Shock n Awe Performance Company

Shock n Awe Performance Company Theatre/ Dance/ Physical Theatre/ Film/Social and Community Projects/Youth Projects

Catch a *free* preview of new play by people's playwright Greg Cullen about journalist YVONNE RIDLEY! Thursday/Friday Ni...
28/01/2016

Catch a *free* preview of new play by people's playwright Greg Cullen about journalist YVONNE RIDLEY! Thursday/Friday Night!

SHOCK N AWE PERFORMANCE COMPANY
IN ASSOCIATION WITH CHAPTER ARTS CENTRE INVITE YOU TO A FREE, SCRIPT-IN-HAND, PERFORMANCE OF...
A VERY BAD WOMAN!
Written and Directed by Greg Cullen Music by Jak Poore
CAST: Natalie Paisey, Dean Rehman, Judith Haley, Chris Morgan.
Video by Lauren Heckler. Original photo by Roy Campbell-Dylan

A true story. The talking was over, Bin Laden and the Taliban waited for the bombs to drop…So, perhaps it wasn't the best time for a hard drinking, single parent, feminist, Fleet St., reporter, working for a notorious pornographer, to don a burka and illegally enter Afghanistan in search of a story. Meet Yvonne Ridley.
Everything went smoothly until Yvonne’s shoes started killing her. What happened next is the remarkable story of how personal and global cultures clashed because of an unruly donkey. Imprisoned by the Taliban for being, “A very bad woman, with a very bad mouth”, Yvonne was unaware that back home, her mum was forcing the hands of the world’s most powerful men by feeding the world’s media tea, biscuits and ‘snippets’ over the garden fence. Had she been, Yvonne might not have risked the Taliban’s moral outrage by hanging her knickers out to dry.
Upon such flimsy threads the fates of individuals and nations sometimes hang.
Two performances only – Thursday 28TH/ Friday 29TH January at 8pm. CHAPTER ARTS CENTRE, MARKET RD, CANTON, CARDIFF CF5 1QE
HEOL Y FARCHNAD, TREGANNA, CAERDYDD CF5 1QE.
BOX OFFICE/SWYDDFA: +44 (0)29 2030 4400
WWW.CHAPTER.ORG
WWW.SHOCKNAWE.ORG.UK
This is vital stage in the develoment of the production and we welcome you all to come along and give us any feedback.

Shock n Awe Performance Company (SnA) in partnership with The Choice Project of Swansea and Swansea University with funding from The National Lottery, Welsh Assemble Government, Arts Council of Wales and the EU “Reach The Heights” initiative have toured Wales creating nine short films with groups of…

27/03/2015

My film "Scwtyr Sombies Glas o (uffern) Sgubs | Scooter Zombies from (Hell) Sgubs" has just won a Zoom Award for best film in a youth category.

Congrats to the kids in Caernarfon, First Choice Project, Swansea Uni and my company Shock n Awe Performance Co. Particularly Francis Hill who edited it so brilliantly.

That's the second award for this film!

See it and the other films on YouTube under "Putting People in Their Place".

01/03/2015

Following last week's meeting of the Cardiff People's Assembly an Artists group was formed to:

Create events which engage people in new, accessible ways.

Galvanise the artistic community to oppose the cuts.

Make resistance fun!

Use art as a way of raising awareness of the myth of Austerity.

Join creatively with other causes that relate to the fight against Austerity.

We're having our first meeting at The Shot In The Dark, on City rd., Thurs 5th at 6:30pm

Please let anyone you know who is involved in the arts in anyway to come along.

Also publicise it on your page!

Many thanks.

02/03/2014

"Scwtyr Sombies Glas o (uffern) Sgubs | Scooter Zombies from (Hell) Sgubs" - Won the PICS Award tonight!

Shock n Awe Performance Company in partnership with the Choice Project (run by the truly wonderful Eirwen Hopkins) set out in January last year to create short films with young people across Wales. The inimitable Francis Hill (thank God there's only one) and I would turn up and hand over two cameras, saying, "You've got a week to make a film". We made nine. We could have made more, but sometimes the context in which we were working was overwhelming.

A lot of the young people we worked with lead, for an enormous variety of reasons, challenging lives. It just goes to show that if we take young people seriously, listen, guide, challenge, instruct and genuinely enjoy being with them, then despite obstacles, they are endlessly creative, profoundly thoughtful, desperate to contribute, hilarious and as beautiful as we could ever wish for.

They have not created the society they live in, yet they are bagged together and demonised as a drain upon the taxpayer. To "need" is not a crime, after all every parent who sends their child to Eton recognises their "need" to have the best possible education and start in life. In one of the richest countries on earth we still cannot create a system wherein the potential of every child is realised regardless of their origins. It is a crime not just upon the individual but upon our society, for who knows what that child may contain within them: the cure for cancer, the music of a new Mozart, the political imagination and personality of Mandela?

Our little films aren't going to change the world in themselves, but this tiny drop of money, spent in a tiny part of the world, with a tiny group of young people, has given them something to remember for the rest of their lives. They have evidence of themselves and that is something we all need. Art in all its forms can liberate the will of the diminished, ignored, repressed and economically vandalised. It may only take a moment for a young person to experience truly being themselves, as they secretly know they can be, for them to take the next step and rebel against the mental, physical and emotional humiliations they suffer on a daily basis. Call it self esteem, self confidence, self worth but feeling "of value", that their presence has "meaning", is what every child, wherever they are, should feel as they grow up.

It is not pretentious to claim that our little films contributed in some small way to enhancing the lives of those we worked with. That is what we set out to do! So whilst the Arts budgets are being slashed across our countries because they are considered a "luxury", "non essential expenditure" or secondary to "front line services", I wonder how the governemnt can possible consider becoming fully human and self-knowing an unfortunate, but necessary casualty of Austerity?

An alienated human being is the most dangerous beast on earth.

So...congratulations to the young people of 'Ysgubor Goch', (the council estate in Caernarfon where we shot the film), the community Centre known as Cofis Bach run by the humanely determined Sioned Huws, the wonderful Kenny Khan who joyfully played the villain and let us run all over his property, the mums who let us use their houses, the butchers who let us mince Kenny Khan, Carys "Curls" who translated and so, so, much more, Eirwen Hopkins and Geoff Profitt who raised the money, believed in me and were there every inch of the way and finally to my infuriating, delightful and passionate comrade in arms, Francis Hill, who did such a great job editing all of the films. Together, we all did a very tiny thing, we made something and it reminded us of who we are and how we can make the world a better place for one another, something we will all remember for the rest of our lives. How often do we get the chance to do that?

How is that a luxury when RBS can pay half a billion in bonuses when they lose £8billion? When George Osbourne can change the law to allow capitalists to hide seven billion pounds a year in off shore accounts? When our leading companies pay almost no tax on their profits? When the head of the Inland Revenue can do a deal with Vodaphone over lunch wiping off their tax debt? When we can afford to fight wars in other people's countries and claim it is in our national interest and then withdraw leaving them to civil war? How can they say that Austerity is necessary to save our children and grandchildren from debt whilst they do all of that and ruin the lives of our young people today by impoverishing them?

Shock n Awe Performance Company is an ironic name, turned upon those whose self interested machinations first invented the phrase. In tiny, tiny, ways we can fight a cultural war for empathy and civilisation. The reason they have so many police, armies and weapons is because they fear tiny, tiny, steps leading towards their overthrow. Their apparent strength is a sign of their inherent weakness.

You can see all the films by typing "You Tube, Putting People in their place" into Google. Our young people are beautiful, take a look.

And of course...Enjoy! Is that not what society should be geared towards, the maximum amount of pleasure at being alive?

28/02/2014

"Scwtyr Sombies Glas o (uffern) Sgubs | Scooter Zombies from (Hell) Sgubs" - is a short film I made last year as part of the "Putting People In Their Place" project.

Shock n Awe Performance Company and their partners from Choice Project are very pleased to announce that its been shortlisted in the PICS Film Awards, Best Short Film category! Results tomorrow night!

So chuffed for all the young people who worked with us!

You can see all the films by typing "You Tube, Putting People in their place" into Google.

11/02/2014

Here's what one of the judges had to say at the Critics of Wales Awards about "Fallen"....

(absolutely under-the-skin-take-him-to-the-Royal-Court-right-now awesome) - Greg Cullen: Fallen – Shock N Awe

Fallen, written and directed by Greg Cullen tells a peculiar and strangely
compelling tale of a family and their discovery of a fallen angel. Although
it is set in modern day surroundings, it has the beautiful quality of
seeming bizarrely ageless, like an oddly dysfunctional fairytale.
Definitely the the strongest elements of this play are how the characters
relate to each other and the way the characters themselves are so
believable; there's a fine line between character development and being out
of character and Fallen confidently struts along it. I think some climactic
scenes could easily turn farcical but directed properly, the play would
keep the audience captivated throughout every scene without being over the
top.

Greg Cullen - this is an exciting and original piece. Very imaginative and intriguing.

31/01/2014

I'd like to remind our friends that nine short films the company made with young people across Wales this time last year are available on You Tube. The project was titled, Putting People in Their Place. Have a look, they range from the hilarious to the moving and say a lot about what is happening to and for the young in Britain today.

31/01/2014

Congratulations to Tim Price for winning Best Playwright in the English Language. Shock n Awe's play, "Fallen", will be finished this year and so hopefully we'll get the award next year. However, it was quite something to be nominated for an unfinished play, so we're all very happy with progress so far. Thanks to Guy O'Donnell and his small team for producing a big night. Its great that at last a positive, critical culture is emerging in Wales.

18/01/2014

I have no idea what the Hell happened when I typed in Bethan Dawson's name, but I can assure her parents that she hasn't changed her name to Beth Shane Kimya Shane Kimya Dawson. Who would?

18/01/2014

I'm very flattered to have been nominated as Best Playwright in the English Language for "Fallen". The Theatre Critics of Wales Awards are on Sat 25th at The Sherman. I'd like to thank the wonderful team who participated in the "Research and Development" phase of the play. Without them I wouldn't have got as far as I have with it.

The cast: Gerald Tyler, Joanna Simpkins, Ceri Lloyd, Francois Pandolfo, Jams Thomas.

Music: Jak Poore
Choreography: Jem Treays
Design: Jessica Scott (assisted by Lily Hill)
Video and lighting: John Collingswood
Dramaturgy: Paul Clements
Stage Management: Beth Shane Kimya Shane Kimya Dawson

"Fallen" was a Shock n Awe Performance Co., production with the support of the Welsh Assembly Government, The National Lottery and the Arts Council of Wales. LONG MAY PUBLIC SUBSIDY OF THE ARTS FLOURISH AND PROSPER, ALLOWING FRAGILE IDEAS TO BECOME REALITIES. Many thanks to our funders for their faith.

20/12/2013

Can everyone who saw "Beauty and the Beasts" please leave messages of support. This will help build the case to make a satirical, adult, Christmas show an annual institution on the Cardiff scene. Thanks!

20/12/2013

Beauty and the Beasts

Shock n Awe Performance Company , Chapter , December 19, 2013

Christmas time is Panto time and ‘grown ups’ need a good cheering up as much as the little ones. Don’t let any of them cross old Govey’s path or he’ll eat them for breakfast. The was one of the superb performances given by the stage genius Hugh Thomas in this sideways look at the sideways world of politics and other goings on of the twenty first century. His Jimmy Saville was quite the most magnificent revelation of the evening.

Apart that is from learning that Cleggy is a real nice guy. In this sparkling performance by Morgan Thomas he’s not sniffing around the rear end of Prince Dave, although rear ends and other parts of the human and not so human body do figure quite prominently in this relentless magnifying glass held up to life in the fast lane of British Society – there is one Welsh bit!

Cleggy very willingly carries Prince Dave on his back as they venture on their impossible search for beauty in a dark word of duplicity. Prince Dave for most of the time is also quite a decent chap. Once again Ceri Lloyd shows us her command of the stage as she celebrates Dave’s innocence until he eventually succumbs to beastly Bullingdon beastliness.

A beastliness is clear from the start in Sam Harding’s great spirited picture of a certain boisterous Nigel Mirage. Several of the bright lights on this happy, abandoned Christmas tree played many parts. Harding teams up with Thomas as Green to Thomas’ Peace and a distinctly wet pair they are. Director and main contributor to the script, Shock n Awe’s Artistic Director, Greg Cullen I am sure would not want to claim any sophistication for this seasonal entertainment, in fact one has to leave one’s sense of decency outside the door for this swiftly passing hour and abandon all thought of polite good taste.

It is all a bit of a laugh. Cullen had great support from all his very motley crew with additional bits of the script coming in from everyone else as they went along. None more tear jerking than Jams Thomas’ hilarious sexually excitable Arts Council of Wales. I wonder how Cullen’s next Arts Council application will fair? Thomas also gave us a charismatic but very uncooperative vignette of the not so Reverend Flowers.

It was the flair and commitment of all the cast that brought the greatest pleasure to this experience that took us into the deep, deep depths of foreign intestinal organs where all the cast had a great time wallowing in mud, well I’m settling for mud, and laughter.

Back home, well nearly home Rhys Downing’s sniffing Nigella was a heady treat. Olivia Clements’ Teresa Maynot spent most of her time being abused by Chris Hoskins’ well-calculated Boris, the Silly Billy of the evening but there was a bit, no, a lot of silly Billy about all of them. Clement and Hugh Thomas shared a single costume as the Milliband brother’s tugging each other in opposite directions.

There is obviously a place for a grown up satirical Panto and Chapter is the ideal place to stage it. This script pulled along, some times going searchingly to the left and other times wondering to the right and occasionally hitting the spot. In the art of theatre even anarchy requires delicate preparation and care. I hope Cullen will bring his gang back again next year but with a sharper cutting edge nevertheless retaining his sense of chaos and misrule.

Reviewed by: Michael Kelligan

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