Hannelotte Schaefer

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Miscellaneous news from my work shop' objet de terre' - an open volume from the series ' containers', seen in my herb ga...
12/04/2022

Miscellaneous news from my work shop

' objet de terre' - an open volume from the series ' containers', seen in my herb garden in front of the workshop
and
ephemeral soft material sculpture, made of cotton plaids, a conceptual photograph, taken early in the morning
and

portraits of the artist, ongoing facial informations

F  L   O  W   E. R  Sassmall size soft materialSCULPTURES... an ongoing artistic project -   from 1997 when it started i...
05/01/2022

F L O W E. R S

as

small size soft material

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... an ongoing artistic project - from 1997 when it started in Paris in ancient ' chambres de bonnes'

A W O R K ON PAPER IN THREE DIMENSIONS

A CRAFTED WORK

A WORK OF RETHINKING

A WORK OF GESTURES, TRACES

A CONTRIBUTION TO INFORMAL ART, TO ABSTRACT EXPRESSIONISM

conserved in the artist 's archive in Paris

CAMERA WORK © H S 2022

' DO ROSES  LIKE TO BE REPRESENTED IN IMAGE  -  REALLY  ? ' Black and white photographVariable dimensions for the printe...
06/11/2021

' DO ROSES LIKE TO BE REPRESENTED IN IMAGE
- REALLY ? '

Black and white photograph

Variable dimensions for the printed edition ( LIMETED TO 9, + ARTIST 'S PROOF 2 )

Part of an entire series of portraits of roses, published at beginning of november 21 on my FB page and on instagram

2021

CAMERA WORK © H S 2 0 2 1

As the title implies a question iconography is dealing with subjectivity and trust. Of course roses havn ' t been considered very often as beings capable of making decisions. Imagination however allows supposing such mental capacity.

The human gaze on a flower by asking ' Do roses like being represented in image...? ' changes. Seeing a flower as a b e i n g with emotions means giving up domination by subjectivity, offering a visual exchange we are knowing from portraiture art.

The portrait of a rose

Trust me

Adresse

Paris
75005

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