Galerie Jocelyn Wolff

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On view in Basel · The Fruits of the Earth. A meditation on food through archaeology and contemporary artGroup show Dieg...
18/06/2026

On view in Basel · The Fruits of the Earth. A meditation on food through archaeology and contemporary art

Group show
Diego Bianchi
Katinka Bock
Santiago de Paoli
Isa Melsheimer
Francisco Tropa
Archeological objects from ancient Mediterranean cultures

Opening hours
Monday to Saturday, 10am-6pm
Otherwise on appointment before and after

📍Galerie Cahn
Malzgasse 23, 4052 Basel, Switzerland
(a few steps from the Kunstmuseum)

Galerie Cahn

Art Basel Kabinett: Marcelle Cahn: A Major Figure of European Abstraction 🔍Visit us at Booth R10 👋Trained within the con...
17/06/2026

Art Basel Kabinett: Marcelle Cahn: A Major Figure of European Abstraction 🔍

Visit us at Booth R10 👋

Trained within the context of German Expressionism under Lovis Corinth, Marcelle Cahn was engaged from an early stage with the major debates surrounding European modernism. Born in Alsace in 1895, when the region was still part of Germany, her position is particularly significant within the Rhineland context of Basel. Today, Marcelle Cahn appears as a seminal figure in European abstraction. Her work is distinguished by its refusal of any strict orthodoxy: its singularity lies in a constant circulation between two poles — a rigorous geometric abstraction inherited from Purism and shaped through her relationship with Piet Mondrian and the world of De Stijl, and a more lyrical and musical sensibility. The originality of her work does not rest upon a fixed synthesis, but rather on the dynamic tension she sustained with remarkable coherence throughout her career. This duality is particularly evident in her use of white: far from functioning as a simple background, it becomes an active space structuring the composition through visual pauses, organizing forms, rhythms, and silences.

Marcelle Cahn (1895–1981) was a French artist associated with geometric abstraction, purism, and constructivism. Throughout her career, she developed a distinctive visual language combining formal rigor with poetic sensitivity, and became known for her abstract composition.

Photos: Julien Grémaud

We are delighted to unveil 𝘓𝘢𝘯𝘵𝘦𝘳𝘯 𝘸𝘪𝘵𝘩 𝘤𝘭𝘰𝘤𝘬 𝘮𝘦𝘤𝘩𝘢𝘯𝘪𝘴𝘮 by Francisco Tropa for Art Basel Exclusive 💡📍 Visit us at Booth ...
16/06/2026

We are delighted to unveil 𝘓𝘢𝘯𝘵𝘦𝘳𝘯 𝘸𝘪𝘵𝘩 𝘤𝘭𝘰𝘤𝘬 𝘮𝘦𝘤𝘩𝘢𝘯𝘪𝘴𝘮 by Francisco Tropa for Art Basel Exclusive 💡

📍 Visit us at Booth R10

Projected light has been incorporated in sculptures and installations from the beginning of Francisco Tropa’s career. Often described as « Lanterns », many of the works include elaborate and precisely crafted devices that project a transparent or translucent object onto a wall, screen, or sculpture. The beam of light creates a dynamic circuit. Viewers are drawn both to the illuminated image and back to the visible mechanism of its creation. As in early projectors called magic lanterns, a single lens inverts the image of the object in front of the light source. The projections are created directly from natural objects rather than slides or film - a leaf, a drop of water, a slice of stone. This series draw on shadow theatre, the allegory of the cave, and early cinematic devices.

Sculpture lies at the core of Francisco Tropa’s practice. Since the early 1990s, his work has received sustained international recognition from institutions and critics, notably in 2011, when he represented Portugal at the Venice Biennale. Bringing together sculpture, drawing, performance, photography, and film, Tropa’s work engages with diverse sculptural traditions while exploring recurring themes such as the body, death, nature, landscape, memory, origin, and time. These concerns unfold through a dense network of references to art history, literature, cinema, and the artist’s own previous works.

Caption:
Francisco Tropa, Lantern with clock mechanism, 2025, bronze, brass, electrical devices, optical devices, clock mechanism, screen, 50 x 50 x 40 cm, Photos by Julien Grémaud

Now open • Galerie Jocelyn Wolff at Art Basel 2026 📍Hall 2.1, Booth R10 17-21 June 2026Manuel Alvess William Anastasi Di...
16/06/2026

Now open • Galerie Jocelyn Wolff at Art Basel 2026

📍Hall 2.1, Booth R10
17-21 June 2026

Manuel Alvess
William Anastasi
Diego Bianchi
Katinka Bock
Miriam Cahn
Harald Klingelhöller
Irene Kopelman
Isa Melsheimer
Santiago de Paoli
Prinz Gholam
Francisco Tropa
Franz Erhard Walther
Yunyao Zhang
Kabinett: Marcelle Cahn

Photos by Julien Gremaud

Art Basel

11/06/2026

We are delighted to participate in Art Basel Exclusive for its first edition, a new initiative spotlighting exceptional works that will be revealed in person at the fair.

We invite you to discover this special presentation at Booth R10.

VIP Days: June 16–17
Public Days: June 18–21
📍 Messeplatz, Basel

Art Basel

Opening · Miriam Cahn at MACRO – Museum of Contemporary Art of Rome!𝘾𝙞ò 𝙘𝙝𝙚 𝙢𝙞 𝙜𝙪𝙖𝙧𝙙𝙖Solo showCurated by Cristiana Perre...
05/06/2026

Opening · Miriam Cahn at MACRO – Museum of Contemporary Art of Rome!

𝘾𝙞ò 𝙘𝙝𝙚 𝙢𝙞 𝙜𝙪𝙖𝙧𝙙𝙖
Solo show
Curated by Cristiana Perrella

Opening 11 June 2026
📅 11 June - 15 November 2026

MACRO – Museum of Contemporary Art of Rome
📍 V. Nizza, 138, 00198 Roma RM, Italie

« The exhibition at MACRO brings together more than 100 works spanning the artist’s entire career, from the late 1970s to her most recent production. Rather than following a chronological order, the exhibition is structured through thematic constellations that foreground the continuity of her formal and political obsessions: the representation of the female body, the critique of wartime violence, and eroticism as an act of resistance. »

Last week · Katinka Bock at Marta Herford!𝘾𝙖𝙧𝙩𝙤𝙜𝙧𝙖𝙥𝙝𝙞𝙚𝙨 𝙤𝙛 𝙂𝙧𝙤𝙬𝙩𝙝𝙆𝙖𝙩𝙞𝙣𝙠𝙖 𝘽𝙤𝙘𝙠 𝙞𝙣 𝘿𝙞𝙖𝙡𝙤𝙜𝙪𝙚 𝙬𝙞𝙩𝙝 𝙇𝙤𝙞𝙨 𝙒𝙚𝙞𝙣𝙗𝙚𝙧𝙜𝙚𝙧📍 Marta He...
02/06/2026

Last week · Katinka Bock at Marta Herford!

𝘾𝙖𝙧𝙩𝙤𝙜𝙧𝙖𝙥𝙝𝙞𝙚𝙨 𝙤𝙛 𝙂𝙧𝙤𝙬𝙩𝙝
𝙆𝙖𝙩𝙞𝙣𝙠𝙖 𝘽𝙤𝙘𝙠 𝙞𝙣 𝘿𝙞𝙖𝙡𝙤𝙜𝙪𝙚 𝙬𝙞𝙩𝙝 𝙇𝙤𝙞𝙨 𝙒𝙚𝙞𝙣𝙗𝙚𝙧𝙜𝙚𝙧

📍 Marta Herford
Goebenstraße 4/10, 32052 Herford, Germany

On view until 7 June 2026

« In the unique architecture of the Gehry Galleries, works by the visionary pioneer Lois Weinberger (*1947 in Stams, † 2020 in Vienna) and the contemporary sculptor Katinka Bock (*1976 in Frankfurt, lives in Paris) enter into an artistic dialogue. This is dedicated to processes that are inherent in nature and material as well as in architecture and space. While Weinberger dedicated his work to so-called « ruderal plants », supposed weeds, as well as cartographies and archaeological traces, Katinka Bock focuses her work on physical changes in materials, which she transforms into poetic installations. Both artists share an interest in natural processes, which are used artistically. The works selected for the exhibition, some of which were newly created, react to the museum architecture and literally grow beyond it into the outdoor space around the Marta. »

Exhibtion views by Hans Schröder

Weinberger

Adresse

1 Rue De Penthièvre
Paris
75008

Heures d'ouverture

Mardi 10:00 - 18:00
Mercredi 10:00 - 18:00
Jeudi 10:00 - 18:00
Vendredi 10:00 - 18:00
Samedi 10:00 - 18:00

Notifications

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