Don Schofield

Don Schofield I live in Greece, happily. Write poetry & essays (memoir) and translate from modern Greek to English.

What a joy it was returning for three weeks this past July to the “Cyclops Cove.” That’s what I call the bay on Kythnos ...
19/08/2026

What a joy it was returning for three weeks this past July to the “Cyclops Cove.” That’s what I call the bay on Kythnos from which sprang my memoir now that the cave—that primitive domicile I lived in back in the ‘90s—is no longer there. Its spirit, though, like the island’s drystone walls, will always be there.

Just back from Crete where I spent several days in Matala (think Joni Mitchell's "Blue") with my dear friends and fellow...
09/08/2026

Just back from Crete where I spent several days in Matala (think Joni Mitchell's "Blue") with my dear friends and fellow poets Michael and Mihaela, and took a quick jaunt to Rethymno to visit another longtime friend (and former ULV colleague) Chris Parnassus and some of her good friends.

Today's Odyssey poem (again in two parts), one of mine, is a persona poem in the voice of Eidothea, the daughter of that...
03/08/2026

Today's Odyssey poem (again in two parts), one of mine, is a persona poem in the voice of Eidothea, the daughter of that well-known shape-shifting soothsayer Proteus...

Eidothea Grieving (part one)
“The Ancient of the Salt Sea...
Proteus of Egypt...is, they say, my father.”
—The Odyssey, Book IV
Waves keep rolling
and I keep asking
this vague mound under blankets—
why a lion, why a falcon, why a towering flame?

Why all those years walking the beach,
following your tracks with the urge for you,
Father, your touch, your solidity,
your hand firmly holding mine?

You were grass once. From then on
I treaded fields so carefully,
wondering what shapes I took
in Mother’s womb—or was it your womb,

Father? Did I step from your ear,
a girl already asking questions?
I thought I could have you
with words, Father. While you slept

I’d spread feathers, fur or sand—
whatever was where your ear
should be—and whisper,
Who are you? Who am I?

I’d touch my hair, my chest,
and shiver at the thought
that I’m not me, I’m you. Seals clapped
each time you became a towering flame

for the crowds of locals and travelers
who’d wrestle you to learn the future. You won.
You always won. But still you kept changing—
bull laboring up a hill, boulder

rolling through scrub, flicker of trout, gull
barely touching the waves—
each shape flashing before our eyes
then lost in a sea of shapes,...

"Eidothea Grieving" (Part 2)..like these questions I can’t help but ask—surelyif you’re nothing fixed then you’re all th...
03/08/2026

"Eidothea Grieving" (Part 2)
..like these questions I can’t help but ask—surely
if you’re nothing fixed then you’re all things,
Father, a trompe l’oeil
of everything,

right?—except, for me, a father.
When I step outside,
the mountains are waves
against a hard blue sky. Wind

rattles the unsteady boards of our hut,
while inside, your shifting comes slower.
No fire, no tree, you’re almost
solid, curled up at the edge of your bed,

barely breathing. Or is your dying
just another disguise,
that urgent expression
a dolphin caught in nets? I stroke your hair—

your hair—smell the sea
on your fading breath. Let me
be the one who finally pins you,
Father—here, now—

the one who makes you give me
in your dying the answers you never gave me
living. Let me hold your body
to its one, final shape: the un-

recognizable figure of a man.

From APPROXIMATELY PARADISE

Today’s “Odyssey” poem is “The King of Asini” is by the Greek Nobel poet George Seferis...
01/08/2026

Today’s “Odyssey” poem is “The King of Asini” is by the Greek Nobel poet George Seferis...

So here’s another “Odyssey” poem, one of my own, a sonnet of sorts in the voice of Cassandra... Spit in my mouth or serp...
29/07/2026

So here’s another “Odyssey” poem, one of my own, a sonnet of sorts in the voice of Cassandra...



Spit in my mouth or serpent’s tongues in my ears,
whatever it was, it was his curse on me

for saying no. Yeah, he’d get confused
sometimes, call me Alexandra one day,

Cassandra the next. Whatever he said, it was only
to ravish me, show me his musical,

oracular, athletic prowess (i.e.,
his p***s). Should’ve known me better—daughter

of Priam, proud and vain and much too young
to care about the future, except, as princess,

to know that mine was made. So I said no—
how could I not? For that he spit on my tongue.

Now none of you will ever believe,
however true, a single word I say.

From THE FLOW OF WONDER

Today’s “Odyssey” poem is one by Louise Glück, a short one in the voice of Odysseus’ son...TELEMACHUS’ DETACHMENTWhen I ...
26/07/2026

Today’s “Odyssey” poem is one by Louise Glück, a short one in the voice of Odysseus’ son...

TELEMACHUS’ DETACHMENT

When I was a child looking
at my parent’s lives, you know
what I thought? I thought
Heartbreaking. Now I think
heartbreaking, but also
insane. Also
very funny.

From MEADOWLANDS

21/07/2026

Again riding the wake of Nolan’s ODYSSEY, a poem riffing off the return of that “[Complicated] Man of Many Ways”...

The Heart's Reward
“We can finish our journey like Odysseus,
lying on our backs.”
—Xenophon, Anabasis, 5.1.2

Whether it's Odysseus asleep
on his back, gifts of bronze, embroidered cloaks
stowed beneath the planks, the oarsmen softly rowing,

or this man asleep on a jet toward home
in love with someone new, the darkness of her eyes
so close, her lips, her touch, her soft bronze skin,

or this other man passed out in a nightclub
parking lot, so absent from his life
the morning fog completely covers him—

the journey is for love and nothing more,
what hovers there, inside imagination.

They lifted him over the side of the boat and set him
gently under an olive tree, his treasure
surrounding him. His long-tried mind at rest.

From A DIFFERENT HEAVEN: NEW & SELECDTED POEMS

With all the Who, Why and Wherefore surrounding Nolan’s THE ODYSSEY, I thought I’d join in by posting a few of my own po...
19/07/2026

With all the Who, Why and Wherefore surrounding Nolan’s THE ODYSSEY, I thought I’d join in by posting a few of my own poems alluding in one way or another to my favorite epic. But first, my translation of a well-known Yiannis Ritsos poem

PENELOPE’S DESPAIR

It wasn’t that she didn’t recognize him
there in the light of the fireplace,
it wasn’t the beggar’s rags, the disguise—no,
there were clear signs: the scar on his knee, his muscular build,
the cunning in his eye. Pressing her back against the wall, frightened,
she looked for an excuse, a little more time
to not answer, not give anything away. Was it for him
she’d lost twenty years, twenty years of waiting and dreaming
for this wretched man, this blood-drenched white-beard?
Speechless, she collapsed into a chair, then slowly surveyed
the suitors sprawled on the floor, as if she were seeing
her own slaughtered desires. Welcome, she said,
her voice distant, strange. In the corner her loom
filled the ceiling with a lattice of shadows,
and all the birds she’d ever woven
with bright red threads amid green foliage
suddenly, on this night of return, turned to black ash
fluttering against the low sky of her final endurance.

Many thanks to the New York Book Festival curating committee for awarding FROM THE CYCLOPS CAVE Honorable Mention in thi...
17/07/2026

Many thanks to the New York Book Festival curating committee for awarding FROM THE CYCLOPS CAVE Honorable Mention in this year’s Memoir category.

Address

Aggelou Gini 5
Athens
11525

Alerts

Be the first to know and let us send you an email when Don Schofield posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Establishment

Send a message to Don Schofield:

Shortcuts

Share

Category