Sarah Myerscough Gallery

Sarah Myerscough Gallery International design gallery featuring established & emerging artists working in natural materials.

Established in 1998, Sarah Myerscough Gallery represents a distinguished group of contemporary craft and design artists, specialising in material-led processes with a focus on wood. The gallery works in both public and private collections, maintains a full programme of exhibitions and participates in leading art fairs around the world, including PAD London, Masterpiece London, Design Miami/Basel, Design Miami, SALON Art + Design New York, and FOG Design + Art San Francisco.

17/06/2026

Beneath the Skin by Aneta Regel, opening 27 June, 2026.

“The natural world is filled with exquisite geometries alongside irregular forms that grow and erode in unpredictable ways. Unrefined and raw, these vessels are built from clay, rocks, and pigment, conjuring poetry in the misshapen. They loosely reference nature, the human body and the man-made, at times resembling contorted branches or fragments of limbs.

My process pairs innovative practices with pottery’s centuries-old traditions. Parts from other pieces, which have already been fired and glazed, are incorporated, as are rocks and other unprocessed ceramic materials.

Often, materials change and ooze from beneath the skin of outer layers. My own memories are also incorporated- allusions to the post-glacial landscapes of my native Poland. To work with clay and stone is to enter into dialogue with nature: direct, material, spontaneous. An almost primitive response to the matter is fundamental in this process. I control most of the process, but what excites me most is the uncontrollable- something that emerges from within the form and the material. A secret.” - Aneta Regel on Beneath the Skin

Opening 27 June, 2026

The Schoolhouse⁠
18 Balderton Street⁠
Mayfair⁠
W1K 6TG⁠
London⁠
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Ph. Courtesy of the artist, Matthew Booth  & Sylvain Deleu 

A behind-the-scenes look into the process of California-based sculptor and designer, Ian Collings. Ian’s collections of ...
25/05/2026

A behind-the-scenes look into the process of California-based sculptor and designer, Ian Collings.

Ian’s collections of sculpture and functional objects are influenced by his immersion in the natural world, and through an intellectual inquiry into the nature of things. With a bachelor’s of Industrial Design from Pratt Institute in Brooklyn, NY, Ian co-founded the furniture design company Fort Standard in 2011. He left the company in 2018 to dedicate himself to his sculptural work which had been a driving motivation throughout the venture.

After a three year inspirational hiatus spent living mostly in the rainforest of Central America, his new insights and well developed interests of the past are synthesised in a robust spectrum of new works. The treatment of material into both industrial and organic forms are underpinned by themes of emergence and interconnectedness in his work.

These new works are each constituted by stone, specifically Baja Onyx and Pink Marble, marking a novel material direction for the gallery. Tectonic pressures and geologic forces generate the origin stories of rock. Embedded in the artist’s approach, is the knowledge that stone is formed through such material journeys. Molten surfaces, rugged crevices, flowing lines, and details recalling the moment of a stone’s formation. Static works capturing deep-time movements.

Ph. Courtesy of the artist.

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Ian Collings
Stone Seat I, 2026
Onyx

Stone Seat II, 2026
Onyx

Stone Bowl II, 2026
Marble

Presented at TEFAF New York, 2026

A connection to the past is profound in Eleanor Lakelin’s work; she is fascinated by wood as a living, breathing substan...
24/05/2026

A connection to the past is profound in Eleanor Lakelin’s work; she is fascinated by wood as a living, breathing substance with its own history of growth and struggle, centuries beyond our own. Her sculptural objects made in Horse Chestnut are created using a traditional woodworking lathe and centuries-old chisels and gouges, alongside modern tools and carving techniques. Her vessels appear like archaeological objects pulled from the ground; classical forms are referenced and smooth surfaces, reminiscent of ossified matter, rhythmically yield to knotted sections of burr.

Engaging in sustainable practices, Eleanor works only with trees grown in Britain and felled due to decay. A deep knowledge and a passionate interest in the natural properties of wood result in forms that seem true to the spirit of the material and which encourage us to look at the complexities of nature with a new perspective. Material is transformed into objects that invite touch and reflection, reminding us of our emotional bond with wood and, in turn, our wider relationship to the elemental earth.

Eleanor Lakelin
Column Vessel #1, 2024
Horse Chestnut Burr, Bleached

Untitled #2 (Gateway), 2026
Bleached horse-chestnut burr

Presented at TEFAF New York, 2026

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Ph. Courtesy of the artist, Michael Harvey, Evan Mason &
V.

A behind-the-scenes look into the process of the Kumo Pendant by internationally renowned artist, Nic Webb.Nic Webb is b...
23/05/2026

A behind-the-scenes look into the process of the Kumo Pendant by internationally renowned artist, Nic Webb.

Nic Webb is based in East Sussex, on the UK’s southern coast. Deeply influenced by his surrounding landscape, his studio is situated within a historic 15th century tithe barn setting. His work sits at the forefront of British craft and has been widely exhibited across the UK, USA and Europe, including presentations at Galerie56, New York, and Homo Faber, Venice. Webb’s works are held in major private collections worldwide and have been shown at leading international fairs including Design Miami, PAD London, FOG Design + Art and TEFAF Maastricht.

Webb’s practice spans sculpture and furniture, most notably his seminal English Oak light pendants. The artist creates these organic works by carving into locally sourced logs that are hundreds of years old, using a labour rich process that takes many months. The mighty English oak is memorialised in the artist’s studio; Webb celebrates a life lived in landscape, encapsulated within the dramatic beauty and intrinsic characteristics found within the timber’s heart.

The artist comments, “I grew up in rural Suffolk, spending my childhood running through the woods, playing and building among the trees. Only later did I realise that this early connection would grow into the foundation of my creative life. Wood has always inspired me with its ever changing form. I am fortunate now to have a studio in the East Sussex countryside, where my team and I endeavour to create objects that reflect the beauty of the natural world.”

Ph. Courtesy of the artist &

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Nic Webb
Kumo Pendant, 2025
English oak, scorched, oiled exterior

Presented at TEFAF New York, 2026.

Morphocatalysis, presented at TEFAF New York, 2026.This is the second sculptural vessel in Ori Orisun Merhav’s ‘Morpho’ ...
19/05/2026

Morphocatalysis, presented at TEFAF New York, 2026.

This is the second sculptural vessel in Ori Orisun Merhav’s ‘Morpho’ series, which launched with the acquisition of the inaugural piece, Morphogenesis, by the Centre Pompidou.

Following this acquisition, Ori and her research partner, Ninon de Loisy, spent three months developing a coded language by scanning textures from insect cocoons and translating them into algorithms that imitate their architectural logic and patterns of growth.

This vessel is Ori’s interpretation of the insect’s womb - extruded through her custom “insect printer,” using a code derived directly from the cocoon itself. The belly of the piece reveals a mosaic-like section, composed of fragments of failed experiments and misprints. These remnants are not discarded, but carefully assembled into a meticulous patchwork — a way of commemorating the process and embedding its memory into the object.

Morphocatalysis is imagined as an artefact discovered during archaeological excavations along the Silk Road. Its origin appears uncertain, as if displaced in time - perhaps from a future where humans fabricate nature, or from a distant past in which insects and humans co-created.

This work is part of an edition of 26 sculptural vessels, through which this language and narrative will continue to unfold.

Ori Orisun Merhav
Morphocatalysis, 2026
3D printed insects resin

New York | Stand 205, upstairs in the historic rooms | 15 - 19 May 2026⁠

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Ph. Courtesy of the artist & .mimesis

Aztec Two Step, presented at TEFAF New York, 2026.For the past 17 years, Full Grown has been pioneering a groundbreaking...
16/05/2026

Aztec Two Step, presented at TEFAF New York, 2026.

For the past 17 years, Full Grown has been pioneering a groundbreaking collaboration with nature, cultivating tree-grown chairs as a response to the environmental crisis. Founded in 2006 by Gavin Munro and now run alongside his partner Alice Munro, the project has evolved into a globally recognised practice of living design. Munro’s invaluable experience has positioned him as a leading expert in the expanding field of bio-design, developing new techniques and experimental approaches that bridge horticulture, craftsmanship, and sustainable production.

Full Grown
Aztec Two Step, 2025
Salix Viminalis (Willow)

TEFAF New York | Stand 205, upstairs in the historic rooms | 15 - 19 May 2026⁠

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Ph. Courtesy of the artist, Chris Webb &
Video. .co

Our inaugural TEFAF New York stand, open now until 19 May.We have curated a beautiful selection of art and design pieces...
16/05/2026

Our inaugural TEFAF New York stand, open now until 19 May.

We have curated a beautiful selection of art and design pieces celebrating “The Crafted Arts,” that have been purposefully commissioned to sit dynamically within the wood panelled historic rooms on the first floor of the Armory. In an era defined by accelerating AI and digital production, this collection showcases contemporary pieces grounded in ancestral making techniques, firmly situated within the visual arts genre.

Featured Artists: Arko, Ash & Plumb, Dana Barnes, Ian Collings, Marc Fish, Luke Fuller, Full Grown, Ernst Gamperl, Christopher Kurtz, Eleanor Lakelin, Ori Orisun Merhav, Aneta Regel, Adi Toch and Nic Webb.

Ph. Studio Shapiro

TEFAF New York | Stand 205 | 15 - 19 May 2026

Lascivia Astus, presented at TEFAF New York, 2026.Crafted from a recently felled, dead-standing Oak sourced from the anc...
15/05/2026

Lascivia Astus, presented at TEFAF New York, 2026.

Crafted from a recently felled, dead-standing Oak sourced from the ancient woodland Ash & Plumb work within West Sussex, Lascivia Astus is a mischievous play on antiquity in an unexpected medium. Each of the five vessels are intricately hewn from a single block of Oak, a dance of archetypical form from one piece to the next drawing on historical design to tell a contemporary narrative. The works feature a charred, eroded and burnished patina with a multitude of rugged natural fissures that have been secured with light touches of hand stitched waxed cotton thread. A celebration of the raw beauty of imperfection juxtaposed with intricate and ancient form.

Ash & Plumb
Lascivia Astus, 2026
English oak with waxed cotton

Ph. Courtesy of the artist

TEFAF New York | Stand 205, upstairs in the historic rooms | 15 - 19 May 2026

Address

18 Balderton Street
London
W1K6TG

Opening Hours

Monday 10am - 6pm
Tuesday 10am - 6pm
Wednesday 10am - 6pm
Thursday 10am - 6pm
Friday 10am - 6pm
Saturday 12pm - 3pm

Telephone

+442074950069

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