Brun Fine Art

24/06/2026

Come visit us in Venice. A unique experience awaits you among the extraordinary works of Anne de Carbuccia

We now live in a post truth society.
Information is weaponised everywhere.
To be powerful you need the strongest information army.
Using a microphone can kill but can also kill you.
It's an instrument of warfare.
This war, this crisis is global.
We are not going to overcome misinformation, distortion and propaganda.
The best we can do is manage it.
We have the tools: we have our reason and we have our emotions.
And to fight back we have our humanity.
INFORMATION IS OFFICIALLY A WEAPON

🗓️When?
From May 9 to September 30

📍Where?
Campo della Ca**tà | Dorsoduro 1051, next to the Accademia Bridge (Venice)

20/06/2026

Come visit us in Venice. A unique experience awaits you among the extraordinary works of Anne de Carbuccia.

10/06/2026

Giò Pomodoro

TENSIONE, 1962

Bronze
47.5 × 54 × 7 cm
18 3/4 × 21 1/4 × 2 3/4 in

Authenticated by the Archivio Giò Pomodoro

A work that fully embodies Giò Pomodoro’s sculptural strength and spatial research during the early 1960s. Tensionetransforms bronze into a living surface, shaped by internal energies, compressions and openings that appear to mould the material from within. Its dynamic lines and fluid deformations evoke a constant balance between force and movement, in close dialogue with the experiments of Italian post-war abstraction and Informal art. An intense and deeply sculptural work in which matter becomes pure tension, light and rhythm.

28/05/2026

Tommaso de Vigilia
(Palermo, documented 1444–1494)
MADONNA DEL SOCCORSO, circa 1470–1475
Tempera and gold ground on panel
118.5 × 49.7 × 2.5 cm (unframed)
141.5 × 64.3 cm (framed)

The panel depicts the Madonna del Soccorso protecting a child from the devil, following one of the most widespread devotional iconographies in fifteenth-century Southern Italy, particularly associated with the Augustinian tradition. Armed with a rod, the Virgin shelters the frightened child beneath her mantle in a powerful gesture of maternal protection and salvation. The gold ground, finely punched decoration, and precious ornamental details enhance the spiritual and symbolic character of the work, reflecting the refined artistic culture of Palermo between the Late Gothic and the early Renaissance periods.

Expertise by Orazio Lovino.

19/05/2026

At Brun Fine Art, scientific investigations are currently underway as part of a technical study of several copper and silver alloy sculptures by Corrado Cagli.

The research, which will contribute to the forthcoming exhibition “Cagli tribale. La dimensione rituale della forma” (Rome, March – June 2027), is being carried out by Livia Sforzini and Davide Fodaro of the Istituto Centrale per il Restauro, in collaboration with Professor Paolo Piccardo of the Università degli Studi di Genova and Archivio Corrado Cagli.

19/05/2026

Da Brun Fine Art a Venezia, Anne de Carbuccia presenta le sue sculture che riprendono l'immaginario militare per riflettere sulla post-verità

08/05/2026

INFORMATION IS OFFICIALLY A WEAPON

🗓️When? From May 9 to September 30 at the Venice Biennale
🗓️Where? Campo della Ca**tà | Dorsoduro 1051, next to the Accademia Bridge
Sergeant S.N.A.F.U. by Anne de Carbuccia, a sculpture project on the power of
information and its use as an instrument of warfare. This crisis is global.

🗓️Quando? Dal 9 maggio al 30 settembre alla Biennale di Venezia
🗓️Dove? Campo della Ca**tà | Dorsoduro 1051, vicino al Ponte dell’Accademia
Sergente S.N.A.F.U. di Anne de Carbuccia, un progetto scultoreo sul potere
dell’informazione e il suo uso come strumento di guerra. Questa crisi è globale.

05/05/2026

28/04/2026

Sergeant S.N.A.F.U. examines the transformation of information into an instrument of power within a global landscape shaped by misinformation and polarization. 

The sculptures reinterpret the figure of the soldier, replacing the weapon with a microphone, articulating a reflection on contemporary communication as both a tool of connection and a device of conflict.

Produced through large-scale 3D printing and finished with mirror-like chrome surfaces, the works actively engage the viewer, implicating them within the system they interrogate.

Available in multiple dimensions:
SMALL (25–48 cm)
MEDIUM (53–101 cm)
LARGE (103–199 cm)

A solo show in collaboration with Pilar Pandini / Brun Fine Art. 

📍 Campo della Ca**tà, Dorsoduro 1051, Venice
(Next to the Accademia Bridge)
May 5 — September 30, 2026

“We now live in a post-truth society.
Information is weaponized everywhere.
To be powerful you need the strongest information army.
Using a microphone can kill but can also kill you.
It’s an instrument of warfare.
This war, this crisis is global.
We are not going to overcome misinformation, distortion and propaganda.
The best we can do is manage it.
We have the tools: we have our reason and we have our emotions.
And to fight back we have our humanity.”

— Anne de Carbuccia

27/04/2026

"We now live in a post truth society.
Information is weaponised everywhere.
To be powerful you need the strongest information army.
Using a microphone can kill but can also kill you.
It’s an instrument of warfare.
This war, this crisis is global.
We are not going to overcome misinformation, distortion and propaganda. The best we can do is manage it.
We have the tools: we have our reason and we have our emotions.
And to fight back we have our humanity."

Anne de Carbuccia


Anne de Carbuccia presents Sergeant S.N.A.F.U., a sculptural series that stages the
contemporary battlefield of information and the fierce fight for attention, perception
and truth. Communication is no longer neutral: it is deployed, targeted and
weaponized.
Meet Sergeant S.N.A.F.U., a stylized soldier whose weapon is actually a microphone.
The image is precise: language has become artillery and broadcast its ammunition at
scale. The historic military acronym S.N.A.F.U. (“Situation Normal, All Fu**ed Up”)
sarcastically defines a chaotic situation that has become the accepted norm.
In today’s information battlefield it frames a condition in which disorder is no longer
exceptional but operational. Misinformation, propaganda and incitement move like
weapons through global networks.
Rendered in chrome, the soldiers act as both armor and mirror, their reflective
surfaces capturing and implicating the viewer. Disorienting, reflective and seductive, they echo the polished surfaces of media systems designed to capture and dominate attention.
The soldiers evoke immediately legible toy figures. This familiarity sharpens the
tension: they are at once toys and instruments of control, mixing innocence and
militarization. They also reveal an invisible war driven by algorithms that amplify
division and escalate content.
The S.N.A.F.U. soldiers are the sentinels of a new kind of warfare, one without front lines, where the terrain is perception itself and casualties are truth and collective understanding.
With this series, Anne gives physical form to an otherwise intangible conflict: the fake news war where information is officially a weapon.