28/03/2023
Small Faces: People’s Portrait Exhibition – A New Approach to Exhibition Making
This is BBC Radio Solent’s Julian Clegg who visited the 2017 exhibition to find his portrait by Jonny Hannah in what has to be one of my favourite exhibitions we did at Solent Showcase. 7,000, (yes 7,000!) public submissions created a sea of faces and a community of people across all the walls of the gallery.
The Small Faces exhibition was inspired by an exhibition by Gillian McIntyre from the Art Gallery of Ontario in Canada. it ripped up the rule book around curatorial control, adopting instead a democratic approach based on social networking practices within communities. It dissolved barriers to engagement by creating an open exhibition with a promise that ALL works would be exhibited. We didn’t just invite, we reached out and embarked on several months of advance workshopping and engagement and employed local artists and community leaders to connect to their own networks across all areas of the city. We produced art packs for schools, we visited local art societies but also focussed on local groups who felt that they were not creative and didn’t usually see art as something they could participate in. We made the project easy to submit to by asking for postcard sized artworks with no frames required.
It was a risk - we had absolutely no idea how many submissions we would get until the final deadline, no idea if we would even have an exhibition to show! What surprised us all was that we received over 7,000 beautiful portraits from people from aged 4 – 84 of all abilities and walks of life; images with personal stories, people representing themselves or those they loved, admired, missed or lost. Our challenge then, was to create a contemporary art installation that respected the uniqueness of each portrait and also visually transformed the gallery into a visual spectacle that celebrated the huge impact of 7,000 miniature faces. So many people helped - Josef Hill, Andreea Stan, Mollie Belcher, Vix Hobbs, Itchen College students and more. Together we turned the gallery into a sea of portraits.
Southampton resident and writer Angela Chicken wrote us the most beautiful letter so here are some excerpts that sum up the type of responses we got from people.
“I was deeply moved to see that so many people wanted to participate, to see a wide range of representation in terms of age, gender and race, it felt far more representative of the city than most galleries.......I feel that this exhibition proves that if you ask us and you don’t put too many obstacles in our way, we love to engage and furthermore there is some great…desire to come out to place....From the bottom of my heart I thank you all for making this possible. I hope other cultural providers can learn from what you have done and I hope you will be inspired to create some other projects in this vein.”