28/03/2026
It is 30 years since I first made a grass painting in 1996. After graduating from the RCA, it was the first series of paintings I made out of college. And all my shows in the late 90s included these paintings. It was about finding the optimum brush, colour, medium mix and surface to paint the perfect grass painting. In the year 2000 I made the biggest one to date, 180 by 240cm, and decided that was enough. 100s of tests and paintings were made during this intense search for the perfect grass painting, which of course didn’t exist. I returned to the series every few years, I recall commissions in 2004, 2008, a version was printed of the inner sleeve of Peter Gabriel’s ‘New Blood’ album in 2011. I incorporated a section of grass painting in a large mural for a mother and baby unit, a commission for Hospital Rooms in 2019. Then on my first visit to China I was surprised and delighted to see that every building hoarding in China was filled with a digital version of my grass paintings. It renewed my interest in the series and I returned to my UK studio with an idea to pick the series up again. Now back in China, a few years later, I am going to make the first large grass painting for some time. Everytime I have re-approached this way of working I make several tests, drying times, the nature of the mark, the tone and hue of the primer and the mix of colour with mediums is all crucial and makes each iteration quite a mission. It serves as a limbering up for the larger painting. Hopefully by this time next week I will have a new grass painting to show at the end of April at Bounded Space gallery in Beijing. The first grass painting to be made and shown in China. Home of the grass hoarding.