Resonance Studios

10/05/2026

Another Superbooth and the biggest and best yet! Great chatting to so many of the makers of these beautiful instruments and hopefully many others left as inspired to create new music as we did.

See you next year!

And congrats to our friends for the launch of synths.com 🙌🏻

19/04/2026

The Echoplex EP1 released in 1959 is a vacuum tube tape delay and the predecessor to the solid state version (EP3 and later EP4) which was used on many iconic tracks.

The EP1 was created by Mike Battle and sold under various names such Maestro and Market Electronics. In the late 60s he was asked to create the EP3 to succeed the EP1 / EP2 and to use transistors to make it more reliable. After a few years Mike Battle and Don Dixon eventually released the EP3 in 1970 but Mike was so unhappy with the sound, he sold his stake in the company and left.

The EP3 and later EP4 models were so successful, they were manufactured until 1991 and remain one of the best selling and most iconic tape delays ever made.

But Mike was right, the EP1 does sound better 😉

02/03/2026

Our Neumann TLM 170 from 1990 on vocal duty.

As used on: Tears for Fears ‘Everybody Wants to Rule the World’, Pet Shop Boys ‘Behaviour’, Pharrell Williams, Richard Ashcroft and Gorillaz first two albums.

22/02/2026

Great session with the very talented , definitely one to watch this year 👀 engineering by

18/02/2026

New Addition to the studio, the EXTC reamp

19/01/2026

Thanks for featuring us Gearnews.com. Some incredible studios listed 🙌🏻

Ever wanted to play an ARP 2500, EMS Synth 100 or Moog Modular? These and many more are waiting for you at these synthesizer studios.

10/01/2026

Oberheim Matrix 12 + Xpander = Oberheim Matrix 18

21/11/2025

The Moog Ta**us II was manufactured between 1981 and 1983, following its legendary predecessor, the Ta**us I. Unlike the integrated design of the original, the Ta**us II featured a separate, raised synthesizer module and an 18-note pedalboard, making it much easier to control onstage. The Ta**us II was a relatively short-lived model. Its engine was based on the monophonic Moog Rogue analog synthesizer, with two VCOs for sawtooth and square waves, a 24dB/octave low-pass filter, and dedicated CV/Gate outputs, allowing it to control other synths!

The Ta**us II was used by Rick Wakeman (Yes) and Mike Rutherford (Genesis) who experimented with it in the studio, sometimes pairing it with a Moog Source. It’s also been used by Phil Collins, Jean Michel Jarre and LCD Sound System. The foot-controlled synth gave musicians a way to layer in thick, driving bass lines and lead sounds without sacrificing their hands for other instruments.

**usII

10/11/2025

Sometimes you just need a mic, a guitar and a good room

Our unprocessed live room recording of our acoustic using our to capture it

Engineered by and performance by

17/10/2025

x Yamaha DX1