The Tagli

The Tagli ART ADVISORY / ART STRATEGY / CULTURAL STRATEGY

Nina SilverbergLimit, 2025On ReverseOil on wood20 x 15 x 2 cm7 7/8 x 5 7/8 x 3/4 inDM us for a list of available works. ...
19/06/2026

Nina Silverberg
Limit, 2025
On Reverse
Oil on wood
20 x 15 x 2 cm
7 7/8 x 5 7/8 x 3/4 in

DM us for a list of available works.

Afonso RochaUntitled , 2026Black pen and collage on paper16 x 26 cm6 1/4 x 10 1/4 in“He draws from holiday photographs, ...
18/06/2026

Afonso Rocha
Untitled , 2026
Black pen and collage on paper
16 x 26 cm
6 1/4 x 10 1/4 in

“He draws from holiday photographs, magazine images, and figures assembled and placed against one another until certain combinations produce the desired tension. The background is usually set in his family home in northern Portugal, with its hedge and its pool backdrop, lit by the sun of Mediterranean summer. The background, however, arrives last and is painted from memory.”

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Zach Zono featured in the Royal Academy Summer Exhibition 2026. Zach ZonoHome For The Summer, 2025Oil on canvas160 x 280...
17/06/2026

Zach Zono featured in the Royal Academy Summer Exhibition 2026.

Zach Zono
Home For The Summer, 2025
Oil on canvas
160 x 280 cm
63 x 110 1/4 in

“these paintings seem to exhale. Colour and form gather and towards the edges of the canvas, suggesting landscapes or portals into the wide-open vistas and lucid tones of sub-Saharan Africa, somehow filtered through the grit and clash of city lights. The result is a body of work that offers access points rather than closure: moments where energy condenses and releases, like a pulse or a beating heart.” Nico Kos Earle

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Zach Zono featured in the Royal Academy Summer Exhibition 2026 - “all that is exciting and essential in British and inte...
17/06/2026

Zach Zono featured in the Royal Academy Summer Exhibition 2026 - “all that is exciting and essential in British and international art right now”.

Zach Zono
Home For The Summer, 2025
Oil on canvas
160 x 280 cm
63 x 110 1/4 in

“these paintings seem to exhale. Colour and form gather and towards the edges of the canvas, suggesting landscapes or portals into the wide-open vistas and lucid tones of sub-Saharan Africa, somehow filtered through the grit and clash of city lights. The result is a body of work that offers access points rather than closure: moments where energy condenses and releases, like a pulse or a beating heart.” Nico Kos Earle

DM us for a list of available works.

“An array of slender glass rods, each sealed and filled with pigments, mixed by Linington and inspired by the many diffe...
15/06/2026

“An array of slender glass rods, each sealed and filled with pigments, mixed by Linington and inspired by the many different hues of sand found at Alum Bay on the Isle of Wight. The wall-mounted tubes are held in vertical formation, with the cool exactitude of a scientific study. Elegant and slightly uncanny, the forms have something that has been extracted from a landscape and carefully preserved.”

Simon Linington
Facing the Sun, 2026
Pigment in a glass tube with an acrylic bracket
50 x 2.2 cm
19 3/4 x 7/8 in

Thunder and the rain, 2026
Pigment in a glass tube with an acrylic bracket
50 x 2.2 cm
19 3/4 x 7/8 in

Lightning again, 2026
Pigment in a glass tube with an acrylic bracket
50 x 2.2 cm

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Installation photography: .imaging

In her work, Chloe Beddow’s explores reframing moments of care and access through glamour and desire. Spaces associated ...
12/06/2026

In her work, Chloe Beddow’s explores reframing moments of care and access through glamour and desire. Spaces associated with care and disability are often devoid of aesthetic sensibility. Grandeur has long been tied to desire and value, marking what is considered worthy or unworthy. This absence speaks volumes about how cultural cues shape ideas of worth. She loves the quiet imprints in materials, questioning what invisibility looks and feels like, and rethinking how we perceive domestic and exterior spaces: what we notice, what we overlook, and why.

DM us for more information about Chloe’s practice and a full list of available works.

Photography by Erin Hambly

“Rocha’s paintings are sun-drenched and warm, populated with leisurely poolside figures. The scenes read, at first glanc...
11/06/2026

“Rocha’s paintings are sun-drenched and warm, populated with leisurely poolside figures. The scenes read, at first glance, like holiday postcards, set with a colour palette of lush greens and blue water. But look closer and something stranger is at work. In one painting, a naked woman sunbathes face-down while a ginger cat attends to itself nearby. A watchful woman, uneasy and out of register with the pleasure around her, looks on. In another, a sun-bleached chair sits empty at the poolside, a scarlet bikini bottom slung over one armrest, its absent owner palpable as a presence. Elsewhere, a figure drifts on an inflatable ring while a young boy stares open-mouthed at a naked woman poolside, capturing something of the slightly unhinged quality of childhood holidays.”

Afonso Rocha
In the Company of Women, 2026
Oil on canvas
145 x 185 cm
57 1/8 x 72 7/8 in

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Last chance to view Piers Alsop’s solo exhibtion at The Corn Hall Diss, closing this Saturday 13th June.Piers AlsopTradi...
10/06/2026

Last chance to view Piers Alsop’s solo exhibtion at The Corn Hall Diss, closing this Saturday 13th June.

Piers Alsop
Traditions (after FA), 2025-26
Oil, mixed media, ball pins, ‘Traditions’ branded clothing label and custom cut engineering brick on jute
36 x 35 x 3.5 cm

“Many of the works have additional components adhered to their surface. These off-cuts of jute and strips of commercial packaging act almost as postscripts to the paintings. They become part of the painting’s image but evade a true resolution having been stapled or pinned into position. Whilst the action of stapling and pinning into the jute implies more of pressured touch,the overall sensibility of these paintings is one of vulnerability… This add-on presents something of an anomaly, almost as if it’s found its way into the wrong picture and a different destination was intended. A window into another kind of (non)space.”

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Simon LiningtonThe sour, 2026Pigment and wood13.5 x 50.5 x 8.5 cm5 1/4 x 19 7/8 x 3 3/8 inDM us for details and a full l...
09/06/2026

Simon Linington
The sour, 2026
Pigment and wood
13.5 x 50.5 x 8.5 cm
5 1/4 x 19 7/8 x 3 3/8 in

DM us for details and a full list of available works.

Final day to view Where the Land Meets the Sea - a duo exhibition by Simon Linington and Afonso Rocha. Exploring memory,...
07/06/2026

Final day to view Where the Land Meets the Sea - a duo exhibition by Simon Linington and Afonso Rocha.

Exploring memory, belonging, and the places that continue to shape us long after we’ve left them, the exhibition brings together Linington’s pigment-filled glass works inspired by the shifting sands of the Isle of Wight and Rocha’s sun-soaked paintings of northern Portugal, where nostalgia and unease quietly coexist.

Open today until 6pm.
67 Great Titchfield St, W1W 7PT

Afonso Rocha
First Blossoms , 2026
Oil on canvas
140 x 170 cm
55 1/8 x 66 7/8 in

Simon Linington
Broken branches, 2026
Pigment in a glass tube with an acrylic bracket
50 x 2.2 cm
19 3/4 x 7/8 in

DM us for details and a full list of available works.

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