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This fragmented amphora is believed to have been uncovered among the ruins of an ancient popular sanctuary dedicated to ...
12/05/2026

This fragmented amphora is believed to have been uncovered among the ruins of an ancient popular sanctuary dedicated to urban games and rites of resistance. Archaeologists suggest it once depicted a symbolic conflict opposing the Skathores, wandering young warriors armed with skateboards, to the representatives of an authoritarian power now long vanished.

On the lower frieze, several fighters clash in a battle scene inspired by Attic black-figure pottery. The shields bear emblems reminiscent of former imperial powers, while at the center an insurgent warrior charges forward, his hair swept by movement, echoing the heroic figures of mythological wars.

The upper frieze depicts a chimera attacked by rats and birds. Specialists interpret this scene as an allegory of marginalized creatures rising against a monstrous force symbolizing fear, propaganda, and domination.

The work deliberately borrows the visual language of archaic Greek amphorae: narrative registers, geometric motifs, symbolic bestiary, and reserved figures against a dark background. Yet here, the heroic tales of Antiquity are replaced by a contemporary mythology born from street culture, skateboarding, and antifascist struggles.

Presented in Ladispoli, Italy before entering the collection of

Skathores contra fascismum
V.26 B.C — Chalon-sur-Saône (Cabillonum)
Attic krater with wooden and white figures

Coniuges Romani et filia biennis marks a shift in my practice.For several years, I have been producing fictional relics ...
01/03/2026

Coniuges Romani et filia biennis marks a shift in my practice.

For several years, I have been producing fictional relics from a parallel antiquity where skateboarding once existed. Until now, I remained outside the narrative. I invented fragments, figures and archaeological remains.

For the first time, I enter it.

This family portrait depicts a skateturion, his partner and their two year old daughter. An intimate scene treated as an ancient engraving, merging Greco Roman iconography with skate culture.

The piece measures 150 x 120 cm. It is made from reclaimed cardboard stretched over pallet wood battens. Reuse remains central, even as the support changes.

This work is also an exploration.
Here I extend my engraving language onto canvas and recycled cardboard, without yet knowing whether this material will become a lasting direction in my practice.

It opens a possibility.
Not only producing artifacts from a fictional world, but inscribing myself within it.

Coniuges Romani et filia biennis
V.25 B.C — Chalon-sur-Saône (Cabillonum)
Antique colored engraving

This weekend I turned 37. The length attributed to the reign of Romulus, founder of Rome.For five years, I have been cre...
16/02/2026

This weekend I turned 37. The length attributed to the reign of Romulus, founder of Rome.

For five years, I have been creating fictional relics from broken skateboard decks, barrel staves, discarded road signs and recycled cardboard. Objects that could surface from an archaeological excavation in a parallel antiquity.

There is still a vast number of ideas to explore. New formats. New materials. New techniques. The Greco-Roman world remains an inexhaustible source.

Rome keeps rolling!

Some views of our show with "Bacchus Avernus erat" with , in december at@laresidence_03290, in Dompierre-sur-Besbres    ...
15/02/2026

Some views of our show with "Bacchus Avernus erat" with , in december at@laresidence_03290, in Dompierre-sur-Besbres

This monumental kylix, presented as a fragmentary assemblage, depicts a scene drawn from the Dionysian repertoire. Bacch...
07/02/2026

This monumental kylix, presented as a fragmentary assemblage, depicts a scene drawn from the Dionysian repertoire. Bacchus stands with a cup raised; facing him, a maenad advances, carrying a vessel intended for the service of wine.

The scene does not recount a specific episode. It holds a ritual moment in tension: that of the symposion, a suspended space in which wine is neither mere drink nor decoration, but an active agent of relation.

The vine scrolls and vegetal motifs invade the composition. They are not ornamental. They signal a continuity between nature, bodies, and ritual, reminding us that celebration is a force that traverses epochs as much as it belongs to a given culture.

The work is composed of fragmented skateboard decks, subsequently covered with clay. This contemporary material, marked by use, impact, and repetition, is deliberately treated as a vestige. It does not quote Antiquity; it adopts its temporal regime.

Presented as a relic without stable dating, this kylix does not seek to reconstruct the past. It proposes a continuity: that of a rite which changes form yet persists, so long as matter retains the memory of bodies and use.

Bacchanalia Kylix
V.25 B.C — Dompierum Berbera (Dompierre-sur-Besbre)
Attic kylix with wooden and white figures, made of wood covered with clay

Sneak peek through my gladiaskators masks of my exhibition at , in Dompierre-sur-Besbres.
23/12/2025

Sneak peek through my gladiaskators masks of my exhibition at , in Dompierre-sur-Besbres.

Some photos of the new monstrous bowl by  at  that I had the chance to paint.Well done to  for the work and thank you  f...
04/12/2025

Some photos of the new monstrous bowl by at that I had the chance to paint.

Well done to for the work and thank you for the help.

Inspired by  ' cult concept of the circle board, this work reinterprets the perpetual motion of skateboarding as a mytho...
02/12/2025

Inspired by ' cult concept of the circle board, this work reinterprets the perpetual motion of skateboarding as a mythological gesture.

Presented at the Musée des Beaux-Arts in Beaune in "Legends of Sport" exhibition, it combines ancient motifs and recycled skateboards to create a bridge between urban culture and classical iconography. A tribute to movement, daring, and the legends of contemporary sport.

Kyklos Gonzalesii
V.24 B.C — Belenus (Beaune)
Attic black-figure kylix

Il y a un mois jour pour jour, 24 jeunes lyonnais peignaient sur des planches de skate recyclées en sculptures romaines....
21/11/2025

Il y a un mois jour pour jour, 24 jeunes lyonnais peignaient sur des planches de skate recyclées en sculptures romaines.

Après une visite de l'exposition temporaire C’EST CANON ! L’ART CHEZ LES ROMAINS, ils ont été invité à colorer et réinterpréter leur version d'Aphrodite et de Diadumène.

EN
Exactly one month ago, 24 young people from Lyon painted recycled skateboards, transforming them into Roman sculptures.

After visiting the temporary exhibition C’EST CANON ! L’ART CHEZ LES ROMAINS (It's Canon! Art Among the Romans), they were invited to color and reinterpret their own versions of Aphrodite and Diadumenos.

©photo : Métropole de Lyon – Louison Desforêts

Un grand merci à tous ceux qui se sont joints à nous pour le vernissage de notre nouvelle exposition "Bacchus Avernus er...
19/11/2025

Un grand merci à tous ceux qui se sont joints à nous pour le vernissage de notre nouvelle exposition "Bacchus Avernus erat" la semaine dernière.

L'exposition est visible à jusqu'au 13 décembre 2025.

EN
Huge thanks to everyone who joined us for the opening of our new exhibition "Bacchus Avernus erat" last week.

Catch the exhibition at until December 13, 2025.

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