Paul Mellon Centre for Studies in British Art

Paul Mellon Centre for Studies in British Art Supporting new ways of understanding British art history and culture. https://linktr.ee/paulmelloncentr

✨Published today: City of the Gallows by Meredith GamerOver the course of the eighteenth century, the visual arts in Bri...
26/05/2026

✨Published today: City of the Gallows by Meredith Gamer

Over the course of the eighteenth century, the visual arts in Britain flourished as never before. The nation’s first art academies were founded; its first exhibitions of contemporary art were staged; and a vastly expanded public for the arts began to form. This book demonstrates that these developments were intimately linked to another, darker kind of art: the spectacle of capital punishment. Between 1680 and 1820, the number of crimes punishable by death under British law rose dramatically – from roughly fifty to more than two hundred – and at Tyburn, London’s main ex*****on ground, dozens of people were hanged each year before thousands of spectators.

City of the Gallows uncovers the complex and often unexpected connections between eighteenth-century London’s sites of punishment and its spaces of art-making, instruction, and display. Drawing together a wide range of images, objects, and texts – from popular woodcuts and anatomical sculptures to moral tracts and dictionaries of slang – it offers new readings of works by major artists, such as William Hogarth, Johan Zoffany, and Joseph Wright of Derby, and shines a light on others that traditional accounts of the period have overlooked or ignored. In doing so, this book shows how state violence shaped the art and visual culture of this era, whose legacies persist to this day.

Meredith Gamer is associate professor in the Department of Art History and Archaeology at Columbia University, where she specialises in the art and visual culture of eighteenth-century Britain and the Atlantic world.

Available to purchase now: https://yalebooks.co.uk/book/9781913107529/city-of-the-gallows/

Coming soon: How the UK’s largest international airport remade a local landscapeMark Crinson’s Aviationland is the first...
21/05/2026

Coming soon: How the UK’s largest international airport remade a local landscape

Mark Crinson’s Aviationland is the first critical study to examine how a major international airport takes shape on the ground, and what that means for the landscape around it. Focused on Heathrow airport, it traces how the area has been formed and reformed by overlapping systems of architecture, infrastructure and enclosure, from the common land of Hounslow Heath in the eighteenth century to the global transport hub of the present day.

The book explores the different forces that have shaped the airport’s environment: the remaking of landforms, the design of terminal buildings and the surrounding sprawl of hotels, schools, factories and business parks. At the same time, it shows how the Heathrow area has been moulded by wider shifts in energy, mobility and the economy, and how the airport has in turn left a lasting mark on its surroundings, both materially and ecologically.

Mark Crinson is emeritus professor of architectural history at Birkbeck (University of London). He is the author of many books, including Shock City: Image and Architecture in Industrial Manchester (2022). His books have won the Spiro Kostof Prize (2006) and the Historians of British Art Prize (2014 and 2024). He was elected Fellow of the British Academy in 2023.

Pre-order now: https://yalebooks.co.uk/book/9781913107536/aviationland/

✨Available now: Museums in the Wake of Empire by Claire Wintle Museums in the Wake of Empire is the first nation‑wide st...
13/05/2026

✨Available now: Museums in the Wake of Empire by Claire Wintle

Museums in the Wake of Empire is the first nation‑wide study of how British museums engaged with cultural heritage from Africa, Asia, Oceania and the Indigenous Americas between 1945 and 1980. Challenging notions of institutional stagnation, the book uncovers a dynamic, politically charged era in which museum professionals navigated the shifting terrain of professionalisation, decolonisation, imperialism and its afterlives.

Drawing on extensive archival research, newly recorded oral histories and visual culture analysis, the book examines how museum professionals – including curators, conservators, designers and technicians – shaped practices of acquisition, disposal, conservation, documentation, storage and display.

Focusing on institutions ranging from national and regional museums to university and independent collections, it reveals how these practices intersected with global political change, disciplinary shifts in anthropology and art history, and the material pressures of imperial collections.

Claire Wintle teaches museum studies and art history at the University of Brighton where she directs the Centre for Design History.

Available to purchase now: https://yalebooks.co.uk/book/9781913107550/museums-in-the-wake-of-empire/

Coming Soon: The first art-historical account of photography from London’s le***an s*x-radical scene Flora Dunster’s new...
08/05/2026

Coming Soon: The first art-historical account of photography from London’s le***an s*x-radical scene

Flora Dunster’s new book, Hurled Towards the Future, explores how le***an photographers in late 1980s and early 1990s London worked within a climate of resistance and possibility to imagine – and create – a q***r future. Focusing on the work of Tessa Boffin and Del LaGrace Volcano, this book argues that, through their photography, these artists made a critical contribution to the reclamation of ‘q***r’ as both a political identification and an aesthetic practice.

Challenging the idea that q***r politics and aesthetics developed solely through activism around HIV/AIDS, Hurled Towards the Future offers an alternative account that locates this history in a Britain shaped by Section 28, the s*x wars and a series of debates around po*******hy and representation. While those disputes often sought to fix the meaning of ‘le***an’ and ‘feminist’, Boffin and Volcano moved in a different direction, and created work that used performance, parody and fantasy to ask ‘what if?’ of gender and s*xuality – reimagining these terms as open, fluid and radically inclusive.

The first art-historical study of London’s le***an s*x-radical scene, Hurled Towards the Future features its most iconic photographs and includes previously unpublished materials from Boffin’s archive. It also provides a new reading of Volcano’s early practice, positioning both artists in relation to British photo theory and its challenge to the idea of ‘natural’ gender and s*xuality. These threads are brought together through the book’s articulation of the subjunctive – a mood at work in these artists’ photographs that insists on possibility, and on the political force of imagining otherwise.

Pre-order now: https://yalebooks.co.uk/book/9781913107543/hurled-towards-the-future/

Background image: Del LaGrace Volcano, Jane, Jane, Queen of Pain, Finsbury Park, London 1987. © Della Grace/Del LaGrace Volcano.

Are you interested in supporting multifaceted projects and programmes with researchers, curators, artists, scholars and ...
06/05/2026

Are you interested in supporting multifaceted projects and programmes with researchers, curators, artists, scholars and professionals?

We are looking to appoint a Research Programmes and Events Coordinator to coordinate and develop a wide range of research projects, partnerships and events.

This is an exciting opportunity for someone who is keen to gain further experience in project coordination and programme delivery, engaging with national and international partners and some of the most interesting artists, thinkers and arts professionals of our time.

More information and how to apply can be found here: https://pmc.ac/uoIVD

Coming soon: The macabre, interwoven histories of art and punishment in eighteenth-century LondonOver the course of the ...
24/04/2026

Coming soon: The macabre, interwoven histories of art and punishment in eighteenth-century London

Over the course of the eighteenth century, the visual arts in Britain flourished as never before. The nation’s first art academies were founded; its first exhibitions of contemporary art were staged; and a vastly expanded public for the arts began to form. Meredith Gamer’s new book, City of the Gallows, demonstrates that these developments were intimately linked to another, darker kind of art: the spectacle of capital punishment. Between 1680 and 1820, the number of crimes punishable by death under British law rose dramatically – from roughly fifty to more than two hundred – and at Tyburn, London’s main ex*****on ground, dozens of people were hanged each year before thousands of spectators.

City of the Gallows uncovers the complex and often unexpected connections between eighteenth-century London’s sites of punishment and its spaces of art-making, instruction, and display. Drawing together a wide range of images, objects, and texts – from popular woodcuts and anatomical sculptures to moral tracts and dictionaries of slang – it offers new readings of works by major artists, such as William Hogarth, Johan Zoffany, and Joseph Wright of Derby, and shines a light on others that traditional accounts of the period have overlooked or ignored. In doing so, this book shows how state violence shaped the art and visual culture of this era, whose legacies persist to this day.

Pre-order now: https://yalebooks.co.uk/book/9781913107529/city-of-the-gallows/

Coming soon: A history of museums entangled in empire and the unfinished work of decolonisation Claire Wintle’s new book...
07/04/2026

Coming soon: A history of museums entangled in empire and the unfinished work of decolonisation

Claire Wintle’s new book, Museums in the Wake of Empire, is the first nation‑wide study of how British museums engaged with cultural heritage from Africa, Asia, Oceania and the Indigenous Americas between 1945 and 1980. Challenging notions of institutional stagnation, the book uncovers a dynamic, politically charged era in which museum professionals navigated the shifting terrain of professionalisation, decolonisation, imperialism and its afterlives.

Drawing on extensive archival research, newly recorded oral histories and visual culture analysis, the book examines how museum professionals – including curators, conservators, designers and technicians – shaped practices of acquisition, disposal, conservation, documentation, storage and display.

Focusing on institutions ranging from national and regional museums to university and independent collections, it reveals how these practices intersected with global political change, disciplinary shifts in anthropology and art history, and the material pressures of imperial collections.

Pre-order now: https://yalebooks.co.uk/book/9781913107550/museums-in-the-wake-of-empire/

Along with The Fleming Collection we’re launching a Curatorial Research Residency to develop the skills of an early-care...
01/04/2026

Along with The Fleming Collection we’re launching a Curatorial Research Residency to develop the skills of an early-career level researcher or curator.

This Residency will support an early-career researcher with a strong interest in Scottish art to undertake in-depth curatorial research utilising both the Fleming-Wyfold Art Foundation’s collection and the Paul Mellon Centre’s Archives & Library. They will then develop a proposal for a display suitable for the PMC’s Display Room. The successful applicant will receive a research fee of £4,000, and research expenses of up to £2,000 will be covered.

Find out more here / at the link in bio.

We’re looking for a Head of Systems, Data and Technology to provide visionary transformation in developing our systems a...
13/03/2026

We’re looking for a Head of Systems, Data and Technology to provide visionary transformation in developing our systems and services. This post will advise on how digital technologies can assist the Paul Mellon Centre in meeting our strategic priorities: opening up studies in British art, putting research at the core of everything we do and creating and sustaining pathways into British art.

Recruitment for this position is being managed by Peridot Partners. Find out more and apply here: https://www.peridotpartners.co.uk/jobs/head-of-systems-data-and-technology-paul-mellon-centre/

What Is Research Now? returns this week.Final tickets are available for Disabled Legacies: Beyond Access and Inclusion, ...
23/02/2026

What Is Research Now? returns this week.

Final tickets are available for Disabled Legacies: Beyond Access and Inclusion, a gathering taking place on Friday 27 and Saturday 28 Feb, which includes an opening talk from Sandy Ho, Executive Director of the Disability & Philanthropy Forum, drawing on the writings of the writer and activist Alice Wong.

The events are primarily taking place at the Building Centre, an accessible event space located on Store Street, nearby to the Paul Mellon Centre. More information about the venue is available on the event pages on our website.

Learn more and book free tickets via the link.

Featured artwork: Riva Lehrer, Zoom Portraits: Alice Wong, graphite/coloured pencil on paper, 25.25 x 31.25, 2020

Address

16 Bedford Square
London
WC1B3JA

Opening Hours

Monday 10am - 5pm
Tuesday 10am - 5pm
Wednesday 10am - 5pm
Thursday 10am - 5pm
Friday 10am - 5pm

Telephone

0207 580 0311

Alerts

Be the first to know and let us send you an email when Paul Mellon Centre for Studies in British Art posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Share

Category