Kat Preston Art

Kat Preston Art Visual artist that explores the female form through sculpture and painting

All work is for sale and currently taking commissions

'Voluptuous Forms I' Wood Fired StonewareOpening up the kiln to reveal this piece was a striking moment..The form featur...
18/10/2024

'Voluptuous Forms I'
Wood Fired Stoneware

Opening up the kiln to reveal this piece was a striking moment..
The form features an Ash Glaze layered with a green Celadon, and the additional ash added during the firing created an intriging cascade of glaze running down the pot.

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This piece was created in a fast fired kiln

'Elemental Forms II'Woodfired CeramicI'm so pleased with how this piece turned out, especially as creating glazes is a n...
16/10/2024

'Elemental Forms II'
Woodfired Ceramic

I'm so pleased with how this piece turned out, especially as creating glazes is a new process for me.

The surface features an ash glaze sourced from my wood burner, with additional ash added during firing. This created a beautiful run down the surface, mottled with iron-rich, dark Tenmoku.

In this series, I’m reconnecting with the elemental forms and colors I love in nature, returning to foundational principles before moving back into figurative work.

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'Elemental Forms I'Woodfired Ceramic 2024In these recent works, I’ve taken a step back from obvious figurative work to e...
15/10/2024

'Elemental Forms I'

Woodfired Ceramic
2024

In these recent works, I’ve taken a step back from obvious figurative work to explore the foundational elements of form. This focus on shapes allows me to experiment with wood firing and discover what resonates with me in this process.

Ultimately, I believe this exploration will guide me back to more figurative creations, shaping my direction as I merge these elements with the heat of the kiln.

Fired for 15 hours in a fast-fired kiln, the surface of this sculpture was left unglazed and positioned directly in the flame and ash path. This process brought out a warm, rich hue in the clay body, beautifully contrasting with the ash glaze on the other side.



14/10/2024

This 12-hour firing took our kiln up to a scorching 1300°C (2372°F), and it was an intense, beautiful experience.

Until a few months ago, I had barely heard of wood firing, but after my trip to Portugal, I’ve been completely hooked. This process feels like a deep connection to the elements—using earth (the clay), water (in the glaze minerals), fire (to heat), and air (to stoke the flames). It’s symbolic, like harnessing nature to create art.

This firing taught me a lot about how to control the fire and maintain the ember bed. We choked the kiln a couple of times, setting us back by a few hours, but I’m grateful for the lessons learned from it.

Controlling the fire, embers, and ash to reach that 1300-degree mark was a challenge—feeling the heat as it burned, sweating while wrapped in layers of protective gear and enduring the physical demands of the process.

But there was also stillness: watching the embers, listening to the crackle, and reading the flame. I can already tell this will eventually become intuitive, and I’m excited to come back and push deeper into the craft.

Thank you , .a.wilson for all your guidance. And for the vid!

'Pear Drop II' Wood Fired Ceramic2024  This piece was a true test of risk and trust in the process. I placed it directly...
14/09/2024

'Pear Drop II'
Wood Fired Ceramic
2024

This piece was a true test of risk and trust in the process. I placed it directly under the firebox, where intense heat, fiery embers, and ash threatened to melt and destroy it entirely. Letting go of control and embracing the unpredictability was a major learning experience.

Luckily, the gamble paid off. The vessel now carries encrusted ash, giving it a raw, geological texture, almost as if it had been unearthed from deep within the earth.

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'Pear Drop I' Wood Fired ceramic2024 There's something so fulfilling about creating functional pieces that still embody ...
12/09/2024

'Pear Drop I'
Wood Fired ceramic
2024

There's something so fulfilling about creating functional pieces that still embody the curves of the female form. It’s like each piece tells a story through its shape, balancing beauty with utility. I can't seem to stop exploring these forms in my work!

'Odyssey'Wood Fired Ceramic202r‘Odyssey’ is a podium sculpture featuring a powerful figure of a woman at its pinnacle, s...
10/09/2024

'Odyssey'
Wood Fired Ceramic
202r

‘Odyssey’ is a podium sculpture featuring a powerful figure of a woman at its pinnacle, symbolising resilience and growth. The column's deeply textured surface evokes the appearance of a weathered wood, adorned with growths of fungi and ascending steps that lead to the figure. Its base, encrusted with layers of ash, gradually transitions to a metallic sheen as it rises, mirroring the evolution of the artistic journey.

The title ‘The Odyssey’ reflects the epic nature of this journey—an odyssey of artistic struggle and triumph. The sculpture captures the essence of overcoming obstacles and achieving creative heights, with the figure standing proudly despite being marred and disfigured. This piece embodies the trials and victories of reaching a significant creative milestone, highlighting the transformative process from raw beginnings to a refined artistic expression.

AVAILABLE

'The Resolute Muse'Wood Fired Ceramic2024This piece pays homage to the ancient Paleolithic Venus Figurines, which are of...
09/09/2024

'The Resolute Muse'

Wood Fired Ceramic
2024

This piece pays homage to the ancient Paleolithic Venus Figurines, which are often considered early representations of beauty ideals. It reflects my signature style and serves as a foundational element of my practice, drawing on the core influence of these historical sculptures. Titled ‘Vanguardians’, this on-going collection celebrates leading, powerful, and visionary women who stand at the forefront of their journey. These figures embody not only empowerment but also the role of protector and custodian of the feminine.

‘The Resolute Muse’ uniquely connects the ancient Venus figurines with the wood-firing process. Its textured surface, built up with layers of ash, evokes the sensation of having been unearthed alongside ancient relics, blending the timeless essence of the Venus sculptures with the elemental qualities of the wood-firing technique.

Part 3: The Big RevealOpening any kiln is always exciting, but revealing a wood-fired one is something else entirely. Ea...
09/09/2024

Part 3: The Big Reveal

Opening any kiln is always exciting, but revealing a wood-fired one is something else entirely. Each piece tells a unique story of where the fire and ash touched it and where it was placed in the kiln.

These truly fascinating 10 days have piqued my curiosity in alternative firing methods and to push a greater creative expression in my forms. I am excited to get back to the studio and see where this leads!

Thank you to the fantastic mentors , , and Renato . And a huge thanks to the amazing group who made this such an enriching and memorable experience.

.lajimbanna

The 3-day firing of the Sasukenei kiln has been an incredible experience.We took turns working in shifts, continuously f...
09/09/2024

The 3-day firing of the Sasukenei kiln has been an incredible experience.

We took turns working in shifts, continuously feeding wood into the kiln and gradually raising the temperature to around 1300°C. Then, we did a communal reduction to end the firing.

I can't wait to see the results!

Part 1:Nestled in the mountains of Portugal lies, a creative village called Cerdeira. A magical place for artists and cr...
09/09/2024

Part 1:

Nestled in the mountains of Portugal lies, a creative village called Cerdeira. A magical place for artists and creatives to learn, grow and connect in a tranquil environment.

This ceramic course specialises in the art of wood firing and Japanese ceramics led by .
I feel so incredibly lucky to be at this place. To learn t new techniques and be introduced to a new community of creatives.




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Manchester
M217LW

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