London Art Fair

London Art Fair London Art Fair 2027
20 - 24 January
19 January Preview

Book tickets via the link below.

A hidden gem in the heart of Marylebone 📍 Discover Bound, a captivating group exhibition at Secteur PrivĂ©, bringing toge...
13/10/2026

A hidden gem in the heart of Marylebone 📍

Discover Bound, a captivating group exhibition at Secteur Privé, bringing together the work of three remarkable female artists, Sonia Navarro, Soojin Choi and Maliha Abidi, alongside select design pieces by Mark Brazier-Jones.

On view until 4 November 2026, the exhibition explores the visible and invisible threads that bind us, from woven textiles and intertwined bodies to the symbolism of faith and sisterhood. Through their distinct practices, the artists offer a thoughtful reflection on identity, belonging and the shared experiences that unite us.

Visit Secteur PrivĂ© to experience this beautiful exhibition and its intimate townhouse setting in person - https://bit.ly/4yJHCQh 🔗

Credits:

1. Installation view
2. Sonia Navarro
3. Maliha Abidi
4. Sonia Navarro
5. Soojin Choi
6. Installation view

Photography by Gustavo Vizart
Lighting by TM Lighting
Courtesy of Secteur Privé

We are delighted to announce that in January 2027, curator, cultural strategist and advisor Lisa Anderson will curate Pl...
08/10/2026

We are delighted to announce that in January 2027, curator, cultural strategist and advisor Lisa Anderson will curate Platform at London Art Fair, exploring the theme of Together.

‘Together’ originates in the Old English tƍgédere: to gather, to assemble, to exist in one another’s company. Yet to be together has not always meant to belong.

Across generations, artists have explored the complexities of race, migration, memory and identity, revealing both the tensions and possibilities that emerge when lives intersect.

Bringing these practices into dialogue, Together considers belonging not as something fixed or inherited, but as something continually made.

Through sculpture, painting, installation and photography, the presentation considers togetherness not as a destination, but as an ongoing practice shaped by memory, care, imagination and our shared futures.

Learn more about Platform 2027 via the link - https://bit.ly/4znbKAJ 🔗

Image credits:

3. NAU, NAU, DOH, CHAAR, Liaqat Rasul. Photograph: Harry Meadley. Courtesy of Ed Cross Fine Art
4. Dai Yinglun, Crowd,running in other’s scenery, 2026. Ink and colour on paper, 68 x 45cm. Courtesy of Bluerider ART
5. Bhushan Bhombale, Untitled, 2025. Enamel and wooden polish on papyrus, 27 x 33in. Courtesy of Goose & Varley

Frieze Week is almost here. So, where to begin?As one of the busiest weeks in London’s art calendar, we've rounded up ou...
07/10/2026

Frieze Week is almost here. So, where to begin?

As one of the busiest weeks in London’s art calendar, we've rounded up our top picks and places to discover beyond the park.

Read our full London Frieze Week 2026 guide via the link - https://bit.ly/3VtCUr4 🔗

Pictured:

1. Conrad Shawcross, Eye of the Needle (Time Pebble (E30A13)), 2026. Courtesy: Victoria Miro. Photo: Linda Nylind. Courtesy of Frieze
2. Tarek Atoui, The Rain, 2023 – 4. Installation view third floor Kunsthaus Bregenz, 2024. Photo: Markus Tretter. © Tarek Atoui, Kunsthaus Bregenz. Courtesy of the artist
3. Pippa El-Kadhi Brown Carousel, 2024 Oil on canvas 23 x 23 cm. Courtesy of the Artist and Mulryan Gallery
4. Installation view of Monika Sosnowska: Weight of Matter at the South London Gallery. Photo: Jo Underhill
5. Melanie Miller, Flicker, 2026. Oil on gesso, 80 x 60 cm. Courtesy of the artist and Long & Ryle
6. Cecilia Vicuña, Quipu Menstrual 1 (unknotted), 2006 / 2024. Site-specific installation with unspun wool and video. Dimensions variable; video duration: 4 minutes, 13 seconds. Installation view, Cecilia Vicuña: Soñar el Agua. Pinacoteca do Estado de SĂŁo Paulo, Brazil. May 17 – September 15, 2024. Photo Isabella Matheus. Courtesy of the Artist and Whitechapel Gallery
7. Romuald HazoumĂš, Autlan de Navarro, 2024/25. Found objects, 50 x 60 x 18 cm. Courtesy of the Artist and October Gallery
8. Untitled (c. 1960) Rob Ryman. 2016 Robert Ryman /Artists Rights Society (ARS), New York. Photo: Bill Jacobson, courtesy The Greenwich Collection, Ltd. Courtesy of The Barbican
9. Freya Pocklington, Snake Skin, 2026. Pastel and ink on paper, 115 x 147 cm. Courtesy of the artist and Alveston Gallery Notting Hill
10. Installation view, Carmen Herrera: Pulse, Pause, Repeat, Lisson Gallery, London, 2026. Courtesy of Lisson Gallery

Last chance to discover a different side of Alexander Calder 📌 Eames Fine Art’s showcase of Alexander Calder brings toge...
05/10/2026

Last chance to discover a different side of Alexander Calder 📌

Eames Fine Art’s showcase of Alexander Calder brings together his sought after colour lithographs, revealing the same sense of movement, balance and playful abstraction that characterises his better known sculptures and mobiles.

On paper, Calder’s language becomes wonderfully immediate. Vivid colour meets assured black line, while forms appear to float, bounce and shift across the composition. What feels spontaneous is, on closer look, exquisitely controlled.

These are works full of energy and joy, but also remarkable sophistication, offering a rare connection to one of the most distinctive artistic voices of the twentieth century.

The exhibition closes this Saturday, 11 October. Don't miss the final week!

Pictured:

1. Alexander Calder, Caracol, 1973. Lithograph on paper, signed in pencil, edition of 75, 780 × 585 mm
2. Alexander Calder, Homage to Euclid, 1976. Lithograph on paper, signed in pencil, edition of 75, 720 × 520 mm
3. Alexander Calder, Butterflies, 1976. Lithograph on paper, signed in pencil, edition of 100, 720 × 520 mm
4. Alexander Calder, Circles and Waves, 1975. Lithograph on paper, signed in pencil, edition of 100, 770 × 580 mm
5. Alexander Calder, Galactic System, 1974. Lithograph on paper, signed in pencil, edition of 100, 720 × 520 mm
6. Alexander Calder, Vertical Flags, 1970. Lithograph on paper, signed in pencil, edition of 100, 610 × 780 mm
7. Alexander Calder, Black Pyramid with Circles, 1975. Lithograph on paper, signed in pencil, edition of 100, 580 × 775 mm

Courtesy of Eames Fine Art

As the season turns, London's galleries open their doors to an exceptional run of October exhibitions. From the rebellio...
01/10/2026

As the season turns, London's galleries open their doors to an exceptional run of October exhibitions.

From the rebellious energy of 90s Britain to the sun-soaked shores of the French Riviera, this month's programme traces a rich history of artistic reinvention. Discover rare archival prints, boundary pushing contemporary painting and headline museum exhibitions exploring love, fashion and belonging.

Discover our top October picks via the link - https://bit.ly/4e3C9v5 🔗

Credits:

1. Henri Matisse, Interior at Nice, c.1919. Oil on canvas. 66.7 x 54.9 cm. Saint Louis Art Museum, Museum Purchase. © 2026 Succession H. Matisse / Artists Rights Society (ARS), New York. Courtesy of The Royal Academy of Arts
2. Pierre-Auguste Renoir, 'Dance at Bougival', 1883. Museum of Fine Arts, Boston, Picture Fund, 37.375. Photograph © 2026 Museum of Fine Arts, Boston. Courtesy of The National Gallery
3. Raoul Dufy, Golfe Juan, 1927. Oil on canvas. 81.8 x 100.6 cm. Courtesy of McNay Art Museum, San Antonio. Courtesy of The Royal Academy of Arts
4. Sandra Blow, Interaction, 2000. Silkscreen on Paper, Edition of 125. Published by CCA Galleries, Printed at Coriander Studio, 650mm x 630mm x 2mm
5. Francis Bacon, Three Studies of Male Back (Right hand panel of the triptych), 1987. Original Lithograph in colours, on Arches (watermarked) paper, Edition of 99, 65 x 45 cm - 23Ÿ by 17⅝ in. Copyright of the artist. Courtesy of Fairhead Fine Art and Vivienne Roberts Projects
6. Juergen Teller, Young Pink Kate, London 1998 © Juergen Teller, All rights Reserved. Courtesy of The Tate
7. John Hoyland, Sanur Seal 1995. Screenprint, 33 x 27 in. Courtesy of Eames Fine Art Gallery
8. Jack McGarrity, Violet Froth, 2026. Painting, 19.5 x 14.5 cm. Courtesy of the artist and Messum's London
9. Woo Jin Joo, I Hear Things Existing With Me, 2026. Bodily Inbetweenness, Ruup & Form, London, 2026. Photo Robert Chadwick. Courtesy of the artist and Ruup & Form
10. Salman Toor (b.1983), Ghost Ball (2023), Oil on linen, 190.8 x 323.2cm, Pinault Collection. © Salman Toor; Courtesy of the artist, Luhring Augustine, New York, and Thomas Dane Gallery. Photo: Farzad Owrang. Courtesy of The Courtauld

Last week to see Traces at Rebecca Hossack Art Gallery! Barbara Macfarlane's new exhibition turns the rugged, olive-clad...
29/09/2026

Last week to see Traces at Rebecca Hossack Art Gallery!

Barbara Macfarlane's new exhibition turns the rugged, olive-clad hills of Les Baronnies into monumental oil paintings and intimate works on Khadi paper. Her mark-making moves between mountain ridges, sun-baked earth and layered surfaces, capturing both the physical terrain and its emotional resonance. Alongside her signature grid-like city paintings, the show hovers at the threshold of abstraction and leaves the final view to you.

Don't miss your chance to visit before October 3 - https://bit.ly/4jrMHYn 🔗

Pictured:

1. Barbara Macfarlane, Above the l'Ouveze Gorge , 2026. Acrylic on linen, 160 x 225 cm, 63 x 88 5/8 in
2. Barbara Macfarlane, Road to Autanne, 2026. Acrylic on linen, 160 x 225 cm, 63 x 88 5/8 in
3-4. Barbara Macfarlane Painting in Les Baronnies, 2026

Courtesy of the artist and Rebecca Hossack Art Gallery

“I start from another world altogether.”Step into the curious and captivating dreamworld of Desmond Morris (1928 - 2026)...
26/09/2026

“I start from another world altogether.”

Step into the curious and captivating dreamworld of Desmond Morris (1928 - 2026), where zoology, instinct and Surrealism collide.

Spanning eight decades of artistic practice, this exhibition brings together Morris’s biomorphic creatures, imagined landscapes and extraordinary visual language.

Coinciding with the publication of his final book, The Surrealist Menagerie: Strange Beasts and Fantastic Visions, the exhibition offers a rare opportunity to explore the artist’s lifelong journey between the rational and the irrational, observation and imagination.

Discover a world entirely his own. On view until 24 October at The Redfern Gallery - https://bit.ly/4dRTTtc 🔗

Pictured:

1. Desmond Morris, Soldier Dream, 2003, Mixed media on paper, 28.9 x 19.8 cm
2. Desmond Morris, Limbo, 2019, Mixed media on paper, 24.4 x 16.9 cm
3. Desmond Morris, Visitor II, 2018, Ink on collaged card, 28.7 x 20 cm
4. Desmond Morris, Carnival Day, 2002, Mixed media on paper, 20.2 x 29 cm
5. Desmond Morris, The Gathering , 2004, Oil on five panels framed and assembled as a hinged triptych, 146 x 268 cm

Courtesy of The Redfern Gallery

The application deadline for Encounters at London Art Fair 2027 has been extended to 30 September 2026.With strong inter...
21/09/2026

The application deadline for Encounters at London Art Fair 2027 has been extended to 30 September 2026.

With strong interest in the section, we're pleased to offer more time. Our first committee meeting highlighted the quality and range of submissions received, and we look forward to considering further applications in our next round of reviews.

If your proposal is in progress, there is still time to join us.

Submit your application via the link - https://bit.ly/3TU3wNW 🔗

Featured in Encounters at LAF26:

1. Angelo Brescianini, 4 SHOTS, Glass, 2005-2010. 100x100cm. Courtesy of Aria Art Gallery
2. Zahura Sultana, Here and Now, Oil on Canvas, 2024, 60x60cm. Courtesy of Faam Gallery
3. İlhak Altıparmak, Birini Yumuşakça Sevmek Mümkün Mü, VIII ‘Is it possible to love someone softly, VIII), 2024. Fabric Collage, Quilt Wrapping,104 x 100 cm. Courtesy of Gallery KAIROS
4. Jilli Blackwood, Pearly Essence 1, 2024. Courtesy of Contemporary Applied Arts

18/09/2026

How do you curate Lynn Chadwick across a historic estate? Polly Bielecka, Director of Pangolin London, takes us behind the scenes.

From the 1950s to the 1990s, over thirty works span interior and exterior sites in dialogue with the Neo-Palladian architecture and parkland of Houghton Hall. Dynamic beasts, kinetic sculptures and Chadwick's iconic couples, many rarely or never before shown.

With a year-round programme spanning historic British sculpture and contemporary practice, Pangolin London returns to the Fair in January, presenting in the Pavilion on Stand 9 with works by Lynn Chadwick among those on display.

Take a closer look at Chadwick’s work in context and visit the exhibition before it closes on 4 October - https://bit.ly/3SUGKIV 🔗

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