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James Freeman Gallery Contemporary painting, photography & sculpture Contemporary painting, photography and sculpture.

08/10/2026

Last few days to see our current exhibition 'The Wages of Decadence', with work from Carolein Smit, Elena Unger, Juliette Losq & Edgar Ward. The show continues until this Saturday.

In the video:

Edgar Ward
Glut the Dogs
Glazed porcelain, 2025
49 x 38 x 5 cm

Juliette Losq
Residuum
Mixed media on paper clay, 2026
34cm H x 30cm W

07/10/2026

LAST CHANCE TO SEE

This is the final week of our current exhibition 'The Wages of Decadence' with work from Carolein Smit, Elena Unger, Juliette Losq & Edgar Ward.

The show is open till this Saturday 10 October. More details via link in bio 👆🏻👆🏻👆🏻

Artowrk in the video:

Carolein Smit
Leg of Achilles
Glazed earthenware with gold luster, 2024
69cm H x 24cm W x 61cm D

02/10/2026

Elena Unger
The Last Feast of the Empire, Cycle Two, Autumn
Oil on canvas, 2026
91cm H x 121cm W

On show in our current exhibition 'The Wages of Decadence', until 10 October.

More details via link in bio👆🏻👆🏻👆🏻

SAVE THE DATELow LifeDerrick Guild & Katrin MoyeOpening Reception:Thursday 15 October, 6:30 – 8:30pmLow Life is an exhib...
01/10/2026

SAVE THE DATE

Low Life
Derrick Guild & Katrin Moye

Opening Reception:
Thursday 15 October, 6:30 – 8:30pm

Low Life is an exhibition about animal instincts, about mischief, otherness, and rebellion, explored through the work of two contemporary artists: Derrick Guild and Katrin Moye.

Katrin Moye is a ceramic artist in Nottingham whose work combines a deep knowledge of European ceramics with social commentary and a sharp wit. The sculptures in Low Life respond to the increasingly dark technocratic times we live in by looking to the world’s natural rebels and troublemakers for inspiration. The drunken raccoon found passed out after raiding a liquor store in Virginia appears as the subject of a large Italian Renaissance-inspired panel. A zoomorphic jar presents a moldwarp or mole, bane of landscapers, ruiner of lawns…

Derrick Guild is a Scottish artist whose paintings create surreal and playful connections across the historical canon of European art. As well as referencing antique portraiture, the works in Low Life look to the tradition of animal painting that documented the rare and the exotic or distinguished specimens as the possessions of wealthy owners. One painting brings together the head of Oudry’s ‘Clara the Rhinoceros’ with a lover’s eye excerpted from a van Dyck portrait. Paulus Potter’s painting of a bull also appears adorned with a lover’s eye drawn from an Ingres work, an unsettling human gaze that amplifies the psychological potency of the antique work it references….

All welcome at the opening reception. More details via link in bio 👆🏻👆🏻👆🏻

Final day of Malene Hartmann Rasmussen's fantastic solo presentation at the Saatchi Gallery as part of the British Art F...
27/09/2026

Final day of Malene Hartmann Rasmussen's fantastic solo presentation at the Saatchi Gallery as part of the British Art Fair.

We are open till 5pm today.

Photos by Sylvain Deleu

26/09/2026

Exhibition walkthrough of our solo presentation for Malene Hartmann Rasmussen at this year's British Art Fair at the Saatchi Gallery in London.

The fair continues till Sunday 27 September, 5pm.



As part of Spotlight: Contemporary at the British Art Fair 2026, we are pleased to present a solo exhibition for the Lon...
24/09/2026

As part of Spotlight: Contemporary at the British Art Fair 2026, we are pleased to present a solo exhibition for the London-based artist Malene Hartmann Rasmussen.

Malene Hartmann Rasmussen works within the field of narrative figurative sculpture and installation. A recurring theme in her work is the forest and the mythological creatures that lurk in the dark woods. She weaves together notions of memories, daydreams and childhood nostalgia into a fairy-tale of her own making. Hartmann Rasmussen’s interest in the forest stems from its recurrence in European literature and myth, ancient cults, pagan rituals, and as a metaphor for the hidden realms of the unconscious mind. Comprising a number of elaborate fragments, she creates tableaux of visual excess through which she seeks to evoke an emotional response in the viewer and actuate their imagination. Her work draws on the idea of animism; that animals and plants have a soul and that rivers, mountains and rocks, if not actually alive, are in some way sentient. She is interested in the human subconscious and strives to create a hyper-real world that addresses this gap between perception and reality. Her ornate ceramics may initially appear excessively sweet, but upon closer inspection reveal themselves as impossible and absurd objects, imbued with the artist’s own dark narrative. As a form of catharsis, the artist tries to exorcise misery, anger, and grief – as if they were demons – emotions which relate to the loss of her father and mother and the memories of a time now passed.

The British Art Fair takes place at the Saatchi Gallery in London from 24 – 27 September. We will be on Stand 1 in Spotlight: Contemporary on the second floor.

22/09/2026

Edgar Ward
The Thorn-puller
Porcelain, epoxy and gesso on limestone base, 2026
148 x 30 x 30 cm including base

A wonderful sculpture of a satyr picking a thorn from a foot, blending 3D printed porcelain and hand carving to creste a complex work referencing the classical sculpture Spinario.

Part of our current exhibition 'The Wages of Decadence'. More details via link in bio 👆🏻👆🏻👆🏻

19/09/2026

Juliette Losq
Undulation
Ink and watercolour on paper, 2026
146cm H x 258.5cm W

This phenomenal large scale watercolour and ink painting is currently on show as part of 'The Wages of Decadence'.

More details via link in bio 👆🏻👆🏻👆🏻

Address

354 Upper Street
London
N10PD

Opening Hours

Tuesday 11am - 6:30pm
Wednesday 11am - 6:30pm
Thursday 11am - 6:30pm
Friday 11am - 6:30pm
Saturday 11am - 6:30pm

Telephone

+442072263300

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