Galerie Romero Paprocki

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France
Paris
Galerie Romero Paprocki

Contemporary Art Gallery

Founded by Guido Romero Pierini and Tristan Paprocki

Guido Romero Pierini and Tristan Paprocki join forces in 2020 to found the Romero Paprocki gallery, representing contemporary rising and mid-career french and international artists. For the gallery, settings support any given discourse that highlights the artist’s work as well as his thoughts, the revelation of a shape, its dialogue, its structure of meaning and its articulation. The gallery has t

o be a unique spacetime, equally favorable to reflection and contemplation, to exchange as much as to introspection. Guido and Tristan also choose spaces for their museum-like scale so that they live up to the quality of the works that are being displayed in them, with a steady desire to formulate a discourse both visible and legible at the service of art. Artists: Lou Ros, Mario Picardo, Max Coulon, Marion Flament, Justin Weiler, Simon Pasieka, Eric Bourguignon...

04/09/2026

MEMORIA DI FORMA | MILANO

The exhibition ‘Memoria di forma’ is on view in Milan until September 26, curated by Anne-Laure Peressin (.peressin) and featuring Sila Candansayar (Sila Candansayar), Clédia Fourniau (Clédia Fourniau) and Nefeli Papadimouli (Nefeli Papadimouli).

‘Shape memory, when applied to materials, refers to their ability to return to an initial state after deformation. This property involves a form of material intelligence: something acts, moves, imprints itself within the matter, and then restores itself. To this technical dimension is articulated a more diffuse memory, linked to the trace: that of the gesture, the impact, and the aftereffect. Much like a mattress or a cushion, which record a body before releasing it, form results from a tension between the individual imprint (its presence in the negative) and this capacity to reenact what has passed through it.

[...]

As for the works of Nefeli Papadimouli, shape memory is embodied in textile envelopes, or “skin-costumes,” that preserve the imprint of the body. Whether suspended or activated, these forms appear as available matrices, ready to be inhabited, moved, or reenacted. Each passage from one body to another actualizes this memory and displaces it. It is no longer merely an individual memory, but an expanded, collective bodily memory where form circulates, is transmitted, and is transformed’

Text by Anne-Laure Peressin

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Credit: Allison Borgo🪲

31/08/2026

The exhibition ‘Poèmes graphiques’ and the signing session for the pre-launch of the book, published by Flammarion, with Louis Paillard and Michel Houellebecq will take place at the gallery on September 4 in Paris.

The exhibition brings together around thirty poems, offering the public direct access to the dialogue between Michel Houellebecq’s text and Louis Paillard’s watercolours.

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Louis Paillard
‘Michel Houellebecq’, 2025
Watercolor on paper
29,7 x 21 cm

26/08/2026

‘Restons Unis 2’ brings together a new generation of French galleries at Perrotin Paris.

Reviving the collaborative initiative first launched in 2020, this second edition celebrates the vital role of emerging galleries within the contemporary art ecosystem. Bringing together 13 galleries committed to discovering, supporting, and championing the artists of today and tomorrow, ‘Restons Unis 2’ is a collective exhibition highlighting the diversity, creativity, and solidarity that continue to shape the French art scene.
Featuring artists presented by Anne Sarah Benichou, Bremond Capela, Double V, DS Galerie, Exo Exo, Hatch, Ketabi Bourdet, Parliament, Pavec, Sans Titre, Sissi Club, Spiaggia Libera, and Romero Paprocki.
Join us for the opening on September 5!

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𝕮𝖑𝖊𝖒𝖊𝖓𝖙 𝕭𝖆𝖙𝖆𝖎𝖑𝖑𝖊 Maty Biayenda Mireille Blanc Kara Chin Idir Davaine Anna de Castro Barbosa
Laura Footes Florian Fouché Laura Garcia Karras Pauline Guerrier
Cyrielle Gulacsy Mie Olise Kjærgaard Lou Masduraud Madeline Peckenpaughpellet Marilou Poncin .scavulla Jack Warne
GW Xolo Cuintle

25/08/2026

The gallery is delighted to present ‘Poèmes
graphiques’ on September 4 in Paris, an exhibition of the original watercolors from the new volume of poetry by Michel Houellebecq and Louis Paillard, published by Flammarion.

The exhibition brings together around thirty poems, offering the public direct access to the dialogue between Michel Houellebecq’s text and Louis Paillard’s watercolours.

To mark the occasion, a signing session for the pre-launch of the book with Louis Paillard and Michel Houellebecq will be held at the gallery from 5 to 7 pm on September 4 with a Ex-libris offers to the first 300 people to purchase the book at the gallery.

The opening will take place from 4pm to 9pm.

21/07/2026

Last week to visit the exhibition ‘Tag Nacht’.

In this room, Lou Ros (Lou Ros) pairs with a photography of Wolfgang Tillmans acquired by the SAJ collection at Galerie Chantal Crousel

‘Tag Nacht’ brings together six artists whose work traces lines of influence, admiration and exchange across generations. The result is a multi-layered dialogue brought to life through formal echoes, material affinities and newly created works face to face with works from the SAJ collection.

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Credit: Allison Borgo

14/07/2026

SUMMER COCKTAIL MILANO

This Wednesday, July 15, we welcome you at the gallery in Milan at 6:30 to discover the current exhibitions and have a drink before the summer closing.

On view:

‘Memoria di forma’ curated by .peressin and featuring Sila Candansayar (Sila Candansayar), Cledia Fourniau (Clédia Fourniau) and Nefeli Papadimouli (Nefeli Papadimouli)

‘Print, cut, repeat’ by Pauline d’Andigné () in collaboration with gate44

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Credit: Allison Borgo🪲

01/07/2026

In our next exhibition ‘Tag Nacht’, the work of Kaï-Chun Chang will be displayed alongside two watercolors of Günther Förg from the SAJ Collection (.selection).

A text in French written by Dimitri Mallet explores the relationship between the two artists:

Les paysages abstraits de Kaï Chun Chang, font l’éloge de la lumière, celle du jour et celle de la nuit, qui nous arrivent différemment.
Dans son travail, elle n’est pas le sujet mais la matière à travers laquelle elle définit les vides et les pleins, dessinant moins un paysage qu’un espace mental.

L’œuvre de Günther Förg (galerie Max Hetzler) entre en résonance avec cette approche. La peinture n’y est pas tant une fenêtre qu’un objet affirmant sa propre présence. Les couleurs n’y décrivent rien ; elles existent par les tensions qu’elles entretiennent entre elles, faisant de la surface du tableau un lieu d’expérience plutôt qu’un espace de représentation.

Quoi de mieux alors que de peindre ce que l’on voit et de n’en garder que l’essentiel ? un halo de lumière, la persistance du coucher de soleil, ou simplement une couleur épiphyte ? Car la teinte n’a de force, n’existe exceptionnellement, que parce qu’elle se trouve à coté d’une autre.

Mais alors, à quel moment commence le paysage ? Peut-être qu’il ne réside ni dans une forme, ni dans une couleur isolée, mais dans ce qui les relie. Il naît de leurs voisinages, de leurs écarts, des tensions silencieuses qu’elles instaurent entre elles. Ce qui se donne à voir n’est plus un motif, mais une relation, une expérience du regard. C’est là que Kaï-Chun Chang et Günther Förg se rejoignent le plus : moins dans une manière de peindre que dans une manière de regarder.

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Kaï Chun Chang
‘Sans Titre’, 2026
Oil on canvas
41 x 33 cm

Günther Förg (Germany, 1952-2013)
‘Untitled 74’, 1996
Watercolor on paper
34,9 x 49,2 cm (framed 47,7 x 62,7 cm)
SAJ Collection Paris
Provenance Galerie Max Hetzler

27/06/2026

We are delighted to announce ‘Tag Natch’, an exhibition curated in collaboration with the SAJ Collection (.selection) and Dimitri Millet (Dimitri Mallet) who has also written the critical essay.

‘Tag Natch’ brings together six artists whose work traces lines of influence, admiration and exchange across generations. The result is a multi-layered dialogue brought to life through formal echoes, material affinities and newly created works face to face with works from the SAJ collection.

The exhibition pairs Kaï Chun Chang (Kaï Chun Chang) with Günther Förg, Simon Pasieka (.pasieka) with Ryan McGinley and Lou Ros (Lou Ros) with Wolfgang Tillmans.

The exhibition will take place in Paris from 2 to 25 July.

24/06/2026

The exhibition ‘Memoria di forma’ is on view in Milan, curated by Anne-Laure Peressin (.peressin) and featuring Sila Candansayar (Sila Candansayar), Clédia Fourniau (Clédia Fourniau) and Nefeli Papadimouli (Nefeli Papadimouli).

‘Shape memory, when applied to materials, refers to their ability to return to an initial state after deformation. This property involves a form of material intelligence: something acts, moves, imprints itself within the matter, and then restores itself. To this technical dimension is articulated a more diffuse memory, linked to the trace: that of the gesture, the impact, and the aftereffect. Much like a mattress or a cushion, which record a body before releasing it, form results from a tension between the individual imprint (its presence in the negative) and this capacity to reenact what has passed through it.

‘Memoria di forma’ unfolds this poetics of the « before » and « after. » This dynamic of tension and release, akin to a spring where form remains in a state of potentiality and stands ready to reconfigure itself, runs through the practices and works of Sila Candansayar, Clédia Fourniau, and Nefeli Papadimouli.

Text by Anne-Laure Peressin

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Credit: Allison Borgo🪲

20/06/2026

Last day to see the exhibition of Meyabe and Pascal Monfort tracing their unique journeys trough the world of fashion

Credit: Allison Borgo🪲

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8 Rue Saint-Claude
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75003

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