The Tagli

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Containers: Part II, a solo presentation of Lucas Dupuy, on view until this Sunday 18th October. The often overlooked be...
13/10/2026

Containers: Part II, a solo presentation of Lucas Dupuy, on view until this Sunday 18th October.

The often overlooked beauty of architectural interventions into public space, the mathematical concepts that underpin the field of fractal geometry and the unexpected occurrences that arise as one attempts to coexist with nature are all captured within Lucas Dupuy’s solo presentation at THE TAGLI, Containers: Part II. Starting life as a series of airbrushed autonomous drawings - paradoxical pre-planning employed to achieve a fabricated flash of supposed freedom - the artist’s heavy, hessian ground receives layer after layer of pigmented gesso, the primer hardening to form dense patches of colour, the negative space of the remaining raw fabric embraced as a subtle shadow. Sweeping gestural strokes appear to race across the canvas expanse, entering and exiting the picture plane in a heady haze, seemingly in defiance of any gravitational or physical constraints. Evidently abstract, yet rooted in an emotional observation of physical space and an empathetic exploration of our immediate surroundings, these transitory silhouettes are a response to shadows intercepted by nature or architecture and spaces illuminated by a refracted light source. Dappled sunlight dispersed through the gaps of leafy tree canopy. Dust or smoke suspended in the air, illuminated by a stray sunbeam. These ethereal, ephemeral moments manifest on the surface of Dupuy’s paintings, held in suspension through a precise balance of light, shade, hue, tint, tone and texture.

Exhibition text written by Hector Campbell

Containers: Part I and II
08 - 18 October 2026
67 Great Titchfield St, London W1W 7PT

Frieze hours:
Tues - Sat 11am - 7pm
Sun 11am - 4pm

Photography Thomas Moen

Heeyoung NohBedside table, 2026Oil on wood panel65 x 52 cm25 5/8 x 20 1/2 inThis work by Heeyoung Noh is currently featu...
12/10/2026

Heeyoung Noh
Bedside table, 2026
Oil on wood panel
65 x 52 cm
25 5/8 x 20 1/2 in

This work by Heeyoung Noh is currently featured in Containers Part I.
On view: Thursday 8th October – Sunday 18th October
67 Great Titchfield St, W1W 7PT

PART I - Piers Alsop, William Lowry, Heeyoung Noh, Nika Neelova, Salvatore Pione

PART II - Lucas Dupuy

We hope to see you there.

DM us for details and available works

NOW OPEN: Containers: Part I & Part IIPart I - Piers Alsop, William Lowry, Heeyoung Noh, Nika Neelova and Salvatore Pion...
08/10/2026

NOW OPEN: Containers: Part I & Part II
Part I - Piers Alsop, William Lowry, Heeyoung Noh, Nika Neelova and Salvatore Pione
Part II - Lucas Dupuy
08 - 18 October

THE TAGLI
67 Great Titchfield St,
London W1W 7PT

Attempts to decode, dispense with or otherwise divest oneself from the prevailing expectations and prior exploits of our predecessors are at the forefront of THE TAGLI’s latest group exhibition Containers: Part I, with five artists examining how artworks can both accommodate for and alter established stereotypes surrounding society, masculinity, archaeology, architecture and anthropology. Employing memory as a primary working methodology, either collective, imagined or artificial, each artist proffers a rewriting or remaking of the past in their own image, presenting vessels that hold and house their own alternative, artistic doctrines.

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The often overlooked beauty of architectural interventions into public space, the mathematical concepts that underpin the field of fractal geometry and the unexpected occurrences that arise as one attempts to coexist with nature are all captured within Lucas Dupuy’s solo presentation at THE TAGLI, Containers: Part II. Starting life as a series of airbrushed autonomous drawings - paradoxical pre-planning employed to achieve a fabricated flash of supposed freedom - the artist’s heavy, hessian ground receives layer after layer of pigmented gesso, the primer hardening to form dense patches of colour, the negative space of the remaining raw fabric embraced as a subtle shadow.

Exhibition text written by Hector Campbell

DM us for a list of works

Zach ZonoSpill, 2025Oil on canvas 100 x 150 cm39 3/8 x 59 inDM us for details and available works
06/10/2026

Zach Zono
Spill, 2025
Oil on canvas
100 x 150 cm
39 3/8 x 59 in

DM us for details and available works

Piers AlsopSite hoarding (with five figures), 2026Oil, soft pastel and mixed media on canvas and jute55 x 40 cm21 5/8 x ...
05/10/2026

Piers Alsop
Site hoarding (with five figures), 2026
Oil, soft pastel and mixed media on canvas and jute
55 x 40 cm
21 5/8 x 15 3/4 in

DM us for details and available works

NEW DATES FOR CONTAINERS PART I AND IIWe’re pleased to share the news that we have extended Containers: Part I & II thro...
04/10/2026

NEW DATES FOR CONTAINERS PART I AND II

We’re pleased to share the news that we have extended Containers: Part I & II through Frieze Week, which means the show will be on view during one of the most important weeks in London’s art calendar.

On view: Thursday 8th October – Sunday 18th October
67 Great Titchfield St, W1W 7PT

PART I - Piers Alsop, William Lowry, Heeyoung Noh, Nika Neelova, Salvatore Pione

PART II - Lucas Dupuy

We hope to see you there.

Containers: Part I & II Opens Tuesday 6th October, on until Sunday 11th October67 Great Titchfield St, LondonPART II - L...
03/10/2026

Containers: Part I & II
Opens Tuesday 6th October, on until Sunday 11th October
67 Great Titchfield St, London

PART II - Lucas Dupuy

The often overlooked beauty of architectural interventions into public space, the mathematical concepts that underpin the field of fractal geometry and the unexpected occurrences that arise as one attempts to coexist with nature are all captured within Lucas Dupuy’s solo presentation at The Tagli, Containers: Part II.

Lucas Dupuy
Lichen, 2025

DM us for details and a preview of works

Containers: Part I & II Opens Tuesday 6th October, on until Sunday 11th October67 Great Titchfield St, LondonPART I - Pi...
02/10/2026

Containers: Part I & II
Opens Tuesday 6th October, on until Sunday 11th October
67 Great Titchfield St, London

PART I - Piers Alsop, William Lowry, Heeyoung Noh, Nika Neelova, Salvatore Pione

Memories held within an object are of equal interest to Nika Neelova, whose practice of ‘reverse archeology’ seeks to uncover the anthropological histories embedded within discarded or discontinued items. Adamant that form persists as a reflection of former functionality, blown-glass lamp shades are revived and re-contextualised, encircled by various veneers and set within jesmonite casts to act as gorgoneion reliefs, Grecian amulets prized for their apotropaic abilities.

Nika Neelova
Gorgo’s Eye (Pink), 2026

DM us for details and available works

Containers: Part I & II
Opens Tuesday 6th October, on until Sunday 11th October
67 Great Titchfield St, London



Religious reliquaries, sculpted stations of the cross and altarpiece panel paintings all serve as inspiration for William Lowry’s own monuments to modern masculinity and societal remembrance. Devotional in their dimensions, his etched copper panels - normally a precursor to the printing process - present forgotten figures navigating at once familiar and yet uncanny landscapes.

William Lowry, First Exposure, 2026

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Containers: Part I & II
Opens Tuesday 6th October, on until Sunday 11th October
67 Great Titchfield St, London

A similar interest in sculptures’ ability to examine, expose and undermine inherent hierarchies is evidenced in Salvatore Pione’s facades - facsimiles of architecture made to encase or enclose that he would encounter within the gilded cage of his native Southern Italy.

Salvatore Pione, L’irreparabile, 2024

Exposing the generational trauma bonds that exists amongst a family’s female lineage, Communal Korean bathhouses and crumpled silk sheets host Noh’s n**e figures, while water droplets and the looming presence of a menacing black hound serve as visual stand-ins for these subconscious scars of systemic, state-sponsored oppression and a pervading, patriarchal social structure.

Heeyoung Noh
Bedside

A similar appreciation for a world-building that continues outside of the confines of the canvas is demonstrated in Heey...
01/10/2026

A similar appreciation for a world-building that continues outside of the confines of the canvas is demonstrated in Heeyoung Noh’s painting practice, where recurring settings, characters and symbolistic motifs are employed to epitomise the complexities and precarities of diasporic identity, speaking to the artist’s own lived experience of otherness as an East Asian woman residing in the United Kingdom. Exposing the generational trauma bonds that exists amongst a family’s female lineage, Communal Korean bathhouses and crumpled silk sheets host Noh’s n**e figures, while water droplets and the looming presence of a menacing black hound serve as visual stand-ins for these subconscious scars of systemic, state-sponsored oppression and a pervading, patriarchal social structure. - Hector Campbell, Exhibtion Text for Containers: Part I.

Heeyoung Noh
Untitled, 2026
Oil on wood panel
65 x 52 cm
25 5/8 x 20 1/2 in

This work will be included in our upcoming exhibtion ‘Containers: Part I’ opening next Tuesday 6th October at 67 Great Titchfield St, London.

DM us for details and available works

Photography by Thomas Moen

Beth McAlesterUntitled, 2026Oil on wood13 x 29 cm5 1/8 x 11 3/8 inDM us for details and available works
29/09/2026

Beth McAlester
Untitled, 2026
Oil on wood
13 x 29 cm
5 1/8 x 11 3/8 in

DM us for details and available works

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