PixelLux Design

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PixelLux Design Combining artistic and technical expertise, we create integrated designs that leverage light and video technologies to tell compelling stories.

Led by Designer Nina Dunn & Technical Director Harrison Cooke. Latest projects - reviews, images and video

22/09/2026

We were delighted to be approached by the Royal Ballet and Opera's Learning and Participation team to work on the first iteration of their new school’s project The Big Ballet, celebrating storytelling through dance.

RBO Schools reaches over 200,000 children and 10,000 teachers across the UK each year, empowering teachers and inspiring young people through creative experiences in dance, singing and design. Research from RBO Schools’ dance programmes highlights the significant impact that creative, dance-led participation can have on children’s wellbeing, creativity, confidence and engagement with learning. These insights have helped shape The Big Ballet, ensuring that storytelling through dance is both artistically inspiring and accessible to children of all backgrounds and experiences.

From old oak trees in the depths of the Wild Wood, to the grandeur of Toad Hall, to the softness of butterflies dancing past windows, it has been joyful to bring the wider world to life in the virtual 3D realm. We loved collaborating with the wider team to expand the existing world of the Royal Opera House’s seminal production of the Wind in the Willows, directed and choreographed by Will Tuckett.

It was great to see it all come together in the Royal Opera House’s Clore studio, working alongside the Learning and Participation department and a team of exceptionally talented dancers as well as the team at Mountainway Pictures.

To extend the space defined by the props from the original production (designed by The Quays), we used a rear projection screen and commissioned a new window in collaboration with the team at Propworks. The video content design and 2D animation was led by PixelLux’s Creative Director, Nina Dunn, working alongside our Unreal Artist, Simran Kaur Matharu and on site we were supported by our production engineer, Jamie Waters.

We can’t wait to see how this project develops, bringing the work directly to schools across the country in the new year.

Choreography / Creative Direction: Will Tuckett (Olivier Award-winning Choreographer).
Royal Ballet dancers: Harris Bell, Tristan Ian-Massa, Rebecca Stewart, and Tom Whitehead.
Narration: Written by former Children’s Laureate Joseph Coelho, performed by acclaimed actor Ncuti Gatwa.
Music: Score by Martin Ward performed live by the award-winning Chroma Ensemble under West End Musical Director Andy Massey.
Design & Production: Stunning video/projections, costumes, and sets designed by leading Broadway and West End creatives Nina Dunn, Nicky Gillibrand, and the Quay Brothers.

Last night we opened A Tale of Two Cities at the Marlowe Theatre, Canterbury.“one powerhouse of a performance […] Modern...
18/09/2026

Last night we opened A Tale of Two Cities at the Marlowe Theatre, Canterbury.

“one powerhouse of a performance […] Modern and miraculous, the staging of this production brings Dickens’ Victorian masterpiece well and truly into the 21st century. The use of light and shadow mimics the trials and tribulations of the characters and political landscape of the cities at the time, with traditional scenery replaced by cinematography.”

It’s a precise and distilled telling of Charle’s Dickens’ original story in a bilingual adaptation by Terrence Rattigan and John Gieldud directed by Michael Fentiman with dramatic design work from Max Jones (set), Kinettia Isodore (costume), Ben Jacobs (lighting), Richard Hammarton (sound), Barnaby Race (composition) Susanna Peretz (WHAM) with the team at PixelLux joining the fray with projections and captions.

There was an army of people in addition to those mentioned above - not least the amazing cast - who came together to bring this to the stage so do check out the full credits on the website:
https://marlowetheatre.com/shows/a-tale-of-two-cities/

Special thanks to Adam Lansberry for his multifarious support for Nina Dunn's design on this one!

The Marlowe team have been brilliant and it’s truly such a lovely place to work. I’d return in a heartbeat.

I am so proud of what we have created and Marc Brenner has captured our work beautifully in his photography.

Adam Lansberry

Recently we have been taking a rollercoaster ride back through our misfit youth working on Ride the Cyclone. It’s a musi...
08/07/2026

Recently we have been taking a rollercoaster ride back through our misfit youth working on Ride the Cyclone.

It’s a musical made with love for all the unique and once misunderstood kids out there and we’re absolutely thrilled it has returned to Southwark Playhouse Elephant, following its critically acclaimed sold-out run last year.

Over the past weeks we have loved being reunited with the St Cassian’s Chamber Choir, bringing this bold, one-of-a-kind musical back to life with full stage animations that both support Karnak’s curious game and describe the players’ dreams for the future as the catchy numbers take flight one after the other.

But which member of the choir will win the ultimate prize and be brought back to life? To find out, make sure you take a ride before this year’s limited run finishes towards the end of August!

📸 Charlie Flint

‘this beautifully performed show made me laugh, made me cry, made me tap my foot. I foresee a longer life for it.’
The Times

‘The production team — including musical director Ben McQuigg, lighting designer Tim Deiling, video designer Nina Dunn, and sound designer Tom Marshall — creates a polished, imaginative atmosphere that supports the cast well.’
London Review

30/04/2026

Two weeks on from its official press night in the , Nina Dunn, Video Designer for Avenue Q at the Shaftesbury Theatre, shares a behind-the-scenes look at the production:

"I first encountered Avenue Q on Broadway in 2008 and later via the V&A Museum's National Video Archive of Performance whilst working on an exhibit there. Joining the team to bring it back to the West End alongside original and new creative members is a true privilege.

I adore every character in this clever, deceptively complex show. The cast is exceptional and directed by Jason Moore they manage to find the perfect balance of heart and humor. It is a joy to hear the audience's laughter and gasps of support for the characters each night.

The music and writing feel fresh while honoring the original classic: the band is so brilliant I could listen to their sound check alone all evening.

Collaborating with Anna Louizos on her inventive set has been wonderful, especially finding new ways to integrate original animation and hidden video surfaces. My team at PixeLlux, working alongside lighting designer, Tim Lutkin, and sound designer, Paul Groothuis, has worked to re-format and expand the interstitial material and add more humour and richness to the show with new material.

With the original puppet designs sporting Jean Chan's ingenious new costume designs, it has been an honor to be part of the Avenue Q 'Class of 2026.'"

Thetre-News.com
*****
"Visually the production benefits enormously from the advances in theatre technology. Tim Lutkin’s lighting design and Nina Dunn’s video design are sleek, dynamic and beautifully integrated with Anna Louizos’s set design , giving the show a level of polish that redefines its aesthetic. It no longer trades on novelty; it stands confidently as a sophisticated piece of musical theatre."

Liam O Dell
****
“…given how many adult jokes can be found in video designer Nina Dunn’s cartoonish infomercials, I found myself scanning the many billboards seen in “There’s Life Outside Your Apartment” for hidden references instead of paying attention to the characters performing on stage.”

Address

Regent Studios
London Borough Of Islington

Opening Hours

Monday 10am - 5:30pm
Tuesday 10am - 5:30pm
Wednesday 10am - 5:30pm
Thursday 10am - 5:30pm
Friday 10am - 5:30pm

Telephone

+447984802968

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