Indre Serpytyte-Roberts

21/04/2026

Incredible to lend this work from our collection.
Louise Giovanelli, Offer, 2022
From Here to Here to Here, Grundy Art Gallery, Blackpool, 2026.
Installation images courtesy Grundy Art Gallery, Blackpool Council.
Photo: Brendan McGregor.

15/04/2026

Thrilled to see our loaned Fiona Banner’s Every Word Unmade (2007) on view as part of ISBN 978-1-913983-97-0 (EVERY WORD UNMADE).

A work that continues to resonate so powerfully — rigorous, poetic, and quietly radical.

Courtesy the and . Artwork courtesy of the David and Indrė Roberts Collection.


Photo by Ruth Clark.

12/04/2026

A proper reminder that the best days are often the wildest ones. Scotland, as ever, stole the show — storm, sunshine, snow, and rain all in one glorious Easter Day. Four seasons in the space of an afternoon, and somehow it only made the whole weekend feel even more magical.

Easter this year was a real reminder what really matters.

12/04/2026

We’re delighted to welcome Elinor Stanley to Cortachy as she begins her residency with us

Elinor’s paintings explore psychological experience through bold colour, distorted perspective and exaggerated scale, often capturing moments of tenderness, humour and unease.

The works featured in this post are part of our collection, and we’re excited to see what Elinor creates while she is with us in Scotland.

11/04/2026

10/04/2026

From the David and Indrė Roberts Collection.

We are delighted to share this work by , currently on view as part of Earth Matters at Inverleith House, Royal Botanic Garden Edinburgh.

Clare created this piece during her residency in Scotland with us — a period that allowed her to immerse herself in the landscape and rhythms of nature. The work holds a particularly special place for me, as it was inspired by the gardens at Cortachy, capturing their quiet beauty and atmosphere in such a sensitive and evocative way.

Earth Matters, installation view, Inverleith House, Royal Botanic Garden Edinburgh, 2026.
Artwork courtesy the David and Indrė Roberts Collection.
Photo: Ruth Clark

07/04/2026

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Interview:

07/04/2026

Featured

28/03/2026

This is 7 🎈

25/03/2026

Adornment has always felt like a language to me — something that sits between identity, protection, and expression.

Speaking with , I brought together a conversation between .n.j.smith and Raffaella Banchero to reflect on 50 years of Elsa Peretti — connecting Anj’s paintings, Elsa’s jewelry, and exploring ideas : how adornment shapes the memory, body and the self.

Moderating this exchange, what stayed with me was how objects — whether worn or painted — can carry something of the person behind them.

Not just decoration, but a trace of identity.

23/03/2026

Some evenings are shaped by who is in the room.

Hosting and curating this dinner with , marking 50 years of Elsa Peretti — what stayed with me was the exchange of ideas around the table.

Different worlds and perspectives meeting in a way that felt both natural and rare.

21/12/2025

whirlwind december