26/05/2026
We draw in the round at North Yorks Art School - a model in the centre surrounded by artists at their easels. We have strong theatre lights to throw good shadows. Invariably, someone gets an optimum view. Conversely, someone gets a bum view. Long passages of flesh with few features. But the challenge - whether it's a limited time exercise, or some sort of undesirable view - is to do what you can with what you've got. If you have 2 minutes, you don't go about your drawing as if you've got 20 minutes. You have to change - your pace, your focus, your posture. Drawing requires you to fully take part. You can't be half in. So that gas bill, or that upcoming job interview - it all melts away for a couple of hours. Life drawing is about practice and remembering, building connections - being highly attuned to what's before you - this part in relation to that whole. And in another way it's an involuntary switching off of everything not of immediate concern. You forget, which is how it can bring great therapeutic benefit to people with a lot going on. You also have good and bad days, and when the flow isn't there you do feel a bit deflated, as if all the times you did well was just part of some fluke.
We've been doing life drawing at North Yorks Art School twice weekly since 2020, and those that have attended regularly, keeping things joined up, have got better and better at it. I think I have and I don't do it nearly as much as I should.
These ones here are highly honed drawings of mine. They take their cues from the model but continue things to a somewhat stylised conclusion, a few rungs down from caricature, which I think is an interesting spot. I use a very dark, compressed charcoal which carries risks because it's hard to rub out once put in place. But it forces me to be versatile. You have to play the charcoal like an instrument - soft here on its side, much more pressure there utilising its nib, smudging it, subtracting it, using it quickly then taking care. The life drawing room is the world in miniature, a place of contrasting, oppositional forces coming to a point in a controlled environment. And in an ideal world, there'd be one on every street corner.
The models are Verity, Helen, Nick and Suzie.
Written by Christopher Shaw, Head of North Yorks Art School.