Evie Banks

Evie Banks CSAD Fine Art graduate

I spent the first month of the new year returning to making, after taking some time off. I mapped and documented the pla...
15/02/2026

I spent the first month of the new year returning to making, after taking some time off. I mapped and documented the plants growing through the cracks on my day to day walks, using drawing as a tool for noticing. Through this I began to learn their stories, qualities and folklore entangled in their names. Drawing throughout the month became my way back into creation, into curiosity, and into conversation with the living world at my feet 🌱

Review: Dan Lie ’Sleeping Methodologies‘, Spike IslandDan Lie’s ’Sleeping Methodologies’ is un-monumental in the best wa...
18/11/2025

Review: Dan Lie ’Sleeping Methodologies‘, Spike Island

Dan Lie’s ’Sleeping Methodologies’ is un-monumental in the best way possible. Premised on the intention of creating an atmosphere that invites visitors to slow down and reflect, the exhibition is a multi-sensory and aroma-therapeutic experience, scattered with installations that repeat form but shift subtly in composition.

‘Sleeping Methodologies’ begins from a deeply personal place: the artist’s grief and fatigue, and their admitted need for a clean slate, after a period of exhaustion and burnout. Upon reflection, this is why the exhibition resonated with me so deeply, having emerged myself from a period of burnout. The show poses the anti-monumental provocation ‘What would happen if I stopped?’, a question that feels both risky and necessary. In a society that perpetuates fear around slowing down and pausing, this exhibition advocates that rest itself can be an act of resistance.

With no particular show stopper, Lei instead makes use of humble materials, undemanding of attention. Popcorn garlands trail from floor to wall to ceiling, guiding the eye around the open space but without dictation, reinforcing the exhibition’s gentle refusal of spectacle. The space itself is bathed in warm light and scattered with repetitions of standing stones, mattresses, lamps, and wrapped chairs. Configurations that feel like recurring thoughts in altered variations, surfacing and dissolving as you make your journey through the space.

Particularly striking is the collection of chairs wrapped in cotton dyed with tea and coffee. These everyday substances, often ritualistic in themselves, conjure moments of rest in the familiar invitation of a tea break. While some chairs are positioned on the floor, others are mounted on the walls, defamiliarised, perhaps to emphasise the very distance we often place between ourselves and rest, or perhaps even to reframe rest not as a utilitarian pause but as an object of contemplation.

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Last weekend I had the joy of attending .w**ds foraging walk. We ambled around Conham River Park directing our gaze towa...
28/07/2025

Last weekend I had the joy of attending .w**ds foraging walk.

We ambled around Conham River Park directing our gaze towards the ground and edges to reconnect with the abundance of wild plants at our feet and in our peripheries.

Plants we foraged included red clovers, pineapple w**d, mugwort, nettle seeds and hawthorn leaves, which we brewed as a tea at the end of our walk, drinking and reflecting on our exploration and the healing properties of the plants we found.

A great weekend in London visiting some brilliant exhibitions. 1. Nairy Baghramian, Misfits, 2021. 2. Nairy Baghramian, ...
07/01/2025

A great weekend in London visiting some brilliant exhibitions.

1. Nairy Baghramian, Misfits, 2021.
2. Nairy Baghramian, Hand Me Down, 2024.
3. Sammy Baloji, …and to those North Sea waves whispering sunken stories (II), 2021.
4. Sammy Baloji, Still Kongo I-V, 2024.
5 & 6. Jasleen Kaur
7. Pio Abad
8. Delaine Le Bas
9. Claudette Johnson

Venice Biennale 2024 highlights ✨1. Yuko Mohori, ‘Compose’, Japanese Pavilion. 2. Robert Zhao Renhui, ‘A Guide to a Seco...
20/10/2024

Venice Biennale 2024 highlights ✨

1. Yuko Mohori, ‘Compose’, Japanese Pavilion.
2. Robert Zhao Renhui, ‘A Guide to a Secondary Forest of Singapore’.
3. John Akomfrah, ‘Listening all Night to the Rain’, British Pavilion.
4. Yuan Goang-Ming, ‘Everyday War’.
5 & 6. Åžerbsn Savu, Romanian Pavilion.
7. ‘Thresholds’, German Pavilion.
8. Bouchra Khalili, ‘The Mapping Journey’.
9. Anna Jermolaewa, ‘Ribs’, Austrian Pavilion.
10. Open Group, ‘Repeat After Me II’, Polish Pavilion.
11. Sandra Gamarra Heshiki, ‘Pinacoteca Migrante’, Spanish Pavilion.
12. Gabrielle Goliath, ‘Personal Accounts’.
13. Trevor Yeung, ‘Courtyard of Attachments’.
14. Omar Mismar, ‘Spring Cleaning’.

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