WallMuse

22/07/2026

🎨 Calling all artists, curators, and creative professionals!
We are shaping ANIMA (Arts Narratives Immersion Media Alive) — an initiative exploring how digital technology can serve artists, performances, heritage sites, and their audiences.
What tools are missing in your creative process? What technical barriers do you face? We would like to hear directly from you!
📝 Take our 5-minute survey: https://lnkd.in/eSNpAXxw 💡 No technical background required — we want your practice-based perspective. Responses can be attributed or kept anonymous.
Please feel free to share with creative minds in your network! 🚀

19/06/2026

Sculpture Sociale is a living artwork — participatory, generative, and intergenerational. As Beuys said: our ideas, our dreams, our emotions, our imagination are our most essential capital.
A sneak peek: a territory view, a smartphone interface, and an immersive triptych installation.
What would you contribute — an idea, a dream, an emotion, an imagination?
A museum, a city, a university — if this resonates, let's talk.

15/05/2026

Et si nos enfants devenaient les curateurs de demain ? ✨Dans le cadre du projet "La Beauté Sauvera le Monde", nous avons préparé un parcours pédagogique unique. L'objectif est de permettre aux élèves de s'approprier les œuvres d'art qui les entourent pour exprimer leurs propres émotions, leurs rêves et leur imaginaire. Grâce à une application dédiée, ils créent des duos visuels entre un chef-d’œuvre et leur propre création. Du simple dessin en maternelle à la scénarisation complexe au collège, chaque enfant apporte sa pierre à l'édifice. 🏫🎨👇 Tous les détails du projet sont dans le dossier ci-joint.

16/03/2026

Christian Zimmermann pratique la calligraphie comme peu d'artistes le font — de l'intime au monumental, avec une exigence poétique rare. Mettre en valeur son œuvre, la rendre accessible en France et à l'international : c'est le défi que nous avons relevé avec cette exposition numérique.
Un format en quatre pistes, pensé pour l'immersion
Dix séquences structurent l'exposition, chacune centrée sur un lieu, un support ou une série d'œuvres spécifique. Pour chaque séquence, quatre lectures sont proposées :
• Les œuvres avec l'audio de l'interview de l'artiste
• L'interview filmée, sous-titrée en français 🇫🇷
• La même, sous-titrée en anglais 🇬🇧
• Les médias seuls
Les trois premières pistes sont accompagnése du Stabat Mater de Vivaldi — qui résonnait lors de sa toute première exposition — dont les dix mouvements rythment naturellement les séquences
Making of en anglais sur https://www.linkedin.com/posts/wallmuse_wallmuse-digitalexhibition-contemporarycalligraphy-activity-7439310307719577600-2fch?utm_source=share&utm_medium=member_desktop&rcm=ACoAAADByL0BhcYCJQJLeF_F5aEc0YFb7-Drhuw

22/05/2025

And also on its App https://ooo2.wallmuse.com/

Filmed live at the Aula am Berliner Ring in Monheim am Rhein on Wednesday, 22th January 2025, Opera Out of Opera 2 (OOO2) featured a special collaboration wi...

22/05/2025

Filmed live at the Universität Mozarteum in Salzburg on Saturday, 8th March 2025, Opera Out of Opera 2 (OOO2) concluded its series of itinerant performances ...

28/10/2024

Great footage and moments in Porto for Così fan tutte's performance

17/10/2024

𝗗𝗔 𝗣𝗢𝗡𝗧𝗘 𝗕𝗬 𝗠𝗢𝗭𝗔𝗥𝗧
𝙏𝙝𝙚 𝙇𝙞𝙛𝙚 𝙤𝙛 𝙖 𝙎𝙚𝙙𝙪𝙘𝙚𝙧 (𝘼 𝙑𝙞𝙙𝙖 𝙙𝙚 𝙪𝙢 𝙎𝙚𝙙𝙪𝙩𝙤𝙧): 𝙋𝙖𝙧𝙩 𝙄𝙄𝙄 – 𝘽𝙡𝙖𝙢𝙚 𝙩𝙝𝙚 𝙒𝙤𝙢𝙚𝙣 (𝘼 𝘾𝙪𝙡𝙥𝙖 𝙚́ 𝙙𝙖𝙨 𝙈𝙪𝙡𝙝𝙚𝙧𝙚𝙨)
𝗦𝗮́𝗯𝗮𝗱𝗼, 𝟮𝟲 𝗱𝗲 𝗼𝘂𝘁𝘂𝗯𝗿𝗼 𝗱𝗲 𝟮𝟬𝟮𝟰 | 𝗦𝗮𝘁𝘂𝗿𝗱𝗮𝘆 𝟮𝟲𝘁𝗵 𝗢𝗰𝘁𝗼𝗯𝗲𝗿 | 𝟭𝟵𝗵𝟬𝟬
𝗧𝗲𝗮𝘁𝗿𝗼 𝗛𝗲𝗹𝗲𝗻𝗮 𝗦𝗮́ 𝗲 𝗖𝗼𝘀𝘁𝗮

PT | Integrado no projeto Opera Out of Opera 2, “Da Ponte by Mozart” traz a opera de regresso à ESMAE. A produção “Da Ponte by Mozart” destaca a relevância artística e política das colaborações entre Mozart e Da Ponte, abordando temas atuais como as relações de género e de classes. Esta criação unifica três obras de Mozart e Da Ponte numa meta-história intitulada "A Vida de um Sedutor", composta por três partes: Don Giovanni (O abuso de poder), Le Nozze di Figaro (A crise de meia-idade), e Così fan tutte (A culpa é das mulheres).
Così fan tutte - A Culpa é das Mulheres” (Blame the Women), será apresentada no dia 26 de outubro, às 19h00, no Teatro Helena Sá e Costa, explorando questões de infidelidade e as expectativas do papel da mulher na sociedade.

Conhece a Equipa Criativa e descobre mais sobre esta ópera: https://www.esmae.ipp.pt/noticias/da-ponte-by-mozart

EN | As part of the Opera Out of Opera 2 project, ‘Da Ponte by Mozart’ brings opera back to ESMAE. The production of ‘Da Ponte by Mozart’ highlights the artistic and political relevance of the collaborations between Mozart and Da Ponte, addressing current issues such as gender and class relations. This creation unites three works by Mozart and Da Ponte in a meta-story entitled ‘The Life of a Seducer’, made up of three parts: Don Giovanni (The Abuse of Power), Le Nozze di Figaro (The Midlife Crisis), and Così fan tutte (It's the Women's Fault).
Così fan tutte A Culpa é das Mulheres’ (Blame the Women) will be performed on 26 October at 19h00 at the Helena Sá e Costa Theatre - ESMAE P. PORTO, exploring issues of infidelity and the expectations of women's role in society.

Meet the Creative Team and find out more about this opera at the link: https://www.esmae.ipp.pt/noticias/da-ponte-by-mozart

Parceiros/Partners:
Conservatorio Santa Cecilia
AEC - European Association of Conservatoires
Stockholms konstnärliga högskola
Universität Mozarteum
Kunsthøgskolen i Oslo
NOVA OPERA
WallMuse
Jeunesses Musicales Croatia

14/10/2024

The avant-premiere of Don Giovanni at the Conservatorio Santa Cecilia for was filmed using two sets of 3 x 6K cameras in two different locations. This allowed us to capture close-ups and the raw emotions of the performers across two separate runs. The audio captured by Porto, with separate microphones for each performer, opens up many post-production possibilities, including isolating individual instruments.

14/10/2024

From Don Giovanni Performance 12 October 2024 Rome Conservatorio Santa Cecilia for