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Almine Rech

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Almine Rech

ALMINE RECH │ Paris - Brussels - London - New York - Shanghai - Monaco In 2016, Almine Rech opened a second space in London and a new location in New York.
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Art Gallery based in Paris since 1997, Brussels since 2007, Almine Rech opened in London in 2014. In July 2019, Almine Rech inaugurated its new Shanghai space. In January 2021, Almine Rech opened a second space in Paris, avenue Matignon in the 8th district. Almine Rech settled a temporary location in Aspen, Colorado, during summer 2021. The gallery's artistic focus is defined by strong individuali

ties who share a deep commitment to creativity and originality. PARIS TURENNE
64 Rue de Turenne
75003 Paris FR
T +33 145 83 71 90
Tuesday — Saturday, from 11:00 to 19:00
General Inquiries: [email protected]

PARIS MATIGNON
18 avenue Matignon
75008 Paris FR
T +33 143 87 30 66
Tuesday — Saturday, from 11:00 to 19:00
General Inquiries: [email protected]

BRUSSELS
Abdijstraat 20 Rue de l’Abbaye
1050 Brussels BE
T +32 26 48 56 84
Tuesday — Saturday, from 11:00 to 19:00
General Inquiries: [email protected]

LONDON
Grosvenor Hill, Broadbent House,
W1K 3JH London UK
T +44 20 72 87 36 44
Tuesday — Saturday, from 10:00 to 18:00
General Inquiries: [email protected]

NEW YORK
39 East 78th Street, 2nd Floor
New York, NY 10075, USA
T +1 (212) 804 8496
Tuesday — Saturday, from 10:00 to 18:00
General Inquiries: [email protected]

SHANGHAI
27 Huqiu Road, 2nd Floor,
200002 Shanghai, China
T +86 21 63120260
Tuesday — Saturday, from 11:00 to 19:00
General Inquiries: [email protected]

THE SHOP
T +32 26 48 56 84
Tuesday — Saturday, from 11:00 to 19:00
[email protected]
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MONACO (OFFICE)
Palais Saint James
5 Avenue Princesse Alice
98000 MONACO
By appointment only

www.alminerech.com

29/05/2026

‘No Longer Day, Not Yet Night’, Thu-Van Tran’s fourth solo exhibition, opens today at Almine Rech Shanghai and will be on view until August 8, 2026!

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In the series, greys are produced through a chromatic oxymoron where color is both negative and generative. When two complementary colors mix—for example, green and red, yellow and purple, blue and orange—they lose chroma, cancelling each other out to yield a chromatic grey. In turn, the grey color field produces a liminal space that carries residues of its component hues. Multiple, sometimes antagonistic, presences are held in a zone of suspension. Hues approach and recede. Every gesture remains visible as a deposit, stratified into depth like sediment. If the military logic behind the Rainbow Herbicides sought to make land fully legible and render life available to control, Tran refuses such certainties. She is here intervening in one of war’s most lasting instruments: seeing as an agent of discipline and representation as a way of managing and imagining the real. Grey, then, is an inevitability, both a visual condition and a conceptual position that seeks to rewrite the terms of the gaze. In the transparency of grey, Tran produces an order where hierarchy retreats.

— Sheau Yun Lim, curator and writer

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‘Colors of Grey’, 2026
Lime, pigment and binder on linen canvas
116 x 91 x 6 cm
45 3/4 x 35 3/4 x 2 1/4 in

‘Colors of Grey’, 2026
Lime, pigment and binder on linen canvas
95.5 x 76 x 6 cm
37 1/2 x 30 x 2 1/4 in

‘Colors of Grey’, 2026
Lime, pigment and binder on linen canvas
185.5 x 135.5 x 6 cm
73 x 53 1/4 x 2 1/4 in

Photos by Alessandro Wang
©️ Thu-Van Tran - Courtesy of the Artist and Almine Rech

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28/05/2026

John Giorno’s ‘Dial-A-Poem Thailand’ is now open at Bangkok Kunsthalle! In the curatorial spirit of Giorno’s original project, this presentation maintains this sense of radicality not only through its content but also through a self-reflexive approach that challenges the very tradition of poetry itself. What defines a poem, and how might poetic expression be reimagined in the contemporary Thai context?

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“Dial-A-Poem” first launched in 1968 as the brainchild of the late poet, artist and activist John Giorno. The original “Dial-A-Poem” was radical in its approach and curation—a reflection of the social and political upheavals that marked the 1960s. For this first iteration, Giorno selected radical pioneers, each pushing the boundaries of their respective fields.

Poetry in ‘Dial-A-Poem Thailand’ is not presented as a stable form, but as a site of contestation, disruption, and expansion. Thailand’s sonic landscape is incredibly rich, crossing generations, regions, cultures, and languages. The selection attempts to weave a sonic textile that reflects this cultural depth and multiplicity, acknowledging the diversity and fluidity of Thai identity. To achieve this, traditional definitions of poetry are once again set aside, expanding the form to include all recorded sound.

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The exhibition is curated by Mark Chearavanont.

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Installation views courtesy of Bangkok Kunsthalle
Photos by Preecha Pattaraumpornchai

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27/05/2026

Ryan Schneider ‘Murmuración’ is opening next week on Thursday, June 4, 2026 at La Térmica, in Málaga in Spain and will be on view until September, 2026. This exhibition brings together a new body of work across stone, wood, bronze, and gold leaf, including sculptures produced on site at La Térmica, among them the largest wooden work the artist has created to date.

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Ryan Schneider explores various artistic expressions, demonstrating his deep connection to raw materials and a celebration of nature, he draws deep inspiration from the rugged ecosystem of his home environment in California’s Mojave Desert. His reverence for the sacred in nature connects his work to various pre-Christian traditions, creating powerful echoes throughout his practice and granting his creations a sophisticated, megalithic and meditative quality. Schneider works with earth materials, usually wood, stone, bronze, and gold, to create archetypal forms that invoke pre-history and futuristic states.

The artist’s work is held in public and private collections worldwide, including the Los Angeles County Museum of Art, CA; Palm Springs Museum of Art, CA; the Hall Art Foundation, Vermont; the Long Beach Museum of Art, CA; the Capital One Collection; The Crocker Museum, Sacramento, CA; and the Beth Rudin DeWoody Collection. Among other publications, his work has been reviewed or featured in Frieze, Artforum, Sculpture Magazine, The New Yorker, Art in America, The Brooklyn Rail, Juxtapoz, and The Paris Review.

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The exhibition is curated by Marmol & Fa.

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1.’At Rest in the Void II’, 2025
Oil and gold leaf on Redwood

2.‘Last Human Teachers I’, 2025
Gold leaf on Redwood

Artwork photos by Jeff McLane

2.Ryan Schneider progress shot on site at La Térmica, Málaga
Photo by Javier Lara

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27/05/2026

Jeff Koons, Richard Prince, Kenny Scharf and Tom Wesselmann are featured in ‘Sea, Pop & Sun’ at the Villa Carmignac in Porquerolles, France on view through November 1, 2026. The exhibition, nestling between pine trees and the sea, reveals sun-drenched, sensual, soaring works of Pop Art, which continues to radiate its electric energy today.

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‘Sea, Pop & Sun’ reflects on a historical moment in which new social movements, changing moral frameworks, and the rise of the leisure society reshaped everyday life and visual culture.

With its name inspired by the title of Serge Gainsbourg’s provocative hit, the exhibition invites us into the dreamworld of a seaside escape, and a time when the sexual revolution was overturning conventions, morals were shifting, and everything seemed possible. The South of France and its beaches were more than mere holiday postcards; they were gateways to new horizons of freedom and transgression.

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The exhibition is curated by Dr. Dieter Buchhart and Dr. Anna Karina Hofbauer.

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Installation views
Photos by Nicolas Brasseur

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26/05/2026

Li Qing is featured in ‘Flow: 2026 New Year Exhibition’, which is currently on view at the Long Museum (West Bund) in Shanghai, China through June 30, 2026. The exhibition evokes the passage of time, the shifting of space, and the enduring cycle of cultural inheritance and renewal. Organized chronologically, this exhibition traces Chinese art from the 1930s to the present, tracing the evolving artistic landscape of China over nearly a century.

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Showcased are nearly 80 pieces of modern and contemporary Chinese art from a private collection. Each work bears the imprint of its era while revealing the artists’ relentless exploration of cultural identity and artistic expression. Through these works, visitors can sense the artists’ profound affection for their homeland and for life itself. The exhibition seeks to continue this journey alongside its visitors, allowing memories to flow forward toward new beginnings.

Li Qing’s paintings, installations and video works seek rational rifts in similarity and contradiction, acting on the perception and acknowledgment of a viewer through circuitous and overlapped structures. In recent years, his works track the historical fragmentation and ideological conflicts that have occurred widely in the dissemination of information, collective memory, and knowledge experience. Simultaneously, his works are testing the tension and contradiction between image, language, symbol and social space, connecting the multi-level elements of experience in series to construct a conflict structure.

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Installation views
Courtesy of Long Museum
Photo by Shaunley

Artworks
1.‘Black Group Portrait’, 2010
Oil on Canvas

2.’An Interview’, 2012-2013
Oil on Canvas\Frames
Photos by Li Qing Studio

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24/05/2026

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On Sundays, we do reposts from our shows or artists represented by the gallery that you posted on IG. Tag us and we will select the best shots and share them on our feed!

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Here is a photo shared by in a collaboration with featuring Genieve Figgis’ ‘Royal Couple’ (2025) part of ‘Drama Club,’ the artist’s ninth solo exhibition with the gallery currently on view at Almine Rech Monaco until September 25, 2026.

Genieve Figgis is an Irish contemporary painter known for her distinctive figurative paintings that combine dark humor, macabre imagery, and references to art history. Her work evokes the dramatic atmospheres of literary traditions associated with Edgar Allan Poe and Oscar Wilde, while also engaging with the visual legacy of Old Masters such as Francisco Goya. Working primarily in acrylic on small to medium-scale canvases, Figgis creates theatrical scenes characterized by fluid brushwork, vibrant color, and unsettling narratives.

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Thank you for sharing!

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23/05/2026

“There is an emphasis on a particular state of spirituality, concentration, and slowness. And of course, they are all connected too, despite the material and everything, but by a form of minimalism.’

— Henri-Francois Debailleur, Journalist and Art Critic.

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Watch a teaser of a panel discussion featuring Valentina Buzzi (), Curator and Curatorial Researcher at the Park Seo Bo Foundation; Maël Bellec, Curator and Head of the Chinese and Korean Collections at the Musée Cernuschi; Thibault Geffrin, Senior Director at Almine Rech; and moderated by Henri-François Debailleux (), journalist and art critic.

The talk was organized by the gallery on the occasion of ‘Forming the Monochrome: Masters of Dansaekhwa’ at Almine Rech Paris, Matignon, and as part of the 140th anniversary of diplomatic relations and friendship between France and Korea.

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Video by Instant Productions
All rights reserved

©️ Ha Chong-Hyun
©️ Lee Ufan. ADAGP, Paris, 2026
©️ PARKSEOBO FOUNDATION
©️ Chung Sang-Hwa

Courtesy of the artists, Estates and Almine Rech.

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23/05/2026

Youngju Joung’s ‘Spring series’ from 2023, will be featured in ‘X Collection 404: When Landscapes Draw Near’, opening tomorrow, May 24 through August 16, 2026 at the X Museum in Beijing, China. As the fifth collection exhibition, it will focus on the idea of landscape as a subject continuously revisited throughout art history, bringing together more than 40 Chinese and international contemporary artists.

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While Joung Young-Ju paintings are rooted in such experiences, they are also symbolic of Korean society. The city or the hill village reflect poverty and affluence. The artful illumination of these spaces imbues the painted narrow streets, reclining walls and aged rooftops with authenticity; these spaces feel inherently lived-in.

The artist creates these images by crumpling and unfolding traditional Korean paper upon which she paints her work. By creasing, scratching and wrinkling the paper, the artist evokes a way of life that feels authentically dilapidated, used and reused; and yet it retains a distinctly warm and peaceful atmosphere. The medium itself has endured a wearing process, just as the buildings it presents.

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‘Spring series’, 2023
Acrylic and hanji paper on canvas
Each 116.8 × 80.3 cm
Each 46 × 31 1/2 in
Photo by Melissa Castro Duarte
©️ Youngju Joung - Courtesy of the Artist and Almine Rech

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22/05/2026

These are the last days to visit ‘Picasso, the Figure’ at the Louvre Abu Dhabi, UAE, before it closes on May 31, 2026. This landmark exhibition explores the artist’s evolution in modern art by showcasing six Arab modernists whose works engage directly with Picasso’s artistic legacy.

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The exhibition traces Picasso’s treatment of figuration from early experiments with Cubism to classical portraits, surrealist works, and his bold late paintings. ‘Picasso, the Figure’ brings together over 130 artworks, including seven from Louvre Abu Dhabi’s collection, six from the Department of Culture and Tourism – Abu Dhabi, and other significant loans from France, Qatar, Lebanon, the United Arab Emirates and West Asia. Valuable contributions from eight lending institutions, private collections, and one art gallery – including Musée du Louvre (Paris), Mobilier National (Paris), Mathaf: Arab Museum of Modern Art (Doha), Dalloul Art Foundation (Beirut), Meem Gallery (Dubai), and Barjeel Art Foundation (Sharjah) – will further enrich the showcase.

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‘Picasso, the Figure’ is a collaboration between the Louvre Abu Dhabi, the Musée national Picasso-Paris and France museums.

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The exhibition is curated by Cécile Debray, President of the Musée national Picasso-Paris, Virginie Perdrisol-Cassan, Chief Curator and Head of Sculpture and Ceramics at the Musée national Picasso-Paris, and Ascha Jahnke, Associate Curator at Louvre Abu Dhabi

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Installation views of Pablo Picasso in ‘Picasso, the Figure’, on view at Louvre Abu Dhabi, Saadiyat, Abu Dhabi, United Arab Emirates, from January 21 to May 31, 2026.
©️ Département de la culture et du tourisme - Abu Dhabi. / ©️ 2026 Estate of Pablo Picasso / Artists Rights Society (ARS), New York
Photos by Danilo Quiambao/Seven

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21/05/2026

Almine Rech is pleased to announce that Alejandro Cardenas’ ‘Elements of Chance’, from 2024, is now part of the Blanca and Borja Thyssen-Bornemisza Collection. The work will be on loan to Thyssen-Bornemisza Museum, Madrid, Spain.

‘ARACHNE,’ the artist’s’ seventh solo exhibition with the gallery is currently on view at Almine Rech New York until June 13, 2026!
cardenas

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Alejandro Cardenas (born 1977, Santiago, Chile) is a contemporary artist whose paintings and sculptures envision a post-human world where human forms and their environment exist in harmony and unity. Drawing inspiration from Surrealism, science fiction, and magical realism, Cardenas creates surreal, meticulously composed scenes featuring polished, gridded interiors inhabited by angular, faceless figures. His signature humanoids—narrow, wire-frame silhouettes adorned with colorful zigzag patterns—appear calmly reclining, sitting, or standing within minimalist architectural settings. Though these figures lack traditional sensory organs, they convey emotion through posture and gesture, creating a complex spectrum of suggested feelings and psychological presence.

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‘Elements of Chance’, 2024
Oil on linen
127 x 101.6 cm
50 x 40 in
Photo by Pablo Gomez Ogando
©️ Alejandro Cardenas - Courtesy of the Artist and Almine Rech

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75003

Heures d'ouverture

Mardi	11:00 - 19:00
Mercredi	11:00 - 19:00
Jeudi	11:00 - 19:00
Vendredi	11:00 - 19:00
Samedi	11:00 - 19:00

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