Fundamental Art

Fundamental Art Representative paintings from the various artistic styles since romanticism

A quiet dinner, a tragic love, and a masterpiece of  . In Isabella (1849), John Everett Millais captures the moment when...
10/08/2025

A quiet dinner, a tragic love, and a masterpiece of . In Isabella (1849), John Everett Millais captures the moment when tension simmers beneath the surface. Lorenzo offers Isabella a blood orange, a symbol of doomed love, while her brothers silently plot his murder. Every detail, from the spilled salt to the anxious dog, hints at betrayal and heartbreak 🍊💔
This painting is a visual poem inspired by and , filled with symbolism and emotional depth. Millais was only 19 when he painted it, showing how powerful storytelling can be through brushstrokes.

🌊 “Shipwreck” (1896) by Joaquín Bárbara y Balza shows a powerful and emotional moment at sea. A lone sailor rows a small...
06/07/2025

🌊 “Shipwreck” (1896) by Joaquín Bárbara y Balza shows a powerful and emotional moment at sea. A lone sailor rows a small boat carrying the bodies of two shipwrecked companions. His face is calm but full of sadness, making us feel the weight of what he’s been through.
The painting is quiet and simple, but it tells a deep story about survival, loss, and human strength.
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You can see it at the in Madrid
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Les Saltimbanques🎪 Gustave Doré, 1874 🇫🇷A family of street performers gathers around their injured child after a tragic ...
06/07/2025

Les Saltimbanques🎪
Gustave Doré, 1874 🇫🇷

A family of street performers gathers around their injured child after a tragic accident during a performance. The mother cradles the child with raw grief, while the father and other figures stand nearby, frozen in helpless sorrow.
Doré, a master of dramatic storytelling, uses contrast beautifully. The soft light falling on the child highlights their fragility, while the rest of the scene is cloaked in shadow and muted tones. The colorful costumes of the performers stand in stark contrast to the sadness in their eyes, reminding us that behind smiles and shows, there can be deep pain.
This piece is more than just a depiction of one tragic moment. It’s a quiet reflection on the vulnerability of life, the silent burdens carried by those on society’s fringes, and the resilience that love and loss can reveal.

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“The letter” by Berthold Woltze (1829-1896)
31/07/2024

“The letter” by Berthold Woltze (1829-1896)

“Daniel and the Lion’s Den”Briton Rivière, 1872_
12/05/2024

“Daniel and the Lion’s Den”
Briton Rivière, 1872
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“La miseria” by Cristobal Rojas 1886_
12/05/2024

“La miseria” by Cristobal Rojas
1886
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Louis William Wain🌀🐈1860, 1939Clerkenwell, London, England___________________Wain's work has been identified as an impor...
13/03/2023

Louis William Wain🌀🐈
1860, 1939
Clerkenwell, London, England
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Wain's work has been identified as an important precursor to 1960s psychedelic art.The 60s saw renewed interest in Wain's psychedelic work, and psychedelia fans of the time "marveled at how Wain could produce these psychedelic images without taking any sort of substances."
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The Roses of Heliogabalus by Alma-Tadema (1888)
02/06/2021

The Roses of Heliogabalus by Alma-Tadema (1888)

💞Le Lit ("The Bed") (also known as Dans le lit, "In bed") 💞🔹Henri de Toulouse-Lautrec, 1892🕰️🔹Post-Impressionism🌌🔸It dep...
16/04/2021

💞Le Lit ("The Bed") (also known as Dans le lit, "In bed") 💞
🔹Henri de Toulouse-Lautrec, 1892🕰️
🔹Post-Impressionism🌌

🔸It depicts two people sharing a bed. The painting has been held by public collections in France since 1937, and by the Musée d'Orsay in Paris since 1986.

The painting is one of four paintings of similar date depicting individuals in bed, often interpreted as le***an couples.

Toulouse-Lautrec became fascinated by the nightlife in Paris, particularly prostitutes. Through the 1890s, he spent more and more time painting everyday scenes of life in the official brothels, the maisons closes. In 1892 he was commissioned to produce paintings for the salon at a brothel on the rue d'Ambroise. He spent time observing the brothel, its residents and visitors, while they worked and at quieter moments, and made sixteen portraits of the prostitutes. These paintings demonstrate a close and intimate observation and compassion towards the subjects, without any sense of sensationalism or voyeurism.

It depicts two women in a bed, gazing at each other. The white sheets of the bed contrast with a red bedspread and with the headboard and wall behind. The disembodied heads of the women face each other, their bodies concealed beneath mountains of bedclothes. The painting is suffused by a warm glow, perhaps the rosy morning light, or a gas lamp. The painting is often interpreted as depicting a le***an liaison.

The painting was exhibited in Paris at the Le Barc de Boutteville gallery during the third exhibition of the Impressionists and symbolists (Nov 15, 1892 to circa February 1893).

It was donated to the French state in 1937 and initially held in the Musée du Louvre, and then transferred to the Musée d'Orsay in 1986.

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🍉🍵Merchant's Wife at Tea🍵🍉🔹Boris Kustodiev, 1918🕰️🔹Art Nouveau/ Modern art🧿🔸Boris Kustodiev was born in Astrakhan. His f...
16/04/2021

🍉🍵Merchant's Wife at Tea🍵🍉
🔹Boris Kustodiev, 1918🕰️
🔹Art Nouveau/ Modern art🧿

🔸Boris Kustodiev was born in Astrakhan. His father, a schoolteacher, died young, and all financial and material burdens lay on his mother's shoulders. The Kustodiev family rented a small wing in a rich merchant's house. It was here that the boy's first impressions were formed of the way of life of the provincial merchant class. The artist later wrote, 'The whole tenor of the rich and plentiful merchant way of life was there right under my nose ... It was like something out of an Ostrovsky play.' The artist retained these childhood observations for years, recreating them later in oils and water-colors.

In his paintings of the merchant class Kustodiev added the spirit of satire. Using the bright reds and blues of Russian folk art, he delighted in painting the merchants' plump wives in their leisure activities. His poetic paintings on themes from the life of the people, in which he conveyed the inexhaustible strength and beauty of the Russian soul. He wrote, 'I do not know if I have been successful in expressing what I wanted to in my works: love of life, happiness and cheerfulness, love of things Russian—this was the only "subject" of my paintings ...'. This work, like many others, has an oriental richness of color that Kustodiev saw as part of his Astrakhan heritage.

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👁️👼Vision after the Sermon (Jacob Wrestling with the Angel)👼👁️🔹Paul Gauguin, 1888🕰️🔹Post-Impressionism/ Synthetism🌌🔸It d...
16/04/2021

👁️👼Vision after the Sermon (Jacob Wrestling with the Angel)👼👁️
🔹Paul Gauguin, 1888🕰️
🔹Post-Impressionism/ Synthetism🌌

🔸It depicts a scene from the Bible in which Jacob wrestles an angel. It depicts this indirectly, through a vision that the women described seeing after a sermon in church. It was painted in Pont-Aven, Brittany. It is now in the Scottish National Gallery, Edinburgh. 

In the early part of his career as a painter, Gauguin had painted primarily landscapes en plein air in the Impressionist manner. By 1888, he had become dissatisfied with Impressionism, which did not satisfy his enthusiasm for archaic and primitive forms or his interest in the mystical. In 1888, during a visit to the artist's colony of Pont-Aven in Brittany, he met the young artist Émile Bernard, who had begun painting in a simplified style influenced by Japanese prints. Following Bernard's example but developing it further, Gauguin painted Vision After the Sermon, which marked his interest in interpreting religious subject matter in a highly personal way. He became recognized as the leader of a new style called Synthetism.

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🌻The Painter of Sunflowers (in French: Le Peintre de Tournesols) 🌻Paul Gauguin,1888🕰️Post-Impressionism🌌🔸The portrait wa...
16/04/2021

🌻The Painter of Sunflowers (in French: Le Peintre de Tournesols) 🌻
Paul Gauguin,1888🕰️
Post-Impressionism🌌

🔸The portrait was painted when Gauguin visited Van Gogh in Arles, France. Vincent had pleaded with Gauguin to come to Arles to start an art-colony. Gauguin eventually agreed after funding for the transportation and expenses was provided by Vincent's brother Theo Van Gogh; however Gauguin only stayed for two months as the two often quarreled and the famous incident where Van Gogh severed his left ear with a razor occurred after an argument with Gauguin.

Van Gogh's first impression on seeing the painting was that Gauguin had depicted him as a madman. He later softened his view. "My face has lit up after all a lot since, but it was indeed me, extremely tired and charged with electricity as I was then".

🔹The painting is exhibited at the Van Gogh Museum in Amsterdam.

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