18/06/2014
Personally, I've always thought south-west England has something, a weird something that rides punk perfectly! I reckon if manic ears hadn't gone under it might have been Bristol, not Seattle. And wot about Riot City? Will Bristols punx rise again? If we're gonna put gigs on, wot about recording them? I've had these ideas about something I call the 'Artisans Work Trust for Empathic Promotion of Biodiversity', a work share co-op with a whole bunch of agendas, but for now you'll have to guess from the name! Anyway, I'm hoping Shadow of the Druid promotions will become the template co-op for this other plan! If we get a bunch of good recordings from gigs, well that's half way to a record company! If a bunch of people who love punk more, or at least as much as money are putting on gigs, with promoters doing a good job of facilitating bands, and not just 'putting them on', how long could bands be happy playing free gigs with their excellent atmosphere? How big can free gigs get? Where's the best step to paying gig's? (cos I reckon it's somewhere around where bands are starting to go national!) Maybe that's not even a big deal, the real question is how to get the dough for a vinyl press and somewhere to work it, unless some loyal band goes big and remembers us fondly? Oh the joy of daydreams! Ha! first there's the question of whether SOTD will do more than Haven benefits? Solstices and Equinoxes seem cute for our charity work (gotta pay karma if we want this to work! Madness will teach you that!). But maybe in between we could run some gigs where the bar take is shared between promoters and performers? Equal shares for maybe 4 promoters next to anything up to 20 performers? We'd have to be doing it for the love of punk! Hmm, I guess bands with any draw might need double or triple shares too...hmm but next, there'll be another Haven benefit!