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Flat Space Art Primary & Secondary Art market leaders. Representing the world’s most exciting contemporary Art We are Primary & Secondary Art market leaders.

Flat Space Art is a brand new concept in art curation and brand building. Representing the world’s most exciting contemporary Art talent �
Create & explore collect Digital Art & NFTs
Flat Space Art represents a range of genres and styles as we represent both well known established artists as well as emerging talent. Our artists have already started to make waves in the art world in terms of press acclaim and have gathered support from collectors, UK based and internationally. Flat Space Art manages and organizes the highest quality pop up art exhibitions, vernissages and private showcases in line with Soho House in London and New York, America on behalf of our rosta of artists. By virtue of us being an online virtual gallery, we ensure we pass onto the client the best possible sales and marketing strategies for our artists. We offer a unique combination of classic artist representation together with brand building, marketing and promotion.

27/09/2026

Grey is not welcome here. Never has been.

I would describe my home as an artist’s residence, and everything in it is artisan. Most people buy their art after the project. I bought mine before. I’m genuinely inspired by art, and every room started with it.

If you have fun, let yourself be in your creative flow (I know, cliché, but it’s true) and have zero boundaries, you end up with a home that is completely personal to you.

This is what we do at : art and interiors for homes and commercial spaces, designed with personality. Want a space that’s unmistakably yours? DM me.

# interiordesign londoninteriors maximalism artinteriors homeinspo

26/09/2026

POV: you ask the bookshelf a question and it answers 💀
Every spine is a real book title, hand-drawn by Phil Shaw, pixel by pixel, with over 100 hours per piece. And it gets better: in his London Underground series, each shelf is a Tube line, and every book title names a station, in order. It’s a map of London, written in book spines.

📍 British Art Fair, Saatchi Gallery, King’s Road
🗓 Open until Sunday 27 September. Last chance this weekend!

Which one’s your favourite? 👇

24/09/2026

POV: nature breaks you, and someone fills the crack with gold 🌩️✨ Giuseppe Penone’s ‘Albero folgorato’ (Thunderstruck Tree) cast in bronze from a real storm-split willow, its splintered wounds gilded in gold leaf by hand. On view now at Serpentine South, Kensington Gardens
FREE to see, no ticket needed.

23/09/2026

Guess what this Magritte is worth? Drop your answer below and will let you know👇

This is La Lampe philosophique (The Philosopher’s Lamp), 1936, Magritte’s famous conceptual self-portrait.

I was at the press preview this morning for “This Is Still Not a Pipe”: The Afterlife of Magritte at Gagosian. It’s a major show on René Magritte and his enduring influence on contemporary art, organised with the Fondation Magritte and opening for Frieze Week.

More than 20 Magrittes from public and private collections, from apples and pipes to bowler hats and cotton-cloud skies, are shown alongside work by more than 40 contemporary artists.

In 2024, a Magritte sold for $121 million at Christie’s, the most ever paid for a Surrealist painting. Some works here are for sale… price on request.

Can’t stretch to $121 million? Finding great art is the art world’s best-kept secret, and that’s exactly what we do at Flat Space Art & Interiors xo

📍 Gagosian, 20 Grosvenor Hill, Mayfair, London
🗓 Until 12 December 2026
🎟 Free entry

World premiere at Serpentine this morning. The Serpentines newest exhibition.Amar Kanwar refuses to let his films resolv...
22/09/2026

World premiere at Serpentine this morning. The Serpentines newest exhibition.

Amar Kanwar refuses to let his films resolve. No plot, no closure, on purpose.

Amar Kanwar, Serpentine North,
23 Sept – 31 Jan 2027
free entry


And just like that, the world starts spinning again 🌍✨ Kicked things off this morning with the fabulous KATE BRYAN at t...
09/09/2026

And just like that, the world starts spinning again 🌍✨ Kicked things off this morning with the fabulous KATE BRYAN at talking (and gushing over) the most incredible art, as one does before 10am.

22/06/2026

This morning I have had the privilege of stepping into the private press preview of Tate Modern’s Frida: The Making of an Icon before it even opens to the public.

Over 35,000 tickets have presold and I am sharing a FIRST look at some of the paintings. Feels a little illegal but of course its not haha :) this is a chance to see a snippet of the biggest collection ever to be brought together.

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I revere Frida Kahlo, alongside so many others. Adversity didn’t break her. It became her language. She survived a near-fatal bus accident, lifelong chronic pain, and decades of being overlooked and turned all of it into one of the most recognisable faces in art history.
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Frida Kahlo taught herself to paint lying flat on her back, using a mirror mounted above her bed during her recovery. That single image became the foundation for a body of work and a persona that the world has never stopped reproducing.
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This show doesn’t just give us the paintings. It traces the entire arc from a relatively unknown painter to global brand, ending in a room of over 200 pieces of Kahlo merchandise that prove just how far her image has travelled.
It’s the highest pre-selling exhibition in Tate Modern’s history, and the first major Kahlo show in the UK in over two decades.
📍 Tate Modern, Bankside, London SE1 9TG 🗓️ 25 June 2026 – 3 January 2027

16/06/2026

Last night I had the pleasure of attending the Private preview of .kapoor .gallery and it was truly mind blowing.
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This is a 28 year return. The last time Kapoor filled this building, it was the first major UK survey of his work. What he’s done this time is something else entirely.
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He hasn’t just shown work in the Hayward. He has consumed it. Walls. Floors. Ceilings. Outdoor terraces. Every corner of that extraordinary Brutalist building on the Southbank belongs to him until October.
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And then there’s the Vantablack.
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Sculptures coated in the blackest substance known to science a light absorbing nanotechnology so extreme that three dimensional forms appear completely flat. Not dark. Not shadowy. Gone. Holes in reality. Tears in space. You genuinely cannot trust what you’re seeing.
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That’s the thing about Kapoor the blur between sculpture and space, between object and void, between what is there and what isn’t it’s not a trick. It’s the whole philosophical point.
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Curated by the legendary in his final show as Director of the Hayward after 20 years, this is a career defining retrospective spanning five decades. It feels like a handover. A monument. A full stop and an opening all at once.
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Anish Kapoor. Hayward Gallery. 16 June – 18 October 2026.

Go. Just go.

🖤 ContemporaryArt ArtAdvisory RalphRugoff SouthbankCentre PrivateView ArtWorld

09/06/2026

This is your FIRST LOOK the Royal Academy Summer Exhibition 2026 the 258th edition. And if you’ve never been, this is the year to start.

I was there today, and I got to meet the man behind it all Ryan Gander OBE RA, this year’s co-ordinator, who has built the entire exhibition around one powerful theme: Interconnectedness. The idea that no matter how different we are, our creative outputs hold more in common than they do apart.
But Ryan didn’t do this alone. The full committee of Royal Academicians who selected every single work are: Eileen Cooper, Michael Craig-Martin, Oona Grimes, Katherine Jones, Goshka Macuga, Humphrey Ocean and Peter St John, who leads the Architecture rooms. These are some of the most respected names in British art. Every work on these walls passed their eye.

And because the theme is Interconnectedness, Ryan has deliberately mixed all media together painting beside sculpture, architecture beside photography, print beside film. A £50 work hanging on the same wall as a £50,000 one. A complete unknown beside a Royal Academician. Everything in conversation with everything else. That is not an accident. That is the point.

Here’s something most people walk straight past. There is a line that runs through the entire exhibition at exactly 2 metres high. Look for it. It has been there since the days when patrons arrived on horseback, and later in top hats — and an artist always knew their work had truly arrived when it was hung above that line. Above the top hats. In full view of everyone in the room. That line is still there today. A quiet nod to 258 years of tradition that most visitors never notice. Now you will.

This is how art collectors start. Not at auction. Not at a private gallery. Here. At the show that has been running every single year since 1769 — open to every artist, every medium, every level of fame. Grayson Perry and a complete unknown. Same walls. Same show. Same chance to be discovered.

Over 1,500 works. Most of them for sale. From £50.

Open 16 June – 23 August. From £23.50 to get in. Under 16s free.

08/06/2026

Today I’m at the press private view of Julio Le Parc: Light. Colour. Action at .
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This is a show spanning his entire extraordinary career from the 1950s to now. Kinetic sculptures, immersive light installations, geometric paintings that seem to breathe.

Very sadly Julio Le Clerc never made it to London. But his life’s work did…
Save the post to remind you.. This exhibition
Opens 11 June 2026 until 3 May 2027
Tate Modern, Bankside
Free for Tate Members

Go and be his witness. 🖤

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