴍᴇ ᴛɪᴍᴇ ʜᴇ ᴡᴀs ᴄᴏᴍᴘᴏsɪɴɢ ᴀɴᴅ ᴘᴇʀꜰᴏʀᴍɪɴɢ. Hᴇ ᴡᴀs ᴘᴀʀᴛ ᴏꜰ ᴛʜᴇ Vᴀɴ ᴅᴇʀ Gʀᴀᴀꜰ Gᴇɴᴇʀᴀᴛᴏʀ ʀᴇᴜɴɪᴏɴ ᴛᴏᴜʀ ɪɴ 2005, ᴀɴᴅ ᴄᴏʟʟᴀʙᴏʀᴀᴛᴇᴅ ᴡɪᴛʜ ᴠᴀʀɪᴏᴜs ɢʀᴏᴜᴘs ᴀɴᴅ ᴍᴜsɪᴄɪᴀɴs, ɪɴᴄʟᴜᴅɪɴɢ Jᴜᴅɢᴇ Sᴍɪᴛʜ, ᴛʜᴇ Mᴀɢɪᴄ Mᴜsʜʀᴏᴏᴍ Bᴀɴᴅ, Iᴛᴀʟɪᴀɴ ᴘʀᴏɢʀᴇssɪᴠᴇ ʀᴏᴄᴋ ʙᴀɴᴅ Osᴀɴɴᴀ, ᴛʜᴇ Dᴜᴛᴄʜ ᴘᴇʀᴄᴜssɪᴏɴɪsᴛ Rᴇɴᴇ́ ᴠᴀɴ Cᴏᴍᴍᴇɴᴇ́ᴇ ᴀɴᴅ ᴍᴀɴʏ ᴏᴛʜᴇʀs.

Tᴏᴅᴀʏ ʜᴇ ᴘʟᴀʏs ᴡɪᴛʜ Lᴏɴᴅᴏɴ-ʙᴀsᴇᴅ Kᴀᴘʀᴇᴋᴀʀ’s Cᴏɴsᴛᴀɴᴛ ᴀɴᴅ Nᴀᴘʟᴇs ʙᴀɴᴅ Osᴀɴɴᴀ ᴡʜɪʟᴇ ᴄᴏɴᴛɪɴᴜɪɴɢ ᴛᴏ ᴡʀɪᴛᴇ ᴍᴜsɪᴄ ꜰᴏʀ ᴀɴᴅ ᴘᴇʀꜰᴏʀᴍ ᴡɪᴛʜ ᴀ ᴡɪᴅᴇ sᴇʟᴇᴄᴛɪᴏɴ ᴏꜰ ᴏᴛʜᴇʀ ᴍᴜsɪᴄɪᴀɴs.

𝐃𝐚𝐯𝐢𝐝 𝐉𝐚𝐜𝐤𝐬𝐨𝐧 | 𝐒𝐭𝐞𝐥𝐢𝐨𝐬 𝐑𝐨𝐦𝐚𝐥𝐢𝐚𝐝𝐢𝐬 | 𝐆𝐢𝐨𝐫𝐠𝐨𝐬 𝐕𝐚𝐫𝐨𝐮𝐭𝐚𝐬 ▽

Thank you British Council Greece !𝐃𝐚𝐯𝐢𝐝 𝐉𝐚𝐜𝐤𝐬𝐨𝐧 | 𝐒𝐭𝐞𝐥𝐢𝐨𝐬 𝐑𝐨𝐦𝐚𝐥𝐢𝐚𝐝𝐢𝐬 | 𝐆𝐢𝐨𝐫𝐠𝐨𝐬 𝐕𝐚𝐫𝐨𝐮𝐭𝐚𝐬 ▽
23/04/2026

Thank you British Council Greece !

𝐃𝐚𝐯𝐢𝐝 𝐉𝐚𝐜𝐤𝐬𝐨𝐧 | 𝐒𝐭𝐞𝐥𝐢𝐨𝐬 𝐑𝐨𝐦𝐚𝐥𝐢𝐚𝐝𝐢𝐬 | 𝐆𝐢𝐨𝐫𝐠𝐨𝐬 𝐕𝐚𝐫𝐨𝐮𝐭𝐚𝐬 ▽

Συνέντευξη του David Jackson στον Χάρη Συμβουλίδη για το  Αθηνόραμα, με  αφορμή τη συναυλία της Παρασκευής στο Underflow...
21/04/2026

Συνέντευξη του David Jackson στον Χάρη Συμβουλίδη για το Αθηνόραμα, με αφορμή τη συναυλία της Παρασκευής στο Underflow Record Store & Art Gallery

David Jackson talks to Athinorama ahead of Friday's concert at Underflow Record Store & Art Gallery

𝐃𝐚𝐯𝐢𝐝 𝐉𝐚𝐜𝐤𝐬𝐨𝐧 | 𝐒𝐭𝐞𝐥𝐢𝐨𝐬 𝐑𝐨𝐦𝐚𝐥𝐢𝐚𝐝𝐢𝐬 | 𝐆𝐢𝐨𝐫𝐠𝐨𝐬 𝐕𝐚𝐫𝐨𝐮𝐭𝐚𝐬 ▽

https://www.athinorama.gr/music/3070299/david-jackson-me-tous-van-der-graaf-generator-pernousame-uperoxa/

𝐒𝐓𝐄𝐋𝐈𝐎𝐒 𝐑𝐎𝐌𝐀𝐋𝐈𝐀𝐃𝐈𝐒Sᴛᴇʟɪᴏs Rᴏᴍᴀʟɪᴀᴅɪs sᴛᴜᴅɪᴇᴅ ꜰʟᴜᴛᴇ ᴘʀɪᴍᴀʀɪʟʏ ᴡɪᴛʜ Sᴏꜰɪᴀ Mᴀᴠʀᴏɢᴇɴɪᴅᴏᴜ ᴀɴᴅ ᴄᴏᴍᴘᴏsɪᴛɪᴏɴ ᴡɪᴛʜ ᴄᴏᴍᴘᴏsᴇʀ Nɪᴋᴏs...
19/04/2026

𝐒𝐓𝐄𝐋𝐈𝐎𝐒 𝐑𝐎𝐌𝐀𝐋𝐈𝐀𝐃𝐈𝐒

Sᴛᴇʟɪᴏs Rᴏᴍᴀʟɪᴀᴅɪs sᴛᴜᴅɪᴇᴅ ꜰʟᴜᴛᴇ ᴘʀɪᴍᴀʀɪʟʏ ᴡɪᴛʜ Sᴏꜰɪᴀ Mᴀᴠʀᴏɢᴇɴɪᴅᴏᴜ ᴀɴᴅ ᴄᴏᴍᴘᴏsɪᴛɪᴏɴ ᴡɪᴛʜ ᴄᴏᴍᴘᴏsᴇʀ Nɪᴋᴏs Pᴀɴᴀɢɪᴏᴛᴀᴋɪs. Hᴇ ʜᴀs ᴀᴛᴛᴇɴᴅᴇᴅ ᴄᴏᴍᴘᴏsɪᴛɪᴏɴ sᴇᴍɪɴᴀʀs ᴡɪᴛʜ ᴄᴏᴍᴘᴏsᴇʀs Tʜᴇᴏᴅᴏʀᴏs Aɴᴛᴏɴɪᴏᴜ, Aɴᴀsᴛᴀsɪs Fɪʟʟɪᴘᴀᴋᴏᴘᴏᴜʟᴏs, ᴀɴᴅ Aɴᴛᴏɴɪs Aɴᴛᴏɴᴏᴘᴏᴜʟᴏs, ᴀs ᴡᴇʟʟ ᴀs ᴀ ꜰʀᴇᴇ ɪᴍᴘʀᴏᴠɪsᴀᴛɪᴏɴ sᴇᴍɪɴᴀʀ ᴡɪᴛʜ ɪᴍᴘʀᴏᴠɪsᴇʀ-ᴄᴏᴍᴘᴏsᴇʀ Aʟᴇxɪs Pᴏʀꜰʏʀɪᴀᴅɪs. Hᴇ ʜᴀs ᴀʟsᴏ ᴘᴀʀᴛɪᴄɪᴘᴀᴛᴇᴅ ɪɴ ᴀɴ ᴏɴʟɪɴᴇ ᴡᴏʀᴋsʜᴏᴘ ᴡɪᴛʜ ᴄᴏᴍᴘᴏsᴇʀ Jᴀᴄᴏʙ Aᴅʟᴇʀ, ꜰᴏᴄᴜsɪɴɢ ᴏɴ ᴛʜᴇ Jᴜsᴛ Iɴᴛᴏɴᴀᴛɪᴏɴ ᴛᴜɴɪɴɢ sʏsᴛᴇᴍ ᴀɴᴅ ᴛʜᴇ ᴘᴏʟʏʀʜʏᴛʜᴍs ᴏꜰ Iɴᴅɪᴀɴ Cᴀʀɴᴀᴛɪᴄ ᴍᴜsɪᴄ.

Tʜʀᴏᴜɢʜ ʜɪs ᴘᴇʀsᴏɴᴀʟ ᴘʀᴏᴊᴇᴄᴛ Lᴜ̈ᴜ̈ᴘ, ʜᴇ ʜᴀs ʀᴇʟᴇᴀsᴇᴅ ᴛʜᴇ ᴀʟʙᴜᴍs Dɪsᴛʀᴇss Sɪɢɴᴀʟ Cᴏᴅᴇ (2008, Fʀᴇɴᴄʜ ʟᴀʙᴇʟ Mᴜsᴇᴀ), Mᴇᴀᴅᴏᴡ Rɪᴛᴜᴀʟs (2011, Aᴍᴇʀɪᴄᴀɴ ʟᴀʙᴇʟ Exᴘᴇʀɪᴍᴇᴅɪᴀ), ᴀɴᴅ Cᴀɴᴛɪᴄʟᴇs ᴏꜰ ᴛʜᴇ Hᴏʟʏ Sᴄʏᴛʜᴇ (2017, Iᴛᴀʟɪᴀɴ ʟᴀʙᴇʟ I, Vᴏɪᴅʜᴀɴɢᴇʀ). Tʜᴇsᴇ ᴡᴏʀᴋs ꜰᴇᴀᴛᴜʀᴇ ᴄᴏʟʟᴀʙᴏʀᴀᴛɪᴏɴs ᴡɪᴛʜ ᴀʀᴛɪsᴛs sᴜᴄʜ ᴀs Dᴀᴠɪᴅ Jᴀᴄᴋsᴏɴ (Vᴀɴ Dᴇʀ Gʀᴀᴀꜰ Gᴇɴᴇʀᴀᴛᴏʀ), Lɪsᴀ Isᴀᴋssᴏɴ, Aᴛᴛɪʟᴀ Csɪʜᴀʀ (Mᴀʏʜᴇᴍ), Sᴀᴋɪs Tᴏʟɪs (Rᴏᴛᴛɪɴɢ Cʜʀɪsᴛ), Aʟᴅʀᴀʜɴ (Døᴅʜᴇɪᴍsɢᴀʀᴅ), Aɴᴅʀɪᴀ Dᴇɢᴇɴs (Pᴀɴᴛᴀʟᴇɪᴍᴏɴ / Cᴜʀʀᴇɴᴛ 93), Aɴɴᴀ Lɪɴᴀʀᴅᴏᴜ, Sᴏꜰɪᴀ Sᴀʀʀɪ, ᴀɴᴅ Lᴇꜰᴛᴇʀɪs Mᴏᴜᴍᴛᴢɪs (Fʀᴇᴇᴅᴏᴍ Cᴀɴᴅʟᴇᴍᴀᴋᴇʀ), ᴀᴍᴏɴɢ ᴏᴛʜᴇʀs.

Hᴇ ɪs ᴀ ᴍᴇᴍʙᴇʀ ᴏꜰ ᴛʜᴇ ʙᴀɴᴅ Vᴀᴜʟᴛ ᴏꜰ Bʟᴏssᴏᴍᴇᴅ Rᴏᴘᴇs, ᴡʜᴏ ʜᴀᴠᴇ ʀᴇʟᴇᴀsᴇᴅ ᴛᴡᴏ ᴀʟʙᴜᴍs—ᴛʜᴇɪʀ ᴍᴏsᴛ ʀᴇᴄᴇɴᴛ, Eᴛɪᴅᴏʀʜᴘᴀ, ᴀs ᴡᴇʟʟ ᴀs ᴛʜᴇɪʀ sᴇʟꜰ-ᴛɪᴛʟᴇᴅ ᴅᴇʙᴜᴛ ᴀʟʙᴜᴍ ꜰᴇᴀᴛᴜʀɪɴɢ Sᴛᴇᴠᴇ Jᴀɴsᴇɴ. Iɴ 2024, Vᴀᴜʟᴛ ᴏꜰ Bʟᴏssᴏᴍᴇᴅ Rᴏᴘᴇs ᴘᴇʀꜰᴏʀᴍᴇᴅ ᴡɪᴛʜ ᴘᴇʀᴄᴜssɪᴏɴɪsᴛ Cʜʀɪs Cᴜᴛʟᴇʀ ɪɴ ᴀɴ ɪᴍᴘʀᴏᴠɪsᴇᴅ sᴇᴛ ᴀᴛ Uɴᴅᴇʀꜰʟᴏᴡ.

Iɴ 2016, ʜᴇ ᴡᴀs ᴏɴᴇ ᴏꜰ 15 ᴍᴜsɪᴄɪᴀɴs ᴘᴀʀᴛɪᴄɪᴘᴀᴛɪɴɢ ɪɴ ᴛʜᴇ ɪᴍᴘʀᴏᴠɪsᴀᴛɪᴏɴᴀʟ ᴄᴏɴᴄᴇʀᴛ “634 Mɪɴᴜᴛᴇs Iɴsɪᴅᴇ ᴛʜᴇ Vᴏʟᴄᴀɴᴏ” ʜᴇʟᴅ ᴡɪᴛʜɪɴ ᴛʜᴇ ᴠᴏʟᴄᴀɴᴏ ᴏꜰ Nɪsʏʀᴏs.

Hᴇ ɪs ᴀʟsᴏ ᴀ ᴍᴇᴍʙᴇʀ ᴏꜰ ᴛʜᴇ WHI ᴇɴsᴇᴍʙʟᴇ, ᴡʜɪᴄʜ sᴘᴇᴄɪᴀʟɪᴢᴇs ɪɴ ᴛʜᴇ ᴘᴇʀꜰᴏʀᴍᴀɴᴄᴇ ᴏꜰ ᴇxᴘᴇʀɪᴍᴇɴᴛᴀʟ ᴍᴜsɪᴄ sᴄᴏʀᴇs ᴜsɪɴɢ ᴠᴇʀʙᴀʟ ᴀɴᴅ ɢʀᴀᴘʜɪᴄ ɴᴏᴛᴀᴛɪᴏɴ, ᴀs ᴡᴇʟʟ ᴀs ꜰʀᴇᴇ ɪᴍᴘʀᴏᴠɪsᴀᴛɪᴏɴ.

ʜᴛᴛᴘs://ʟᴜᴜᴘʙᴀɴᴅ.ᴡɪxsɪᴛᴇ.ᴄᴏᴍ/ʟᴜᴜᴘ

𝐃𝐚𝐯𝐢𝐝 𝐉𝐚𝐜𝐤𝐬𝐨𝐧 | 𝐒𝐭𝐞𝐥𝐢𝐨𝐬 𝐑𝐨𝐦𝐚𝐥𝐢𝐚𝐝𝐢𝐬 | 𝐆𝐢𝐨𝐫𝐠𝐨𝐬 𝐕𝐚𝐫𝐨𝐮𝐭𝐚𝐬 ▽

𝐎𝐬𝐭𝐨𝐦𝐚𝐜𝐡𝐢𝐨𝐧 𝐒𝐞𝐬𝐬𝐢𝐨𝐧𝐬 𝐗𝐕𝐈_extending notions of woodwinds𝐃𝐚𝐯𝐢𝐝 𝐉𝐚𝐜𝐤𝐬𝐨𝐧: Soprano, Alto & Tenor Saxophones, Flute𝐒𝐭𝐞𝐥𝐢𝐨𝐬 𝐑𝐨𝐦...
18/04/2026

𝐎𝐬𝐭𝐨𝐦𝐚𝐜𝐡𝐢𝐨𝐧 𝐒𝐞𝐬𝐬𝐢𝐨𝐧𝐬 𝐗𝐕𝐈_extending notions of woodwinds

𝐃𝐚𝐯𝐢𝐝 𝐉𝐚𝐜𝐤𝐬𝐨𝐧: Soprano, Alto & Tenor Saxophones, Flute
𝐒𝐭𝐞𝐥𝐢𝐨𝐬 𝐑𝐨𝐦𝐚𝐥𝐢𝐚𝐝𝐢𝐬: Flute
𝐆𝐢𝐨𝐫𝐠𝐨𝐬 𝐕𝐚𝐫𝐨𝐮𝐭𝐚𝐬: Live Sound Processing

📅 24.04.2026
🕘 21:00
📍 Underflow Record Store & Art Gallery
Kallirois 39, Athens, Greece
🎟️ Ticket: 15 €

Organized by Tadoma

𝐃𝐈𝐌𝐈𝐓𝐑𝐈𝐒 𝐂𝐇𝐈𝐎𝐓𝐈𝐒Dɪᴍɪᴛʀɪs Cʜɪᴏᴛɪs ᴡᴀs ʙᴏʀɴ ɪɴ Aᴛʜᴇɴs ᴀɴᴅ ʜᴀs sᴛᴜᴅɪᴇᴅ ᴀ ʀᴀɴɢᴇ ᴏꜰ Mɪᴅᴅʟᴇ Eᴀsᴛᴇʀɴ ɪɴsᴛʀᴜᴍᴇɴᴛs, ɪɴᴄʟᴜᴅɪɴɢ ᴛʜᴇ...
24/03/2026

𝐃𝐈𝐌𝐈𝐓𝐑𝐈𝐒 𝐂𝐇𝐈𝐎𝐓𝐈𝐒

Dɪᴍɪᴛʀɪs Cʜɪᴏᴛɪs ᴡᴀs ʙᴏʀɴ ɪɴ Aᴛʜᴇɴs ᴀɴᴅ ʜᴀs sᴛᴜᴅɪᴇᴅ ᴀ ʀᴀɴɢᴇ ᴏꜰ Mɪᴅᴅʟᴇ Eᴀsᴛᴇʀɴ ɪɴsᴛʀᴜᴍᴇɴᴛs, ɪɴᴄʟᴜᴅɪɴɢ ᴛʜᴇ Aʀᴀʙɪᴄ ᴏᴜᴅ, ᴛʜᴇ Aꜰɢʜᴀɴ ʀᴜʙᴀʙ, ᴀɴᴅ ᴛʜᴇ Pᴇʀsɪᴀɴ ᴋᴀᴍᴀɴᴄʜᴇʜ. Hɪs ᴘʀɪᴍᴀʀʏ ꜰᴏᴄᴜs, ʜᴏᴡᴇᴠᴇʀ, ʜᴀs ʙᴇᴇɴ ᴛʜᴇ Cʀᴇᴛᴀɴ ʟʏʀᴀ, ᴡʜɪᴄʜ ʜᴇ ʜᴀs ᴇxᴘʟᴏʀᴇᴅ ɪɴ ᴅᴇᴘᴛʜ ᴏᴠᴇʀ ᴍᴀɴʏ ʏᴇᴀʀs.
Iɴ ʀᴇᴄᴇɴᴛ ʏᴇᴀʀs, ʜᴇ ʜᴀs ᴅᴇᴠᴇʟᴏᴘᴇᴅ ᴀɴ ᴇʟᴇᴄᴛʀɪᴄ ᴠᴇʀsɪᴏɴ ᴏꜰ ᴛʜᴇ ɪɴsᴛʀᴜᴍᴇɴᴛ, ᴇxᴘᴀɴᴅɪɴɢ ɪᴛs sᴏɴɪᴄ ᴘᴏssɪʙɪʟɪᴛɪᴇs ᴀɴᴅ ᴏᴘᴇɴɪɴɢ ɴᴇᴡ ᴄʀᴇᴀᴛɪᴠᴇ ᴅɪʀᴇᴄᴛɪᴏɴs. Hɪs ᴅᴇʙᴜᴛ sᴏʟᴏ ᴀʟʙᴜᴍ ᴏꜰ ᴏʀɪɢɪɴᴀʟ ᴄᴏᴍᴘᴏsɪᴛɪᴏɴs, Aʟᴀᴛɪ (Aʟᴇssᴀ Rᴇᴄᴏʀᴅs, 2021), ꜰᴇᴀᴛᴜʀᴇs ᴄᴏʟʟᴀʙᴏʀᴀᴛɪᴏɴs ʙᴇᴛᴡᴇᴇɴ Gʀᴇᴇᴋ ᴀɴᴅ Iʀᴀɴɪᴀɴ ᴍᴜsɪᴄɪᴀɴs.
Hᴇ ʜᴏʟᴅs ᴀ Mᴀsᴛᴇʀ’s ᴅᴇɢʀᴇᴇ ɪɴ Eᴛʜɴᴏᴍᴜsɪᴄᴏʟᴏɢʏ.

Aghniadis | Dimitris Chiotis | Giorgos Varoutas_Ostomachion Session XV

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