17/05/2026
Bersudsky’s kinetic sculptures - which we named kinemats - combine scrap metal, discarded household items, electrical motors and carved figures. They reflect Eduard's life in Russia and in Scotland, his experiences, influences and friends. They are arresting, serious, rich in myth and have a wicked sense of humour.
The name of our theatre, SHARMANKA, is Russian for ‘barrel organ’, a musical instrument used by street performers called ‘organ grinders’. In Russian culture, the image of the organ grinder represents circles of life, symbolising the repetition of the cycle: night turning into day, hardship followed by hope, darkness turning into light.
Eduard made quite a few organ grinders of different sizes, even though he’d never met one, as they were extinct in Soviet Russia. For Eduard, the organ grinder has become a symbol of the relentless cycles of life a human spirit must endure.
With no formal education or professional training in the arts, Eduard began carving wooden sculptures in his late twenties, working from his small room in a communal flat. He supported himself with menial jobs, which allowed him to avoid the control of communist ideology.
Eduard does not speak much English, nor does he talk much in Russian either. He would not - or maybe could not - explain what he is making or where his ideas come from. He does not believe it is him who made the kinemats but that they grew themselves from the pieces of junk and wood, daydreams and nightmares that have collected in his workshop. He simply offered them a helping hand into existence.
But stories are there, perhaps different ones for each of us and different ones for different days, as fluid and shifting as our moods, as unpredictable as the weather.
B&W Photo by Maureen Kinnear
Colour photo by Robin Mitchell Photography