31/08/2026
THE ENGINEER'S EYE | HOLLYWOOD VAMPIRES
We've talked about Metallica.
We've talked about what happens behind the wall of sound at a huge rock show.
Then we went to see The Hollywood Vampires at the OVO Hydro in Glasgow with The Jesus And Mary Chain as support.
And this was different.
Alice Cooper
Joe Perry.
Johnny Depp.
Tommy Henriksen & Crossbone Skully Fans
Put those four names on a stage and you'd be forgiven for thinking the engineering is the last thing anyone is going to notice.
Unfortunately, that's not how my brain works.
While everyone else is watching the show, I'm inevitably looking at the arrays, listening to the room, wondering what's happening at FOH and trying to work out why certain things sound the way they do, and yes, of course, a wee dram and great banter with friends.
And Hollywood Vampires gave us plenty to think about.
This isn't simply a band playing its own catalogue.
It's a live rock show built around some enormous personalities, very different musical styles and a genuine respect for the musicians who influenced them, including some who are no longer here.
That makes for an interesting night musically.
It also creates a fairly serious engineering problem.
Multiple guitars fighting for space.
A rhythm section that needs to hit you without swallowing everything else.
Alice Cooper's vocal needing to remain absolutely intelligible over all of it.
Then you have the OVO Hydro itself.
Thousands of people.
A huge volume of air.
Reflections.
Low-frequency energy.
And a rock audience that doesn't want something clinically perfect.
It needs to feel dangerous.
It needs to feel live.
It needs to sound like rock and roll.
That's the bit I find fascinating.
Good engineering isn't always about making something perfect.
Sometimes it's about giving something just enough control to let it feel uncontrolled.
And there was one point during this show where that really became apparent.
We'll get into that next.
Because for Part 2 of The Engineer's Eye, we're going behind what we actually heard at Hollywood Vampires, the PA, the mix, the guitars, the vocals and what it takes to make a show like this work inside the Hydro.
If you were there at the Hydro, what was the moment that stood out for you?
And if you've seen Hollywood Vampires somewhere else on this tour, how did they sound in your venue?
Then we're going somewhere considerably bigger.
Las Vegas.
A building containing one of the most extraordinary audio systems ever constructed.
The Sphere.
And, conveniently, we've got some unfinished business with a certain band heading there. š¤