Jennifer Lauren Gallery

20/06/2026

This is super useful / have a look if this will be of help to you

We've got spaces available in June and July for our Access to Work drop-in sessions.

You can book a 1-hour session to talk through any issues, concerns or questions you have about ATW.

Spaces are limited - Find out more and book in now: https://disabilityarts.online/opportunities/decode-atw-support/decode-drop-in-sessions/

19/06/2026

REMINDER | Launch of Terence Wilde’s solo show in Margate on Thursday 9 July, 5–7pm - all welcome. Join us at Kavel Rafferty Projects for Terence’s show from 9–12 July, to catch new ceramics, monoprints and drawings - alongside sketchbooks - showcasing a brand new body of work.

“This ceramic embodiment visually resembles a psyche under construction; its hybrid form represents unconscious processes where categories blur into one another. The themes explored in this piece reflect those often found in existential psychology, where the self is fragmented and searching for coherence. The deeper I go into my own therapy, the closer I come to the visual language in my own art making.”

Further info on opening hours and BSL video in link in bio. Step free access to venue.

Terence Wilde, Heady, 2026, Mixed media ceramic, 16x13x27cm, 6.3x5.1x10.6 inches. Photo by Laura Hutchinson

18/06/2026

Shinichi Sawada
Untitled, 2016
Wood fired ceramic
3.75 x 7.75 x 7.125 inches
9.5 x 19.7 x 18.1 cm
ShSa 7

18/06/2026

AWARENESS | delighted to share this beauty by Kenta Ohuchi in continuing to shine a light on the ‘do you see me?’ Campaign - not just this week but through all the work that I do. It’s learning disability awareness week to remind others that they deserve to be seen, heard and valued - and quite rightly! This means whether they have an active voice vocally or not.

“Kenta Ohuchi (b.1984) has been attending the Kobosyu studio since 2002 where he took to drawing straight away. With a large sheet of paper flat on the desk in front of him, he paints with bold, sweeping arm movements whilst raising his voice; a sight to behold. He selects his own colours as his work progresses, often enjoying touching how the materials feel on the paper once marks have been made. He has immense energy, moving his whole body as if it were a full-body exercise. Even if the paper shifts or the crayon breaks, he doesn’t mind. The faded parts of his work are the result of the friction between his palm and the crayon, created by repeatedly drawing forcefully in the same spot time and again in large sweeping movements. His feelings are poured into each stroke, shifting from an aggressive style to a softer, gentler touch, which is evident in the marks made on the paper.”

Kenta Ohuchi, Untitled (6), 27.11.2012-15.2.2013, Oil stick on paper, 80x110cm. Photo by Laura Hutchinson

17/06/2026

AWARENESS | To continue learning disability awareness week and the theme of ‘do you see me?’ Check out the incredible ceramic cameras of Cameron Morgan of in . Two are featured here: ‘Flying Saucer’ and ‘Cine Camera’.

“Cameron Morgan (b.1965) is a multi-talented and prolific artist working with the Project Ability studio in Glasgow since 1991. He works in bright ‘poppy’ colours across several disciplines including painting, ceramics, and embroidery. Drawing and particularly line is key in Cameron’s work. He will leave out the obvious, and accentuate parts over-looked, in doing so he is able to get to the essence of a subject. In his paintings, drawing is not only the starting point but one he returns to during the process with bright bold outlines, breathing life into the image. In 2016 he was awarded a lifetime fellowship to the RSA. Morgan has featured in exhibitions at the Southbank Centre, London; several solo shows at Project Ability; Nottingham Castle Museum & Art Gallery (2024); and Tramway, Glasgow (2016).”

13/06/2026

TO VISIT | finally got to visit the Museum of Witchcraft and Magic in Boscombe and what a weird, wonderful and eclectic place it was. I’ve included images alongside labels here for your reference so that you can learn a little more like I did. It’s not accessible as it involves narrow flights of stairs (with handrails) but if you’re able to visit… I recommend it.

“The Museum of Witchcraft is a unique collection of over two thousand artefacts representing every British magical tradition from medieval angelic magic to modern Wicca.“

09/06/2026

COMING SOON | British artist Terence Wilde will be included in a textile group show from mid July at in St Leonard’s on Sea (by Hastings). This incredible embroidery from hours and hours of embroidery will feature - in the array of colours. About this work:

“I drew Mr Gender Normal, using coloured threads under and over a backing cloth, in a comparable way in which a pencil embeds mark making and image onto the surface of paper. The repetitive nature of embroidery has therapeutic qualities which can help regulate mood and emotional pain and in doing so give the artist a safe and creative space to refocus. Making textile work heightens both visual sight and insight, enabling the hand to navigate not just what it sees but what is felt.

I use embroidery to explore the paradox of gender identification and self-acceptance. The work is lovingly detailed and ultra coloured, to help express the complexity of human sexuality and the subtext of evolving pronouns. Within this current climate I identify foremost as an artist, a Mr Gender Normal, who happens to be gay, without conforming to labels or ticking specific boxes.”

Terence Wilde, Mr Gender Normal, 2024, Embroidery, 19x32cm, 7.5×12.6 inches. Photo by Laura Hutchinson

04/06/2026

NEW EXHIBITION |

Undertow – A solo exhibition by Terence Wilde

Kavel Rafferty Projects, 22-23 Cecil Square, Margate, CT9 1BA

Launch: Thursday 9 July, 5-7pm, all welcome
Open: 9 – 12 July 2026, 12-4pm

“It is the beautiful, it is the strange. It’s what remains, after the sea takes everything, and gives it back, rearranged.“ – Terence Wilde

Work featured in this exhibition is based around ideas, art and ceramics made during Terence Wilde Arts Council England funded project. The original working theme of Clay, Scale and Spirituality has led him through the elements to the undertow of the sea, where he has begun to make art more from inside of an experience, rather than about one.

Through affording specific time to reflect, in working more with clay and using to a water archetype, Wilde has gained new perspectives into his life as both an adult survivor and visual artist, with a newfound magical feeling of emotional release and unrestricted honesty. Working in the realm of ‘Undertow,’ he is learning to reconsider the past without stepping away from it and return with the courage to show rawness, a plea for survival and embrace the struggle to form or hold onto a stable sense of self.

03/06/2026

Catherine Garrigue
Demeures des éternels retours
The House of Eternal Returns 1/3, 2024
Fountain pen on Kraft paper
23 x 16.5 inches
58.4 x 41.9 cm
CGr 12

03/06/2026

LONDON | you’ve got a very limited time to catch the work of visionary artist, ‘Louise Janin: The Echo of the Spirit Through the Rhythms of Life’ co-curated by Vivienne Roberts and Simon Grant. Held at GPS Gallery until 7 June. It celebrates the life of an American born artist and includes paintings, works on paper and archival material / helping to cement her place within the recent re-evaluation of overlooked visionary women artists. Her work sat at the intersection of art, music, science and spirituality.

The exhibition places particular emphasis on Janin’s remarkable cosmogrammes, developed after the Second World War. These works were created by allowing pigment to disperse across liquid surfaces, producing forms that evoke nebulae, microscopic organisms and unknown cosmic systems.

For more info check our mediumsiticart.com


Address: GPS Gallery, 36 Great Pulteney Street, London, W1F 9NS