06/06/2018
The Simurgh Mythology
The Simurgh features strongly in Persian mythology and a number of the great epic poems of Persian literature. It is said to be a mixture of peacock, griffon and lion symbolises the union of heaven and earth.
In his epic poem The Conference of the Birds, Fariduddin Attar describes how millions of birds went in search for their perfect king, the great bird Simurgh. Many of the birds were killed during their ordeals in search of the Simurgh – climbing high peaks and plunging into dark valleys as well as fighting their own doubts and fears.
At the end of their search only thirty birds remain to reach the gates of Simurgh’s palace. They all alight onto the throne or masnad which is described as being the seat of the Majesty and the Glory. The throne, however, remains empty and there is no sign of the Simurgh. It then becomes clear to the birds, through an inner glow which spreads through them all, that they, together, make up the Presence of the Simurgh and that the Simurgh is really just their joint presence. A literal translation of Simurgh is “Thirty Birds”.
The Simurgh is not always depicted as a benevolent ruler and is depicted complacently watching the destruction of the world three times from her nest in the branches of the Tree of Knowledge.