VETO

A production company that tells Innovative, daring and unapologetically controversial stories.

06/06/2023

We're excited to be a part of Etcetera's Indie Summer Festival with 'Sympathy For The Devil'.

Learn more - https://bit.ly/43HHosJ

A trailer park somewhere outside of Dallas. Eddie, a heroin-addicted failed stand-up comedian, and his also heroin-addicted volatile girlfriend Mia return home to find a man bound and gagged in their bedroom. Shannon, Eddie's cold and methodical older sister explains she's been tasked with holding the man captive for two days after which he'll be picked up by 'connected' people. If they carry the task out all three of them are in for a major payout desperately needed as both Eddie and Mia are in withdrawal. However, once the gag is removed the man begins to manipulate his captors against one another in a bid to be set free. Pushing each of them to the brink and forcing them to question exactly what they are loyal to.

A claustrophobic, intense, and darkly comic exploration of addiction.

01/06/2023

"The play makes its mark in a heartfelt and deeply human way ★★★★ ½" - London Pub Theatre

Full review - https://www.londonpubtheatres.com/review-scorched-by-tallulah-bond-at-etcetera-theatre-23-28-may-2023

19/05/2023

The trailer for Scorched... if only we could have stolen the boat.
40% OFF DISCOUNT APPLIED

Learn more - https://bit.ly/42I0NK9

'Scorched' follows Donnell and Lena; a couple attempting to maintain a cocoon of normality in spite of an unknown menace that looms just offstage, threatening everything. Their good-natured teasing turns caustic after Lena falls in love with one of Donnell’s paintings. The pair are sent spiralling into a cycle of escalating hostility and cruelty which eventually turns deadly. It's a high-octane, biting, claustrophobic piece that explores what it’s like to hate the only person you have left in the world.

12/05/2023

We uncover the groundbreaking creative enterprise that is Scorched...

Tickets: bit.ly/3ov2Z8w

24/04/2023

What would it be like to be stuck on a boat for the rest of your life with a person you hate... and sometimes love.

"Scorched' follows Donnell and Lena; a couple attempting to maintain a cocoon of normality in spite of an unknown menace that looms just offstage, threatening everything. Their good-natured teasing turns caustic after Lena falls in love with one of Donnell’s paintings. The pair are sent spiralling into a cycle of escalating hostility and cruelty which eventually turns deadly. It's a high-octane, biting, claustrophobic piece that explores what it’s like to hate the only person you have left in the world. "

'Scorched' is an original play by Tallulah Bond that we are producing alongside The Play On Theatre Company

Learn more - https://bit.ly/3ov2Z8w

28/08/2022

1 more performance to go! Please come down and join us for our last performance, it would make it a special one to see all your faces together. 11.50am, Blue Room

24/08/2022

Another Helter Skelter production photo featuring a lovely review left on our Fringe page! We will never stop thanking everyone for their kind words. 🔵

22/08/2022

Here we have the cast remembering to have fun alongside being incredibly talented 🟦

19/08/2022

Today is and we are so excited to show you some of our new production photos, featuring some amazing reviews we’ve received. Thank you for all your support!
(Ft. Susan Atkins, played by Elanor Wood)

13/08/2022

You can find us in The Assembly Blue Room Theatre, at 11.50am!

Come and join Susan’s journey into the commune, meeting Manson and his followers while exploring the ideas behind ‘Helter Skelter’ 🟦

09/08/2022

A little throwback to our days rehearsing at . It seems like we’ve come so far. We’re looking forward to sharing some wonderful videos with you all soon!

Address

George Square
Edinburgh
EH8 9JX

Website

https://vetoproductions.com/

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Our Story

Posing a question is where our work begins, usually a show follows. As a company our work tends to explore different aspects of ourselves and the people around us. We want to understand the emotional complexity behind the decisions we make, decisions that shaped history or decisions that are simply absurd. Each production has a unique voice, process and genre. Yet, what has always been constant in our work is that first question and hoping that when the audience leave, the question still lingers.