HdM GALLERY

HdM GALLERY HdM GALLERY is a leading contemporary art gallery with a special focus on Contemporary Chinese Art.

It opened its first space in Beijing in 2009 - the success of which lead to the opening of a second space in London in 2018.

23/06/2026

Today Zihan shares more details about the largest work in the solo exhibition of Song Ling ‘Negative’, titled ‘Imperial Stone’.

Song Ling | Negative
On view until 4 July 2026
HdM Gallery, Beijing

19/06/2026

HdM Gallery is pleased to present ‘land on me softly’, a solo exhibition of Yeonsu Ju. Presenting ten new works from her Lisbon studio, the exhibition explores memory, longing, and the unstable relationship between presence and absence.

As we continue to expand our programming beyond existing locations, we are excited to present the works in a special Virtual Viewing Room format available to view until the end of July, with an exclusive one-day evening preview at GAAT, Lisbon.

Yeonsu Ju | land on me softly
25 June - 31 July
Eveing Preview: 25 June 2026, GAAT, Lisbon

Artist Focus | Song Ling | pt. 1Q. Where are you from, and how has your living environment shaped you?A. I was born in H...
17/06/2026

Artist Focus | Song Ling | pt. 1

Q. Where are you from, and how has your living environment shaped you?
A. I was born in Hangzhou and grew up in an artistic family — both my parents studied and later taught at the Zhejiang Academy of Fine Arts (now the China Academy of Art), specialising in gongbi painting. Being constantly surrounded by their work and by Chinese paintings from an early age provided my earliest artistic education and sparked my interest in art.

Q. Which artists or movements have deeply inspired you?
A. Surrealism was the most profound early influence — particularly the work of Dalí, Magritte, and de Chirico, whose use of realistic visual language to evoke psychological tension and estrangement resonated strongly with my own instincts. Pop Art, especially Warhol and Lichtenstein, made me conscious of the visual power inherent in images themselves; together, these two movements laid the conceptual groundwork for my ongoing investigation of “alienation,” which has remained central to my practice ever since.

Q. How do you determine when a piece is finished?
A. I no longer have an absolute standard for completion; what matters is whether the image has achieved a coherent and unified whole. When the relationships within the composition reach a sense of balance, when nothing feels out of harmony, and when the ideas I wish to convey have been clearly expressed — at that point, the work should stop.

Discover the work of Song Ling at HdM Gallery.

Song Ling | Negative
On view until 4 July 2026
HdM Gallery, Beijing

04/06/2026

Today Olivier shares more detail about the work by Fu Site - ‘Gathering’. He explains the blend of Chinese and French painting traditions, highlighting both of their importance in the artist’s upbringing.

29/05/2026

Song Ling’s practice is rooted not in the appropriation of ink as aesthetic gesture, but in a decades-long mastery of the medium from the inside out, shaped by the same institutional tradition that produced the great masters of modern Chinese painting.

In presenting ‘Negative’ we are entering into dialogue with that broader tradition — one that places ink at the centre of Chinese visual culture, and that continues to define what serious painting in China looks like.

Song Ling | Negative
On view until 4 July 2026
HdM Gallery, Beijing

Artist Focus | Lionel Sabatté | pt. 2Q. What is the overarching theme in your creations?A. My work revolves around the p...
26/05/2026

Artist Focus | Lionel Sabatté | pt. 2

Q. What is the overarching theme in your creations?
A. My work revolves around the paradox of the living, that is to say a permanent balance/imbalance between what is destroyed and what is constructed. I seek that point of tension where both reach their maximum intensity, where the desire to build and the force of destruction become simultaneously paroxysmal. [...] It is less about representing than about bringing forms into being, at the threshold between appearance and disappearance. It also involves materials and processes that embody these tipping points, often marginal or rejected materials such as dust, dead skin, oxidation processes, pozzolana (volcanic dust), peripheral elements of bronze work.

Ultimately, it is an attempt to show what still holds when everything seems to have disappeared.

Q. How would you like your work to be remembered in the future?
A. I would like my work to be perceived as a signal, or rather as a form of greeting addressed to those who will come after. I often think of the emotion one can feel in front of a negative hand in a cave, something very simple, but which crosses time and reaches us directly. A sign from the past that continues to act in the present. I would like my work to produce that kind of emotion, to be perceived as a trace, a survival, something that persists and is transmitted.

Discover the work of Lionel Sabatté at HdM Gallery - visit our website to find out more.

Artist Focus | Lionel Sabatté | pt. 1Q. Where are you from, and how has your living environment shaped you?A. I was born...
25/05/2026

Artist Focus | Lionel Sabatté | pt. 1

Q. Where are you from, and how has your living environment shaped you?
A. I was born in the southwest of France, where I spent my childhood until the age of ten. I retain strong memories of nature, particularly in the Pyrenees and in the Landes forest. One of my grandfathers was a taxidermist and a hunter, and this proximity to animals deeply marked my imagination. Early on, I became passionate about prehistoric cave art. I then lived on Réunion Island until I was twenty. This territory strongly influenced me, both through its cultural diversity and the intensity of its nature and geology. These elements continue to inform my work today.

Q. What motivated you to pursue art professionally?
A. When I arrived in Paris, around the age of 21, I was studying to become a physical education teacher. It was then I discovered art schools as well as the contemporary art scene. I already had a personal practice, still disconnected from the art world, which in reality constituted the foundation of what I still do today. I understood that it was a vocation. I left my initial path to take the entrance exam for the Beaux-Arts, which I passed. That is how everything began.

Q. Which artists or movements have deeply inspired you?
A. Certain influences were decisive, particularly artists who question time and memory, such as Christian Boltanski and Roman Opalka with their conceptual approach. An exhibition by Bruce Nauman, seen at Beaubourg in the early 1990s, was also an important moment, particularly in its relationship to time and perception. The Nouveaux Réalistes played a key role, opening the possibility of using elements of reality as they are, through simple gestures such as accumulation or transformation. I also developed through contact with major sculptors such as Rodin, Giacometti, and Ousmane Sow, as well as major figures like Picasso.

Discover the work of Lionel Sabatté at HdM Gallery - visit our website to find out more.

Wrapping up Beijing Dangdai art fair today - thank you to the fair team and everyone who visited us at the booth! We pre...
24/05/2026

Wrapping up Beijing Dangdai art fair today - thank you to the fair team and everyone who visited us at the booth!

We presented Barthélémy Toguo , Christopher Orr , Deng Yuanchu , Fan Jing , Fu Site , Gideon Rubin , Hu Weiyi , Jo Fish , Justin Williams , Lee Jin Woo, Lionel Sabatté , Luo Yimeng , Manuel Mathieu , Philippe Decrauzat, Piper Bangs , Qi Zhuo .qi, Song Ling, Yan Tian, Yun Yongye , Zhang Lingrui , Zhao Yinou , Zheng Mengqiang

HdM Gallery at Beijing Dangdai
Booth D7
21-24 May 2026
National Agricultural Exhibition Center, Beijing

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