Artsinsquare

14/05/2026

Mama’s Dream by 🪄
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13/05/2026

Very inspiring text by Noah Becker 🔥
( ) artist, author, publisher of Whitehot Magazine comin’ in hot for 2026
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“The art world can be terrible for an artist’s mental health.”
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12/05/2026

Through intricate layers of ink, yarn, and embroidery, artist Linda Männel ( ) expands the image beyond the limits of the canvas, allowing the work to physically inhabit the surrounding space. Created following a residency on Mexico’s Yucatán Peninsula, the piece reflects her response to the tension between the overwhelming force of nature and the growing intrusion of western civilization into fragile ecosystems. By leaving the threads uncut and cascading outward, Männel transforms the surface into something organic and unruly — a work that continues to grow, spill, and occupy space like the jungle itself.

Yucatan II
Ink and yarn on canvas, 2023
210 × 130 cm
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11/05/2026

Raised as a woman in Iran, ( ) Niloofar Mohamadifar’s practice is profoundly shaped by the intersections of politics, religion, gender, and social structures. Working within the context of the Middle East, her work confronts the pervasive systems of oppression that continue to influence both collective and personal experience.
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Through painting and visual storytelling, Mohamadifar examines the ways human suffering becomes normalized, overlooked, or silenced within contemporary society. Her works often employ elements of exaggeration, symbolism, and subtle humor as a means of approaching deeply painful and politically charged subjects, creating a visual language that invites reflection while challenging emotional detachment.
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Centered on the human condition, her practice responds to the instability of contemporary life and the socio-political realities that shape it. Whether through imagery, titles, or narrative undertones, her works function as acts of resistance, giving form to voices, experiences, and tensions that frequently remain unheard.
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08/05/2026

Through glass, light, and biomorphic forms, the work of Luis Enrique Zela-Koort drifts between the cosmic and the bodily. Their sculptures feel simultaneously alive and synthetic, fragile organisms, sensual fragments, speculative creatures, and glowing systems suspended somewhere between science fiction, desire, and metaphysics. Moving fluidly across blown glass, industrial materials, drawing, and installation, Zela-Koort constructs strange visual ecosystems where softness and technology intertwine, allowing the viewer to encounter the body not as something fixed, but as porous, mutable, and constantly transforming.
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07/05/2026

Via
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Step inside Katharina Grosse’s new exhibition ‘| Set Out, I Walked Fast’ at
This is the first major UK presentation to fully encompass the breadth and scale of Grosse’s expansive approach to painting.
Across Grosse’s work, the painted image moves freely between canvas, architecture and ground, driven by her compulsion to take over space with painting and a belief in colour as an immediate, visceral force - one that has the capacity to alter our perception of reality.

06/05/2026

Aaron Elvis Jupin’s ( ) practice moves fluidly between painting, drawing, and sculpture, constructing visual worlds where humor, discomfort, vulnerability, and psychological tension exist simultaneously. Working through fragmentation, masking, distortion, and hyperreal rendering, Jupin transforms familiar imagery into uncanny encounters that feel both playful and emotionally charged. Faces collapse into performances, bodies become unstable, and cartoon-like references merge with moments of intimacy and alienation. Rather than presenting identity as fixed, the artist approaches it as something constantly rehearsed, projected, concealed, and reshaped through memory, fantasy, and social perception.
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30/04/2026

I begin with an idea, but as I work, the picture takes over.
Then there is the struggle between the idea l preconceived... and the picture that fights for its own life_!
-Georg Baselitz
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Photo via

25/04/2026

22/04/2026

( )
Megan Hales’ practice unfolds through hyperreal, meticulously rendered scenes where the everyday slips into something quietly uncanny. Working across painting and installation, she stages familiar domestic and bodily moments, cars, kitchens, skin, objects, in ways that feel both seductive and slightly off, drawing attention to tension beneath surface normalcy. Her polished, almost photographic finish amplifies this effect, allowing small disruptions, a misplaced gesture, an unsettling detail, a surreal juxtaposition, to carry psychological weight. Hales’ work lingers in that space between attraction and discomfort, where intimacy, control, and unease collide, inviting viewers to reconsider the subtle strangeness embedded within ordinary life.
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Swipe to see more amazing works by Megan Hales

21/04/2026

Living My Best Life by amazing 🩵
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