National Gallery

National Gallery The story of European art, masterpiece by masterpiece. We collect and care for the nation’s paintings and we share them with the world.
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What makes ‘The Rokeby Venus’ so unusual for its time? 🤔Diego Velázquez was born   in 1599. ‘The Rokeby Venus’ is the ar...
06/06/2026

What makes ‘The Rokeby Venus’ so unusual for its time? 🤔

Diego Velázquez was born in 1599. ‘The Rokeby Venus’ is the artist’s only surviving female n**e and one of his most celebrated works. Here, Venus, the goddess of love, reclines on her bed, the curve of her body echoed in the sweep of sumptuous satin fabric beneath her. Cupid, her son, holds a mirror up to her, its intertwining pink ribbons – used to hang it on a wall – are knotted at the top. The way these ribbons cross Cupid’s wrist may allude to a blindfold, one of his attributes, or to the shackles he used to bind the hearts of lovers.

This subject was rare in 17-century Spain, as overtly sensual images were met with disapproval by the Catholic Church. Despite this King Philip IV, and wealthy Spanish art collectors in his circle, did own mythological paintings depicting n**es. While we are not sure exactly when and where the painting was made, we can assume it was made for a wealthy patron or noble, likely in the king’s inner circle: https://bit.ly/2HojKMf

Step into a world of mystery, beauty and quiet wonder ✨Our latest five-star exhibition explores the life and work of Fra...
05/06/2026

Step into a world of mystery, beauty and quiet wonder ✨

Our latest five-star exhibition explores the life and work of Francisco de Zurbarán, one of the greatest painters of Baroque Spain. Move between his soaring altarpieces, exquisite still lifes, and majestic portraits, celebrated for their vivid naturalism and deep emotional power.

This exhibition, the first ever devoted to the artist in the UK, brings some of his greatest paintings to London from all over the world, spanning Zurbarán’s career from his first religious commissions to paintings made for private devotion.

Book your tickets to 'Zurbarán': https://bit.ly/43SmxGk

Until 23 August. Members go free.

04/06/2026

For better, or for worse? 💍👀

Join us as we take a closer look at the symbolism in William Hogarth’s ‘Marriage A-la-Mode: 1, The Marriage Settlement’.

03/06/2026

The colours we see in paintings today may not have been what the artists intended 😮

Because great art can't be rushed...From 3 July to 31 August, we'll be open for an extra hour every day. The Gallery wil...
02/06/2026

Because great art can't be rushed...

From 3 July to 31 August, we'll be open for an extra hour every day. The Gallery will stay open until 7pm daily, with late openings on Fridays continuing until 9pm.

You now have more time to explore world-class art, see our five-star show on visionary painter Zurbarán, savour unique dining experiences and socialise with friends.

Whether you're looking for somewhere to start your evening or relax post-work, make the National Gallery your go-to destination this summer.

Plan your visit: https://bit.ly/2rqMKfK

Why are this father and son depicted this way? 🤔Nestled quietly in a corner of our Room 4, beside Holbein's 'The Ambassa...
01/06/2026

Why are this father and son depicted this way? 🤔

Nestled quietly in a corner of our Room 4, beside Holbein's 'The Ambassadors', is a father-and-son portrait from 1515 by Lorenzo Lotto. It depicts Giovanni Agostino della Torre, a distinguished doctor and citizen of Bergamo. He is surrounded by objects that highlight his profession, such as the book labelled ‘Galienus’, meaning Galen, who was the great medical authority of the ancient world. The man behind Agostino, crowded rather ungracefully into the background, is Niccolò, Agostino’s only son. The composition suggests that Agostino was originally intended to be portrayed alone, with Niccolò having been added after the portrait was composed and possibly originally completed.

Writer Tom Hodgkinson reflects on this 500-year-old painting 'The Physician Giovanni Agostino della Torre and his son, Niccolò' for June's Picture of the Month: https://bit.ly/3Rsfv7v

Can you guess the 'Bigger Picture'? 🤔In this portrait a figure holds a glove lightly between two fingers. Gloves were fa...
31/05/2026

Can you guess the 'Bigger Picture'? 🤔

In this portrait a figure holds a glove lightly between two fingers. Gloves were fashionable items, but in portraiture, they could sometimes symbolise love and friendship. If a figure was depicted removing a glove, or allowing it to fall, it could symbolise the end of a valued friendship or the letting go of authority.

Find out more: https://bit.ly/4uAsCBS

30/05/2026

Why is this painting of a felt hat nicknamed 'The Straw Hat'? 🤨

Peter Paul Rubens died in 1640. Join curator Bart Cornelis to take a closer look at Rubens's portrait of Susanna Lunden and the explanation behind it's confusing title.

Watch the full film here: https://bit.ly/4ql7wGg

Last chance to see! 📣Step into the world of George Stubbs; the visionary British painter whose pictures of horses are so...
29/05/2026

Last chance to see! 📣

Step into the world of George Stubbs; the visionary British painter whose pictures of horses are some of the most accurate ever painted. Join us as we celebrate his mastery of this majestic subject, and learn about the creation of 'Scrub', a monumental portrait of a rearing racehorse.

Displayed alongside anatomical drawings and other paintings by the artist, discover how Stubbs changed the spirit of equine art forever.

Find out more about 'Stubbs: Portrait of a Horse': https://bit.ly/475Xot3

Until 31 May 2026 in Room 1.

Which of these iconic artworks would you visit first? 👀 Our collection is free for everyone to enjoy, and your support h...
28/05/2026

Which of these iconic artworks would you visit first? 👀

Our collection is free for everyone to enjoy, and your support helps us care for the nation’s paintings and make them accessible to the widest possible public, from one of the few surviving paintings by the most successful female artist of the 17th-century, to the first painting to ever appear on a British postage stamp.

Every donation, no matter the size, makes a big difference. With your help, we can grow our collection for generations to enjoy, restore artworks and safeguard them for the future.

By supporting us, you are supporting free art for everyone. Learn more about how you can support us here: https://bit.ly/3uLSagu

1) Artemisia Gentileschi, 'Self Portrait as Saint Catherine of Alexandria', about 1615-17.
2) Sir Thomas Lawrence, 'Charles William Lambton', 1825.
3) Floris van Dijck, 'A Banquet Still Life', 1622.
4) Annibale Carracci, 'The Holy Family with the Infant Saint John the Baptist', about 1600.

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