Laura Morelli

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Laura Morelli Laura Morelli, Ph.D. | Art historian | USA Today & PW bestselling historical novelist
Take a class, LAURA MORELLI holds a Ph.D.

in art history from Yale University, has taught college students in the U.S. and in Italy, and currently produces art history lessons for TED-Ed. She authored a column for National Geographic Traveler called “The Genuine Article” and has contributed pieces about art and authentic travel to CNN Radio, The Frommers Travel Show, and in USA TODAY, Departures, and other media. Laura is the author of the Authentic Arts guidebook series that includes the popular book Made in Italy. Her fiction brings the stories of art history to life. Her debut novel, The Gondola Maker, won an IPPY for Best Historical Fiction and a Benjamin Franklin Award. The Night Portrait is a USA Today and Publishers Weekly bestseller, and has been a book club pick at Target, Costco, and Veranda Magazine.

I am always fascinated by the over-the-top displays of the Madonna and saints in churches across southern Italy.But this...
06/09/2026

I am always fascinated by the over-the-top displays of the Madonna and saints in churches across southern Italy.

But this photo was actually an accident.

In the evening, when I scrolled through my camera roll, this one stopped me in my tracks.

I can only surmise some kind of special protection has been bestowed upon me.

Madonna mia. 😼

🙏

Southern Italy—or Star Wars planet?
03/09/2026

Southern Italy—or Star Wars planet?

I’m so back, y’all
   ☀
01/09/2026

I’m so back, y’all


☀

A few days of R & R in Edinburgh and the chilly Scottish Highlands
And now I’m headed back to the sun, summertime, and m...
31/08/2026

A few days of R & R in Edinburgh and the chilly Scottish Highlands


And now I’m headed back to the sun, summertime, and my Favorite. Thing. Ever.

☀

Greetings from a chilly Ireland (good thing I packed my wellies and warm jacket!).But I'm still basking in the glow of t...
25/08/2026

Greetings from a chilly Ireland (good thing I packed my wellies and warm jacket!).

But I'm still basking in the glow of the Historical Novel Society conference, which wrapped up on Sunday at Maynooth University, near Dublin.

Here are some highlights of one of my favorite events of the year:

📚 The chance to hug and break bread with my writer friends. Truly, this is the BEST thing about the Historical Novel Society conference, and the main reason I register for it every year. It's my tribe.

📚 My session, "Looking for Stories in Art," brought in more than a hundred people into an auditorium (that's nearly half of everyone registered for the entire conference—what??!!!). I put a series of works of art in front of a room of historical novelists and asked them to return a one-line concept for a book based on a work of art--in only a few minutes. This was so fun, y'all! I am blown away by the creativity of this hive mind.

📚 A memorable excursion to the megalithic tombs at Knowth and Newgrange. These structures are older than Stonehenge, older than the pyramids at Giza—and aligned with the sun on the solstices. It is always mind-boggling and humbling to step inside a prehistoric monument like this.

📚 A walk to Trinity Library to see the Book of Kells, the four Gospels illustrated by monks around the year 800 on calfskin vellum. This book is extraordinary because of the illustrations in and around the words: pages where a single letter unspools into an impossibly complicated web of interlace and animals. This amazing book has been on my bucket list for ages!

📚 A side quest to Galway and County Mayo that involved more than 20,000 steps.

📚 And the essential business: tea and snacks and adult beverages, laughs, the usual hand-wringing about the state of publishing, and the important reminder that we are all making it up as we go.

📚 The promise of doing it all again at next year's conference state-side.

P.S. I have secretly placed a few signed books around Dublin, Ireland. Let me know if you find one! :)

This morning finds me back at it again... Trying to wedge the absolute maximum into my suitcase. I'm off to Europe tomor...
18/08/2026

This morning finds me back at it again... Trying to wedge the absolute maximum into my suitcase.

I'm off to Europe tomorrow!

I'm heading to one of my favorite events of the year: The Historical Novel Society conference. This wonderful book-nerd-fest alternates locations on either side of the Atlantic. This year, it's taking place in Ireland (I ventured to last year's location in Las Vegas under duress—ha ha).

We historical novelists work in our own little writers' caves most of the time, which makes getting together in person extra special. I can't wait to convene with "my people" and hug my friends.

I'll be leading a conference session called "Looking for Stories in Art." I've set up a fun hands-on activity for my fellow historical novelists, and I'm excited to see how that goes. The session combines my two loves—art history and storytelling. Wish me luck!

While in Ireland, I'm off to explore the prehistoric sites at Newgrange, as well as checking off an experience high on any self-respecting medievalist's bucket list: seeing the 9th-century Book of Kells at Trinity College in person. I'm sooooo excited.

Once the conference concludes, I'm heading to the Scottish Highlands for a few days of R & R, and then...

It's on to a research trip in southern Italy. More about that soon.

Meanwhile, I'm back to figuring out how to wedge more books into my bag. Wish me luck!

09/08/2026

Books have a magical way of forging friendships.Last winter, I was staying in an apartment in Perugia inside a centuries...
01/08/2026

Books have a magical way of forging friendships.

Last winter, I was staying in an apartment in Perugia inside a centuries-old building. During the day, I was out exploring art exhibitions and Etruscan sites. But the dark came early.

In the evenings, I started reading Linda Lappin's novel, The Etruscan, which had just come out in a second edition. By the end of the first chapter, I was hooked.

As the sun set, I hurried back to my apartment and curled up in a chair in my ancient quarters to pick the book up again. I marveled at Linda's ability to capture that particularly weird and wonderful Etruscan vibe on the page. I flew through it, regretting when it was over so fast.

My friend Mary Jane Cryan (another friend I met because... books) gave me Linda's email address, and I wrote to tell her how much I loved The Etruscan.

That led to more messages, then dinner, then a generous invitation to stay, and wonderful conversations about writing and culture and family and continents separated by oceans.

Now Linda has written about one of my own books, The Keeper of Lost Art, in a review for the California Review of Books.

And I've been back out to Linda's neck of the woods, venturing intrepidly into the wilds of Tuscia—in the rain and the cold and the heat—into some of the most unjustly neglected corners of ancient Italy.

I always feel a thrill, a chill, a physical jolt of electricity when I approach an Etruscan site. Sometimes I half expect one of Linda's most memorable characters, the mysterious and charismatic Count Federigo, to be waiting for me just inside a T-shaped doorway.

When I start counting all the friends I've made because of books, I'm amazed. Book friends really do make the best ones.

https://calirb.com/keeper-of-lost-art-by-laura-morelli/

See previous post 👀
16/07/2026

See previous post 👀

15/07/2026

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