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Mike Vernon MBE, the influential English music executive, studio owner and record producer best known for shaping the Br...
04/03/2026

Mike Vernon MBE, the influential English music executive, studio owner and record producer best known for shaping the British blues movement of the 1960s, died on March 2, 2026. He was 81.

Born in Harrow, Middlesex, on November 20, 1944, Vernon became one of the central figures in the development of British blues-rock. He began working at Decca Records in 1963 and quickly established himself as a producer with a keen ear for emerging talent. Among his most significant early achievements was producing Blues Breakers with Eric Clapton (1966) for John Mayall & the Bluesbreakers, a landmark album widely credited with defining the British blues-rock sound.

In 1965, Vernon founded the independent label Blue Horizon, which became a cornerstone of the UK blues scene. Through Blue Horizon, he worked with artists including Fleetwood Mac, Savoy Brown, Chicken Shack, Ten Years After, and Climax Blues Band, among others. In 1968, he produced Fleetwood Mac’s million-selling instrumental hit “Albatross,” which reached No. 1 in the UK. A year earlier, he had produced the 1967 debut album by David Bowie for Deram Records.

Vernon also worked with notable figures including Peter Green, Danny Kirwan, Christine McVie, Duster Bennett, Eric Clapton and John Mayall. The 1971 Blue Horizon release Bring It Back Home featured guest appearances by Paul Kossoff and Rory Gallagher. In 1973, Vernon issued his own solo album, Moment of Madness, on Sire Records.

Beyond production, Vernon was active as a performer. He was a member of Olympic Runners from 1974 to 1979 and later joined Rocky Sharpe and the Replays (1979–1983), singing bass under the pseudonym Eric Rondo. In the 1990s, he founded the Indigo and Code Blue record labels.

In 1971, Vernon and his brother Richard opened Chipping Norton Recording Studios as Blue Horizon’s in-house facility. The studio evolved into a major commercial operation, remaining active until 1999 and hosting recordings by numerous high-profile artists. Hit singles recorded there included “Baker Street” by Gerry Rafferty, “In the Army Now” by Status Quo, “Too Shy” by Kajagoogoo, “I’m Gonna Be (500 Miles)” by the Proclaimers, “(I Just) Died in Your Arms” by Cutting Crew, “Hocus Pocus” by Focus, and “Bye, Bye, Baby (Baby Goodbye)” by the Bay City Rollers. Duran Duran recorded much of their 1981 debut album there, and Radiohead recorded their 1993 debut Pablo Honey, including the single “Creep,” at the studio.

After relocating to Spain in the early 2000s, Vernon largely stepped back from the industry but returned to production in 2010–11, working with contemporary blues artists including Dani Wilde and Oli Brown. In 2018, he released Beyond The Blue Horizon on Manhaton Records, supported by a European tour under the name Mike Vernon & The Mighty Combo.

In 2013, he received the BASCA Gold Badge Award in recognition of his outstanding contribution to music. He was appointed Member of the Order of the British Empire (MBE) in the 2020 Birthday Honours for services to music.

Over a career spanning more than five decades, Michael Vernon played a defining role in elevating blues music within the United Kingdom and beyond, leaving a lasting imprint on the evolution of modern rock and popular music.

PRODUCER DISCOGRAPHY

1965 – Five Long Years – Eddie Boyd
1965 – From the Land of Green Ginger – The Green Ginger Three
1966 – From New Orleans to Chicago – Champion Jack Dupree
1966 – Bluesbreakers with Eric Clapton – John Mayall & the Bluesbreakers
1966 – Art Gallery – The Artwoods
1966 – "Rubber Band" – David Bowie
1966 – Sound of Sitar – Chim Kothari
1966 – I Tried – Savoy Brown Blues Band
1967 – Champion Jack Dupree and His Blues Band – Champion Jack Dupree featuring Mickey Baker
1967 – "Love You till Tuesday" – David Bowie
1967 – The Blues Alone – John Mayall
1967 – A Hard Road – John Mayall & the Bluesbreakers
1967 – Crusade – John Mayall & the Bluesbreakers
1967 – David Bowie – David Bowie
1967 – Eddie Boyd and His Blues Band – Eddie Boyd (Liner notes)
1967 – Raw Blues – Various Artists
1967 – Shake Down – Savoy Brown
1967 – Ten Years After – Ten Years After
1968 – The 1968 Memphis Country Blues Festival – Various Artists
1968 – Roosevelt Holts: Presenting The Country Blues (Production)
1968 – 40 Blue Fingers, Freshly Packed and Ready to Serve – Chicken Shack
1968 – 7936 South Rhodes – Eddie Boyd
1968 – Bare Wires – John Mayall & the Bluesbreakers
1968 – Blues from Laurel Canyon – John Mayall
1968 – Long Overdue – Gordon Smith
1968 – Diary of a Band, Vol. 1 – John Mayall & the Bluesbreakers
1968 – Diary of a Band, Vol. 2 – John Mayall & the Bluesbreakers
1968 – Getting to the Point – Savoy Brown
1968 – Last Night's Dream – Johnny Shines
1968 – Fleetwood Mac – Fleetwood Mac
1968 – Mr. Wonderful – Fleetwood Mac
1968 – Undead – Ten Years After (Liner notes)
1968 – Fully Interlocking – The Web
1968 – Memphis Hot Shots – Bukka White (Production, liner notes, photo)
1968 -- "Albatross" – Fleetwood Mac
1969 – 100 Ton Chicken – Chicken Shack
1969 – The Biggest Thing Since Colossus – Otis Spann (Liner notes)
1969 – Blue Matter – Savoy Brown (Percussion, arranger, assistant)
1969 – Fleetwood Mac in Chicago/Blues Jam in Chicago, Vols. 1-2 – Fleetwood Mac
1969 – English Rose – Fleetwood Mac
1969 – First Slice – Jellybread
1969 – Heavy Blues – Champion Jack Dupree
1969 – Looking Back – John Mayall (Liner notes)
1969 – Midnight Jump – Sunnyland Slim
1969 – O.K. Ken? – Chicken Shack
1969 – Fiends And Angels – Martha Veléz
1969 – Patent Pending – The Johnny Almond Music Machine
1969 – The Pious Bird of Good Omen – Fleetwood Mac
1969 – A Step Further – Savoy Brown (Percussion, bells)
1969 – Box Of Surprises – Dana Gillespie (Production)
1969 – Stonedhenge – Ten Years After (Vocals)
1969 – Presenting the Country Blues/Furry Lewis (Production, liner notes)
1969 – Presenting the Country Blues/Mississippi Joe Callicott (Production, liner notes)
1970 – Theraphosa Blondi – The Web
1970 – Stars of the 1969–1970 Memphis Country Blues Festival – Various Artists
1970 – Grease One for Me – Bacon Fat
1970 – Christine Perfect – Christine McVie
1970 – White Hot Blue Black – John L. Watson
1970 – In and Out of Focus – Focus (Liner notes, supervisor)
1970 – The End of the Game – Peter Green
1970 – Accept – Chicken Shack
1971 – Black Magic Woman – Fleetwood Mac
1971 – Bring It Back Home – Mike Vernon (Harmonica, percussion, vocals)
1971 – The Original Fleetwood Mac – Fleetwood Mac
1971 – Moving Waves – Focus (Liner notes, supervisor)
1971 – Rick Hayward – Rick Hayward (Liner notes)
1971 – Thru the Years – John Mayall
1972 – Alvin Lee and Company – Ten Years After
1972 – Discovering the Blues – Robben Ford
1972 – Focus 3 – Focus (Supervisor, backing vocals)
1972 – Rocking at the Tweed Mill – Livin' Blues
1973 – At the Rainbow – Focus (Supervisor)
1973 – History of British Blues Vol. 1 (Various Artists) (Production, liner notes and on one song)
1973 – Ram Jam Josey – Livin' Blues
1974 – Burglar – Freddie King (Percussion)
1974 – Hamburger Concerto – Focus
1975 – Larger Than Life – Freddie King (Percussion)
1975 – Love Is a Five Letter Word – Jimmy Witherspoon (Percussion)
1975 – Out in Front – Olympic Runners (Percussion)
1975 – Vintage Years – Fleetwood Mac
1976 – Do You Wanna Do a Thing – Bloodstone
1976 – Gold Plated – Climax Blues Band
1976 – Live – Jimmy Witherspoon & Robben Ford (Executive production, editing, mixing)
1977 – Best of Savoy Brown – Savoy Brown
1977 – Edwin Starr – Edwin Starr (Tambourine, vibraslap)
1977 – Hot to Trot – Olympic Runners (Percussion, vocals)
1977 – On the Line – Foster Brothers
1977 – Ship of Memories – Focus
1977 – Soul Survivors – Diversions
1978 – Focus con Proby – Focus (Liner notes, supervisor)
1978 – Puttin' It Onya – Olympic Runners (Percussion, vocals)
1979 – Let It Roll – Dr. Feelgood
1979 – Out of the Ground – Olympic Runners (Percussion)
1979 – Rama Lama – Rocky Sharpe and the Replays
1980 – Rock-It-To Mars – Rocky Sharpe and the Replays
1980 – Let's Go (Shout! Shout!) – Rocky Sharpe and the Replays
1981 – Level 42 – Level 42
1982 – The Pursuit of Accidents – Level 42
1983 – Stop! Please Stop! – Rocky Sharpe and the Replays
1983 – Good Rockin' Tonight – Johnny & the Roccos (Production)[16]
1984 – End of the Line – Pete McDonald
1985 – Graffiti – New Jordal Swingers
1986 – Mad Man Blues – Dr. Feelgood
1986 – On the Loose – Steve Gibbons
1987 – Hat Trick – Blues 'N' Trouble (Percussion)
1987 – Guitar Guitar – 32/20
1988 – Crossroads – Eric Clapton
1988 – Great British Psychedelic Trip, Vol. 1, 1966-69 – Various Artists
1988 – John Mayall and the Bluesbreakers – John Mayall
1988 – Roachford – Roachford
1988 – Songs for the Weekend – New Jordal Swingers
1988 - “Bad to the Bone” - Bad to the Bone
1989 – Level Best – Level 42
1989 – Singles – The UA Years – Dr. Feelgood
1989 – Steel & Fire – The Mick Clarke Band (Engineer)
1989 – Mick 'Wildman' Pini – Mick Pini
1989 – Storyteller – The Complete Anthology: 1964–1990 – Rod Stewart
1990 - “Whirlwind on Fire” - Bad to the Bone
1990 – Blues It Up – Dana Gillespie (Percussion)
1991 – That's What The Blues Can Do – The Innes Sibun Blues Explosion (Production)[17]
1991 – Second Sight – Chris Youlden (Vocals, engineer)
1992 – 25 Years – The Chain – Fleetwood Mac
1992 – Attack of the Atomic Guitar – U.P. Wilson (Engineer, mixing)
1992 – Blue Lightning – Lightnin' Slim (Mixing)
1992 – Blues, the Whole Blues & Nothing But the Blues – Jimmy Witherspoon (Percussion, engineer, mixing, liner notes)[3]
1992 – Chiswick Story – Various Artists
1992 – Delta Bluesman – David Honeyboy Edwards
1993 – Dog Days Are Over – The Scabs
1993 – Delta Hurricane – Larry McCray
1993 – Clima Raro – Danza Invisible
1994 – I'm the Man – Sherman Robertson
1994 – Live Dog – The Scabs
1994 – Sound Like This – The Hoax
1994 – Al Compás de la Banda – Danza Invisible
1995 – The Real Deal – John Primer
1995 – Dos Caras Distintas – Los Secretos
1996 – A Man Amongst Men – Bo Diddley (Production, liner notes, percussion)
1997 – Me To You – Eric Bibb (Production, backing vocals, percussion)
1998 – Swango – Candye Kane (Production, backing vocals, tambourine)
1999 – The Complete Blue Horizon Sessions 1967–1969 – Fleetwood Mac (Production)
2007 – The Complete Blue Horizon Sessions – Otis Spann (Production)
2007 – Furry Lewis & Mississippi Joe Callicott – The Complete Blue Horizon Sessions (Production, liner notes, photos)
2007 – The 1968 Memphis Country Blues festival – Bukka White The Complete Blue Horizon Sessions (Production, liner notes, photos)
2008 – The Complete Blue Horizon Sessions – Jellybread (Production, liner notes)
2008 – The Complete Blue Horizon Sessions – Top Topham (Production, liner notes)
2008 – The Complete Blue Horizon Sessions – Key Largo (Production, liner notes)
2008 – The Complete Blue Horizon Sessions – Gordon Smith (Production, liner notes)
2008 – The Complete Blue Horizon Sessions – Eddie Boyd (Production, liner notes)
2008 – The Complete Blue Horizon Sessions – Champion Jack Dupree (Production, liner notes)
2010 – Heads I Win, Tails You Lose – Oli Brown (Production)
2010 – Shine – Dani Wilde (Production)
2010 – Fun to Visit – Mingo & The Blues Intruders (Production)
2015 – Just A Little Bit – Mike Vernon & Los García (vocals & kazoo – Production & liner notes)
2016 – Take Me High – Laurence Jones (Production)
2016 – A Force of Nature – Sari Schorr (Production)

Michael William Hugh Vernon20/11/44 - 02/03/26Rest in Blues 🎸
02/03/2026

Michael William Hugh Vernon
20/11/44 - 02/03/26
Rest in Blues 🎸

Photo of Rory with his Danelectro 3021 Short Horn guitar for the Swiss "Pop" magazine.   "In America, if you looked in t...
24/02/2026

Photo of Rory with his Danelectro 3021 Short Horn guitar for the Swiss "Pop" magazine.

"In America, if you looked in the old pawnshops...I found a fifteen dollar guitar, a Danelectro and I recorded "A Million Miles Away" and "Cradle Rock" on that guitar. So I spotted these things earlier than others. Now it's different, because everyone's sharp: they see you coming! When you say 'Can I have a look at that Danelectro?', they think: 'Oh, this guy is from Europe, he can afford to pay a thousand dollars.'" -- Rory Gallagher.

The fifteen dollar guitar would later be sold at auction for about £20,000

Cafe Wha? is a club in Greenwich Village in Manhattan, New York City that has been home to various musicians and comedia...
16/02/2026

Cafe Wha? is a club in Greenwich Village in Manhattan, New York City that has been home to various musicians and comedians. Bob Dylan, Jimi Hendrix, Bruce Springsteen, The Velvet Underground, Cat Mother & the All Night Newsboys, Kool and the Gang, Peter, Paul & Mary, Woody Allen, Lenny Bruce, Joan Rivers, Bill Cosby, Richard Pryor and many others all began their careers at the Wha?

Although Cafe Wha? was sold by its owner, Manny Roth, in 1968, the club remains at its original location, 115 MacDougal Street, between Bleecker and West 3rd Streets. Roth is the uncle of David Lee Roth.

The original Cafe Wha? opened in 1959 and closed in the late 1960s, when the room was taken over by Menachem Dworman, who ran the Cafe Feenjon in the location until 1987. The Feenjon featured Israeli and Middle Eastern music.
In 1987, the room was taken over by Noam Dworman, a guitar player, who changed the room back to a rock music format. In 1986 Dworman had introduced to the Feenjon the concept of a rock music house band made up of the most talented performers in the area. The band performed for a year at the Cafe Feenjon on Wednesdays and Sundays, quickly becoming so popular that they took over the entire week. Dworman had the idea to rename the club and chose the long abandoned name "Cafe Wha?", which he remembered from his childhood. The original Wha? owner Manny Roth had been a close family friend and sometime business associate of the Dwormans, and the original Wha? had been an important part of the historic Greenwich Village music scene.

Since the inception of the Cafe Wha? House Band in 1987, the Wha? has been known to have patrons waiting in line around the block every night of the week. The band plays dynamic, high-energy versions of popular songs, and encourages an utterly informal atmosphere between the stage and audience. The Cafe Wha? Band became well-known all over the world, and many of the original members still play at the club today. The Cafe Wha? Band is currently billed as "The Best Damn Band in New York City" and hosts many celebrity guest performers to this day

Otis Grand (February 14, 1950 – June 9, 2023)
04/02/2026

Otis Grand (February 14, 1950 – June 9, 2023)

My New York time taught me what you can do in a folk song: how to go back to where folk music began, people talking abou...
25/01/2026

My New York time taught me what you can do in a folk song: how to go back to where folk music began, people talking about their lives and hardships, but also how to open it up and go somewhere else. My parents and grandparents went through the Dust Bowl and they told a lot of stories about that. But it took me going to New York to really appreciate those Dust Bowl days.

That led me to the great songwriters like Woody Guthrie and Lightnin’ Hopkins—Lightnin’ told the story from the black point of view. That led to Mississippi John Hurt and Mance Lipscomb, those folk-blues guys I really related to, because they had a fingerpicking sound and a story. - Joe Ely

Photo: Barbara FG

Joe Ely (1947 - 2025) RIPLegendary songwriter, singer, and raconteur Joe Ely died on 15th December 2025 from complicatio...
25/01/2026

Joe Ely (1947 - 2025) RIP

Legendary songwriter, singer, and raconteur Joe Ely died on 15th December 2025 from complications of Lewy Body Dementia, Parkinson’s and pneumonia. His beloved wife Sharon and daughter Marie were at his side at their home in Taos, New Mexico. Ely was born February 9, 1947 in Amarillo, Texas. He was a leader of the extraordinary parade of artists raised in Lubbock who later settled in the live music capital of Austin. Ely signed with MCA Records in the 1970s and spent more than five decades recording and performing around the world. A full obituary and more information will follow in the coming days.

Photo: Barbara FG

Chris Rea (1951 - 2025) RIP
22/12/2025

Chris Rea (1951 - 2025) RIP

Steve Cropper (1941 - 2025)A founding member of Booker T & The MGs, Cropper’s distinctive guitar work, production, and s...
04/12/2025

Steve Cropper (1941 - 2025)

A founding member of Booker T & The MGs, Cropper’s distinctive guitar work, production, and songwriting helped shape the Memphis soul sound. A trusted songwriting collaborator artists like Otis Redding, Eddie Floyd, and others, Cropper played a vital role in countless Stax recording sessions throughout the 1960s and into 1970.

As the co-writer of “(Sittin’ On) The Dock of the Bay,” “Knock On Wood,” and “In the Midnight Hour,” he leaves a legacy that stands with the legends of 20th-century soul music.

December 1965. Birmingham, England.Tony Iommi had eight hours more working in a sheet metal factory forever. Eight hours...
24/11/2025

December 1965. Birmingham, England.
Tony Iommi had eight hours more working in a sheet metal factory forever. Eight hours until his new life as a professional guitarist began.
At 4:30 PM—just thirty minutes from the end—Tony's hand slipped under the metal press.
The machine crushed the tips of his middle and ring fingers. The pain was blinding. His future, gone in an instant.
When his factory foreman visited him in the hospital, the man tried to comfort him: "At least you weren't planning to make a living with your hands."
Tony's voice was hollow. "I'm a guitarist."
The foreman went pale.
For weeks, Tony stared at his guitar in the corner, unable to touch it. Without fingertips on his fretting hand, playing was impossible. The dream was dead.
Then his mother came home with a record.
"Listen to this," she said, placing the needle down.
Jazz filled the room—complex, flowing, beautiful. Django Reinhardt.
"He lost two fingers in a fire at eighteen," she said quietly. "They told him he'd never play again. But he taught himself with what he had left."
That night, Tony unwrapped the bandages and picked up his guitar.
The first attempt was agony. Raw nerve endings against metal strings. But he tried again. And again.
When pain wouldn't stop him, Tony got creative.
He melted plastic detergent bottles into caps for his damaged fingers. He glued leather strips onto them for grip. Suddenly, he could hold the strings—barely.
But there was another problem: he had to press harder now, and standard guitar strings were too stiff.
So Tony tuned his entire guitar down—lower pitch, less tension, easier to play.
The sound that came out was unlike anything in rock and roll.
Darker. Heavier. Ominous.
By 1968, Tony had joined three other working-class Birmingham kids—Ozzy Osbourne, Geezer Butler, and Bill Ward—in a band called Black Sabbath.
Everything they created sounded menacing. Not by choice, but by necessity.
In 1970, their debut album opened with three notes that would change music forever:
DUN... DUN-DUN... DUN... DUN-DUN-DUUUUN...
It sounded like doom itself. Like factories grinding. Like the weight of industrial poverty made audible.
Critics didn't understand it.
But working-class teenagers did. Instantly.
This wasn't just music. This was their lives—heavy, dark, and real.
Tony Iommi had accidentally invented heavy metal.
The injury that should have ended his career became the signature sound that defined a generation. Every downtuned guitar, every crushing riff, every metal band that followed—Metallica, Slayer, Iron Maiden—all traced back to plastic fingertips and a guitar tuned down out of necessity.
For 55 years, Tony never stopped playing.
Even when lymphoma struck in 2012, he kept touring. He stood on stage, those same plastic-and-leather fingertips still in place, delivering the riffs that birthed an entire genre.
His final Black Sabbath show was in Birmingham—his hometown—in 2017. He was 68 years old.

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