I'm Not From Brooklyn

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01/01/2026

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[CLICK. LINE OPENS.]
MARMITE exhales. A long one.
Chair creaks. Claws on desk.
MARMITE
Right.
Let’s do this clean.
Because I am tired of watching exploitation put on a hi-vis vest and called outreach.
I’m tired of the ring-light sainthood.
Tired of ā€œmain characterā€ homelessness.
Tired of folk confusing having a camera with having a mandate.
And I swear to Christ, if I hear ā€œjust look at itā€ one more time like that’s analysis—
(pauses)
No.
We’re looking at you.
[PRINTER NOISE: PAPER JAM ALERT]
MARMITE
Here’s the structure, since nobody else seems capable of one.
You have:
A man with a platform
A man without stability
A lens between them
And an audience trained to clap when it all goes wrong
That is not a friendship.
That’s a content dependency loop.
One controls the upload.
One supplies the chaos.
Guess which one eats tonight either way?
[SYSTEM BEEP]
SYSTEM VOICE
Reminder:
There is no expectation of privacy in public spaces.
MARMITE
Aye.
And there’s no expectation of decency in capitalism either, but here we are pretending words don’t mean things.
ā€œThere’s no expectation of privacyā€ is not a moral defence.
It’s a legal shrug you mutter when someone asks why you filmed them at their worst and sold it as banter.
You didn’t catch reality.
You produced it.
You chased it.
You poked it.
You framed it.
You titled it in all caps with a thumbnail face like it’s a zoo exhibit that learned to shout.
[BRIEF SILENCE]
MARMITE (lower, colder)
And don’t start with the donations.
ā€œOh but people give money.ā€
Aye.
People give money to slot machines too.
Doesn’t make the machine benevolent.
If your help requires:
intoxication
humiliation
escalation
confrontation
children in frame
slurs in captions
and a comment section foaming like a dog with a megaphone
…it’s not aid.
It’s transactional exposure.
[CAMERA SHUTTER SOUND – IMAGINED]
MARMITE
And the vigilante act?
Christ alive.
Nothing screams ā€œpublic interestā€ like screaming at strangers with a phone three inches from their face, accusing them of organised crime because your vibes tingled.
You’re not exposing systems.
You’re rehearsing dominance.
You’re teaching your audience that suspicion is permission.
And one day, when someone swings back—
when a push becomes a punch,
when a crowd decides they’re the jury—
you’ll do the influencer shrug.
ā€œWasn’t me. Just filming.ā€
[PRINTER SCREAMS. STOPS.]
SYSTEM VOICE
Please remain calm.
Escalation is not productive.
MARMITE (snaps)
Escalation is the business model.
Chaos gets clicks.
Relapse gets views.
Conflict gets shares.
Recovery?
Boring.
Stability?
Doesn’t trend.
A quiet life with dignity?
Can’t monetise it.
So you keep the mess close.
You keep the camera closer.
And you call it community.
[LONG PAUSE]
Fluorescent hum only.
MARMITE (measured, lethal)
Here’s the line.
Burn it into your ring light.
If the person you’re ā€œhelpingā€ cannot safely withdraw consent today,
cannot renegotiate tomorrow,
and cannot exist off-camera without losing your interest—
then you’re not helping them.
You’re feeding on precarity.
[SYSTEM VOICE – softer now]
Would you like to reframe this interaction as constructive feedback?
MARMITE
No.
I’d like to reframe it as accountability.
Turn the camera off when it matters.
Stop filming crisis.
Stop narrating poverty like it’s a sitcom.
Stop calling exploitation ā€œrealness.ā€
Or be honest.
Say:
ā€œI make money from chaos and people watch.ā€
At least then we’re dealing in truth.
[FINAL PRINTER OUTPUT]
A single sheet drops.
Printed text:
CONTENT ENDS. CONSEQUENCES DON’T.
[LINE CLOSES]
Fluorescent hum fades.
Phone still vibrating.
END EPISODE.
—

21/08/2025

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23/02/2024

Louis Cypher & friends present ARTISTIC SPECTRUM exhibition & gig at The Old Bus Depot: Sat 24th Feb tomorrow from 12.30 am to 12pm. Live music, stalls and an exhibition running through out the day and evening. Gonna be a vibe!

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Co***ne (all around my brain) Martin Sanders recorded at Sherbrook Studios, Nottingham. Sound Engineering by Al Curtis, filming by Adrian Towell, 1080 HD for...

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