Ashmolean Museum

Ashmolean Museum Our world famous collections range from Egyptian mummies to contemporary art, telling human stories across cultures and across time.

Does this look like a familiar scene to you? A fluffy shadow following you as you go about your day-to-day. This waterco...
08/09/2026

Does this look like a familiar scene to you? A fluffy shadow following you as you go about your day-to-day.

This watercolour was painted by Eleanor Fortescue-Brickdale in 1915 as an illustration to 'The Wish' by Abraham Cowley. It beautifully captures an idyllic day in early summer.

🌹🐈 Illustration to 'The Wish' by Abraham Cowley, Eleanor Fortescue-Brickdale (1872 - 1945), 1915. WA1965.52.2

This beautiful gold enamelled spoon is from early 19th-century Iran. The art of enamelling was especially popular during...
07/09/2026

This beautiful gold enamelled spoon is from early 19th-century Iran.

The art of enamelling was especially popular during the Qajar period, which this spoon dates from.

Water pipe bases, swords and daggers, mirrors, and tableware are some of the types of objects which were painted with enamels. Several signed and dated pieces survive, many of which date to the times of Fath ‘Ali Shah, the Qajar ruler of Iran from 1797 to 1834.

See it on display in Gallery 19, Level G.

Spoon with crowned heads and astrological decoration, 1801–1830. Gold, enamelled, 0.5 x 13.2 x 2.4 cm. EA2009.4

A little pinch of the crabs in our collection 🦀The Japanese poem on the hanging scroll reads: ‘Don't laugh at me walking...
05/09/2026

A little pinch of the crabs in our collection 🦀

The Japanese poem on the hanging scroll reads: ‘Don't laugh at me walking alone with a limping gait, the river water is enough to sustain my life.’

🦀 Bronze box in the form of a Crab, 16th or 17th century, northern Italy. Bronze, 15.5 cm x 12.8 cm. WA1947.191.174

🦀 Study of a Velvet Crab, 1870, by John Ruskin (1819–1900). Bodycolour over graphite on blue wove paper. WA.RS.ED.199

🦀 Fuchi with a crab, Edo period Japan (1600–1868). Shibuichi, with punched nanako decoration, and inlaid with gold. EA1956.2490

🦀 The Dutiful Woman of Kawada Village, 1842, by Utagawa Kuniyoshi (1797–1861). Nishiki-e (full colour) woodblock print, with bokashi (tonal gradation). EA1971.76

🦀 Crab and tree branch with poem, 1754, by Shiseki Sō (1715–1786). Ink on paper. EA1966.147

At first glance, this Roman silver coin, a denarius, might not appear all that unusual and in fact the portrait on the f...
04/09/2026

At first glance, this Roman silver coin, a denarius, might not appear all that unusual and in fact the portrait on the front might even be familiar or recognisable. However, it represents a first in Roman coinage.

The inscription on the front of the coin, CAESAR IMP, tells us that this is Julius Caesar, the ritual staff (lituus) and vessel (cullulus) behind his head indicate his position as augur and Pontifex Maximus (chief priest).

The back of the coin depicts Venus holding a spear, shield and a small winged Victory that alludes to Caesar’s claimed divine ancestry through his family, the Julii, to Venus via her son, the Trojan hero Aeneas.

This belongs to a group of coins struck for Caesar in 44 BCE that break from Roman tradition and, for the first time, depict a living Roman on Roman coinage.

It highlights his supreme authority in Rome as dictator for life, a position that prompted a group of senators led by Brutus to plot his assassination in an attempt to prevent tyranny on the Ides of March 44 BCE.

Silver Roman denarius of Julius Caesar, mint of Rome, 44 BCE. HCR5588.

This beautiful object is a fragment from the base of a 13th-century Syrian bowl.It is decorated with a hare in an ‘arres...
03/09/2026

This beautiful object is a fragment from the base of a 13th-century Syrian bowl.

It is decorated with a hare in an ‘arrested’ stance, that is with one of their front paws raised, and their head turned to the rear. Their two back legs are usually unnaturally lengthened, ending in glorious curving brush-strokes.

Animals are a recurrent motif in the Islamic tradition, appearing both in royal context and more popular visual culture.

See it on display in Gallery 31 on Level 1.

🐇 Base fragment with hare, 1201–1250. Fritware, 10 cm diameter. EA1978.2398

This wonderful object is a Turkish bow-case. Made from black leather and elaborately decorated with fine silver wire emb...
02/09/2026

This wonderful object is a Turkish bow-case.

Made from black leather and elaborately decorated with fine silver wire embroidery. This case is for a composite bow, and would have been worn suspended from the archer’s belt.

🏹 Bow-case, 1600–1650. Leather, silver-wire embroidered, 66 x 30.5 cm. Turkey. AN1685.B.397

This beautiful object is a moon flask.Chinese moon flasks like this one are known as baoyueping 抱月瓶. Ping means flask or...
01/09/2026

This beautiful object is a moon flask.

Chinese moon flasks like this one are known as baoyueping 抱月瓶. Ping means flask or bottle and baoyue means ‘embracing the moon.

They feature a circular, moon-like body with a narrow neck and two small handles and are usually decorated in blue and white with symbolic flowers, dragons or Buddhist emblems. Making them required a great deal of skill as they were prone to leaning over during firing.

See it on display in Gallery 38, Level 2.

🌕 Blue-and-white moon flask or bianhu, 1403–1425. Porcelain, 29.5 x 20.5 x 12.5 cm. EA1997.190

A bouquet of roses, perfect for this Monday morning. This still life was painted by Pierre-Auguste Renoir.Towards the en...
31/08/2026

A bouquet of roses, perfect for this Monday morning.

This still life was painted by Pierre-Auguste Renoir.

Towards the end of his life, Renoir (1841–1919) painted a large number of still lifes of flowers. These included a series of roses in round bowls. They were painted quickly in oil on canvas, and show the artist making bold experiments with colour and tone, within the confines of a modest composition.

Renoir was one of the leading painters of the Impressionist group. He evolved a technique of broken brushstrokes and used bold combinations of pure complementary colours to capture the light and movement of his landscapes and figure subjects. Following a visit to Italy in 1881 his style changed, becoming more linear and classical.

🌹 Still Life of Roses in a Vase, c. 1909–1919, Pierre-Auguste Renoir (1841–1919). Oil on canvas, 29 x 37 cm. WA1988.289

This beautiful woodcut print is Evening Glow at Seta by master Japanese printmaker Utagawa Hiroshige.It comes from a ser...
30/08/2026

This beautiful woodcut print is Evening Glow at Seta by master Japanese printmaker Utagawa Hiroshige.

It comes from a series called Eight Views of Ōmi which celebrates Ōmi province (modern Shiga prefecture) in both poetry and art. Hiroshige was a prolific artist; he is thought to have created between 4,000 and 5,000 print designs during a career that lasted almost 50 years.

Although Hiroshige produced a wide range of prints, including designs of beautiful women, kabuki actors, famous historical and mythological figures and bird-and-flower studies, he is most famous for his landscape prints which capture brilliantly the effects of season, weather and time of day.

🛶 Detail from Evening Glow at Seta, 1857, Utagawa Hiroshige, (1797–1858). Colour woodcut, 34 x 22.6 cm. EAX.4745

Let's take a closer look at this delightful little owl sketched by Pre-Raphaelite artist Edward Burne-Jones and beautifu...
28/08/2026

Let's take a closer look at this delightful little owl sketched by Pre-Raphaelite artist Edward Burne-Jones and beautifully animated by in our latest video.

This owl appeared in a letter Edward Burne-Jones wrote and illustrated in the late 1800s.

✏️ An owl on a branch, Sir Edward Coley Burne-Jones (1833 - 1898), 1893 - 1898. WA2015.68.29

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