Rock My Rebel Soul

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Rock My Rebel Soul AKA Rock My Rebel Soul. This is a Bohemian Lifestyle Magazine or E-zine. This page is all inclusive with unconditional ideas, beliefs & community inspiration.

Mediterranée Minute is dedicated to show you Culture in France as a visual and musical exploration of the Mediterranean, its rhythms, rebellion, and lived artistry, rooted in southern France. My pages & groups are designed for entertainment purposes. Doing my best to bring new original content daily. Check captions & comments for additional information & credits on posts. I also wanted to share Amazon Storefront where I will be sharing my favorite products from the posts. Please follow to get updated on the best items.
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15/10/2026

🌾 Montpellier in October Purple Flowers Pink Umbrellas

After a difficult summer, October was supposed to give us a little breathing room. Life in Montpellier has been under strain lately, and sometimes even the simple pleasure of enjoying a change of season feels harder to come by.

So, for 23 seconds, I’m concentrating on the good stuff: deep purple flowers, ornate Haussmannian architecture, and those brilliant pink umbrellas adding a splash of color to the stone façades.

The world can be complicated. Beauty still deserves our attention. 💜

11/10/2026

A 360 view of the art gallery for street artists in the Verdanson of Montpellier. Some overgrown vines add some nice touches to the scene.

🌊 Monochrome Waves of MontpellierđŸ“· Michele Gandee
11/10/2026

🌊 Monochrome Waves of Montpellier
đŸ“· Michele Gandee

🍁Sainte Perpetue Autumn Light in NimesđŸ“· Michele Gandee
07/10/2026

🍁Sainte Perpetue Autumn Light in Nimes
đŸ“· Michele Gandee

Garden Avenue Jardin des Plantes, Montpellier (Avenue du jardin Jardin des Plantes, Montpellier) đŸ“· Michele Gandee       ...
07/10/2026

Garden Avenue Jardin des Plantes, Montpellier (Avenue du jardin Jardin des Plantes, Montpellier)

đŸ“· Michele Gandee

🐉 Emerald Source of Grabels, France I photographed this natural spring at the Source of Grabels, capturing the clear gre...
05/10/2026

🐉 Emerald Source of Grabels, France
I photographed this natural spring at the Source of Grabels, capturing the clear green water beneath a rugged rock overhang covered with moss, grasses and exposed roots. The scene immediately caught my attention because of the combination of textures and color: deep greens across the moss and vegetation, cool turquoise water, and warmer mineral tones running through the weathered rock.

I later developed the photograph with a stronger HDR treatment to emphasize the physical character of the place. The enhanced contrast brings out the layers of limestone, moss, algae, roots and submerged stone while preserving the natural relationship between the rock formation and the spring. I particularly wanted the turquoise water to remain a dominant element, creating a cool visual counterpoint to the warmer earth tones of the surrounding rock.

The composition draws the eye beneath the overhanging formation and toward the spring, then into the textured shallow water in the foreground. The rounded stone within the rock wall provides another point of visual interest, while the exposed roots and surrounding vegetation add organic lines that lead through the image.

This photograph sits between landscape photography and natural abstraction. The subject is a real place, but the combination of saturated color, intricate texture and strong HDR definition gives the scene an almost otherworldly quality. It is a study of water, limestone, moss and light at the Source of Grabels in southern France.
đŸ“· Michele Gandee

đŸ‡«đŸ‡·

J'ai photographié cette source naturelle à la source de Grabels, capturant l'eau verte claire sous un surplomb rocheux accidenté recouvert de mousse, d'herbes et de racines exposées. La scÚne a immédiatement attiré mon attention en raison de la combinaison de textures et de couleurs : des verts profonds à travers la mousse et la végétation, de l'eau turquoise fraßche et des tons minéraux plus chauds qui traversent la roche altérée.

J'ai ensuite développé la photographie avec un traitement HDR plus fort pour souligner le caractÚre physique de l'endroit. Le contraste amélioré fait ressortir les couches de calcaire, de mousse, d'algues, de racines et de pierre submergée tout en préservant la relation naturelle entre la formation rocheuse et la source. Je voulais particuliÚrement que l'eau turquoise reste un élément dominant, créant un contrepoint visuel cool aux tons de terre plus chauds de la roche environnante.

La composition attire l'Ɠil sous la formation en surplomb et vers la source, puis dans l'eau peu profonde texturĂ©e au premier plan. La pierre arrondie Ă  l'intĂ©rieur de la paroi rocheuse fournit un autre point d'intĂ©rĂȘt visuel, tandis que les racines exposĂ©es et la vĂ©gĂ©tation environnante ajoutent des lignes organiques qui mĂšnent Ă  travers l'image.

Cette photographie se situe entre la photographie de paysage et l'abstraction naturelle. Le sujet est un lieu réel, mais la combinaison de couleurs saturées, de texture complexe et de forte définition HDR donne à la scÚne une qualité presque d'un autre monde. C'est une étude de l'eau, du calcaire, de la mousse et de la lumiÚre à la source de Grabels dans le sud de la France.
đŸ“· Michele Gandee

L’Arbre Blanc Architectural GeometryI photographed LArbre Blanc in Montpellier, France, with my Canon 5D Mark II, lookin...
01/10/2026

L’Arbre Blanc Architectural Geometry

I photographed LArbre Blanc in Montpellier, France, with my Canon 5D Mark II, looking upward at one of the citys most distinctive pieces of contemporary architecture. From this angle, the building becomes less like a conventional residential tower and more like a geometric landscape of white balconies, sharp lines, projecting planes and open space against an intense Mediterranean blue sky.

L’arbre Blanc, or The White Tree, was designed by an international team including Japanese architect Sou Fujimoto, Nicolas Laisne, Manal Rachdi and Dimitri Roussel. The architects conceived the building around the idea of living between indoors and outdoors, drawing from both Mediterranean and Japanese influences. Its many projecting terraces give the tower its tree-like appearance and create a striking rhythm across the facade.

That rhythm is what caught my eye when I made this photograph. I was less interested in documenting the entire building than in isolating the repetition, perspective and architectural geometry created by the balconies and railings. The blue sky provides a dramatic field of negative space, while the white structure seems to climb endlessly upward.

For me, this image sits somewhere between architectural photography and abstraction. The building remains recognizable as LArbre Blanc, but the viewpoint turns its balconies into repeating shapes, lines and patterns. It is a study of contemporary architecture, Mediterranean light and Montpelliers modern cityscape.

Taken with my Canon 5D Mark II camera in Montpellier, France đŸ‡«đŸ‡·
đŸ“· Michele Gandee

Montpellier Underground HistoryMontpellier is very good at showing you the version of itself it wants remembered. There ...
30/09/2026

Montpellier Underground History

Montpellier is very good at showing you the version of itself it wants remembered. There is the grand sweep of the Promenade du Peyrou, the arches of the Aqueduc Saint-Clément, the Jardin des Plantes, all that limestone and imperial confidence. Then you turn into the older streets around Saint-Pierre and find something much less interested in putting on a show.

Beneath the modern city sits a medieval Jewish mikveh.

That is the sort of history I trust. Not the statue announcing who won, but the room somebody built for people to practice their faith, followed by centuries of ordinary life happening above it.

In 1306, Philip IV ordered the expulsion of Jews from his kingdom, seizing property and assets in the process. The definitive expulsion from France came later, in 1394, under Charles VI. The difference between those dates matters, because medieval history has enough convenient shortcuts without us inventing more.

Montpellier had a Jewish community deeply involved in medicine, scholarship and commerce. Its members were expelled, and the community was scattered. The buildings, however, had nowhere to go.

In 1307, Philip IV turned his attention to the Knights Templar. Arrests, accusations and confiscations followed. Medieval government had discovered that righteousness was a remarkably convenient wrapper for taking things.

Centuries later, the Protestants got their turn. Louis XIV revoked the Edict of Nantes in 1685, and the dragonnades brought soldiers into Protestant households to pressure families into conversion. Private belief had once again become something the state felt entitled to manage.

People adapted. They prayed quietly. They taught children in secret. They learned which parts of themselves could safely be shown in public and which belonged behind a closed door.

Then came the twentieth century, when France found some very old habits could be made considerably more efficient with paperwork.

During the German occupation and the Vichy regime, Jewish people across France faced persecution, arrest and deportation. In Montpellier, Resistance networks and Jewish organizations worked clandestinely to protect people, produce false papers and help them escape persecution.

Meanwhile, the mikveh had become something far less dramatic: a cellar, storage space, part of a private building. History had been covered with ordinary life.

Archaeological work in 1985, associated with Professor Carol Iancu, helped bring the mikveh back into public awareness.

That is the strange thing about archaeology. Sometimes you don’t discover something new. You discover something everyone forgot to remember.

Today, Montpellier’s Jewish and Protestant communities exist openly. The old restrictions belong to the historical record. The people those restrictions tried to remove from public life left more behind than the paperwork suggests.

The mikveh is still there.

And today, Montpellier is flooding. So somewhere beneath the old city, I imagine the rats are reconsidering their housing arrangements.

Above them, Montpellier has monuments built to announce power, wealth and permanence. Below it is a room that survived simply because someone built it, used it, and eventually forgot about it.

History does that sometimes. It leaves the official story upstairs and the evidence in the cellar.

⛔ Dock Masts at La Grande Motte, France đŸ‡«đŸ‡· Region OccitaneDepartment of Herault near Montpellier.Higher resolution avai...
30/09/2026

⛔ Dock Masts at La Grande Motte, France đŸ‡«đŸ‡·

Region Occitane
Department of Herault near Montpellier.

Higher resolution available for prints on my website.

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Montpellier
34000

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