French Painters Sculptors & Arhitects

French Painters Sculptors & Arhitects Bienvenue dans le monde de la peinture française!Welcome to the world of French painting! You can help by adding missing items with reliable sources.

Important Notice:
This biographical list needs additional citations for verification. (June 2015)
This is a list of French painters sorted alphabetically and by the century in which the painter was most active. The Cliffs of the Loue by Gustave Courbet, 1872
This is a dynamic list and may never be able to satisfy particular standards for completeness. alphabetically Edit

A–C Edit
Edmond Aman-Jea

n (1858–1936)
Albert André (1869–1954)
Mathuren Arthur Andrieu (1822–1896)
Gaston Anglade (1854–1919)
Charles Angrand (1854–1926)
Alexandre Antigna (1817–1878)
Arcabas (1926–2018)
Renée Aspe (1922–1969)
Louise Astoud-Trolley (1817–1883)
Etienne Aubry (1746–1781)
Louis-François Aubry (1770–1850)
Joseph Aved (1702–1766)
Jean Bardin (1732–1809)
Rex Barrat (1914–1974)
Georges Barrière (1881–1944)
Cécile Bart (born 1958)
Adrien Bas (1884–1925)
Jean-François Batut (1828–1907)
Jean René Bazaine (1904–2001)
Frédéric Bazille (1841–1870)
Geneviève Brossard de Beaulieu (fl. c. 1770–1815)
Amar Ben Belgacem (1979–2010)
Andrée Belle (1840–1901)
Marcelle Bergerol (1901-1989)
Antoine Berjon (1754–1843)
André Beronneau (1886–1973)
Louis Béroud (1852–1930)
Jean-Baptiste Bertrand (1823–1887)
Raymond Besse (1899–1969)
Louis Bissinger (born 1899)
Louis-Léopold Boilly (1761–1845)
Jean-François Boisard (1762-1820)
Maurice Boitel (1919–2007)
Rosa Bonheur (1822–1899)
Leon Bonnat (1833–1922)
François Boucher (1703–1770)
Eugène Boudin (1824–1898)
William Bouguereau (1825–1905)
Valentin de Boulogne (1591–1632)
Abel-Dominique Boyé (1864–1934)
Louis Braquaval (1854–1919)
Georges Braque (1882–1963)
Ernest Breton (1812-1875)
Pierre Brissaud (1885–1964)
Pierre-Nicolas Brisset (1810–1890)
François Brochet (1925–2001)
Bernard Buffet (1928–1999)
Étienne Buffet (1866–1948)
Louis-Nicolas Cabat (1812–1893)
Gustave Caillebotte (1848–1894)
Philippe Calandre (born 1964)
Robert Campin (1378–1445)
Albert-Ernest Carrier-Belleuse (1824–1887)
Louis-Robert Carrier-Belleuse (1848–1913)
Eugène Carrière (1849–1906)
Clément Castelli (1870–1959)
Paul Cézanne (1839–1906)
Narcisse Chaillou (1835–1916)
Charles-Michel-Ange Challe (1718–1778)
Jean-Baptiste de Champaigne (1631–1681)
Philippe de Champaigne (1602–1674)
Jérôme-François Chantereau (1710?—?)
Jean Chardin (1643–1713)
Jean Siméon Chardin (1699–1779)
José Charlet (1916–1993)
Théodore Chassériau (1819–1856)
Pierre Puvis de Chavannes (1824–1898)
Wang Yan Cheng (born 1960)
Jules Chéret (1839–1932)
Aimée Julie Cheron (1821–c.1890)
Antoine Chintreuil (1816–1873)
Félix Auguste Clément (1826–1888)
François Clouet (1515–1572)
Jean Clouet (1480–1541)
Léon Cogniet (1794–1880)
Alphonse Colas (1818–1887)
Émile Colinus (1884–1966)
Nicolas Colombel (1646–1717)
Charles-Fernand de Condamy (1855–1913)
Lydia Corbett (born 1927)
Roger de la Corbière (1893–1974)
Frédéric Samuel Cordey (1854–1911)
Karen Joubert Cordier (born 1954)
Fernand Cormon (1845–1924)
Jean-Baptiste-Camille Corot (1796–1875)
Pierre Auguste Cot (1837–1883)
Charles Cottet (1863–1925)
Amédée Courbet (1827–1885)
Gustave Courbet (1819–1877)
Jean Cousin the Younger (c. 1522–1595)
Thomas Couture (1815–1879)
Joseph Crepin (1875–1948)
Eugene Emmanuel Amaury Duval (1808–1885)
Jean Cousin the Elder (1500–c. 1593)
Théodore Basset de Jolimont (1787–1854)
Jean Cousin the Younger (c. 1522–1595)
D–G Edit
Albert Dagnaux (1861–1933)
Augustine Dallemagne (1821–1875)
Charles-François Daubigny (1817–1878)
Fernand Dauchot (1898–1982)
Adrien Dauzats (1804–1868)
Jacques-Louis David (1748–1825)
Alexandre-Gabriel Decamps (1803–1860)
Adolphe Déchenaud (1868–1926)
Johan Stephan Decker (1784–1844)
Edgar Degas (1834–1917)
Eugène Delacroix (1798–1863)
Édouard Delaporte (1909–1983)
Paul Delaroche (1797–1856)
Jules-Élie Delaunay (1828–1891)
Robert Delaunay (1885–1941)
François-Alfred Delobbe (1835–1920)
Marguerite Delorme (1876–1946)
Maite Delteil (born 1933)
Maurice Denis (1870–1943)
André Derain (1880–1954)
Jean-Baptiste-Henri Deshays (1729–1765)
Henry d'Estienne (1872–1949)
Édouard Detaille (1848–1912)
Narcisse Virgilio Díaz (1807–1876)
Étienne Dinet (1861–1929)
Marcel Duchamp (1887–1968)
Suzanne Duchamp (1889–1963)
Joseph Ducreux (1735–1802)
Georges Dufrénoy (1870–1943)
Marie Duhem (1871–1918)
Henri-Julien Dumont (1859–1921)
Joseph Siffred Duplessis (1725–1802)
François-Léonard Dupont-Watteau (1756–1824)
Jules Dupré (1811–1899)
Jean Dupuy (1925–2021)
Charles Eschard (1748–1810)
Bracha L. Ettinger (born 1948)
Henri Fantin-Latour (1836–1904)
Auguste Feyen-Perrin (1826–1888)
Clara Filleul (1822–1878)
Hélène Feillet (1812–1889)
Jean Fernand (1948-)
Charles Filiger (1863–1928)
Rosalie Filleul (1752–1794)
Jean-Hippolyte Flandrin (1809–1864)
Camille Flers (1802–1868)
René Fontayne (1891–1952)
Jean Fouquet (1425–1481)
Jean-Honoré Fragonard (1732–1806)
Pierre Édouard Frère (1819–1886)
Charles-Théodore Frère (1814–1886)
Émile Friant (1863–1932)
Eugène Fromentin (1820–1876)
Pierre Gandon (1899–1990)
Paul Gauguin (1848–1903)
François Gérard (1770–1837)
Théodore Géricault (1791–1824)
Jean-Léon Gérôme (1824–1904)
Félix-Henri Giacomotti (1828–1909)
René Gillotin (1814–1861)
Georges Gimel (1898–1962)
Charles Léon Godeby (1866–1952)
Alain Godon (born 1964)
Jean-Pierre Granger (1779–1840)
Jean-Baptiste Greuze (1725–1805)
Antoine-Jean Gros (1771–1835)
François Guiguet (1860–1937)
Armand Guillaumin (1841–1927)
Alvaro Guillot (1931–2010)
H–M Edit

Ahmed Hajeri (born 1948)
Fulchran-Jean Harriet (1778–1805)
T'ang Haywen (1927–1991)
I.J. Berthe Hess (1925–1996)
Anne Marguerite Hyde de Neuville (1771–1849)
Jean Auguste Dominique Ingres (1780–1867)
Étienne Jeaurat (1699–1789)
Jeanne Jégou-Cadart
Henri de Jordan (1944–1996)
Jean Jouvenet (1644–1717)
Victor Koulbak (born 1946)
Georges Lacombe (1868–1916)
Pierre Laffillé (born 1938)
Louis Lafitte (1770–1828)
Antonio de La Gándara (1861–1917)
Pierre Lamalattie (born 1956)
Elisa de Lamartine (1790–1863)
Espérance Langlois (1805–1864)
Eustache-Hyacinthe Langlois (1777–1837)
Jean-Charles Langlois (1789–1870)
Polyclès Langlois (1813–1872)
Langlois de Sézanne (1757–1845)
François Lanzi (1916–1988)
Edmond-Édouard Lapeyre (1880–1960)
Gaston La Touche (1854–1913)
Alfred Latour (1888–1964)
Georges de La Tour (1593–1652)
Joseph Latour (1806–1863)
Jean-Paul Laurens (1838–1921)
Jules Laurens (1825–1901)
Andrée Lavieille (1887–1960)
Eugène Lavieille (1820–1889)
Marie Adrien Lavieille (1852–1911)
Charles Lebayle (1856–1898)
Charles Le Brun (1619–1690)
Claude Lefebvre (1633–1675)
Fernand Léger (1881–1955)
Anne-Louise Le Jeuneux (died 1794)
Le Nain brothers (c. 1599–1677)
Louis Le Nain (1593–1648)
Charles-Amable Lenoir (1860–1926)
Jean Paul Leon (born 1955)
Alfred Lesbros (1873–1940)
Eustache Lesueur (1617–1655)
Pierre Le Tellier (1614–1702)
Louis Levacher (1934–1983)
Jacques Linard (1597–1645)
Fleury Linossier (born 1902)
Louis-Anselme Longa (1809–1869)
Inès Longevial (born 1990)
Claudine Loquen (1965-)
Louis Michel van Loo (1707–1771)
Évariste Vital Luminais (1821–1896)
Richard Maguet (1896–1940)
Aristide Maillol (1861–1944)
André Maire (1898–1984)
Jacques Majorelle (1886–1962)
Henri Malançon (1876–1960)
Henri Malançon (1876–1960)
Eugène de Malbos (1811–1858)
Vincent Manago (1880–1936)
Édouard Manet (1832–1883)
Adrien Manglard (1695–1760)
Pierre Marcel-Béronneau (1869–1937)
Prosper Marilhat (1811–1847)
Paul Marny (1829–1914)
Henri Marret (1878–1964)
Olivier Masmonteil (born 1973)
François Mathieu (1962–2007)
Henri Matisse (1869–1954)
Théo Mercier (born 1984)
Pierre-Charles Le Mettay (1726–1759)
Pierre Mignard (1612–1695)
Ksenia Milicevic (born 1942)
Jean-François Millet (1814–1875)
Maurice Moisset (1860–1946)
Benoît-Hermogaste Molin (1810-1894)
Alphonse Monchablon (1835–1907)
Jan Monchablon (1854–1904)
Claude Monet (1840–1926)
Nicolas-André Monsiau (1754–1837)
Gustave Moreau (1826–1898)
Berthe Morisot (1841–1895)
Zareh Moskofian (1898–1987)
Henri-Paul Motte (1846–1922)
N–R Edit
Louis Nattero (1870–1915)
Louis Nattero (1870–1915)
Alfred-Arthur Brunel de Neuville (1852–1941)
Alphonse-Marie-Adolphe de Neuville (1836–1885)
Virgilije Nevjestić (1935–2009)
Joseph de La Nézière (1873–1944)
Jean Nicolle (1610–c. 1650)
Boris O'Klein (1893–1985)
Jean-Baptiste Olive (1848–1936)
Jean-Baptiste Oudry (1686–1755)
Milena Palakarkina (born 1959)
Gen Paul (1895–1975)
Fernand Pelez (1843–1913)
Jacques Pellegrin (born 1944)
Claude Pelletier-Pigot (1932–2008)
Albert Joseph Pénot (1862–1930)
Edmond Marie Petitjean (1844–1925)
Hippolyte Petitjean (1854–1929)
Alexis Peyrotte (1699–1769)
Francis Picabia (1879–1953)
François-Édouard Picot (1786–1868)
Jean-Claude Picot (1933–2020)
Henri-Pierre Picou (1824–1895)
Patrick Pietropoli (born 1953)[1]
Henri Pinta (1856–1944)
Camille Pissarro (1830–1903)
Claude Plessier (born 1946)
Nicolas Poussin (1594–1665)
Pierre Puvis de Chavannes (1824–1898)
Jean Puy (1876–1960)
Denis Prieur (born 1957)
Léon Printemps (1871–1945)
Quentin de La Tour (1704–1788)
Yehiel Rabinowitz (born 1939)
Alexandre Rachmiel (1835–1918)
Odilon Redon (1840-1916)
Jean-Baptiste Regnault (1754–1829)
Pierre-Auguste Renoir (1841–1919)
Eustache Restout (1655–1743)
Jacques Restout (1650–1701)
Marc Restout (1616–1684)
Thomas Restout (1671–1754)
Philippe Richard (born 1962)
Raymond Rochette (1906–1993)
Jeff Roland (born 1969)
Bernard Rosenblum (1927–2007)
Édouard Rosset-Granger (1853–1934)
Georges Rouault (1871–1958)
Jean Rouppert (1887–1979)
Henri Rousseau (1844–1910)
Théodore Rousseau (1812–1867)
Monique de Roux (born 1946)
Ferdinand Roybet (1840–1920)
Henri Royer (1869–1938)
S–Z Edit
Fernande Sadler (1869-1949)
Niki de Saint Phalle (1930–2002)
Lucienne de Saint-Mart (1866–1953)
Nicola Rosini Di Santi (born 1959)
Maurice Savin (1894–1973)
Jean-Jacques Scherrer (1855–1916)
Franz Schrader (1844–1924)
Théophile Schuler (1821–1878)
René Schützenberger (1860–1916)
Hippolyte Sebron (1801–1879)
Jean Seignemartin (1848–1875)
Henri Sert (1938–1964)
Georges Seurat (1859–1891)
Ibrahim Shahda (1929–1991)
Paul Sibra (1889–1951)
Sotiris René Sidiropoulos (born 1977)
Paul Signac (1863–1935)
Pierre Soulages (born 1919)
Nicolas de Staël (1914–1955)
Jacques Stella (1596–1657)
Michel Suret-Canale (born 1957)
Alfred Swieykowski (1869–1953)
Tancrède Synave (1870–1936)
Octave Tassaert (1800–1874)
Georges William Thornley (1857–1935)
François Topino-Lebrun (1764–1801)
Victor Tortez (1843-1890)
Édouard Toudouze (1848–1907)
Henri de Toulouse-Lautrec (1864–1901)
Anthelme Trimolet (1798–1866)
Constant Troyon (1810–1865)
Maurice Utrillo (1883–1955)
Suzanne Valadon (1865–1938)
Pierre Adolphe Valette (1876–1942)
Aimé Venel (born 1950)
Louis Mathieu Verdilhan (1875–1928)
Claude Joseph Vernet (1714–1789)
Horace Vernet (1789–1863)
Bernard Vidal (born 1944)
Élisabeth Vigée-Lebrun (1755–1842)
Victor Vignon (1847–1909)
Jean-Marie Villard (1828–1899)
Marie-Denise Villers (1774–1821)
Jacques Villon (1875–1963)
Henri Vincent-Anglade (1876–1956)
André-Léon Vivrel (1886–1976)
Lucien Vogt (1891–1968)
Simon Vouet (1590–1649)
Arnaud Courlet de Vregille (born 1958)
Édouard Vuillard (1868–1940)
Joseph Wamps (1689–1744)
Antoine Watteau (1684–1721)
François Willi Wendt (1909–1970)
Georges Yatridès (born 1931)
Félix Ziem (1821–1911)
Achille Zo (1826–1901)

{Source from Wikipedia}

François Auguste René Rodin (12 November 1840 – 17 November 1917) was a French sculptor generally considered the founder...
06/06/2026

François Auguste René Rodin (12 November 1840 – 17 November 1917) was a French sculptor generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as The Thinker, Monument to Balzac, The Kiss, The Burghers of Calais, and The Gates of Hell.

Known for: Sculpture and drawing
Notable work
The Age of Bronze (L'age d'airain), 1877
The Walking Man (L'homme qui marche), 1877–78
The Burghers of Calais (Les Bourgeois de Calais), 1889
The Kiss (Le Ba**er), 1889
The Thinker (Le Penseur), 1902
The Gates of Hell (La Porte de l'Enfer), 1917

Artwork: Portrait of Mlle Doré Artist: François-Hubert DrouaisCreated: 1758Medium: Oil on canvas Dimensions: 68.6 x 61 c...
11/01/2026

Artwork: Portrait of Mlle Doré
Artist: François-Hubert Drouais
Created: 1758
Medium: Oil on canvas
Dimensions: 68.6 x 61 cm (estimate, without frame)
Location: Victoria and Albert Museum, London, UK
Photography by
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“This painting has close affinity with the work of François-Hubert Drouais (1727-75) and it was formerly described as a portrait of Mademoiselle Doré by Drouais.
However, there was a portrait painter who signed herself Mlle Doré in 1763 and 1765-about the time when this picture was painted-and it seems likely that, in this case also, Mademoiselle Doré was the painter rather than the sister. She is probably to be identified with Marie-Jeane Doré, Drouais sister in law. “ (V&A)
—————————————————

Artwork: The Wood SawyersArtist: Jean-François MilletCreated: c. 1850-1852Medium: Oil on canvas Dimensions: 95.5 x 119....
11/01/2026

Artwork: The Wood Sawyers
Artist: Jean-François Millet
Created: c. 1850-1852
Medium: Oil on canvas
Dimensions: 95.5 x 119.5 cm (framed)
Weight: 31 kg with frame (this thing is very interesting)
Location: Victoria and Albert Museum, London, UK
Photography:
—————————
‘’Three colours dominate the earthen palette: the intense blue of the near sawyer’s trousers, his brilliant white shirt and the red of the third figure in the background. This colour scheme combined with the emphasis put on the strain of the figures may convey a political meaning. For instance, the Winnover, The National Gallery, London, exhibited at the Salon in 1848, has been interpreted as an allusion to the Revolution of February that year through the colours worn by the figure, blue, white and red, and the subject matter, separating the grain from the chaff.
X-ray photography shows that the scene was painted over an earlier composition, most likely the lost oil sketch for The Republic, unsuccessfully submitted by Millet at a French state competition in 1848. Around this time, Millet made two other sketches entitled L’Egalité and La Fraternité stylistically compatible with the underlying composition.’’ (Source of text V&A)

Artwork: Portrait of a Lady Called Jeanne de MarignyArtist: Charles Beaubrun and Henri BeaubrunCreated : c. 1650-1660Med...
11/01/2026

Artwork: Portrait of a Lady Called Jeanne de Marigny
Artist: Charles Beaubrun and Henri Beaubrun
Created : c. 1650-1660
Medium: Oil on canvas
Dimensions: 128 x 84.5 cm (estimate)
Location: Victoria and Albert Museum, London, UK
Photography: (L-C E)
——————————————

‘’Three-quarter length full-face portrait of a lady facing the spectator; she has fair hair arranged in ringlets surmounted by a string of pearls, she wears elaborate satin dress in gold, blue and orange/red, also ornamented with pearls. Her left hand rests on her hip and holds up her skirt in which are trapped some necklaces and gold coins. From her right hand she holds out two necklaces while some coins are dropping out. In the background on the left is a landscape under a cloudy sky; on the right is a tree.’’ (V&A)
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Artwork: The RailwayArtist: Édouard  Manet (French artist, 1832 - 1883)Created: 1873 Medium: Oil on canvas Dimensions: o...
11/01/2026

Artwork: The Railway
Artist: Édouard Manet (French artist, 1832 - 1883)
Created: 1873
Medium: Oil on canvas
Dimensions: overall: 93.3 x 111.5 cm (36 3/4 x 43 7/8 in.)
framed: 113 x 132.7 x 5.4 cm (44 1/2 x 52 1/4 x 2 1/8 in.)
Location: National Gallery of Art, Washington, D.C., USA
(Credit Line: Gift of Horace Havemeyer in memory of his mother, Louisine W. Havemeyer)
—————————
“The Gare Saint–Lazare, in 1873 the largest and busiest train station in Paris, is unseen in this painting. Advances in industrial technology and train travel, intrinsic to most contemporary depictions of the site, remain in Manet's painting the almost invisible background for a genre depiction of a woman and child. Confined to a narrow space backed by the black bars of an iron fence and isolated by clouds of steam sent up from a train passing below, Manet's two models are enigmatic presences. The woman is Victorine Meurent, Manet's favorite model in the 1860s, and the child was the daughter of a fellow painter who allowed Manet to use his garden to create The Railway. The composition is a complex contrapuntal apposition of the two figures: one clad in a white dress trimmed with a blue bow and the other dressed in dark blue trimmed with white; one with hair bound by a narrow black ribbon and the other with flowing tresses under a black hat; and one a child standing and looking at anonymous trains and buildings in the background and the other a seated adult staring forward to confront viewers directly.
Manet submitted four works to the Paris Salon of 1874. Of the four, only two were accepted, The Railway and a watercolor. Reviewers were critical of the unfinished appearance of The Railway and that the rail station itself was not well–defined in the picture. Although Manet never chose to associate himself officially with the impressionist group, this painting’s scene of modern life, as well as its loose, abstract effects, show the influence of the younger artists on his work.”(Source photograph and text from NGA)

11/01/2026
Misia Godebska,Painted by: Pierre-Auguste Renoir (25 February 1841 – 3 December 1919) Misia Sert (born Maria Zofia Olga ...
11/12/2025

Misia Godebska,
Painted by:
Pierre-Auguste Renoir (25 February 1841 – 3 December 1919)

Misia Sert (born Maria Zofia Olga Zenajda Godebska; 30 March 1872 – 15 October 1950) was known primarily as a patron of contemporary artists and musicians during the decades she hosted salons in her homes in Paris. Born in the Russian Empire and of Belgian, French and Polish descent, she became a professional pianist and gave her first public concert in 1892. She was a patron and friend of numerous artists, for whom she regularly posed, appearing on magazine covers and posters. Her salons were frequented by contemporary writers and musicians played their newest works.

Pierre-Auguste Renoir French: (25 February 1841 – 3 December 1919) was a French artist who was a leading painter in the development of the Impressionist style. It has been said that, as a celebrator of beauty and especially feminine sensuality, "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau."

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